Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2563
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2640
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2643 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
  -formView: Symfony\Component\Form\FormView {#2679 …}
  -form: Symfony\Component\Form\Form {#2829 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2695
    -nom: "A Love Supreme"
    -informationComplementaire: null
    -description: """
      - All-Analog 180 gram Vinyl LP !\r\n
      - Remastered & Pressed at Quality Record Pressings !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes !\r\n
      - Michael Fremer Rated 11/11 Music, 10/11 Sonics !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 66 / 500 !\r\n
      \r\n
      Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two-and-a-half years.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.\r\n
      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ll3CMgiUPuU&list=RDll3CMgiUPuU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Impulse 8744"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Love Supreme, Pt. I – Acknowledgement (Monophonic Mix)"
        "ordre" => 1
      ]
      [
        "nom" => "2. A Love Supreme, Pt. II – Resolution (Monophonic Mix)"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. A Love Supreme, Pt. III – Pursuance (Monophonic Mix)"
        "ordre" => 4
      ]
      [
        "nom" => "2. A Love Supreme, Pt. IV – Psalm (Monophonic Mix)"
        "ordre" => 5
      ]
      [
        "nom" => ""
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1754343794 {#1875
      date: 2025-08-04 21:43:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754412628 {#1868
      date: 2025-08-05 16:50:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-love-supreme-acoustic-sounds-series-impulse-8744"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3104
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2695
    -nom: "A Love Supreme"
    -informationComplementaire: null
    -description: """
      - All-Analog 180 gram Vinyl LP !\r\n
      - Remastered & Pressed at Quality Record Pressings !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes !\r\n
      - Michael Fremer Rated 11/11 Music, 10/11 Sonics !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 66 / 500 !\r\n
      \r\n
      Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two-and-a-half years.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.\r\n
      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ll3CMgiUPuU&list=RDll3CMgiUPuU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Impulse 8744"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Love Supreme, Pt. I – Acknowledgement (Monophonic Mix)"
        "ordre" => 1
      ]
      [
        "nom" => "2. A Love Supreme, Pt. II – Resolution (Monophonic Mix)"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. A Love Supreme, Pt. III – Pursuance (Monophonic Mix)"
        "ordre" => 4
      ]
      [
        "nom" => "2. A Love Supreme, Pt. IV – Psalm (Monophonic Mix)"
        "ordre" => 5
      ]
      [
        "nom" => ""
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1754343794 {#1875
      date: 2025-08-04 21:43:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1754412628 {#1868
      date: 2025-08-05 16:50:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-love-supreme-acoustic-sounds-series-impulse-8744"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2674
    -nom: "Rollin' With Leo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Leo Parker was the first baritone saxophonist on the bebop scene and gained prominence in Billy Eckstine's band as a member of the "Unholy Four" saxophone section that also included Sonny Stitt, Dexter Gordon, and Gene Ammons in the mid-1940s. Personal troubles sidelined Parker in the 1950s, but in 1961 he made a tragically brief comeback on Blue Note when he recorded two excellent sessions-Let Me Tell You ‘Bout It and Rollin' With Leo-before he died of a heart attack just months later at age 36. Rollin' With Leo had been prepared for release, including an album cover design by Reid Miles, but wound up being shelved and not released until 1980 as part of the LT Series. The 8-song set includes swinging Parker originals like "The Lion's Roar" and "Jumpin' Leo" performed by a band including Dave Burns on trumpet, Bill Swindell on tenor saxophone, Johnny Acea on piano, Stan Conover and Al Lucas on bass, and Wilbert Hogan and Purnell Rice on drums.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
    -musicienOrchestre: "Leo Parker (baritone saxophone), Dave Burns (trumpet), Bill Swindell (tenor saxophone), John Acea (piano), Stan Conover, Al Lucas (bass), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-QzHZwOCi8U"
    -referenceProduit: "Blue Note Tone Poet Series 84095"
    -titreMorceau: [
      [
        "nom" => "1. Jumpin' Leo"
        "ordre" => 6
      ]
      [
        "nom" => "1. The Lion's Roar"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bad Girl"
        "ordre" => 2
      ]
      [
        "nom" => "2. Talkin' The Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rollin' With Leo"
        "ordre" => 3
      ]
      [
        "nom" => "3. Stuffy"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mad Lad Returns"
        "ordre" => 9
      ]
      [
        "nom" => "4. Music Hall Beat"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1747122766 {#2041
      date: 2025-05-13 07:52:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748680323 {#2042
      date: 2025-05-31 08:32:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rollin-with-leo-blue-note-tone-poet-series-84095"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3218
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2674
    -nom: "Rollin' With Leo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Leo Parker was the first baritone saxophonist on the bebop scene and gained prominence in Billy Eckstine's band as a member of the "Unholy Four" saxophone section that also included Sonny Stitt, Dexter Gordon, and Gene Ammons in the mid-1940s. Personal troubles sidelined Parker in the 1950s, but in 1961 he made a tragically brief comeback on Blue Note when he recorded two excellent sessions-Let Me Tell You ‘Bout It and Rollin' With Leo-before he died of a heart attack just months later at age 36. Rollin' With Leo had been prepared for release, including an album cover design by Reid Miles, but wound up being shelved and not released until 1980 as part of the LT Series. The 8-song set includes swinging Parker originals like "The Lion's Roar" and "Jumpin' Leo" performed by a band including Dave Burns on trumpet, Bill Swindell on tenor saxophone, Johnny Acea on piano, Stan Conover and Al Lucas on bass, and Wilbert Hogan and Purnell Rice on drums.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
    -musicienOrchestre: "Leo Parker (baritone saxophone), Dave Burns (trumpet), Bill Swindell (tenor saxophone), John Acea (piano), Stan Conover, Al Lucas (bass), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-QzHZwOCi8U"
    -referenceProduit: "Blue Note Tone Poet Series 84095"
    -titreMorceau: [
      [
        "nom" => "1. Jumpin' Leo"
        "ordre" => 6
      ]
      [
        "nom" => "1. The Lion's Roar"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bad Girl"
        "ordre" => 2
      ]
      [
        "nom" => "2. Talkin' The Blues"
        "ordre" => 7
      ]
      [
        "nom" => "3. Rollin' With Leo"
        "ordre" => 3
      ]
      [
        "nom" => "3. Stuffy"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mad Lad Returns"
        "ordre" => 9
      ]
      [
        "nom" => "4. Music Hall Beat"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1747122766 {#2041
      date: 2025-05-13 07:52:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1748680323 {#2042
      date: 2025-05-31 08:32:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rollin-with-leo-blue-note-tone-poet-series-84095"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2065
    -id: 2677
    -nom: "My Funny Valentine - SuperVinyl"
    -informationComplementaire: "Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary, Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity"
    -description: """
      - Miles Davis Gets Balladic on My Funny Valentine: Live Set Is Distinguished with Deep Emotions, Poetic Elegance, and Sensitive Beauty !\r\n
      \r\n
      - Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 64 to analog console to lathe !\r\n
      \r\n
      My Funny Valentine: Miles Davis in Concert marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps to Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis’ oft-controversial avant-garde leanings. \r\n
      \r\n
      Most significantly, the richly textured set the bookend to the fast-paced Four & More captures the warm ballads and delicate pieces performed at a February 12, 1964 benefit concert at New York’s then-new Philharmonic Hall that occurred just months after President Kennedy’s assassination. Seemingly channeling divine inspiration, Davis never sounded more elegant or poetic, particularly given the uniqueness of this 60th Anniversary Edition pressing. \r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton jacket, pressed at Fideltiy Record Pressing on MoFi SuperVinyl, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP plays with stunning depth, presence, dynamics, clarity, and ambience. Benefitting from SuperVinyl’s low-as-possible noise floor and superb groove definition, this audiophile LP boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns are rendered with palpable detail. \r\n
      \r\n
      Held as a benefit to support voter registration in the South and a fundraiser for NAACP, the Congress of Racial Equality, and SNCC the concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. The unforeseen circumstances surrounding Kennedy’s death further raised the stakes. Having professed admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (in particular, the title track) as an homage to the fallen leader.\r\n
      \r\n
      Nearing their one-year anniversary together, he and his band turned half the event into a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate these performances; Davis and his Harmon mute paint with intricate brushstrokes. \r\n
      \r\n
      Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader’s equal. They would continue with Davis until later in the decade, helping form his Second Great Quintet. But the secret weapon on My Funny Valentine arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem “one of the unsung heroes of modern jazz”. His lines are subtle and sophisticated, straight-ahead but capable of unanticipated direction. Here, Coleman comes into his own.\r\n
      \r\n
      The combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the group on My Funny Valentine exceeds that of any of Davis' live 1960s efforts. One listen confirms something special transpiring. And on this breathtaking reissue, those properties are rendered in a manner that’s as transparent to the source. Here’s your chance to experience them again and again.\r\n
      \r\n
      MoFi SuperVinyl :\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound devised. Expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a carbonless dye (hold the disc up to the light and see) and produces ultra-quiet surfaces. This high-definition formula also allows for the creation of clean grooves that are virtually indistinguishable from the original lacquer.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
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    -informationComplementaire: "Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary, Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity"
    -description: """
      - Miles Davis Gets Balladic on My Funny Valentine: Live Set Is Distinguished with Deep Emotions, Poetic Elegance, and Sensitive Beauty !\r\n
      \r\n
      - Mastered at MoFi’s Studio in Honor of Album's 60th Anniversary Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP Plays with Lifelike Clarity !\r\n
      \r\n
      - 1/4" / 15 IPS analog copy to DSD 64 to analog console to lathe !\r\n
      \r\n
      My Funny Valentine: Miles Davis in Concert marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps to Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis’ oft-controversial avant-garde leanings. \r\n
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      Most significantly, the richly textured set the bookend to the fast-paced Four & More captures the warm ballads and delicate pieces performed at a February 12, 1964 benefit concert at New York’s then-new Philharmonic Hall that occurred just months after President Kennedy’s assassination. Seemingly channeling divine inspiration, Davis never sounded more elegant or poetic, particularly given the uniqueness of this 60th Anniversary Edition pressing. \r\n
      \r\n
      Mastered at MoFi’s California studio, housed in a Stoughton jacket, pressed at Fideltiy Record Pressing on MoFi SuperVinyl, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM SuperVinyl LP plays with stunning depth, presence, dynamics, clarity, and ambience. Benefitting from SuperVinyl’s low-as-possible noise floor and superb groove definition, this audiophile LP boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns are rendered with palpable detail. \r\n
      \r\n
      Held as a benefit to support voter registration in the South and a fundraiser for NAACP, the Congress of Racial Equality, and SNCC the concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. The unforeseen circumstances surrounding Kennedy’s death further raised the stakes. Having professed admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (in particular, the title track) as an homage to the fallen leader.\r\n
      \r\n
      Nearing their one-year anniversary together, he and his band turned half the event into a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate these performances; Davis and his Harmon mute paint with intricate brushstrokes. \r\n
      \r\n
      Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader’s equal. They would continue with Davis until later in the decade, helping form his Second Great Quintet. But the secret weapon on My Funny Valentine arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem “one of the unsung heroes of modern jazz”. His lines are subtle and sophisticated, straight-ahead but capable of unanticipated direction. Here, Coleman comes into his own.\r\n
      \r\n
      The combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the group on My Funny Valentine exceeds that of any of Davis' live 1960s efforts. One listen confirms something special transpiring. And on this breathtaking reissue, those properties are rendered in a manner that’s as transparent to the source. Here’s your chance to experience them again and again.\r\n
      \r\n
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      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound devised. Expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a carbonless dye (hold the disc up to the light and see) and produces ultra-quiet surfaces. This high-definition formula also allows for the creation of clean grooves that are virtually indistinguishable from the original lacquer.
      """
    -prixVente: "99.50"
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    -informationComplementaire: ""
    -description: """
      Recorded When Miles Davis Opened for the Grateful Dead in San Francisco at Fillmore West : Black Beauty Surges Ahead into a Future Jazz World, Features Superb Performances and Rich Colors\n
      \n
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      1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe\n
      \n
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      \n
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      \n
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      \n
      Given Davis was only a few months away from releasing the pioneering double album Bitches Brew, it shouldn’t come as a surprise that much of the fare here adheres to similar explorative approaches. Turbulent rhythms, provocative trumpet passages, and rich, saturated tonal colors that seemingly splash against a blank canvas take precedence over any traditional attempts at organization and melody. Davis and Co. intentionally play everything on a line with the bandleader signaling changes with his horn via coded phrases. The group speaks a common language with each member having gone to achieve iconic status for their career contributions and technical prowess.\n
      \n
      In the company of Grossman, Chick Corea (piano), Dave Holland (bass), Jack DeJohnette (drums), and Airto Moreira (percussion), Davis constructs themes around “Directions”, “Miles Runs the Voodoo Down”, “It’s About That Time”, the title track to Bitches Brew, and more from his then most-recent studio works and the in-progress Jack Johnson. His farewell to the popular standards that for nearly two decades remained a part of his repertoire arrive via a brief dalliance with “I Fall in Love Too Easily”, a shortened albeit aggressive “Masqualero”, and the “Theme” finale of “Spanish Key”. Initially, Black Beauty lacked specific track listings due to Davis’ increasing frustration with listeners over-analyzing his music.\n
      \n
      In retrospect, it’s difficult to blame anyone for wanting to view what’s on display here with the aural equivalent of a magnifying glass. Leaning in rock directions, yet maintaining an ear for spaciousness and solos, Black Beauty survives as a snapshot of a thrilling moment amid a transitory period in which evolution came fast and furious. Just two months later, Davis would add another instrumentalist to the lineup in the form of organist Keith Jarrett, and the perpetually restless visionary would blast off to a more atmospheric and arguably more chaotic universe.\n
      \n
      Consider, then, this live document a bridge to that galaxy and a breathtaking example of the possibilities of jazz itself.\n
      \n
      Track List :\n
      - 1. Directions\n
      - 2. Miles Runs the Voodoo Down\n
      - 3. Willie Nelson\n
      - 4. I Fall in Love Too Easily\n
      - 5. Sanctuary\n
      - 6. It’s About That Time\n
      - 7. Bitches Brew\n
      - 8. Masqualero\n
      - 9. Spanish Key/The Theme
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -id: 2636
    -nom: "Black Beauty - Miles Davis At Fillmore West"
    -informationComplementaire: ""
    -description: """
      Recorded When Miles Davis Opened for the Grateful Dead in San Francisco at Fillmore West : Black Beauty Surges Ahead into a Future Jazz World, Features Superb Performances and Rich Colors\n
      \n
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      \n
      1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe\n
      \n
      Dateline : April 10, 1970. Setting: The storied Fillmore West in San Francisco, CA. Context : Miles Davis, three days removed from his first session for Jack Johnson and, with newly recruited soprano saxophonist Steve Grossman in tow, opening shows for countercultural heroes the Grateful Dead on the latter’s home turf. Result: The initial rumblings of a thrilling era in which Davis and his cohorts would again upend jazz and popular conceptions of the genre with music steeped in groove, improvisation, and hang-on-for-your-life adventurousness. All captured on Black Beauty: Miles Davis at Fillmore West.\n
      \n
      Mastered at MoFi’s California studio, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 RPM (2 LP) set helps bring what went down that spring evening in Bill Graham’s venue to your listening room with exceptional clarity, balance, and presence. Originally only released in Japan in 1973 and unavailable in the United States until the late ‘90s on compact disc, this marks the first time Black Beauty has been issued on domestic vinyl. The wait is worth it.\n
      \n
      Benefitting from quiet surfaces and excellent definition, these LPs present the band’s livewire energy and torrential storm of notes with captivating dynamics, pacing, and fullness. At its core, this audiophile reissue takes you into the walls of sound erected by a band learning on-the-fly the sheer power, will, and breadth of the electric jazz Davis was orchestrating and realizing, on the spot, would reach rock audiences that until that point had only a faint awareness of his mad-scientist experimentation. The sense of release and reach conveyed by these carefully restored records make it clear the veteran bandleader was in the process of a permanent shift that he’d chase for the next five years.\n
      \n
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      \n
      In the company of Grossman, Chick Corea (piano), Dave Holland (bass), Jack DeJohnette (drums), and Airto Moreira (percussion), Davis constructs themes around “Directions”, “Miles Runs the Voodoo Down”, “It’s About That Time”, the title track to Bitches Brew, and more from his then most-recent studio works and the in-progress Jack Johnson. His farewell to the popular standards that for nearly two decades remained a part of his repertoire arrive via a brief dalliance with “I Fall in Love Too Easily”, a shortened albeit aggressive “Masqualero”, and the “Theme” finale of “Spanish Key”. Initially, Black Beauty lacked specific track listings due to Davis’ increasing frustration with listeners over-analyzing his music.\n
      \n
      In retrospect, it’s difficult to blame anyone for wanting to view what’s on display here with the aural equivalent of a magnifying glass. Leaning in rock directions, yet maintaining an ear for spaciousness and solos, Black Beauty survives as a snapshot of a thrilling moment amid a transitory period in which evolution came fast and furious. Just two months later, Davis would add another instrumentalist to the lineup in the form of organist Keith Jarrett, and the perpetually restless visionary would blast off to a more atmospheric and arguably more chaotic universe.\n
      \n
      Consider, then, this live document a bridge to that galaxy and a breathtaking example of the possibilities of jazz itself.\n
      \n
      Track List :\n
      - 1. Directions\n
      - 2. Miles Runs the Voodoo Down\n
      - 3. Willie Nelson\n
      - 4. I Fall in Love Too Easily\n
      - 5. Sanctuary\n
      - 6. It’s About That Time\n
      - 7. Bitches Brew\n
      - 8. Masqualero\n
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2069
    -nom: "Live At Pio's"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
      "A great small club date from Ben Webster different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums who really come out swinging, and push Ben to take some of his boldest solos of the period plenty of bite throughout, and a fire that you don't always hear on his other '60s recordings. Titles include 'Cookin For T', 'Sunday', 'Pennies From Heaven', 'How Long Has This Been Going On', and 'Gone With The Wind'". - Dusty Groove, Inc.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Bob Cranshaw (bass), Junior Mance (piano), Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hKyiyBqmMv4"
    -referenceProduit: "Pure Pleasure Records PPAN 2038"
    -titreMorceau: [
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        "nom" => "1. Cookin’ For T \t"
        "ordre" => 1
      ]
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        "nom" => "1. Pennies From Heaven "
        "ordre" => 5
      ]
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        "nom" => "2. Gone With The Wind \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. How Long Has This Been Going On "
        "ordre" => 6
      ]
      [
        "nom" => "3. Sometimes I’m Happy"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sunday "
        "ordre" => 3
      ]
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2102 …}
    -style: App\Entity\Style {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
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    }
    -modifierLe: DateTime @1747128641 {#2095
      date: 2025-05-13 09:30:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
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    -slug: "vinyles-live-at-pio-s-pure-pleasure-records-ppan-2038"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3368
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2097
    -id: 2069
    -nom: "Live At Pio's"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n
      \r\n
      "A great small club date from Ben Webster different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums who really come out swinging, and push Ben to take some of his boldest solos of the period plenty of bite throughout, and a fire that you don't always hear on his other '60s recordings. Titles include 'Cookin For T', 'Sunday', 'Pennies From Heaven', 'How Long Has This Been Going On', and 'Gone With The Wind'". - Dusty Groove, Inc.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Bob Cranshaw (bass), Junior Mance (piano), Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=hKyiyBqmMv4"
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        "nom" => "2. Gone With The Wind \t"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
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    }
    -modifierLe: DateTime @1747128641 {#2095
      date: 2025-05-13 09:30:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-live-at-pio-s-pure-pleasure-records-ppan-2038"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2116
    -id: 2675
    -nom: "Ben Webster And Associates"
    -informationComplementaire: ""
    -description: """
      - Ben Webster "Ben Webster And Associates" 180 gram LP pressed at Quality Record Pressings !\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Originally released in 1959, Ben Webster & Associates marked the last of Norman Granz's ventures showcasing tenor saxophone icons Ben Webster and Coleman Hawkins together. On this set, veteran Budd Johnson joins them on the same instrument, along with Roy Eldridge (trumpet), Les Spann (guitar), Jimmy Jones (piano), Ray Brown (bass), and Jo Jones (drums).\r\n
      \r\n
      The material consists of two standards, "Time After Time" and Ellington's "In a Mellow Tone", plus three original compositions by Webster. Verve Acoustic Sounds Series features transfers from analog tapes remastered on 180 gram vinyl in deluxe gatefold jackets.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ben Webster, Coleman Hawkins, Budd Johnson (tenor saxophone), Roy Eldridge (trumpet), Jimmy Jones (piano), Les Spann (guitar), Ray Brown (bass), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VRxSgiksP6Q"
    -referenceProduit: "Acoustic Sounds Series Verve 6056"
    -titreMorceau: [
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        "nom" => "1. In A Mellow Tone"
        "ordre" => 1
      ]
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        "nom" => "2. Young Bean"
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      ]
      [
        "nom" => "3. Budd Johnson"
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        "nom" => "4. Time After Time"
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        "nom" => "Side B : "
        "ordre" => 2
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
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    }
    -modifierLe: DateTime @1747128087 {#2114
      date: 2025-05-13 09:21:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
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    -slug: "vinyles-ben-webster-and-associates-acoustic-sounds-series-verve-6056"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3421
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2116
    -id: 2675
    -nom: "Ben Webster And Associates"
    -informationComplementaire: ""
    -description: """
      - Ben Webster "Ben Webster And Associates" 180 gram LP pressed at Quality Record Pressings !\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      \r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Originally released in 1959, Ben Webster & Associates marked the last of Norman Granz's ventures showcasing tenor saxophone icons Ben Webster and Coleman Hawkins together. On this set, veteran Budd Johnson joins them on the same instrument, along with Roy Eldridge (trumpet), Les Spann (guitar), Jimmy Jones (piano), Ray Brown (bass), and Jo Jones (drums).\r\n
      \r\n
      The material consists of two standards, "Time After Time" and Ellington's "In a Mellow Tone", plus three original compositions by Webster. Verve Acoustic Sounds Series features transfers from analog tapes remastered on 180 gram vinyl in deluxe gatefold jackets.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ben Webster, Coleman Hawkins, Budd Johnson (tenor saxophone), Roy Eldridge (trumpet), Jimmy Jones (piano), Les Spann (guitar), Ray Brown (bass), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VRxSgiksP6Q"
    -referenceProduit: "Acoustic Sounds Series Verve 6056"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
    -enregistreLe: DateTime @1747128013 {#2113
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    }
    -modifierLe: DateTime @1747128087 {#2114
      date: 2025-05-13 09:21:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ben-webster-and-associates-acoustic-sounds-series-verve-6056"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2129
    -id: 2659
    -nom: "Modern Art"
    -informationComplementaire: ""
    -description: """
      - Art Pepper "Modern Art" 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in Hollywood, California between two sessions in December 1956 and January 1957, Art Pepper's Modern Art for the Intro label was an exemplar of West Coast Jazz that featured his melodic alto saxophone flights atop cool jazz, bebop, and blues in the company of a quartet with Russ Freeman on piano, Ben Tucker on bass, and Chuck Flores on drums. This unfailingly swinging set of originals and standards opens with Pepper's "Blues In", closes with his "Blues Out," and includes sublime versions of "Bewitched", "Stompin' At The Savoy", "What Is This Thing Called Love", and other delights in between.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: " Art Pepper (alto saxophone), Russ Freeman (piano), Ben Tucker (bass), Chuck Flores (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7SIgZAKjeTA"
    -referenceProduit: "Blue Note Tone Poet Series "
    -titreMorceau: [
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        "nom" => "1. Blues In"
        "ordre" => 1
      ]
      [
        "nom" => "1. Diane's Dilemma"
        "ordre" => 6
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      [
        "nom" => "2. Bewitched"
        "ordre" => 2
      ]
      [
        "nom" => "2. Stompin' At The Savoy"
        "ordre" => 7
      ]
      [
        "nom" => "3. What Is This Thing Called Love ?"
        "ordre" => 8
      ]
      [
        "nom" => "3. When You're Smiling (The Whole World Smiles With You)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Blues Out"
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        "nom" => "4. Cool Bunny"
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      [
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        "ordre" => 0
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
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      date: 2025-05-13 08:26:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2137 …}
    -disponible: null
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    -slug: "vinyles-modern-art-blue-note-tone-poet-series"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3467
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2129
    -id: 2659
    -nom: "Modern Art"
    -informationComplementaire: ""
    -description: """
      - Art Pepper "Modern Art" 180 gram LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in Hollywood, California between two sessions in December 1956 and January 1957, Art Pepper's Modern Art for the Intro label was an exemplar of West Coast Jazz that featured his melodic alto saxophone flights atop cool jazz, bebop, and blues in the company of a quartet with Russ Freeman on piano, Ben Tucker on bass, and Chuck Flores on drums. This unfailingly swinging set of originals and standards opens with Pepper's "Blues In", closes with his "Blues Out," and includes sublime versions of "Bewitched", "Stompin' At The Savoy", "What Is This Thing Called Love", and other delights in between.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: " Art Pepper (alto saxophone), Russ Freeman (piano), Ben Tucker (bass), Chuck Flores (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=7SIgZAKjeTA"
    -referenceProduit: "Blue Note Tone Poet Series "
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        "ordre" => 8
      ]
      [
        "nom" => "3. When You're Smiling (The Whole World Smiles With You)"
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      ]
      [
        "nom" => "4. Blues Out"
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      ]
      [
        "nom" => "4. Cool Bunny"
        "ordre" => 4
      ]
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
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        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2140 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2133 …}
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[
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    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
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      - All-analog mastering from the original master tapes !\r\n
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      Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and throughout the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967's Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968's Say It Loud. Filling out the band were Donaldson's fellow Blue Note labelmate trumpeter Blue Mitchell, organist Charles Earland, and guitarist Jimmy Ponder on this emphatic session which opens with a firmly in-the-pocket version of James Brown's "Say It Loud ! (I'm Black and I'm Proud)". Side 1 also includes deeply soulful versions of Gershwin's "Summertime" and Ellington's "Caravan" followed by the hard-grooving numbers "Snake Bone" and "Brother Soul" which fill out Side 2.\r\n
      \r\n
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    -nom: "Say It Loud !"
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      - All-analog mastering from the original master tapes !\r\n
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      Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and throughout the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967's Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968's Say It Loud. Filling out the band were Donaldson's fellow Blue Note labelmate trumpeter Blue Mitchell, organist Charles Earland, and guitarist Jimmy Ponder on this emphatic session which opens with a firmly in-the-pocket version of James Brown's "Say It Loud ! (I'm Black and I'm Proud)". Side 1 also includes deeply soulful versions of Gershwin's "Summertime" and Ellington's "Caravan" followed by the hard-grooving numbers "Snake Bone" and "Brother Soul" which fill out Side 2.\r\n
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      """
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    -musicienOrchestre: "Lou Donaldson (varitone alto saxophone, vocals), Blue Mitchell (trumpet), Charles Earland (organ), Jimmy Ponder (guitar), Leo Morris (drums)"
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[
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    -id: 2583
    -nom: "Dark Magus - Live At Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Miles Davis (electric trumpet, Yamaha organ), Dave Liebman (flute, soprano & tenor saxophone), Azar Lawrence (tenor saxophone), Reggie Lucas, Pete Cosey, Dominique Gaumont (electric guitar), Michael Henderson (electric bass), James Mtume (percussion), Al Foster (drums).\r\n
      \r\n
      - DARK MAGUS ANTICIPATES DEVELOPMENTS IN JUNGLE, NOISE, AND DRUM ‘N’ BASS MUSIC : FUNKY, FREE-FORM MILES DAVIS ALBUM IS AN EXHILARATING JAZZ-ROCK TRIP\r\n
      \r\n
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      and Color !\r\n
      \r\n
      - 1/4” / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      It’s safe to assume no one in the audience at Carnegie Hall on March 30, 1974 anticipated what Miles Davis would play at the concert documented on Dark Magus: Live at Carnegie Hall. Recorded near the tail end of his electric period, the double album remains the darkest, most ferocious statement of Davis’ career a visionary effort that foresaw developments in jungle, noise-rock, funk, and drum ‘n’ bass.\r\n
      \r\n
      Initially issued in Japan in 1977, Dark Magus waited two decades for U.S. release. Now, more than 50 years after Davis and his ensemble blew minds at the famous New York venue, it gets its first-ever domestic issue on vinyl and on a definitive-sounding pressing at that.\r\n
      \r\n
      Mastered at Mobile Fidelity's California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, this numbered-edition 180g 33RPM 2LP set of Dark Magus invites you to pull up a seat and wrap your head around an exhilarating performance that simultaneously functions as an audition, experiment, release, and magnificent explosion of jazz-rock fusion. We hope your turntable and speakers are up to the challenge.\r\n
      \r\n
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      \r\n
      The story behind Dark Magus is nearly as unbelievable as the spur-of-the-moment compositions that resulted when Davis brought drummer Al Foster, bassist Michael Henderson, percussionist James Mtume, horn virtuoso Dave Liebman, and guitarists Pete Cosey and Reggie Lucas together, and, in a new twist for the concert’s second half, added guitarist Dominique Gaumont and tenor saxophonist Azar Lawrence to mix. That the latter two instrumentalists had never seen each other until that night adds to Davis’ legend and penchant for bold, unorthodox moves.\r\n
      \r\n
      Ditto Davis’ own actions that spring evening, which reportedly included showing up to the show an hour late and taking the stage with his back facing the crowd. The strategy worked. Davis inspired the group to play in a bold manner that few, if any, had heard before. Dark Magus is a rhythmic bonanza. Rooted in Afro-centrist techniques, avante-garde sensibilities, and exploratory moods, the songs eschew set arrangements and solos, and, for the most part, melodic devices.\r\n
      \r\n
      For Davis, Dark Magus represented a personal triumph amid a period marked by health issues, addictions, and critical decline. The latter slight would be corrected, but not until decades later when Dark Magus saw Stateside release in 1997 via a CD reissue. Of course, the free-form patterns, unpredictable passages, dense structures, and distorted blues that course through the songs titled after Swahili numerals are not for everyone. And certainly not for the fainthearted. Though Dark Magus contains majestic moments marked by quiet restraint and something on the level of balladry, its rich and radical concoction of tormented thwacks, thumps, cracks, clatters, wails, bleeps, burbles, stomps, and enigmatic beats remains its adventurous heart and soul.\r\n
      \r\n
      Primal and enigmatic, fierce and jagged, forceful and revolutionary, jolting and terrifying, Dark Magus seemingly attacks from any and all directions. Turn it up loud and let the prophetic brilliance of this inimitable and relentlessly funky album wash over you.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DK_fvDfSHtk"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3571
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2164
    -id: 2583
    -nom: "Dark Magus - Live At Carnegie Hall"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Miles Davis (electric trumpet, Yamaha organ), Dave Liebman (flute, soprano & tenor saxophone), Azar Lawrence (tenor saxophone), Reggie Lucas, Pete Cosey, Dominique Gaumont (electric guitar), Michael Henderson (electric bass), James Mtume (percussion), Al Foster (drums).\r\n
      \r\n
      - DARK MAGUS ANTICIPATES DEVELOPMENTS IN JUNGLE, NOISE, AND DRUM ‘N’ BASS MUSIC : FUNKY, FREE-FORM MILES DAVIS ALBUM IS AN EXHILARATING JAZZ-ROCK TRIP\r\n
      \r\n
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      and Color !\r\n
      \r\n
      - 1/4” / 15 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      It’s safe to assume no one in the audience at Carnegie Hall on March 30, 1974 anticipated what Miles Davis would play at the concert documented on Dark Magus: Live at Carnegie Hall. Recorded near the tail end of his electric period, the double album remains the darkest, most ferocious statement of Davis’ career a visionary effort that foresaw developments in jungle, noise-rock, funk, and drum ‘n’ bass.\r\n
      \r\n
      Initially issued in Japan in 1977, Dark Magus waited two decades for U.S. release. Now, more than 50 years after Davis and his ensemble blew minds at the famous New York venue, it gets its first-ever domestic issue on vinyl and on a definitive-sounding pressing at that.\r\n
      \r\n
      Mastered at Mobile Fidelity's California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, this numbered-edition 180g 33RPM 2LP set of Dark Magus invites you to pull up a seat and wrap your head around an exhilarating performance that simultaneously functions as an audition, experiment, release, and magnificent explosion of jazz-rock fusion. We hope your turntable and speakers are up to the challenge.\r\n
      \r\n
      This collectible reissue presents the improvisational magic that unfolded onstage the skronking tonalities, wah-wah-pedal bluster, acid-washed effects, furious drumming, run-the-voodoo-down grooves, menacing riffs, crashing cymbals with incredible detail, color, and pace. It also captures the band’s unbelievable energy, rendering both instruments and on-the-fly changes with revealing depth, definition, and dynamics. At its core, MoFi’s audiophile set takes you deep into the boundless mystery, promise, and uncertainty of Davis and company’s efforts like never before.\r\n
      \r\n
      The story behind Dark Magus is nearly as unbelievable as the spur-of-the-moment compositions that resulted when Davis brought drummer Al Foster, bassist Michael Henderson, percussionist James Mtume, horn virtuoso Dave Liebman, and guitarists Pete Cosey and Reggie Lucas together, and, in a new twist for the concert’s second half, added guitarist Dominique Gaumont and tenor saxophonist Azar Lawrence to mix. That the latter two instrumentalists had never seen each other until that night adds to Davis’ legend and penchant for bold, unorthodox moves.\r\n
      \r\n
      Ditto Davis’ own actions that spring evening, which reportedly included showing up to the show an hour late and taking the stage with his back facing the crowd. The strategy worked. Davis inspired the group to play in a bold manner that few, if any, had heard before. Dark Magus is a rhythmic bonanza. Rooted in Afro-centrist techniques, avante-garde sensibilities, and exploratory moods, the songs eschew set arrangements and solos, and, for the most part, melodic devices.\r\n
      \r\n
      For Davis, Dark Magus represented a personal triumph amid a period marked by health issues, addictions, and critical decline. The latter slight would be corrected, but not until decades later when Dark Magus saw Stateside release in 1997 via a CD reissue. Of course, the free-form patterns, unpredictable passages, dense structures, and distorted blues that course through the songs titled after Swahili numerals are not for everyone. And certainly not for the fainthearted. Though Dark Magus contains majestic moments marked by quiet restraint and something on the level of balladry, its rich and radical concoction of tormented thwacks, thumps, cracks, clatters, wails, bleeps, burbles, stomps, and enigmatic beats remains its adventurous heart and soul.\r\n
      \r\n
      Primal and enigmatic, fierce and jagged, forceful and revolutionary, jolting and terrifying, Dark Magus seemingly attacks from any and all directions. Turn it up loud and let the prophetic brilliance of this inimitable and relentlessly funky album wash over you.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2091
    -nom: "Lee Konitz Plays With The Gerry Mulligan Quartet "
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Three giants of West Coast Jazz came together in this deeply swinging session recorded for the Pacific Jazz / World Pacific label in 1953. Alto saxophone master Lee Konitz joins with the great Gerry Mulligan on baritone saxophone and legendary trumpeter Chet Baker on a half-live, half-studio program of standards along with one Mulligan original. The group is supported by bassists Carson Smith and Joe Mondragon with Larry Bunker on drums for this spontaneous and inventive jazz treasure.\r\n
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Z2VDXTHJyKk"
    -referenceProduit: "Blue Note Records 1501"
    -titreMorceau: [
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        "nom" => "6. Too Marvelous for Words "
        "ordre" => 7
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        "nom" => "7. Lover Man "
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        "nom" => "8. I'll Remember April "
        "ordre" => 9
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        "nom" => "9. These Foolish Things "
        "ordre" => 10
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
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    }
    -modifierLe: DateTime @1741680415 {#2175
      date: 2025-03-11 08:06:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
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    -slug: "vinyles-lee-konitz-plays-with-the-gerry-mulligan-quartet-blue-note-records-1501"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3617
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2177
    -id: 2091
    -nom: "Lee Konitz Plays With The Gerry Mulligan Quartet "
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
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      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-lee-konitz-plays-with-the-gerry-mulligan-quartet-blue-note-records-1501"
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  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

[
  "produit" => App\Entity\Produit {#2195
    -id: 679
    -nom: "Milestones"
    -informationComplementaire: "Re-edition"
    -description: """
      - Miles Davis' Only Studio Album with His Original Sextet : Milestones Features John Coltrane and Cannonball Adderley !\r\n
      \r\n
      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Presents 1958 Benchmark in Riveting Mono Sound !\r\n
      \r\n
      - 1/4" / 15 IPS analog mono master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous 'Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.\r\n
      \r\n
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      \r\n
      Davis' burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltrane's trademark saxophone ? Witness it in life-size proportion, his solos working in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the 88 keys as he hits full stride, the chords and fills slithering around skeletal frameworks.\r\n
      \r\n
      If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis' (and later, his contemporaries') improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliner's argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether it's the bravado "No Jackle", featuring a hot-foot pace and bebop strains, or "Sid's Ahead", which continues the album's blues theme while tossing around edgy harmonics and inside-out structures.\r\n
      \r\n
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      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => "3. Straight, No Chaser"
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      [
        "nom" => "3. Two Bass Hit"
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        "ordre" => 0
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      [
        "nom" => "Side B :"
        "ordre" => 4
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
    -label: Proxies\__CG__\App\Entity\Label {#2070 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1398892032 {#2191
      date: 2014-04-30 21:07:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1741641214 {#2190
      date: 2025-03-10 21:13:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3670
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2195
    -id: 679
    -nom: "Milestones"
    -informationComplementaire: "Re-edition"
    -description: """
      - Miles Davis' Only Studio Album with His Original Sextet : Milestones Features John Coltrane and Cannonball Adderley !\r\n
      \r\n
      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Presents 1958 Benchmark in Riveting Mono Sound !\r\n
      \r\n
      - 1/4" / 15 IPS analog mono master to DSD 64 to analog console to lathe !\r\n
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      \r\n
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      \r\n
      Davis' burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltrane's trademark saxophone ? Witness it in life-size proportion, his solos working in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the 88 keys as he hits full stride, the chords and fills slithering around skeletal frameworks.\r\n
      \r\n
      If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis' (and later, his contemporaries') improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliner's argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether it's the bravado "No Jackle", featuring a hot-foot pace and bebop strains, or "Sid's Ahead", which continues the album's blues theme while tossing around edgy harmonics and inside-out structures.\r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1862 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=k94zDsJ-JMU"
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        "ordre" => 2
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        "nom" => "3. Straight, No Chaser"
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        "nom" => "3. Two Bass Hit"
        "ordre" => 3
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2067 …}
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[
  "produit" => App\Entity\Produit {#2208
    -id: 2251
    -nom: "Art Pepper Meets The Rhythm Section"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
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      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Art Pepper Meets the Rhythm Section is the alto saxophone master's auspicious 1957 Contemporary debut paring him with pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones the East Coast rhythm section for Miles Davis' nonpareil quintet. Recorded by legendary engineer Roy DuNann.\r\n
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Art Pepper (alto saxophone), Paul Chambers (bass), Red Garland (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=16OoypHXcps"
    -referenceProduit: "Acoustic Sounds Series 0382"
    -titreMorceau: [
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        "nom" => "1. Jazz Me Blues"
        "ordre" => 7
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        "nom" => "1. You'd Be So Nice To Come Home To"
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        "nom" => "2. Red Pepper Blues"
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        "nom" => "2. Tin Tin Deo"
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        "nom" => "3. Imagination"
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        "nom" => "3. Star Eyes"
        "ordre" => 9
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        "nom" => "4. Birks Works"
        "ordre" => 10
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        "nom" => "4. Waltz Me Blues"
        "ordre" => 4
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        "nom" => "5. Straight Life"
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2210 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2219 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2212 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2214 …}
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    -modifierLe: DateTime @1741247608 {#2206
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2216 …}
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    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-art-pepper-meets-the-rhythm-section-acoustic-sounds-series-0382"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3718
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2642 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2208
    -id: 2251
    -nom: "Art Pepper Meets The Rhythm Section"
    -informationComplementaire: ""
    -description: """
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Art Pepper Meets the Rhythm Section is the alto saxophone master's auspicious 1957 Contemporary debut paring him with pianist Red Garland, bassist Paul Chambers and drummer Philly Joe Jones the East Coast rhythm section for Miles Davis' nonpareil quintet. Recorded by legendary engineer Roy DuNann.\r\n
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Art Pepper (alto saxophone), Paul Chambers (bass), Red Garland (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=16OoypHXcps"
    -referenceProduit: "Acoustic Sounds Series 0382"
    -titreMorceau: [
      [
        "nom" => "1. Jazz Me Blues"
        "ordre" => 7
      ]
      [
        "nom" => "1. You'd Be So Nice To Come Home To"
        "ordre" => 1
      ]
      [
        "nom" => "2. Red Pepper Blues"
        "ordre" => 2
      ]
      [
        "nom" => "2. Tin Tin Deo"
        "ordre" => 8
      ]
      [
        "nom" => "3. Imagination"
        "ordre" => 3
      ]
      [
        "nom" => "3. Star Eyes"
        "ordre" => 9
      ]
      [
        "nom" => "4. Birks Works"
        "ordre" => 10
      ]
      [
        "nom" => "4. Waltz Me Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Straight Life"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2210 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2219 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2212 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2214 …}
    -enregistreLe: DateTime @1657263881 {#2205
      date: 2022-07-08 07:04:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1741247608 {#2206
      date: 2025-03-06 07:53:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2216 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-art-pepper-meets-the-rhythm-section-acoustic-sounds-series-0382"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3914
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2410 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3915 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3963 …}
  +isValidated: false
  +validatedFields: []
}