Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2612
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2689
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2692 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
  -formView: Symfony\Component\Form\FormView {#2728 …}
  -form: Symfony\Component\Form\Form {#2878 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 1596
    -nom: "Dvorak : Violincello Concerto / Bruch : Kol Nidrei"
    -informationComplementaire: null
    -description: """
      Janos Starker performs with the London Symphony Orchestra conducted by Antal Dorati performing Dvorak's Cello Concerto in B minor, Op. 104 and Bruch's Kol Nidrei.\r\n
      \r\n
      These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3 track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.\r\n
      \r\n
      Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.\r\n
      \r\n
      Hungarian-American cellist János Starker epitomized refined elegance and superbly subtle bow work. Starker, who died in April 2013, was one of the 20th century's most renowned cellists. The Dvorak Cello Concerto and Bruch's Kol Nidrei were recorded July 6, 7 and 10, 1962 at Watford Town Hall outside London. Three Schoeps M210 microphones, set in omni directional pattern, were hung across the front of the orchestra, with the players positioned on the floor of the hall in order to best utilize its acoustics.\r\n
      \r\n
      The microphones direct fed 3-track recorders: a 1/2" tape machine and a 35 mm magnetic film recorder. Both first-generation tapes and first-generation films were edited into production masters. At the original session, Wilma Cozart Fine was the Recording Director, Harold Lawrence was the Musical Supervisor, C. Robert Fine was the Chief Engineer and Technical Supervisor, and Robert Eberenz was the Associate Engineer.\r\n
      \r\n
      The original LP was cut from the 35mm film, and the Mercury Living Presence logo on the front cover included the 35 mm designation. Over time, the 35mm mag-film material deteriorated and the master is now not in good playable condition. Meanwhile, the 1/2" magnetic tape has held up well and still sounds as good as the day it was recorded.\r\n
      \r\n
      This 2 LP set, cut at 45 RPM, allows for the full dynamics present on the master tapes to shine through masterfully, as the wider-spaced grooves let your stereo cartridge track more accurately. Stoughton Printing old-style tip-on gatefold jacket. Plated and pressed at Quality Record Pressings, makers of the world's finest-sounding LPs.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Janos Starker (cello), London Symphony Orchestra conducted by Antal Dorati"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rlKtweGPf9Q"
    -referenceProduit: "Analogue Productions AAPC 90303-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "ANTONIN DVORAK"
      ]
      [
        "ordre" => 1
        "nom" => "Cello Concerto in B Minor, Op. 104"
      ]
      [
        "ordre" => 2
        "nom" => "1. Allegro "
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "2. Adagio ma non troppo  "
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "3. Finale (Allegro moderato)  "
      ]
      [
        "ordre" => 7
        "nom" => "Side D :"
      ]
      [
        "ordre" => 8
        "nom" => "MAX BRUCH"
      ]
      [
        "ordre" => 9
        "nom" => "4. Kol Nidrei, Op.47"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1552123475 {#1929
      date: 2019-03-09 09:24:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769535008 {#1922
      date: 2026-01-27 17:30:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dvorak-violincello-concerto-bruch-kol-nidrei-analogue-productions-aapc-90303-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3149
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 1596
    -nom: "Dvorak : Violincello Concerto / Bruch : Kol Nidrei"
    -informationComplementaire: null
    -description: """
      Janos Starker performs with the London Symphony Orchestra conducted by Antal Dorati performing Dvorak's Cello Concerto in B minor, Op. 104 and Bruch's Kol Nidrei.\r\n
      \r\n
      These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3 track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.\r\n
      \r\n
      Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.\r\n
      \r\n
      Hungarian-American cellist János Starker epitomized refined elegance and superbly subtle bow work. Starker, who died in April 2013, was one of the 20th century's most renowned cellists. The Dvorak Cello Concerto and Bruch's Kol Nidrei were recorded July 6, 7 and 10, 1962 at Watford Town Hall outside London. Three Schoeps M210 microphones, set in omni directional pattern, were hung across the front of the orchestra, with the players positioned on the floor of the hall in order to best utilize its acoustics.\r\n
      \r\n
      The microphones direct fed 3-track recorders: a 1/2" tape machine and a 35 mm magnetic film recorder. Both first-generation tapes and first-generation films were edited into production masters. At the original session, Wilma Cozart Fine was the Recording Director, Harold Lawrence was the Musical Supervisor, C. Robert Fine was the Chief Engineer and Technical Supervisor, and Robert Eberenz was the Associate Engineer.\r\n
      \r\n
      The original LP was cut from the 35mm film, and the Mercury Living Presence logo on the front cover included the 35 mm designation. Over time, the 35mm mag-film material deteriorated and the master is now not in good playable condition. Meanwhile, the 1/2" magnetic tape has held up well and still sounds as good as the day it was recorded.\r\n
      \r\n
      This 2 LP set, cut at 45 RPM, allows for the full dynamics present on the master tapes to shine through masterfully, as the wider-spaced grooves let your stereo cartridge track more accurately. Stoughton Printing old-style tip-on gatefold jacket. Plated and pressed at Quality Record Pressings, makers of the world's finest-sounding LPs.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Janos Starker (cello), London Symphony Orchestra conducted by Antal Dorati"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rlKtweGPf9Q"
    -referenceProduit: "Analogue Productions AAPC 90303-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "ANTONIN DVORAK"
      ]
      [
        "ordre" => 1
        "nom" => "Cello Concerto in B Minor, Op. 104"
      ]
      [
        "ordre" => 2
        "nom" => "1. Allegro "
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "2. Adagio ma non troppo  "
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "3. Finale (Allegro moderato)  "
      ]
      [
        "ordre" => 7
        "nom" => "Side D :"
      ]
      [
        "ordre" => 8
        "nom" => "MAX BRUCH"
      ]
      [
        "ordre" => 9
        "nom" => "4. Kol Nidrei, Op.47"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1552123475 {#1929
      date: 2019-03-09 09:24:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769535008 {#1922
      date: 2026-01-27 17:30:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dvorak-violincello-concerto-bruch-kol-nidrei-analogue-productions-aapc-90303-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 423
    -nom: "Pearl (Box Set 2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      MOBILE FIDELITY SOUND LAB, IN ASSOCIATION WITH SME / LEGACY RECORDINGS, TO RELEASE 50TH ANNIVERSARY EDITION OF JANIS JOPLIN PEARL AS AN ULTRADISC ONE-STEP 180 GRAM 45 RPM 2 LP BOX SET !\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES WITH MOBILE FIDELITY'S ONE-STEP PROCESS, PRESSED AT RTI ON MOFI SUPERVINYL FOR DEFINITIVE SOUND QUALITY, AND PACKAGED WITH FOIL-STAMPED JACKETS !\r\n
      \r\n
      1971 ALBUM SHOWCASES SINGER AT HER PEAK : CHART-TOPPING RECORD INCLUDES HITS "ME AND BOBBY MCGEE", "MERCEDES BENZ", AND "GET IT WHILE YOU CAN" !\r\n
      \r\n
      - This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head !\r\n
      - Mobile Fidelity UD1S, UltraDisc SuperVinyl, 180 Gram Virgin Viny !\r\n
      - AAA 100 % Analogue - Ultradisc One Step Pressing UD1S ! \r\n
      - Half Speed Mastered by Kreig Wunderlich from the Original MasterTape at MFSL !\r\n
      - Numbered Limited Edition 45 RPM !\r\n
      \r\n
      Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer who knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work. Commemorating Pearl's 50th anniversary in collaboration with SME / Legacy Recordings, Mobile Fidelity's UltraDisc One-Step 180 Gram 45 RPM 2 LP box set presents the iconic album like never before.\r\n
      \r\n
      About Mobile Fidelity Sound Lab and UltraDisc One-Step \r\n
      \r\n
      Mobile Fidelity Sound Lab has been the undisputed leader in audiophile recordings since its inception in 1977. Using only the original master tapes as source material, the company offers faithfully reproduced high-fidelity recordings that bring the listener closer to the absolute truth and emotion of the original performances of the finest albums ever made. Experienced on LP or SACD, Mobile Fidelity software unveils all the detailed information on original master recordings without causing deterioration or adding coloration and other sonic artifacts. Instead of utilizing the industry-standard three-step lacquer process, the label's UltraDisc One-Step (UD1S) technique uses only one step, bypassing two processes of generational loss. The result: Immaculate replicas of the lacquer sourced directly from the original master tape and the greatest-sounding analog reissues available today.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Musiciens/Orchrestre : Janis Joplin (acoustic guitar, vocals), Brad Campbell (bass), John Till (guitar), Ken Pearson (organ), Richard Bell (piano), Bobbie Hall (congas, Bongos), Sandra Crouch (tambourine), Clark Pierson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lXBn6H2KIZc"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 013"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Move Over"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cry Baby"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. A Woman Left Lonely"
      ]
      [
        "ordre" => 5
        "nom" => "2. Half Moon"
      ]
      [
        "ordre" => 6
        "nom" => "3. Buried Alive In the Blues"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. My Baby"
      ]
      [
        "ordre" => 9
        "nom" => "2. Me and Bobby McGee"
      ]
      [
        "ordre" => 10
        "nom" => "Side D :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Mercedes Benz"
      ]
      [
        "ordre" => 12
        "nom" => "2. Trust Me"
      ]
      [
        "ordre" => 13
        "nom" => "3. Get It While You Can"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1298399351 {#2095
      date: 2011-02-22 18:29:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769534162 {#2096
      date: 2026-01-27 17:16:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pearl-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-ud1s-013"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3263
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 423
    -nom: "Pearl (Box Set 2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      MOBILE FIDELITY SOUND LAB, IN ASSOCIATION WITH SME / LEGACY RECORDINGS, TO RELEASE 50TH ANNIVERSARY EDITION OF JANIS JOPLIN PEARL AS AN ULTRADISC ONE-STEP 180 GRAM 45 RPM 2 LP BOX SET !\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES WITH MOBILE FIDELITY'S ONE-STEP PROCESS, PRESSED AT RTI ON MOFI SUPERVINYL FOR DEFINITIVE SOUND QUALITY, AND PACKAGED WITH FOIL-STAMPED JACKETS !\r\n
      \r\n
      1971 ALBUM SHOWCASES SINGER AT HER PEAK : CHART-TOPPING RECORD INCLUDES HITS "ME AND BOBBY MCGEE", "MERCEDES BENZ", AND "GET IT WHILE YOU CAN" !\r\n
      \r\n
      - This LP was Remastered using Pure Analogue Components Only from the Master Tapes through to the Cutting Head !\r\n
      - Mobile Fidelity UD1S, UltraDisc SuperVinyl, 180 Gram Virgin Viny !\r\n
      - AAA 100 % Analogue - Ultradisc One Step Pressing UD1S ! \r\n
      - Half Speed Mastered by Kreig Wunderlich from the Original MasterTape at MFSL !\r\n
      - Numbered Limited Edition 45 RPM !\r\n
      \r\n
      Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer who knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work. Commemorating Pearl's 50th anniversary in collaboration with SME / Legacy Recordings, Mobile Fidelity's UltraDisc One-Step 180 Gram 45 RPM 2 LP box set presents the iconic album like never before.\r\n
      \r\n
      About Mobile Fidelity Sound Lab and UltraDisc One-Step \r\n
      \r\n
      Mobile Fidelity Sound Lab has been the undisputed leader in audiophile recordings since its inception in 1977. Using only the original master tapes as source material, the company offers faithfully reproduced high-fidelity recordings that bring the listener closer to the absolute truth and emotion of the original performances of the finest albums ever made. Experienced on LP or SACD, Mobile Fidelity software unveils all the detailed information on original master recordings without causing deterioration or adding coloration and other sonic artifacts. Instead of utilizing the industry-standard three-step lacquer process, the label's UltraDisc One-Step (UD1S) technique uses only one step, bypassing two processes of generational loss. The result: Immaculate replicas of the lacquer sourced directly from the original master tape and the greatest-sounding analog reissues available today.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Musiciens/Orchrestre : Janis Joplin (acoustic guitar, vocals), Brad Campbell (bass), John Till (guitar), Ken Pearson (organ), Richard Bell (piano), Bobbie Hall (congas, Bongos), Sandra Crouch (tambourine), Clark Pierson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lXBn6H2KIZc"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 013"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Move Over"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cry Baby"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. A Woman Left Lonely"
      ]
      [
        "ordre" => 5
        "nom" => "2. Half Moon"
      ]
      [
        "ordre" => 6
        "nom" => "3. Buried Alive In the Blues"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. My Baby"
      ]
      [
        "ordre" => 9
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        "nom" => "Side D :"
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        "nom" => "2. Trust Me"
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        "nom" => "3. Get It While You Can"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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[
  "produit" => App\Entity\Produit {#2119
    -id: 863
    -nom: "Pearl"
    -informationComplementaire: "Réédition"
    -description: """
      Joplin Displays Balance of Impeccable Timing, Devastating Vulnerability, and Raw Emotion : Full Tilt Boogie Band, Producer Paul Rothchild Complete Album Steeped in Soul and Loaded With Spirit !\r\n
      \r\n
      Janis Joplin at her peak : Chart-topping Pearl includes hits 'Me and Bobby McGee', 'Mercedes Benz', and 'Get It While You Can'.\r\n
      \r\n
      Mastered from the original master tapes: Mobile Fidelity reissues are definitive-sounding versions of masterpiece Ranked N° 135 on Rolling Stone's 500 Greatest Albums of All Time.\r\n
      \r\n
      Joplin displays impeccable timing, devastating vulnerability, and raw emotion : 1971 album steeped in soul, shaded toward country, and loaded with spirit.\r\n
      \r\n
      Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer that knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work. Mobile Fidelity's hybrid SACD presents the lasting artwork like never before.\r\n
      \r\n
      Mastered from the original master tapes, the iconic audiophile label's 2LP 45 RPM edition takes Joplin and Co.'s stupendous performances to newly transcendent levels. Boasting a fidelity that further magnifies the singer's passion and producer Paul A. Rothchild's clear production, this sterling reissue reveals increased spaciousness, dynamics, and openness. Joplin's husky, strong, and penetrating singing has never sounded so vibrant or made deeper connections. Warm, organic, and free of any artificial ceilings, this version lets you step into Sunset Sound Recorders with the performers, such is the degree of realism and authenticity. Indeed, few, if any words, describe Joplin better than "authentic", and her spirit comes to life on this 2 LP set in positively transcendent fashion.\r\n
      \r\n
      While Joplin's electrifying vocal prowess is universally lauded - she's recognized as the greatest white female blues singer the world has ever seen - her mix of compassion, confidence, and charm play as large a role in attracting listeners and keeping them ensnared more than four decades after her tragic death. And on Pearl, she burrows into deeper stylistic veins, teasing out sides of her persona and craft she'd never previously displayed. Her signature desperation, sadness, and vulnerability remain - the harrowing, lonely wail that begins her soul-ravishing take on Jerry Ragovoy's "Cry Baby", underlined with a Wall of Sound-like piano accompaniment, could only come from a person severely scarred by loss and disappointment - yet Joplin also reveals a sense of humor and beatnik innocence that helped propel the album to the top of the charts for nine straight weeks.\r\n
      \r\n
      Playfully introduced as "a song of great social and political import", the acapella "Mercedes Benz" reflects Joplin's throaty timbre as well as her enhanced, sunnier mood. Similarly, her definitive read of Kris Kristofferson's "Me and Bobby McGee" signals a laidback demeanor and a move into country strains, with the delivery as natural, carefree, and loving as any in the rock canon. As she does throughout the record, Joplin invests her all in the narrative so that there's no line between the performer and the song. She makes everything on Pearl feel autobiographical, and by extension, gut-wrenchingly honest, and devastatingly intimate. Joplin achieved these feats often during her brief career, yet there are differences on Pearl, chiefly among them her balance of impeccable timing and raw emotion. Heart-aching anthems such as "A Woman Left Lonely" offer both grit and control, subtlety and attack, resulting in cathartic releases distinguished with originality, personality, and instinctual passion.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Janis Joplin (acoustic guitar, vocals), Brad Campbell (bass), John Till (guitar), Ken Pearson (organ), Richard Bell (piano), Bobbie Hall (congas, Bongos), Sandra Crouch (tambourine), Clark Pierson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=J3LSCMhUDTY"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-454"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. Move Over"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cry Baby"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. A Woman Left Lonely"
      ]
      [
        "ordre" => 5
        "nom" => "2. Half Moon"
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        "ordre" => 6
        "nom" => "3. Buried Alive In the Blues"
      ]
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        "nom" => "2. Trust Me"
      ]
      [
        "ordre" => 13
        "nom" => "3. Get It While You Can"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
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    }
    -modifierLe: DateTime @1769533789 {#2114
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2124 …}
    -disponible: null
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    -slug: "vinyles-pearl-mobile-fidelity-sound-lab-mfsl-2-454"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3316
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
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    -id: 863
    -nom: "Pearl"
    -informationComplementaire: "Réédition"
    -description: """
      Joplin Displays Balance of Impeccable Timing, Devastating Vulnerability, and Raw Emotion : Full Tilt Boogie Band, Producer Paul Rothchild Complete Album Steeped in Soul and Loaded With Spirit !\r\n
      \r\n
      Janis Joplin at her peak : Chart-topping Pearl includes hits 'Me and Bobby McGee', 'Mercedes Benz', and 'Get It While You Can'.\r\n
      \r\n
      Mastered from the original master tapes: Mobile Fidelity reissues are definitive-sounding versions of masterpiece Ranked N° 135 on Rolling Stone's 500 Greatest Albums of All Time.\r\n
      \r\n
      Joplin displays impeccable timing, devastating vulnerability, and raw emotion : 1971 album steeped in soul, shaded toward country, and loaded with spirit.\r\n
      \r\n
      Janis Joplin wouldn't be denied on Pearl. The powerhouse vocalist had kicked her addictions, teamed with a stupendous band, and partnered with a producer that knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record. Ranked #135 on Rolling Stone's 500 Greatest Albums of All Time list, Pearl sold more than four million copies and stands as the first female rock superstar's definitive studio work. Mobile Fidelity's hybrid SACD presents the lasting artwork like never before.\r\n
      \r\n
      Mastered from the original master tapes, the iconic audiophile label's 2LP 45 RPM edition takes Joplin and Co.'s stupendous performances to newly transcendent levels. Boasting a fidelity that further magnifies the singer's passion and producer Paul A. Rothchild's clear production, this sterling reissue reveals increased spaciousness, dynamics, and openness. Joplin's husky, strong, and penetrating singing has never sounded so vibrant or made deeper connections. Warm, organic, and free of any artificial ceilings, this version lets you step into Sunset Sound Recorders with the performers, such is the degree of realism and authenticity. Indeed, few, if any words, describe Joplin better than "authentic", and her spirit comes to life on this 2 LP set in positively transcendent fashion.\r\n
      \r\n
      While Joplin's electrifying vocal prowess is universally lauded - she's recognized as the greatest white female blues singer the world has ever seen - her mix of compassion, confidence, and charm play as large a role in attracting listeners and keeping them ensnared more than four decades after her tragic death. And on Pearl, she burrows into deeper stylistic veins, teasing out sides of her persona and craft she'd never previously displayed. Her signature desperation, sadness, and vulnerability remain - the harrowing, lonely wail that begins her soul-ravishing take on Jerry Ragovoy's "Cry Baby", underlined with a Wall of Sound-like piano accompaniment, could only come from a person severely scarred by loss and disappointment - yet Joplin also reveals a sense of humor and beatnik innocence that helped propel the album to the top of the charts for nine straight weeks.\r\n
      \r\n
      Playfully introduced as "a song of great social and political import", the acapella "Mercedes Benz" reflects Joplin's throaty timbre as well as her enhanced, sunnier mood. Similarly, her definitive read of Kris Kristofferson's "Me and Bobby McGee" signals a laidback demeanor and a move into country strains, with the delivery as natural, carefree, and loving as any in the rock canon. As she does throughout the record, Joplin invests her all in the narrative so that there's no line between the performer and the song. She makes everything on Pearl feel autobiographical, and by extension, gut-wrenchingly honest, and devastatingly intimate. Joplin achieved these feats often during her brief career, yet there are differences on Pearl, chiefly among them her balance of impeccable timing and raw emotion. Heart-aching anthems such as "A Woman Left Lonely" offer both grit and control, subtlety and attack, resulting in cathartic releases distinguished with originality, personality, and instinctual passion.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Janis Joplin (acoustic guitar, vocals), Brad Campbell (bass), John Till (guitar), Ken Pearson (organ), Richard Bell (piano), Bobbie Hall (congas, Bongos), Sandra Crouch (tambourine), Clark Pierson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=J3LSCMhUDTY"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-454"
    -titreMorceau: [
      [
        "ordre" => 0
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        "nom" => "1. Move Over"
      ]
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        "ordre" => 2
        "nom" => "2. Cry Baby"
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      [
        "ordre" => 3
        "nom" => "Side B :"
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      [
        "ordre" => 4
        "nom" => "1. A Woman Left Lonely"
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      [
        "ordre" => 5
        "nom" => "2. Half Moon"
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      [
        "ordre" => 6
        "nom" => "3. Buried Alive In the Blues"
      ]
      [
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        "nom" => "Side C :"
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        "nom" => "2. Me and Bobby McGee"
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        "nom" => "1. Mercedes Benz"
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      [
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      ]
      [
        "ordre" => 13
        "nom" => "3. Get It While You Can"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1505 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2120 …}
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    }
    -modifierLe: DateTime @1769533789 {#2114
      date: 2026-01-27 17:09:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2124 …}
    -disponible: null
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    -slug: "vinyles-pearl-mobile-fidelity-sound-lab-mfsl-2-454"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2132
    -id: 1626
    -nom: "Breaking Silence"
    -informationComplementaire: null
    -description: """
      Janis' pure voice and personal songs spread across four sides !\r\n
      \r\n
      This album finds Janis' voice in its purest, most vital form ever. The tracks were recorded as live as possible without sounding retro. This 1992 all-analogue recording, praised as much for the artist's too infrequently heard talents as for its recorded dynamics, is now available on the medium that is a natural : 180 gram vinyl !\r\n
      \r\n
      The audiophile LP reflects what the top bibles of high-end audio decree as an impeccable production that has come to be regarded as a high-fidelity reference. Matched with Ian's very personal songs, delivered in a voice that draws you in close in confidence, Breaking Silence is one of the very few recordings of recent years that by reproducing a pure analogue sound, has attained true audiophile status.\r\n
      \r\n
      Technical Data :\r\n
      Tracks were recorded at Nightingale Studio on a Studer 820, 24 track machine, 30 IPS, non-dolby, at the elevation of +6/250 nu using Ampex 499 tape.\r\n
      \r\n
      Included among the mics used on the recording dates were : Neumann M-49, AKG C-12, Telefunken 251, Sheffield C-9 and a custom built tube direct box on the bass. Janis' vocal was recorded using a Telefunken U-47 and a Mastering Lab mic preamp, linked with series-one Monster Cable direct to the back of the multi-track machine with no EQ or Limiting.\r\n
      \r\n
      The album was mixed at Bill Schnee Studio to an Ampex ATR 1/2" machine, at 30 IPS, non-dolby, at the elevation of +3/250 nu on Ampex 499 tape. The reverb on the album was an EMT tube plate used along with natural room sounds captured in the recording. During the mixing of the album, "Some People's Lives" was recorded direct to two track using the same vocal chain as above and Telefunken 251's on the piano. Take number two was used as the album cut. The album was mixed using Mastering Lab modified Tannoy SGM-10's powered by Sherwood-Sax mono-block tube amps.\r\n
      \r\n
      Produced, engineered and mixed by Jeff Balding.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Janis Ian (acoustic & electric guitar, piano, vocals), Dann Huff (electric guitar), Chad Watson (bass), Jim Hoke (harmonica), Jim Brock (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9LRR_9D89ks"
    -referenceProduit: "Analogue Productions AAPP 027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. All Roads To The River"
      ]
      [
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      ]
      [
        "ordre" => 3
        "nom" => "3. Tattoo"
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        "nom" => "1. Guess You Had To Be There"
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        "nom" => "2. What About Love"
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        "nom" => "1. Walking On Sacred Ground"
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      ]
      [
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        "nom" => "3. Through The Years"
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      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. This House"
      ]
      [
        "ordre" => 14
        "nom" => "2. Some People's Lives (recorded live to two-track)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Breaking Silence"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2143 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2136 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2138 …}
    -enregistreLe: DateTime @1554882467 {#2129
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    }
    -modifierLe: DateTime @1769533561 {#2130
      date: 2026-01-27 17:06:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …}
    -disponible: null
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    -slug: "vinyles-breaking-silence-analogue-productions-aapp-027-45"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3362
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2132
    -id: 1626
    -nom: "Breaking Silence"
    -informationComplementaire: null
    -description: """
      Janis' pure voice and personal songs spread across four sides !\r\n
      \r\n
      This album finds Janis' voice in its purest, most vital form ever. The tracks were recorded as live as possible without sounding retro. This 1992 all-analogue recording, praised as much for the artist's too infrequently heard talents as for its recorded dynamics, is now available on the medium that is a natural : 180 gram vinyl !\r\n
      \r\n
      The audiophile LP reflects what the top bibles of high-end audio decree as an impeccable production that has come to be regarded as a high-fidelity reference. Matched with Ian's very personal songs, delivered in a voice that draws you in close in confidence, Breaking Silence is one of the very few recordings of recent years that by reproducing a pure analogue sound, has attained true audiophile status.\r\n
      \r\n
      Technical Data :\r\n
      Tracks were recorded at Nightingale Studio on a Studer 820, 24 track machine, 30 IPS, non-dolby, at the elevation of +6/250 nu using Ampex 499 tape.\r\n
      \r\n
      Included among the mics used on the recording dates were : Neumann M-49, AKG C-12, Telefunken 251, Sheffield C-9 and a custom built tube direct box on the bass. Janis' vocal was recorded using a Telefunken U-47 and a Mastering Lab mic preamp, linked with series-one Monster Cable direct to the back of the multi-track machine with no EQ or Limiting.\r\n
      \r\n
      The album was mixed at Bill Schnee Studio to an Ampex ATR 1/2" machine, at 30 IPS, non-dolby, at the elevation of +3/250 nu on Ampex 499 tape. The reverb on the album was an EMT tube plate used along with natural room sounds captured in the recording. During the mixing of the album, "Some People's Lives" was recorded direct to two track using the same vocal chain as above and Telefunken 251's on the piano. Take number two was used as the album cut. The album was mixed using Mastering Lab modified Tannoy SGM-10's powered by Sherwood-Sax mono-block tube amps.\r\n
      \r\n
      Produced, engineered and mixed by Jeff Balding.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Janis Ian (acoustic & electric guitar, piano, vocals), Dann Huff (electric guitar), Chad Watson (bass), Jim Hoke (harmonica), Jim Brock (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=9LRR_9D89ks"
    -referenceProduit: "Analogue Productions AAPP 027-45"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
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    -modifierLe: DateTime @1769533561 {#2130
      date: 2026-01-27 17:06:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
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  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2148
    -id: 782
    -nom: "Breaking Silence"
    -informationComplementaire: null
    -description: """
      This album finds Janis' voice in its purest, most vital form ever. The tracks were recorded as live as possible without sounding retro. This 1992 all-analogue recording, praised as much for the artist's too infrequently heard talents as for it's recorded dynamics, is now available on the medium that is a natural : 180 gram vinyl ! Also available on an equally meticulous transfer to gold-plated CD. \r\n
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      Both audiophile LP and CD versions reflect what the two top bibles of high-end audio decree as an impeccable production that has come to be regarded as a high-fidelity reference. Matched with Ian's very personal songs, delivered in a voice that draws you in close in confidence, Breaking Silence is one of the very few recordings of recent years that by reproducing a pure analogue sound, has attained true audiophile status.\r\n
      \r\n
      Technical Data :\r\n
      \r\n
      Tracks were recorded at Nightingale Studio on a Studer 820, 24 track machine, 30 IPS, non-dolby, at the elevation of +6/250 nu using Ampex 499 tape ?\r\n
      \r\n
      Included among the mics used on the recording dates were: Nuemann M-49, AKG C-12, Telefunken 251, Sheffield C-9 and a custom built tube direct box on the bass. Janis' vocal was recorded using a Telefunken U-47 and a Mastering Lab mic preamp, linked with series-one Monster Cable direct to the back of the multi-track machine with no EQ or Limiting.\r\n
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      The album was mixed at Bill Schnee Studio to an Ampex ATR 1/2" machine, at 30 IPS, non-dolby, at the elevation of +3/250 nu on Ampex 499 tape. The reverb on the album was an EMT tube plate used along with natural room sounds captured in the recording. During the mixing of the album, "Some People's Lives" was recorded direct to two-track using the same vocal chain as above and Telefunken 251's on the piano. Take number two was used as the album cut. The album was mixed using Mastering Lab modified Tannoy SGM-10's powered by Sherwood-Sax mono-block tube amps.\r\n
      \r\n
      Produced, engineered and mixed by Jeff Balding. Mastered by Doug Sax.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Janis Ian (acoutic guitar, piano, vocals), Chad Watson (bass), Dan Huff (guitar), Jim Hoke (harmonica), Jim Brock (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9LRR_9D89ks"
    -referenceProduit: "Analogue Productions AAPP 027"
    -titreMorceau: [
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
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    -modifierLe: DateTime @1769533421 {#2146
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-breaking-silence-analogue-productions-aapp-027"
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App\Twig\Components\GestionPanierFavoriComponents {#3415
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 782
    -nom: "Breaking Silence"
    -informationComplementaire: null
    -description: """
      This album finds Janis' voice in its purest, most vital form ever. The tracks were recorded as live as possible without sounding retro. This 1992 all-analogue recording, praised as much for the artist's too infrequently heard talents as for it's recorded dynamics, is now available on the medium that is a natural : 180 gram vinyl ! Also available on an equally meticulous transfer to gold-plated CD. \r\n
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      Both audiophile LP and CD versions reflect what the two top bibles of high-end audio decree as an impeccable production that has come to be regarded as a high-fidelity reference. Matched with Ian's very personal songs, delivered in a voice that draws you in close in confidence, Breaking Silence is one of the very few recordings of recent years that by reproducing a pure analogue sound, has attained true audiophile status.\r\n
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      Technical Data :\r\n
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      \r\n
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      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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        "nom" => "6. Breaking Silence"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1514 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
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    -modifierLe: DateTime @1769533421 {#2146
      date: 2026-01-27 17:03:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2161
    -id: 2188
    -nom: "Greatest Hits - (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano), David Crosby, Graham Nash, Carly Simon (background vocals), Red Rhodes (pedal steel guitar), Michael Brecker (saxophone), Clarence McDonald (keyboards), Victor Feldman (percussion), Russ Kunkel, (drums, percussion).\r\n
      \r\n
      THE DISTILLATION OF EVERYTHING THAT MAKES JAMES TAYLOR SPECIAL IS MADE EVEN BETTER !\r\n
      \r\n
      One of the most commercially successful compilations ever released, James Taylor's Diamond-certified Greatest Hits encapsulates the quintessential characteristics refined acoustic guitar playing, mannered melodies, insightful lyrics, comforting singing – and includes the familiar, honest, emotion-rich songs that made the singer-songwriter an icon. Experience it all with unparalleled detail and intimacy on Mobile Fidelity's limited and numbered UltraDisc One-Step 180 gram 45 RPM (2 LP) box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fa8KzA8BYjI"
    -referenceProduit: "Mobile Fidelity Sound Lab UDS1S-031"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Something in the Way She Moves \t"
      ]
      [
        "ordre" => 2
        "nom" => "2. Carolina in My Mind \t"
      ]
      [
        "ordre" => 3
        "nom" => "3. Fire and Rain \t"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sweet Baby James \t"
      ]
      [
        "ordre" => 6
        "nom" => "2. Country Road \t"
      ]
      [
        "ordre" => 7
        "nom" => "3. You've Got a Friend "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Don't Let Me Be Lonely Tonight \t"
      ]
      [
        "ordre" => 10
        "nom" => "2. Walking Man \t"
      ]
      [
        "ordre" => 11
        "nom" => "3. How Sweet It Is (To Be Loved By You) \t"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Mexico \t"
      ]
      [
        "ordre" => 14
        "nom" => "2. Shower the People \t"
      ]
      [
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        "nom" => "3. Steamroller "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …}
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    }
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      date: 2026-01-27 16:56:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …}
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    -slug: "vinyles-greatest-hits-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-uds1s-031"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3461
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2161
    -id: 2188
    -nom: "Greatest Hits - (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano), David Crosby, Graham Nash, Carly Simon (background vocals), Red Rhodes (pedal steel guitar), Michael Brecker (saxophone), Clarence McDonald (keyboards), Victor Feldman (percussion), Russ Kunkel, (drums, percussion).\r\n
      \r\n
      THE DISTILLATION OF EVERYTHING THAT MAKES JAMES TAYLOR SPECIAL IS MADE EVEN BETTER !\r\n
      \r\n
      One of the most commercially successful compilations ever released, James Taylor's Diamond-certified Greatest Hits encapsulates the quintessential characteristics refined acoustic guitar playing, mannered melodies, insightful lyrics, comforting singing – and includes the familiar, honest, emotion-rich songs that made the singer-songwriter an icon. Experience it all with unparalleled detail and intimacy on Mobile Fidelity's limited and numbered UltraDisc One-Step 180 gram 45 RPM (2 LP) box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
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      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "James Taylor (acoustic & electric guitars, vocals), Danny Kortchmar (electric guitar), Leland Sklar (bass guitar), Craig Doerge (keyboards, piano, electric piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fa8KzA8BYjI"
    -referenceProduit: "Mobile Fidelity Sound Lab UDS1S-031"
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      [
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      [
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      [
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        "nom" => "1. Mexico \t"
      ]
      [
        "ordre" => 14
        "nom" => "2. Shower the People \t"
      ]
      [
        "ordre" => 15
        "nom" => "3. Steamroller "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2743
    -nom: ""Sex Machine" (2 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      James Brown (vocals), 'Sweet' Charles Sherrell, Bootsy Collins (bass), Johnny Griggs (congas), Catfish Collins, Jimmy Nolen (guitar), Bobby Byrd (organ), St-Clair Pinckney (baritone saxophone), Eldee Williams, Maceo Parker, Robert Chopper McCollough   (tenor saxophone), Fred Wesley (trombone), Clayton Gunnells, Darryl Hassan Jamison, Joseph Davis, Richard Griffith (trumpet), Clyde Stubblefield, John Jabo Starks, Melvin Parker (drums).\r\n
      \r\n
      - Monster 1970 Double Album Presented in Audiophile Sound for the First Time : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM (2 LP) Set Plays with Explosive Dynamics and Vibrant Immediacy !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      James Brown wants to know one thing before he and his band begin Sex Machine. “Can I get into the thing, really ?,” he asks. His cohorts enthusiastically respond in the affirmative. And for the next hour and change, Mr. Dynamite gets into it and more, turning in a sweat-soaked, feet-moving, hip-swiveling, emotion-purging, in-the-red, drop-everything-you’re-doing-and-dance performance for the ages. Ranked by Rolling Stone among the 500 Greatest Albums of All Time, the sweeping 1970 effort towers as a testament to Brown’s inimitable legacy as well as the peak powers of his voice, vibrancy, and bands.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 33 RPM (2 LP) set presents Sex Machine in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy : Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective.\r\n
      \r\n
      Then there’s Brown’s superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. Screeching, shouting, pleading, moaning, preaching, stinging, commanding, testifying, crooning, humming: The Godfather of Soul contributes one of the finest vocal performances known to man. This definitive 55th anniversary reissue of Brown’s monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Both in the studio and on the stage.\r\n
      \r\n
      Just how lifelike does this reissue sound ? Senior Mobile Fidelity Sound Lab engineer Krieg Wunderlich, who handled the remaster, notes : “There were some artifacts that sounded a bit like mistracking. But they turned out to be breath blasts on the vocal microphone. That is part of history. JB was workin' hard, and breathin' hard. And there was an edit the timing of that was truly strange. Again, a part of history”.\r\n
      \r\n
      Originally marketed as a live album, Sex Machine contains six songs recorded in the studio and later overdubbed with canned crowd noise and reverberation. Save for “Low Down Popcorn”, the tracks on the latter half stem from a phenomenal performance captured in October 1969 at Bell Auditorium in Brown’s adopted hometown of Augusta, GA. The special relationship between the singer, the audience, and the location is palpable.\r\n
      \r\n
      As the 1960s gave way to a new decade, Brown experienced immense success and dealt with unexpected change. Soul Brother Number One soon expanded his idea for an official live album captured in Augusta when the ensemble that backed him on that date morphed into the original version of the world-famous J.B.’s just months after the show. The virtuosic abilities, sticky chemistry, and rhythm-forward nature of the J.B.’s prompted him to book a one-off session in Cincinnati, OH, on a late July night.\r\n
      \r\n
      Anchored by brothers William “Bootsy” Collins and Phelps “Catfish” Collins, the group as well as two different drummers laid down a nearly 11 minute rendition of “Get Up I Feel Like Being Like a Sex Machine” and a thrilling medley of “Bewildered”, “I Got the Feeling”, and “Give It Up or Turnit a Loose”. A pair of then-recent studio singles cut in separate locations in 1969, “Brother Rapp” and “Low Down Popcorn”, each featuring his prior group, took care of the second LP worth of material that complements the originally planned live set.\r\n
      \r\n
      Complicated ? Somewhat. Unusual ? Definitely. But just as he elevated the expectations for all present and future R&B artists, Brown not only makes it all work. He makes it positively electrifying.\r\n
      \r\n
      “Get Up I Feel Like Being Like a Sex Machine” is alone deserving of a dissertation on the art of funk music, seeing it moves up and down akin to an oil derrick, witnesses Brown unleashing a trademark series of grunts, squeaks, and “good god” asides, and glides to a hypnotic groove that won’t quit. Or look to the syncopated rhythms of “Brother Rapp (Part I and Part II)”, one of multiple pieces here that signify the point where Brown began viewing every instrument as a percussive tool. Brown closes the three-song medley with his new band with a skedaddling “Give It Up or Turnit a Loose”, which provides jolts on the order of sticking your finger into a socket.\r\n
      \r\n
      Not that the actual live material falls short in any way. Setting an insistent tempo for the vitality that follows, “I Don’t Want Nobody to Give Me Nothing” positions Brown as a role model, leader, and self-sufficient entrepreneur. All simmer and boil, the short and sweet “Licking Stick” dares you to keep pace. The floating, almost comforting “Spinning Wheel” spotlights the instrumental prowess of Maceo Parker and company, and functions as a seamless segue into the tender, horn-saluted “If I Ruled the World”.\r\n
      \r\n
      And Brown and his mates still aren’t done. Just try to resist the one-two closing punch of “I Can’t Stand Myself (When You Touch Me)” and “Mother Popcorn”. Mercy.\r\n
      \r\n
      Ain’t it funky ? Sure ‘nuff.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -id: 2743
    -nom: ""Sex Machine" (2 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      James Brown (vocals), 'Sweet' Charles Sherrell, Bootsy Collins (bass), Johnny Griggs (congas), Catfish Collins, Jimmy Nolen (guitar), Bobby Byrd (organ), St-Clair Pinckney (baritone saxophone), Eldee Williams, Maceo Parker, Robert Chopper McCollough   (tenor saxophone), Fred Wesley (trombone), Clayton Gunnells, Darryl Hassan Jamison, Joseph Davis, Richard Griffith (trumpet), Clyde Stubblefield, John Jabo Starks, Melvin Parker (drums).\r\n
      \r\n
      - Monster 1970 Double Album Presented in Audiophile Sound for the First Time : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM (2 LP) Set Plays with Explosive Dynamics and Vibrant Immediacy !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      James Brown wants to know one thing before he and his band begin Sex Machine. “Can I get into the thing, really ?,” he asks. His cohorts enthusiastically respond in the affirmative. And for the next hour and change, Mr. Dynamite gets into it and more, turning in a sweat-soaked, feet-moving, hip-swiveling, emotion-purging, in-the-red, drop-everything-you’re-doing-and-dance performance for the ages. Ranked by Rolling Stone among the 500 Greatest Albums of All Time, the sweeping 1970 effort towers as a testament to Brown’s inimitable legacy as well as the peak powers of his voice, vibrancy, and bands.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 33 RPM (2 LP) set presents Sex Machine in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy : Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective.\r\n
      \r\n
      Then there’s Brown’s superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. Screeching, shouting, pleading, moaning, preaching, stinging, commanding, testifying, crooning, humming: The Godfather of Soul contributes one of the finest vocal performances known to man. This definitive 55th anniversary reissue of Brown’s monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Both in the studio and on the stage.\r\n
      \r\n
      Just how lifelike does this reissue sound ? Senior Mobile Fidelity Sound Lab engineer Krieg Wunderlich, who handled the remaster, notes : “There were some artifacts that sounded a bit like mistracking. But they turned out to be breath blasts on the vocal microphone. That is part of history. JB was workin' hard, and breathin' hard. And there was an edit the timing of that was truly strange. Again, a part of history”.\r\n
      \r\n
      Originally marketed as a live album, Sex Machine contains six songs recorded in the studio and later overdubbed with canned crowd noise and reverberation. Save for “Low Down Popcorn”, the tracks on the latter half stem from a phenomenal performance captured in October 1969 at Bell Auditorium in Brown’s adopted hometown of Augusta, GA. The special relationship between the singer, the audience, and the location is palpable.\r\n
      \r\n
      As the 1960s gave way to a new decade, Brown experienced immense success and dealt with unexpected change. Soul Brother Number One soon expanded his idea for an official live album captured in Augusta when the ensemble that backed him on that date morphed into the original version of the world-famous J.B.’s just months after the show. The virtuosic abilities, sticky chemistry, and rhythm-forward nature of the J.B.’s prompted him to book a one-off session in Cincinnati, OH, on a late July night.\r\n
      \r\n
      Anchored by brothers William “Bootsy” Collins and Phelps “Catfish” Collins, the group as well as two different drummers laid down a nearly 11 minute rendition of “Get Up I Feel Like Being Like a Sex Machine” and a thrilling medley of “Bewildered”, “I Got the Feeling”, and “Give It Up or Turnit a Loose”. A pair of then-recent studio singles cut in separate locations in 1969, “Brother Rapp” and “Low Down Popcorn”, each featuring his prior group, took care of the second LP worth of material that complements the originally planned live set.\r\n
      \r\n
      Complicated ? Somewhat. Unusual ? Definitely. But just as he elevated the expectations for all present and future R&B artists, Brown not only makes it all work. He makes it positively electrifying.\r\n
      \r\n
      “Get Up I Feel Like Being Like a Sex Machine” is alone deserving of a dissertation on the art of funk music, seeing it moves up and down akin to an oil derrick, witnesses Brown unleashing a trademark series of grunts, squeaks, and “good god” asides, and glides to a hypnotic groove that won’t quit. Or look to the syncopated rhythms of “Brother Rapp (Part I and Part II)”, one of multiple pieces here that signify the point where Brown began viewing every instrument as a percussive tool. Brown closes the three-song medley with his new band with a skedaddling “Give It Up or Turnit a Loose”, which provides jolts on the order of sticking your finger into a socket.\r\n
      \r\n
      Not that the actual live material falls short in any way. Setting an insistent tempo for the vitality that follows, “I Don’t Want Nobody to Give Me Nothing” positions Brown as a role model, leader, and self-sufficient entrepreneur. All simmer and boil, the short and sweet “Licking Stick” dares you to keep pace. The floating, almost comforting “Spinning Wheel” spotlights the instrumental prowess of Maceo Parker and company, and functions as a seamless segue into the tender, horn-saluted “If I Ruled the World”.\r\n
      \r\n
      And Brown and his mates still aren’t done. Just try to resist the one-two closing punch of “I Can’t Stand Myself (When You Touch Me)” and “Mother Popcorn”. Mercy.\r\n
      \r\n
      Ain’t it funky ? Sure ‘nuff.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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[
  "produit" => App\Entity\Produit {#2193
    -id: 267
    -nom: "Capuchin Swing"
    -informationComplementaire: null
    -description: """
      Considered one of his strongest Blue Note outings, Capuchin Swing basically forced McLean to bring in some heavyweights to help define and deliver his vision. First and foremost was Blue Mitchell’s forceful trumpet, chosen to counterpoint the leader’s alto, that was in a feisty mood of it’s own throughout the sessions. Having Walter Bishop, Jr. on piano, Paul Chambers’ bass and Art Taylor banging skins frees the leader’s mind of worry rhythm-wise, allowing him and Mitchell to co-explore new heights of interplay. The intensity on McLean originals such as “Francisco”, “Condition Blue” and the title tune are both riveting and sometimes draining, while Bishop contributes both “Just For Now” plus another dedication to the label founder, “On The Lion”. \r\n
      \r\n
      Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Jackie McLean (alto saxophone), Blue Mitchell (trumpet), Walter Bishop, Jr (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3563
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    -id: 267
    -nom: "Capuchin Swing"
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    -description: """
      Considered one of his strongest Blue Note outings, Capuchin Swing basically forced McLean to bring in some heavyweights to help define and deliver his vision. First and foremost was Blue Mitchell’s forceful trumpet, chosen to counterpoint the leader’s alto, that was in a feisty mood of it’s own throughout the sessions. Having Walter Bishop, Jr. on piano, Paul Chambers’ bass and Art Taylor banging skins frees the leader’s mind of worry rhythm-wise, allowing him and Mitchell to co-explore new heights of interplay. The intensity on McLean originals such as “Francisco”, “Condition Blue” and the title tune are both riveting and sometimes draining, while Bishop contributes both “Just For Now” plus another dedication to the label founder, “On The Lion”. \r\n
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      Newly-remastered for vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Jackie McLean (alto saxophone), Blue Mitchell (trumpet), Walter Bishop, Jr (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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[
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    -id: 1816
    -nom: "A Fickle Sonance"
    -informationComplementaire: null
    -description: """
      Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Great Reid Miles Covers (Part 3) Themed Installment Presented on 180 gram Vinyl LP !\r\n
      \r\n
      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180g vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in April 2020 with Part 3 of theGreat Reid Miles Covers theme - Jackie McLean "A Fickle Sonance" (1961), Dexter Gordon "A Swingin' Affair" (1962) and Lee Morgan "The Rumproller " (1965).\r\n
      \r\n
      Recorded in October 1961, A Fickle Sonance is a quintessential hard bop outing by Jackie McLean that also offered just a hint of the avant-garde explorations the alto saxophonist was about to embark on in the years to come with the dissonances of the title track's intro. Otherwise the fantastic quintet with McLean joined by Tommy Turrentine on trumpet,Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums kept it firmly in the pocket on this sterling set that kicks off with the playful "Five Will Get You Ten" (which legend has it Clark found in Thelonious Monk's apartment). Reid Miles' dramatic cropping of Francis Wolff's photo of McLean on the cover makes the album cover utterly unforgettable.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Tommy Turrentine (trumpet), Sonny Clark (piano), Butch Warren (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3616
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
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  +produit: App\Entity\Produit {#2212
    -id: 1816
    -nom: "A Fickle Sonance"
    -informationComplementaire: null
    -description: """
      Blue Note 80 Vinyl Reissue Series Curated by Don Was and Cem Kurosman; Great Reid Miles Covers (Part 3) Themed Installment Presented on 180 gram Vinyl LP !\r\n
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      In honor of Blue Note Records' 80th Anniversary, the legendary jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this second series curated by Don Was and Cem Kurosman features 180g vinyl LP releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. The series resumes in April 2020 with Part 3 of theGreat Reid Miles Covers theme - Jackie McLean "A Fickle Sonance" (1961), Dexter Gordon "A Swingin' Affair" (1962) and Lee Morgan "The Rumproller " (1965).\r\n
      \r\n
      Recorded in October 1961, A Fickle Sonance is a quintessential hard bop outing by Jackie McLean that also offered just a hint of the avant-garde explorations the alto saxophonist was about to embark on in the years to come with the dissonances of the title track's intro. Otherwise the fantastic quintet with McLean joined by Tommy Turrentine on trumpet,Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums kept it firmly in the pocket on this sterling set that kicks off with the playful "Five Will Get You Ten" (which legend has it Clark found in Thelonious Monk's apartment). Reid Miles' dramatic cropping of Francis Wolff's photo of McLean on the cover makes the album cover utterly unforgettable.\r\n
      \r\n
      This Blue Note 80 Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -slug: "vinyles-a-fickle-sonance-blue-note-records-0320"
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[
  "produit" => App\Entity\Produit {#2228
    -id: 2166
    -nom: "Destination... Out !"
    -informationComplementaire: null
    -description: """
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Bobby Hutcherson (vibes), Grachan Moncur III (trombone), Larry Ridley (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3664
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2228
    -id: 2166
    -nom: "Destination... Out !"
    -informationComplementaire: null
    -description: """
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
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      The time was right. It was 1963 and 31 year old altoist Jackie McLean was recording an album for the ages. McLean had been a major player for a dozen years by then and was a hard bop master but he wanted more in his music. One of the very few musicians of his generation to embrace free jazz, McLean was impressed by Ornette Coleman and John Coltrane but his goal was to create his own brand of free form music, one filled with soul and grooves yet exploring sounds never heard before.\r\n
      \r\n
      In trombonist Grachan Moncur III, he had found a musical soul mate, one whose adventurous solos matched McLean's own and who was also a superior composer. With Bobby Hutcherson, bassist Larry Ridley and Roy Haynes, McLean and Moncur romp through four of their originals, swinging hard but engaging in new ideas and ferocious emotions, connected to the past but looking towards a wild future. Nothing was held back and the performances on Destination...Out ! still sound futuristic, innovative and thrilling.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Bobby Hutcherson (vibes), Grachan Moncur III (trombone), Larry Ridley (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -label: Proxies\__CG__\App\Entity\Label {#2198 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …}
    -enregistreLe: DateTime @1638864795 {#2225
      date: 2021-12-07 08:13:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769523814 {#2226
      date: 2026-01-27 14:23:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-destination-out-blue-note-records-84165"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2241
    -id: 1887
    -nom: "It's Time"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Jackie McLean's It's Time Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley.\r\n
      \r\n
      This impassioned quintet session from 1964 weaves elements of post-bop and free jazz into a supremely spirited program of original compositions by Jackie McLean and the young trumpet sensation Charles Tolliver. McLean and Tolliver were joined by pianist Herbie Hancock, bassist Cecil McBee, and drummer Roy Haynes. While the music was classified as "the new thing" at the time, the searing cry of the blues is ever-present in McLean's brilliant alto saxophone playing. The striking artwork is one of Reid Miles' most memorable cover designs.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Herbie Hancock (piano), Charles Tolliver (trumpet), Cecil McBee (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AiqwsUus-XU"
    -referenceProduit: "Blue Note Records 5501"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cancellation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Das' Dat"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's Time"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Revillot"
      ]
      [
        "ordre" => 6
        "nom" => "2. 'Snuff"
      ]
      [
        "ordre" => 7
        "nom" => "3. Truth"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2243 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2252 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2245 …}
    -typeMasterTape: null
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    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2247 …}
    -enregistreLe: DateTime @1594021350 {#2238
      date: 2020-07-06 07:42:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769523614 {#2239
      date: 2026-01-27 14:20:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-s-time-blue-note-records-5501"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3712
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2241
    -id: 1887
    -nom: "It's Time"
    -informationComplementaire: null
    -description: """
      All-Analog 180 gram Vinyl LP of Jackie McLean's It's Time Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley.\r\n
      \r\n
      This impassioned quintet session from 1964 weaves elements of post-bop and free jazz into a supremely spirited program of original compositions by Jackie McLean and the young trumpet sensation Charles Tolliver. McLean and Tolliver were joined by pianist Herbie Hancock, bassist Cecil McBee, and drummer Roy Haynes. While the music was classified as "the new thing" at the time, the searing cry of the blues is ever-present in McLean's brilliant alto saxophone playing. The striking artwork is one of Reid Miles' most memorable cover designs.\r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Herbie Hancock (piano), Charles Tolliver (trumpet), Cecil McBee (bass), Roy Haynes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AiqwsUus-XU"
    -referenceProduit: "Blue Note Records 5501"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      ]
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        "nom" => "2. Das' Dat"
      ]
      [
        "ordre" => 3
        "nom" => "3. It's Time"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Revillot"
      ]
      [
        "ordre" => 6
        "nom" => "2. 'Snuff"
      ]
      [
        "ordre" => 7
        "nom" => "3. Truth"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2243 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2252 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2245 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2247 …}
    -enregistreLe: DateTime @1594021350 {#2238
      date: 2020-07-06 07:42:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769523614 {#2239
      date: 2026-01-27 14:20:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-s-time-blue-note-records-5501"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

[
  "produit" => App\Entity\Produit {#2259
    -id: 260
    -nom: "Bluesnik"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Alto saxophonist Jackie McLean was already a veteran of the NYC jazz scene by the time he began recording as a leader for Blue Note in 1959. In his first few years with the label McLean recorded frequently, churning out hard bop classics in quick succession. The culmination of this period is undoubtedly Bluesnik, a vibrant 1961 session that brims with immediacy.\r\n
      \r\n
      McLean had the blues on his mind when he entered Rudy Van Gelder's studio that January with a formidable quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. Throughout the course of six original blues pieces the band goes from strength to strength, blazing out of the gate on McLean's title tune and moving through every hue of blue from the leader's shuffling "Goin' Way Blues" to the pianist's bright theme "Drew's Blues" and Hubbard's no-nonsense "Blues Function".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Freddie Hubbard (trumpet), Doug Watkins (bass), Kenny Drew (piano), Pete La Roca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=upQr5oSbh2Q"
    -referenceProduit: "Blue Note Records BST 84067"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Bluesnik "
      ]
      [
        "ordre" => 2
        "nom" => "2. Goin' 'Way Blues "
      ]
      [
        "ordre" => 3
        "nom" => "3. Drew's Blues"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Cool Green "
      ]
      [
        "ordre" => 6
        "nom" => "2. Blues Function "
      ]
      [
        "ordre" => 7
        "nom" => "3. Torchin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2198 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2267 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2260 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2262 …}
    -enregistreLe: DateTime @1278690347 {#2255
      date: 2010-07-09 15:45:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769523269 {#2254
      date: 2026-01-27 14:14:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2264 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bluesnik-blue-note-records-bst-84067"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3760
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2691 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2259
    -id: 260
    -nom: "Bluesnik"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Alto saxophonist Jackie McLean was already a veteran of the NYC jazz scene by the time he began recording as a leader for Blue Note in 1959. In his first few years with the label McLean recorded frequently, churning out hard bop classics in quick succession. The culmination of this period is undoubtedly Bluesnik, a vibrant 1961 session that brims with immediacy.\r\n
      \r\n
      McLean had the blues on his mind when he entered Rudy Van Gelder's studio that January with a formidable quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. Throughout the course of six original blues pieces the band goes from strength to strength, blazing out of the gate on McLean's title tune and moving through every hue of blue from the leader's shuffling "Goin' Way Blues" to the pianist's bright theme "Drew's Blues" and Hubbard's no-nonsense "Blues Function".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Freddie Hubbard (trumpet), Doug Watkins (bass), Kenny Drew (piano), Pete La Roca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=upQr5oSbh2Q"
    -referenceProduit: "Blue Note Records BST 84067"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Bluesnik "
      ]
      [
        "ordre" => 2
        "nom" => "2. Goin' 'Way Blues "
      ]
      [
        "ordre" => 3
        "nom" => "3. Drew's Blues"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Cool Green "
      ]
      [
        "ordre" => 6
        "nom" => "2. Blues Function "
      ]
      [
        "ordre" => 7
        "nom" => "3. Torchin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2198 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2267 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2260 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2262 …}
    -enregistreLe: DateTime @1278690347 {#2255
      date: 2010-07-09 15:45:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769523269 {#2254
      date: 2026-01-27 14:14:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2264 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bluesnik-blue-note-records-bst-84067"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3956
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2459 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3957 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4005 …}
  +isValidated: false
  +validatedFields: []
}