Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2590
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2667
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2670 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
  -formView: Symfony\Component\Form\FormView {#2706 …}
  -form: Symfony\Component\Form\Form {#2856 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1894
    -id: 486
    -nom: "Like Someone In Love"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Arranged by Frank DeVol and enlivened by what the liner notes described as the "sensitive, poignant saxophone solos of Stan Getz" on four tracks, Like Someone In Love was targeted at "people in love". But its real audience, then as now, was anyone who loves timeless songs impeccably sung. What was timeless in 1957 still is.\r\n
      \r\n
      Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals),? Stan Getz (tenor saxophone),? Ted Nash (alto saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KlLr-vuShP8"
    -referenceProduit: "Analogue Productions AVRJ 6000-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. There's A Lull In My Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. More Than You Know"
      ]
      [
        "ordre" => 3
        "nom" => "3. What Will I Tell My Heart"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Never Had A Chance"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Close Your Eyes"
      ]
      [
        "ordre" => 7
        "nom" => "2. We'll Be Together Again"
      ]
      [
        "ordre" => 8
        "nom" => "3. Then I'll Be Tired Of You"
      ]
      [
        "ordre" => 9
        "nom" => "4. Like Someone In Love"
      ]
      [
        "ordre" => 10
        "nom" => "Side C : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Midnight Sun"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Thought About You"
      ]
      [
        "ordre" => 13
        "nom" => "3. You're Blasé"
      ]
      [
        "ordre" => 14
        "nom" => "4. Night Wind"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. What's New"
      ]
      [
        "ordre" => 17
        "nom" => "2. Hurry Home"
      ]
      [
        "ordre" => 18
        "nom" => "3. How Long Has This Been Going On"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1325669091 {#1949
      date: 2012-01-04 09:24:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765731286 {#1942
      date: 2025-12-14 16:54:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-like-someone-in-love-analogue-productions-avrj-6000-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3128
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#1894
    -id: 486
    -nom: "Like Someone In Love"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Arranged by Frank DeVol and enlivened by what the liner notes described as the "sensitive, poignant saxophone solos of Stan Getz" on four tracks, Like Someone In Love was targeted at "people in love". But its real audience, then as now, was anyone who loves timeless songs impeccably sung. What was timeless in 1957 still is.\r\n
      \r\n
      Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals),? Stan Getz (tenor saxophone),? Ted Nash (alto saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KlLr-vuShP8"
    -referenceProduit: "Analogue Productions AVRJ 6000-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. There's A Lull In My Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. More Than You Know"
      ]
      [
        "ordre" => 3
        "nom" => "3. What Will I Tell My Heart"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Never Had A Chance"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Close Your Eyes"
      ]
      [
        "ordre" => 7
        "nom" => "2. We'll Be Together Again"
      ]
      [
        "ordre" => 8
        "nom" => "3. Then I'll Be Tired Of You"
      ]
      [
        "ordre" => 9
        "nom" => "4. Like Someone In Love"
      ]
      [
        "ordre" => 10
        "nom" => "Side C : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Midnight Sun"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Thought About You"
      ]
      [
        "ordre" => 13
        "nom" => "3. You're Blasé"
      ]
      [
        "ordre" => 14
        "nom" => "4. Night Wind"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. What's New"
      ]
      [
        "ordre" => 17
        "nom" => "2. Hurry Home"
      ]
      [
        "ordre" => 18
        "nom" => "3. How Long Has This Been Going On"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1973 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1325669091 {#1949
      date: 2012-01-04 09:24:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765731286 {#1942
      date: 2025-12-14 16:54:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-like-someone-in-love-analogue-productions-avrj-6000-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 562
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      "Back in the 1990s original Verve pressings of this record were hot items pushed into prominence in great part by write-ups in The Absolute Sound, particularly by my friend Frank Doris. I found a few, and even a few in pretty good condition, but none of them begin to compare to this double 45 RPM set that offers more of everything, particularly transparency and instrumental separation. ...Ella's on a microphone with a slightly rising high end but if it sounds icy, don't blame the recording or the mastering. It's your system. If it's well-balanced and your cartridge is a good tracker, the vocal transparency and clarity are spooky and the sibilant articulation is precise. These double LPs cut at Sterling Sound use the original tapes, not copies of the original tapes and the clarity and transparency coupled with QRP's drop-dead silent pressings are remarkable. The original pre-MGM buyout LP has a pleasingly nostalgic quality and the added warmth produces a bit more room sound, but in my opinion it can't compare to this reissue unless you like hearing things through rose-tinted loudspeakers. Elegantly produced, arranged and recorded and easy to recommend ..." Music = 9/11; Sound = 9/11 - Michael Fremer, AnalogPlanet.com, February 15, 2013. To read Fremer's full review, click here: http://www.analogplanet.com/content/ellas-room-double-45rpm-clap-hands-here-comes-charlie-reissue-analogue-productions\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 - played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
       \r\n
      Originally released in 1962.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), ?Herb Ellis (guitar),? Gus Johnson, Lou Levy (piano),? Wilfred Middlebrooks, Joe Mondragon (bass), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vdE5hfcMgtE"
    -referenceProduit: "Analogue Productions AVRJ 4053-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. You're My Thrill"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Reverie"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Stella My Starlight"
      ]
      [
        "ordre" => 6
        "nom" => "2. 'Round Midnite"
      ]
      [
        "ordre" => 7
        "nom" => "3. Jersey Bounce"
      ]
      [
        "ordre" => 8
        "nom" => "4. Signing Off"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Cry Me A River"
      ]
      [
        "ordre" => 11
        "nom" => "2. This Year's Kisses"
      ]
      [
        "ordre" => 12
        "nom" => "3. Good Morning Heartache"
      ]
      [
        "ordre" => 13
        "nom" => "4. (I Was) Born To Be Blue"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Clap Hands, Here Comes Charlie!"
      ]
      [
        "ordre" => 16
        "nom" => "2. Spring Can Really Hang You Up the Most"
      ]
      [
        "ordre" => 17
        "nom" => "3. Music Goes 'Round and 'Round"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2096 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2089 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2091 …}
    -enregistreLe: DateTime @1353826832 {#2085
      date: 2012-11-25 07:00:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765720503 {#2086
      date: 2025-12-14 13:55:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2093 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clap-hands-here-comes-charlie-analogue-productions-avrj-4053-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3244
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2088
    -id: 562
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      "Back in the 1990s original Verve pressings of this record were hot items pushed into prominence in great part by write-ups in The Absolute Sound, particularly by my friend Frank Doris. I found a few, and even a few in pretty good condition, but none of them begin to compare to this double 45 RPM set that offers more of everything, particularly transparency and instrumental separation. ...Ella's on a microphone with a slightly rising high end but if it sounds icy, don't blame the recording or the mastering. It's your system. If it's well-balanced and your cartridge is a good tracker, the vocal transparency and clarity are spooky and the sibilant articulation is precise. These double LPs cut at Sterling Sound use the original tapes, not copies of the original tapes and the clarity and transparency coupled with QRP's drop-dead silent pressings are remarkable. The original pre-MGM buyout LP has a pleasingly nostalgic quality and the added warmth produces a bit more room sound, but in my opinion it can't compare to this reissue unless you like hearing things through rose-tinted loudspeakers. Elegantly produced, arranged and recorded and easy to recommend ..." Music = 9/11; Sound = 9/11 - Michael Fremer, AnalogPlanet.com, February 15, 2013. To read Fremer's full review, click here: http://www.analogplanet.com/content/ellas-room-double-45rpm-clap-hands-here-comes-charlie-reissue-analogue-productions\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 - played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
       \r\n
      Originally released in 1962.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), ?Herb Ellis (guitar),? Gus Johnson, Lou Levy (piano),? Wilfred Middlebrooks, Joe Mondragon (bass), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vdE5hfcMgtE"
    -referenceProduit: "Analogue Productions AVRJ 4053-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. You're My Thrill"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Reverie"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Stella My Starlight"
      ]
      [
        "ordre" => 6
        "nom" => "2. 'Round Midnite"
      ]
      [
        "ordre" => 7
        "nom" => "3. Jersey Bounce"
      ]
      [
        "ordre" => 8
        "nom" => "4. Signing Off"
      ]
      [
        "ordre" => 9
        "nom" => "Side C : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Cry Me A River"
      ]
      [
        "ordre" => 11
        "nom" => "2. This Year's Kisses"
      ]
      [
        "ordre" => 12
        "nom" => "3. Good Morning Heartache"
      ]
      [
        "ordre" => 13
        "nom" => "4. (I Was) Born To Be Blue"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Clap Hands, Here Comes Charlie!"
      ]
      [
        "ordre" => 16
        "nom" => "2. Spring Can Really Hang You Up the Most"
      ]
      [
        "ordre" => 17
        "nom" => "3. Music Goes 'Round and 'Round"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1970 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2096 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2089 …}
    -typeMasterTape: null
    -marque: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2091 …}
    -enregistreLe: DateTime @1353826832 {#2085
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    }
    -modifierLe: DateTime @1765720503 {#2086
      date: 2025-12-14 13:55:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2093 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clap-hands-here-comes-charlie-analogue-productions-avrj-4053-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2101
    -id: 874
    -nom: "Eddie Money"
    -informationComplementaire: null
    -description: """
      - Eddie Money "Eddie Money"200 gram gatefold LP !\r\n
      - Featuring "Baby Hold On" and "Two Tickets To Paradise" !\r\n
      - Remastered by Ryan Smith at Sterling Sound !\r\n
      - Stoughton Printing old-style tip on jacket !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Edward Joseph Mahoney, a Brooklyn-born second-generation cop who eventually ditched his badge and gun to pursue his rock star dreams as Eddie Money - struck gold right off the bat with his 1977 self-titled debut album.\r\n
      \r\n
      The record's leadoff single, "Baby Hold On", was actually its biggest hit, but the follow-up single "Two Tickets to Paradise", was a sort of spiritual cousin to Bruce Springsteen‘s "Rosalita (Come Out Tonight)". It's written from the perspective of a young guy who's desperately trying to convince his girlfriend to ignore her disapproving parents and come away with him "on a trip so far away from here". With its smooth production, urgent uptempo chorus, and insistent melodic hook, "Tickets" was a natural for late '70s FM radio - where it found an immediate home, eventually working its way all the way up to \r\n
      N° 22 on the Billboard Hot 100.\r\n
      \r\n
      Although Money might have written "Two Tickets to Paradise" to convince a specific girl to leave town with him, its title became shorthand for that end-of-the-work-week feeling you get when you've fulfilled all of your responsibilities to the Man and you're free to relax without obligations for a little while - like, say, at at an Eddie Money concert, where "Tickets" has remained a constant fixture of the set list for more than 30 years.\r\n
      \r\n
      We've done this Analogue Productions issue up right with top-of-the-line remastering from Ryan Smith at Sterling Sound - for phenomenal sonic quality - and a richly detailed, silent-background Quality Record Pressings 180 gram LP. None better.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Eddie Money (Keyboards, saxophone, vocals), Tom Scott (saxophone), Lonnie Turner, Bob ‘’Pops’’ Popwell (bass), Jimmy Lyon (guitar), Alan Pasqua, Freddy Webb, Randy Nichols (keyboards), Gary Mallaber, Gene Pardue, Kevin Calhoun (drums, percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JxcUmAVG3RQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 089"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Two Tickets To Paradise"
      ]
      [
        "ordre" => 2
        "nom" => "2. You’ve Really Got A Hold On Me"
      ]
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        "nom" => "3. Wanna Be A Rock ‘n’ Roll Star"
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        "nom" => "4. Save A Little Room In Your Heart For Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. So Good To Be In Love Again"
      ]
      [
        "ordre" => 6
        "nom" => "Side B :"
      ]
      [
        "ordre" => 7
        "nom" => "6. Baby Hold On"
      ]
      [
        "ordre" => 8
        "nom" => "7. Don’t Worry"
      ]
      [
        "ordre" => 9
        "nom" => "8. Jealousys"
      ]
      [
        "ordre" => 10
        "nom" => "9. Got To Get Another Girl"
      ]
      [
        "ordre" => 11
        "nom" => "10. Gamblin Man"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
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    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1455612728 {#2098
      date: 2016-02-16 08:52:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765710243 {#2099
      date: 2025-12-14 11:04:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eddie-money-analogue-productions-aapp-089"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3290
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2101
    -id: 874
    -nom: "Eddie Money"
    -informationComplementaire: null
    -description: """
      - Eddie Money "Eddie Money"200 gram gatefold LP !\r\n
      - Featuring "Baby Hold On" and "Two Tickets To Paradise" !\r\n
      - Remastered by Ryan Smith at Sterling Sound !\r\n
      - Stoughton Printing old-style tip on jacket !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Edward Joseph Mahoney, a Brooklyn-born second-generation cop who eventually ditched his badge and gun to pursue his rock star dreams as Eddie Money - struck gold right off the bat with his 1977 self-titled debut album.\r\n
      \r\n
      The record's leadoff single, "Baby Hold On", was actually its biggest hit, but the follow-up single "Two Tickets to Paradise", was a sort of spiritual cousin to Bruce Springsteen‘s "Rosalita (Come Out Tonight)". It's written from the perspective of a young guy who's desperately trying to convince his girlfriend to ignore her disapproving parents and come away with him "on a trip so far away from here". With its smooth production, urgent uptempo chorus, and insistent melodic hook, "Tickets" was a natural for late '70s FM radio - where it found an immediate home, eventually working its way all the way up to \r\n
      N° 22 on the Billboard Hot 100.\r\n
      \r\n
      Although Money might have written "Two Tickets to Paradise" to convince a specific girl to leave town with him, its title became shorthand for that end-of-the-work-week feeling you get when you've fulfilled all of your responsibilities to the Man and you're free to relax without obligations for a little while - like, say, at at an Eddie Money concert, where "Tickets" has remained a constant fixture of the set list for more than 30 years.\r\n
      \r\n
      We've done this Analogue Productions issue up right with top-of-the-line remastering from Ryan Smith at Sterling Sound - for phenomenal sonic quality - and a richly detailed, silent-background Quality Record Pressings 180 gram LP. None better.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Eddie Money (Keyboards, saxophone, vocals), Tom Scott (saxophone), Lonnie Turner, Bob ‘’Pops’’ Popwell (bass), Jimmy Lyon (guitar), Alan Pasqua, Freddy Webb, Randy Nichols (keyboards), Gary Mallaber, Gene Pardue, Kevin Calhoun (drums, percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JxcUmAVG3RQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 089"
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      ]
      [
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        "nom" => "Side B :"
      ]
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      ]
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        "ordre" => 8
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        "nom" => "8. Jealousys"
      ]
      [
        "ordre" => 10
        "nom" => "9. Got To Get Another Girl"
      ]
      [
        "ordre" => 11
        "nom" => "10. Gamblin Man"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1455612728 {#2098
      date: 2016-02-16 08:52:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765710243 {#2099
      date: 2025-12-14 11:04:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eddie-money-analogue-productions-aapp-089"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 1277
    -nom: "The Legendary Father of Folk Blues"
    -informationComplementaire: null
    -description: """
      - Legendary Delta bluesman's Columbia LP now a 180 gram 45 RPM (2 LP) set !\r\n
      - 45 RPM (2 LP) set includes bonus track: "Motherless Children" !\r\n
      - Lacquers cut by Ryan K. Smith at Sterling Sound from the original master tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Heavyweight glossy tip-on jacket by Stoughton Printing !\r\n
      \r\n
      Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.\r\n
      \r\n
      The "Father of the Delta Blues" recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine "Essential recordings by one of the greatest bluesmen ever". And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers for this version we've cut the album at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove — were then plated and pressed on 200 gram vinyl by our own Quality Record Pressings. The Hybrid Stereo SACD version was authored for SACD by Gus Skinas at the Super Audio Center in Boulder, Colo.\r\n
      \r\n
      Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, "I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it". But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.\r\n
      \r\n
      Now, sit back and enjoy one of the genere's greatest, on a reissue that's the best that's been made to date. So authentic, so real that's the Analogue Productions difference.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Eddie James House, Jr. (guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tZQ6aCYyasI"
    -referenceProduit: "Analogue Productions AAPB 092-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Death Letter Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Pearline"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Louise McGhee"
      ]
      [
        "ordre" => 5
        "nom" => "2. John The Revelator"
      ]
      [
        "ordre" => 6
        "nom" => "3. Empire State Express"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Preachin’ Blues"
      ]
      [
        "ordre" => 9
        "nom" => "2. Grinning In Your Face"
      ]
      [
        "ordre" => 10
        "nom" => "3. Sundown"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Leavee Camp Moan"
      ]
      [
        "ordre" => 13
        "nom" => "2. Motherless Children (bonus track)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1518124405 {#2114
      date: 2018-02-08 21:13:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765619310 {#2115
      date: 2025-12-13 09:48:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-legendary-father-of-folk-blues-analogue-productions-aapb-092-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3341
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2117
    -id: 1277
    -nom: "The Legendary Father of Folk Blues"
    -informationComplementaire: null
    -description: """
      - Legendary Delta bluesman's Columbia LP now a 180 gram 45 RPM (2 LP) set !\r\n
      - 45 RPM (2 LP) set includes bonus track: "Motherless Children" !\r\n
      - Lacquers cut by Ryan K. Smith at Sterling Sound from the original master tape !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Heavyweight glossy tip-on jacket by Stoughton Printing !\r\n
      \r\n
      Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.\r\n
      \r\n
      The "Father of the Delta Blues" recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine "Essential recordings by one of the greatest bluesmen ever". And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers for this version we've cut the album at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove — were then plated and pressed on 200 gram vinyl by our own Quality Record Pressings. The Hybrid Stereo SACD version was authored for SACD by Gus Skinas at the Super Audio Center in Boulder, Colo.\r\n
      \r\n
      Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, "I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it". But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.\r\n
      \r\n
      Now, sit back and enjoy one of the genere's greatest, on a reissue that's the best that's been made to date. So authentic, so real that's the Analogue Productions difference.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Eddie James House, Jr. (guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tZQ6aCYyasI"
    -referenceProduit: "Analogue Productions AAPB 092-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Death Letter Blues"
      ]
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        "ordre" => 2
        "nom" => "2. Pearline"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Louise McGhee"
      ]
      [
        "ordre" => 5
        "nom" => "2. John The Revelator"
      ]
      [
        "ordre" => 6
        "nom" => "3. Empire State Express"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
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        "nom" => "1. Preachin’ Blues"
      ]
      [
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      ]
      [
        "ordre" => 10
        "nom" => "3. Sundown"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Leavee Camp Moan"
      ]
      [
        "ordre" => 13
        "nom" => "2. Motherless Children (bonus track)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1508 …}
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    }
    -modifierLe: DateTime @1765619310 {#2115
      date: 2025-12-13 09:48:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
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    -slug: "vinyles-the-legendary-father-of-folk-blues-analogue-productions-aapb-092-45"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2133
    -id: 1498
    -nom: "Stereo '57"
    -informationComplementaire: null
    -description: """
      - Nearly lost to history, Elvis 2 track masters saved by chance !\r\n
      - Now presented as a double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Mastered at Sterling Sound !\r\n
      - Deluxe gatefold jacket !\r\n
      \r\n
      The discovery of these 2 track masters comprising Stereo ‘57 - The Essential Elvis Volume 2, is nothing short of a miracle, and this 180 gram pressing cut at 45 RPM from Quality Record Pressings sounds so astonishing, your jaw will hit the floor!\r\n
      \r\n
      From the moment Elvis began working with a new song, sound engineer Thorne Norgar had the 15 ips mono tape machine rolling simultaneously with a 2 track protection copy. The machines weren't switched to pause until Elvis was satisfied with the take.\r\n
      \r\n
      A couple of years before the advent of the stereo LP in mid-1958, major record companies were experimenting with stereophonic recordings, often refered to then as binaural. Studios were using the new Ampex 2 track tape recorders for other purposes, such as for recording session back-ups. But few Elvis fans know how close history came to permanently losing these precious audio glimpses of a young Elvis engrossed in the creative process.\r\n
      \r\n
      Founded in 1933, Radio Recorders of Los Angeles was the preeminent recording studio of its day, and its director of recording, long-time engineer Thorne Nogar, engineered all of the Elvis sessions from 1955 to 1961. Some of popular music's greatest hits : "Jailhouse Rock", "All Shook Up", "Loving You", and "Teddy Bear", are just a few of the blockbusters that Nogar oversaw Elvis record at the studios, located at 7000 Santa Monica Blvd.\r\n
      \r\n
      Elvis would be right in the center of everything, at every recording session, Nogar would later recall. "Like with the Jordanaires when he sang, we would set it up with a unidirectional mike, so he would be standing right in front of them, facing them, and they would have their own directional microphone and they would be singing to one another".\r\n
      \r\n
      The 2-tracks from which this record was pressed could not have sounded better, and there was no one more careful, more experienced and technically skilled to record these historic sessions than Nogar, says Acoustic Sounds' founder and CEO Chad Kassem.\r\n
      \r\n
      Yet one day years later when Thorne was "cleaning out" his tapes closet, remarkably, he set these 2-track backup tapes aside, intending to dispose of them. Noted producer Bones Howe had worked for Nogar as a tape operator at Radio Recorders, and thanks to him the tapes were saved from a final resting place in the trash can. Bones took the tapes home with him. He'd put them safely away in a bank vault.\r\n
      \r\n
      These 2 tracks have "erase" clearly written on the master log sheets. They're from January 1957 sessions at which Presley produced material for two EPs and the film "Loving You" soundtrack. They're the only known ones surviving from the pre-stereo era.\r\n
      \r\n
      RCA's Essential Elvis series was a vehicle for the release of Presley's alternate takes. On this double LP set, listeners hear Presley at work, refining band arrangements and working through the nuances of his vocal performance. The LP reveals the Jordanaires voices' sparkling with a natural lifelike sound that's both sonically rich and detailed.\r\n
      \r\n
      The Jordanaires, a vocal quartet originally formed as a gospel group in 1948, gained fame largely for being Elvis' background singers, both in live appearances and recordings, from 1956 to 1972. If discovering these rare, almost lost recorded treasures weren't enough, the sound reproduction puts this release over the top! When the Jordanaires sing "Peace in the Valley," you'll swear you're hearing a melody sent from heaven. An audiophile's prayer come true!\r\n
      \r\n
      There are a number of first and second takes, during which Presley and his backing musicians make tentative passes at the material. As the record progresses, arrangements take shape and Presley, growing more confident that a keeper take is imminent, sings with more enthusiasm. Throughout, Presley is heard directing the proceedings and demonstrating a lot of "aw shucks" charm in the process, goofing with band members and laughing through his and others', flubs.\r\n
      \r\n
      Like other reissues pressed by QRP, this magnificent 180 gram LP is notable for its absolutely silent background. The vocal harmonies are tingle-inducing, life-sized and utterly natural.\r\n
      \r\n
      For serious Elvis fans and anyone else interested in the creative process, Volume 2 meets the first definition of "essential" as well as the second: it's indispensable stuff.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Elvis Presley (rhythm guitar, vocals), Scotty Moore (electric guitar),  Howard Roberts (rhythm guitar), Bill Black (upright bass), Gordon Stoker (piano), D.J. Fontana (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
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    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
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        "nom" => "2. Is It So Strange (Take 1)"
      ]
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        "ordre" => 3
        "nom" => "3. Have I Told You Lately That I Love You (Take 2)"
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        "ordre" => 4
        "nom" => "4. It Is No Secret (What God Can Do) [Takes 1,2,3]"
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      [
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        "nom" => "Side B : "
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      [
        "ordre" => 6
        "nom" => "1. Blueberry Hill (Take 2)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Mean Woman Blues (Take 14)"
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      [
        "ordre" => 8
        "nom" => "3. There'll Be Peace in the Valley (Takes 2,3)"
      ]
      [
        "ordre" => 9
        "nom" => "4. Have I Told You Lately That I Love You (Take 6)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Blueberry Hill (Take 7)"
      ]
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        "ordre" => 12
        "nom" => "2. That's When Your Heartaches Begin (Takes 4,5,6)"
      ]
      [
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        "nom" => "3. Is It So Strange (Takes 7,11)"
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      [
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        "nom" => "Side D : "
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      ]
      [
        "ordre" => 16
        "nom" => "2. There'll Be Peace in the Valley (Take 7)"
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      [
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        "nom" => "3. Have I Told You Lately That I Love You (Takes 12,13)"
      ]
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      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1546505803 {#2130
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    }
    -modifierLe: DateTime @1765377842 {#2131
      date: 2025-12-10 14:44:02.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -infoMasterTape: null
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App\Twig\Components\GestionPanierFavoriComponents {#3392
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
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  +produit: App\Entity\Produit {#2133
    -id: 1498
    -nom: "Stereo '57"
    -informationComplementaire: null
    -description: """
      - Nearly lost to history, Elvis 2 track masters saved by chance !\r\n
      - Now presented as a double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Mastered at Sterling Sound !\r\n
      - Deluxe gatefold jacket !\r\n
      \r\n
      The discovery of these 2 track masters comprising Stereo ‘57 - The Essential Elvis Volume 2, is nothing short of a miracle, and this 180 gram pressing cut at 45 RPM from Quality Record Pressings sounds so astonishing, your jaw will hit the floor!\r\n
      \r\n
      From the moment Elvis began working with a new song, sound engineer Thorne Norgar had the 15 ips mono tape machine rolling simultaneously with a 2 track protection copy. The machines weren't switched to pause until Elvis was satisfied with the take.\r\n
      \r\n
      A couple of years before the advent of the stereo LP in mid-1958, major record companies were experimenting with stereophonic recordings, often refered to then as binaural. Studios were using the new Ampex 2 track tape recorders for other purposes, such as for recording session back-ups. But few Elvis fans know how close history came to permanently losing these precious audio glimpses of a young Elvis engrossed in the creative process.\r\n
      \r\n
      Founded in 1933, Radio Recorders of Los Angeles was the preeminent recording studio of its day, and its director of recording, long-time engineer Thorne Nogar, engineered all of the Elvis sessions from 1955 to 1961. Some of popular music's greatest hits : "Jailhouse Rock", "All Shook Up", "Loving You", and "Teddy Bear", are just a few of the blockbusters that Nogar oversaw Elvis record at the studios, located at 7000 Santa Monica Blvd.\r\n
      \r\n
      Elvis would be right in the center of everything, at every recording session, Nogar would later recall. "Like with the Jordanaires when he sang, we would set it up with a unidirectional mike, so he would be standing right in front of them, facing them, and they would have their own directional microphone and they would be singing to one another".\r\n
      \r\n
      The 2-tracks from which this record was pressed could not have sounded better, and there was no one more careful, more experienced and technically skilled to record these historic sessions than Nogar, says Acoustic Sounds' founder and CEO Chad Kassem.\r\n
      \r\n
      Yet one day years later when Thorne was "cleaning out" his tapes closet, remarkably, he set these 2-track backup tapes aside, intending to dispose of them. Noted producer Bones Howe had worked for Nogar as a tape operator at Radio Recorders, and thanks to him the tapes were saved from a final resting place in the trash can. Bones took the tapes home with him. He'd put them safely away in a bank vault.\r\n
      \r\n
      These 2 tracks have "erase" clearly written on the master log sheets. They're from January 1957 sessions at which Presley produced material for two EPs and the film "Loving You" soundtrack. They're the only known ones surviving from the pre-stereo era.\r\n
      \r\n
      RCA's Essential Elvis series was a vehicle for the release of Presley's alternate takes. On this double LP set, listeners hear Presley at work, refining band arrangements and working through the nuances of his vocal performance. The LP reveals the Jordanaires voices' sparkling with a natural lifelike sound that's both sonically rich and detailed.\r\n
      \r\n
      The Jordanaires, a vocal quartet originally formed as a gospel group in 1948, gained fame largely for being Elvis' background singers, both in live appearances and recordings, from 1956 to 1972. If discovering these rare, almost lost recorded treasures weren't enough, the sound reproduction puts this release over the top! When the Jordanaires sing "Peace in the Valley," you'll swear you're hearing a melody sent from heaven. An audiophile's prayer come true!\r\n
      \r\n
      There are a number of first and second takes, during which Presley and his backing musicians make tentative passes at the material. As the record progresses, arrangements take shape and Presley, growing more confident that a keeper take is imminent, sings with more enthusiasm. Throughout, Presley is heard directing the proceedings and demonstrating a lot of "aw shucks" charm in the process, goofing with band members and laughing through his and others', flubs.\r\n
      \r\n
      Like other reissues pressed by QRP, this magnificent 180 gram LP is notable for its absolutely silent background. The vocal harmonies are tingle-inducing, life-sized and utterly natural.\r\n
      \r\n
      For serious Elvis fans and anyone else interested in the creative process, Volume 2 meets the first definition of "essential" as well as the second: it's indispensable stuff.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Elvis Presley (rhythm guitar, vocals), Scotty Moore (electric guitar),  Howard Roberts (rhythm guitar), Bill Black (upright bass), Gordon Stoker (piano), D.J. Fontana (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WK8NfSCkmJk&list=RDWK8NfSCkmJk&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
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        "nom" => "1. I Beg of You (Take 1)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Is It So Strange (Take 1)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Have I Told You Lately That I Love You (Take 2)"
      ]
      [
        "ordre" => 4
        "nom" => "4. It Is No Secret (What God Can Do) [Takes 1,2,3]"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Blueberry Hill (Take 2)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Mean Woman Blues (Take 14)"
      ]
      [
        "ordre" => 8
        "nom" => "3. There'll Be Peace in the Valley (Takes 2,3)"
      ]
      [
        "ordre" => 9
        "nom" => "4. Have I Told You Lately That I Love You (Take 6)"
      ]
      [
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        "nom" => "Side C :"
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      [
        "ordre" => 11
        "nom" => "1. Blueberry Hill (Take 7)"
      ]
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        "nom" => "2. That's When Your Heartaches Begin (Takes 4,5,6)"
      ]
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        "nom" => "1. I Beg of You (Takes 6,8)"
      ]
      [
        "ordre" => 16
        "nom" => "2. There'll Be Peace in the Valley (Take 7)"
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        "nom" => "3. Have I Told You Lately That I Love You (Takes 12,13)"
      ]
      [
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      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
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    -modifierLe: DateTime @1765377842 {#2131
      date: 2025-12-10 14:44:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-stereo-57-analogue-productions-aapp-054-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2149
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Make Me Know It"
      ]
      [
        "ordre" => 1
        "nom" => "2. Fever"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl of My Best Friend"
      ]
      [
        "ordre" => 3
        "nom" => "4. I Will Be Home Again"
      ]
      [
        "ordre" => 4
        "nom" => "5. Dirty, Dirty Feeling"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Thrill of Your Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. Soldier Boy"
      ]
      [
        "ordre" => 7
        "nom" => "8. Such a Night"
      ]
      [
        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
      [
        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
      [
        "ordre" => 10
        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1278690536 {#2146
      date: 2010-07-09 15:48:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765371197 {#2147
      date: 2025-12-10 12:53:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-elvis-is-back-analogue-productions-aapp-2231-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3445
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2149
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Make Me Know It"
      ]
      [
        "ordre" => 1
        "nom" => "2. Fever"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl of My Best Friend"
      ]
      [
        "ordre" => 3
        "nom" => "4. I Will Be Home Again"
      ]
      [
        "ordre" => 4
        "nom" => "5. Dirty, Dirty Feeling"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Thrill of Your Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. Soldier Boy"
      ]
      [
        "ordre" => 7
        "nom" => "8. Such a Night"
      ]
      [
        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
      [
        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
      [
        "ordre" => 10
        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1278690536 {#2146
      date: 2010-07-09 15:48:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765371197 {#2147
      date: 2025-12-10 12:53:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-elvis-is-back-analogue-productions-aapp-2231-45"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2162
    -id: 2873
    -nom: "Kind Of Blue (Corrected Speed)"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP 33 1/3 edition (Side 4 will be 45 RPM) !\r\n
      - Side 1 Speed Corrected for recording adjustment !\r\n
      - Pressed at Quality Record Pressings using Classic Records parts that were mastered by Bernie Grundman from the original master tape !\r\n
      - Includes 4 panel insert with corrected speed information and liner notes by Robert Palmer !\r\n
      - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n
      - Standard black vinyl pressing !\r\n
      - Also available as a limited edition blue vinyl pressing !\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.\r\n
      \r\n
      The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s. This edition also contains on Side 4 "Flamenco Sketches (alternate take)" cut at 45 RPM.\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      This LP bridges the time span since the album's original recording in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 8163"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. So What - (Corrected Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 2
        "nom" => "2. Freddie Freeloader - (Corrected Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue In Green - (Corrected Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. All Blues "
      ]
      [
        "ordre" => 6
        "nom" => "2. Flamenco Sketches "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. So What - (Original Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 9
        "nom" => "2. Freddie Freeloader - (Original Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blue In Green - (Original Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Flamenco Sketches (alternate take) - 45 RPM"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2173 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2166 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2168 …}
    -enregistreLe: DateTime @1760554324 {#2159
      date: 2025-10-15 18:52:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765288228 {#2160
      date: 2025-12-09 13:50:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-corrected-speed-analogue-productions-aapj-8163"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3491
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2162
    -id: 2873
    -nom: "Kind Of Blue (Corrected Speed)"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP 33 1/3 edition (Side 4 will be 45 RPM) !\r\n
      - Side 1 Speed Corrected for recording adjustment !\r\n
      - Pressed at Quality Record Pressings using Classic Records parts that were mastered by Bernie Grundman from the original master tape !\r\n
      - Includes 4 panel insert with corrected speed information and liner notes by Robert Palmer !\r\n
      - Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish !\r\n
      - Standard black vinyl pressing !\r\n
      - Also available as a limited edition blue vinyl pressing !\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with our UHQR edition, and now with this 331/3 RPM double LP reissue.\r\n
      \r\n
      The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s. This edition also contains on Side 4 "Flamenco Sketches (alternate take)" cut at 45 RPM.\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording - a five-track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      This LP bridges the time span since the album's original recording in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 8163"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. So What - (Corrected Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 2
        "nom" => "2. Freddie Freeloader - (Corrected Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue In Green - (Corrected Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. All Blues "
      ]
      [
        "ordre" => 6
        "nom" => "2. Flamenco Sketches "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. So What - (Original Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 9
        "nom" => "2. Freddie Freeloader - (Original Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blue In Green - (Original Speed) - 33-1/3 RPM"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Flamenco Sketches (alternate take) - 45 RPM"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2173 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2166 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2168 …}
    -enregistreLe: DateTime @1760554324 {#2159
      date: 2025-10-15 18:52:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765288228 {#2160
      date: 2025-12-09 13:50:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-corrected-speed-analogue-productions-aapj-8163"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2180
    -id: 489
    -nom: "The Best Of Sam Cooke"
    -informationComplementaire: null
    -description: """
      A Groundbreaking Soul Pioneer and An Influence On Generations of Singers - Everyone Agrees Sam Cooke Is The MAN !\r\n
      \r\n
      "...He had an incomparable voice. Sam Cooke could sing anything and make it work. But when you're talking about his strength as a singer, range is not relevant. It was his power to deliver it was about his phrasing, the totality of his singing", - Van Morrison, for Rolling Stonemagazine's 100 Greatest Singers Of All Time, ranking Cooke at N° 4.\r\n
      \r\n
      This Best Of Sam Cooke album was the beacon that kept Cooke's most popular songs in the public eye. Between 1957 and his death seven years later, Cooke recorded an average of one Top Ten single every four months! And now on this single LP, you can relive the timeless best known and best-loved Sam Cooke classics.\r\n
      \r\n
      •\tYou Send Me\r\n
      •\tOnly Sixteen\r\n
      •\tWonderful World\r\n
      •\tChain Gang\r\n
      •\tCupid\r\n
      •\tHaving a Party\r\n
      \r\n
      And more !\r\n
      \r\n
      For a couple of generations this was the first and often only Sam Cooke album they owned. Although there are more ambitious collections that show Cooke's remarkable range and diversity, this is still the best starting place. These are Sam Cooke's biggest commercial hits. This is the message in a bottle that brought his gifts to millions of people. \r\n
      \r\n
      What is it that makes Cooke's music so irresistible ? Well, first the voice, of course. So good, in fact, was Cooke as a vocalist that Atlantic Records vice president Jerry Wexler said matter-of-factly, "Sam Cooke was the best singer who ever lived, no contest". But beyond just his voice, it's the phrasing that makes these songs so timeless and memorable. Cooke himself explained it this way : "You just talk the story. That's how you get people to come to you because it's not like a song, it's like two people rapping, only with a melody attached. But then when you come to the hook ('That's the sound of the men working on the chain gang'), then you're free, everybody's gonna sing that part, you want to get everybody to sing along". And they're still singing along. \r\n
      \r\n
      So we all know the songs. We all know they're great. But nobody's known not unless you were there when it was recorded just how incredible these recordings actually sound. Now, cut at 45 RPM with every detail tended to and no expense spared, we've got the best of The Best of Sam Cooke.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qol952UDurQ&list=PLrnjdzaQwEaKn5ZW6yKVcHZw7aE5XXDZQ"
    -referenceProduit: "Analogue Productions AAPP 2625-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. You Send Me"
      ]
      [
        "ordre" => 2
        "nom" => "2. Only Sixteen"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everybody Loves To Cha Cha Cha"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. (I Love You) For Sentimental Reasons"
      ]
      [
        "ordre" => 6
        "nom" => "2. (What A) Wonderful World"
      ]
      [
        "ordre" => 7
        "nom" => "3. Summertime"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Chain Gang"
      ]
      [
        "ordre" => 10
        "nom" => "2. Cupid"
      ]
      [
        "ordre" => 11
        "nom" => "3. Twistin' The Night Away"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sad Mood"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Having A Party"
      ]
      [
        "ordre" => 15
        "nom" => "2. Bring It On Home To Me"
      ]
      [
        "ordre" => 16
        "nom" => "3. Another Saturday Night (Alternate Take)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1326123119 {#2176
      date: 2012-01-09 15:31:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765140034 {#2175
      date: 2025-12-07 20:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-best-of-sam-cooke-analogue-productions-aapp-2625-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3542
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2180
    -id: 489
    -nom: "The Best Of Sam Cooke"
    -informationComplementaire: null
    -description: """
      A Groundbreaking Soul Pioneer and An Influence On Generations of Singers - Everyone Agrees Sam Cooke Is The MAN !\r\n
      \r\n
      "...He had an incomparable voice. Sam Cooke could sing anything and make it work. But when you're talking about his strength as a singer, range is not relevant. It was his power to deliver it was about his phrasing, the totality of his singing", - Van Morrison, for Rolling Stonemagazine's 100 Greatest Singers Of All Time, ranking Cooke at N° 4.\r\n
      \r\n
      This Best Of Sam Cooke album was the beacon that kept Cooke's most popular songs in the public eye. Between 1957 and his death seven years later, Cooke recorded an average of one Top Ten single every four months! And now on this single LP, you can relive the timeless best known and best-loved Sam Cooke classics.\r\n
      \r\n
      •\tYou Send Me\r\n
      •\tOnly Sixteen\r\n
      •\tWonderful World\r\n
      •\tChain Gang\r\n
      •\tCupid\r\n
      •\tHaving a Party\r\n
      \r\n
      And more !\r\n
      \r\n
      For a couple of generations this was the first and often only Sam Cooke album they owned. Although there are more ambitious collections that show Cooke's remarkable range and diversity, this is still the best starting place. These are Sam Cooke's biggest commercial hits. This is the message in a bottle that brought his gifts to millions of people. \r\n
      \r\n
      What is it that makes Cooke's music so irresistible ? Well, first the voice, of course. So good, in fact, was Cooke as a vocalist that Atlantic Records vice president Jerry Wexler said matter-of-factly, "Sam Cooke was the best singer who ever lived, no contest". But beyond just his voice, it's the phrasing that makes these songs so timeless and memorable. Cooke himself explained it this way : "You just talk the story. That's how you get people to come to you because it's not like a song, it's like two people rapping, only with a melody attached. But then when you come to the hook ('That's the sound of the men working on the chain gang'), then you're free, everybody's gonna sing that part, you want to get everybody to sing along". And they're still singing along. \r\n
      \r\n
      So we all know the songs. We all know they're great. But nobody's known not unless you were there when it was recorded just how incredible these recordings actually sound. Now, cut at 45 RPM with every detail tended to and no expense spared, we've got the best of The Best of Sam Cooke.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Qol952UDurQ&list=PLrnjdzaQwEaKn5ZW6yKVcHZw7aE5XXDZQ"
    -referenceProduit: "Analogue Productions AAPP 2625-45"
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        "nom" => "1. You Send Me"
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        "ordre" => 2
        "nom" => "2. Only Sixteen"
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        "ordre" => 3
        "nom" => "3. Everybody Loves To Cha Cha Cha"
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        "ordre" => 5
        "nom" => "1. (I Love You) For Sentimental Reasons"
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        "ordre" => 6
        "nom" => "2. (What A) Wonderful World"
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        "nom" => "3. Summertime"
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        "nom" => "Side C : "
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        "nom" => "1. Chain Gang"
      ]
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        "ordre" => 10
        "nom" => "2. Cupid"
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        "ordre" => 11
        "nom" => "3. Twistin' The Night Away"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sad Mood"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Having A Party"
      ]
      [
        "ordre" => 15
        "nom" => "2. Bring It On Home To Me"
      ]
      [
        "ordre" => 16
        "nom" => "3. Another Saturday Night (Alternate Take)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1521 …}
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      date: 2012-01-09 15:31:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765140034 {#2175
      date: 2025-12-07 20:40:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-best-of-sam-cooke-analogue-productions-aapp-2625-45"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2196
    -id: 364
    -nom: "Night Beat"
    -informationComplementaire: null
    -description: """
      "...Thanks to Analogue Productions' 45-rpm reissue of Cooke's 1963 RCA album Night Beat he still speaks to us - eloquently. The sound is opulent; the songs excellent; the singing nonpareil; the mood, oh-so nostalgic". Music = 4.5/5; Sonics = 4/5 - Jonathan Valin, The Absolute Sound, September 2010\r\n
      \r\n
      "...The recording by Dave Hassinger is a masterpiece of immediacy, transparency and harmonic complexity... This is a big, juicy, wet and intoxicating recording comprised of richly drawn instruments, particularly Billy Preston's shimmering Hammond organ and Hal Blaine's woody percussion... A knockout of a reissue and essential". Music = 10/11; Sound = 10/11 - Michael Fremer, Musicangle\r\n
      \r\n
      "Whenever I think of Night Beat, I wonder how many records as perfect have been made since 1963. Listen anew to Sam Cooke's vocal honey on this Soul Blues album and I doubt you will come up with any worthy contenders... This 45 RPM issue was remastered at Sterling Sound and brings out the backing musicians including organist Billy Preston and guitarist Barney Kessel better than the ABKCO release, and makes it sound more like Sam was in the same room with the band. The definitive Night Beat". Recording = 10/10; Music = 10/10 - Dennis Davis, Hi-Fi+, Issue 69\r\n
      \r\n
      Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters.\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sam Cooke (vocals), René Hall, Clifton White, Barney Kessel (guitar), Cliff Hils (bass guitar), Ray Johnson (piano), Billy Preston (organ), Sharky Hall (drums, tambourine), Hal Blaine  (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEx5pLLTTDo"
    -referenceProduit: "Analogue Productions AAPP 2709-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Nobody Knows the Trouble I've Seen"
      ]
      [
        "ordre" => 2
        "nom" => "2. Lost and Lookin'"
      ]
      [
        "ordre" => 3
        "nom" => "3. Mean Old World"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Please Don't Drive Me Away"
      ]
      [
        "ordre" => 6
        "nom" => "2. I Lost Everything"
      ]
      [
        "ordre" => 7
        "nom" => "3. Get Yourself a Another Fool"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Little Red Rooster"
      ]
      [
        "ordre" => 10
        "nom" => "2. Laughin' and Clownin'"
      ]
      [
        "ordre" => 11
        "nom" => "3. Trouble Blues"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. You Gotta Move"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fool's Paradise"
      ]
      [
        "ordre" => 15
        "nom" => "3. Shake Rattle and Roll"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2199 …}
    -enregistreLe: DateTime @1278691206 {#2193
      date: 2010-07-09 16:00:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765139803 {#2194
      date: 2025-12-07 20:36:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-night-beat-analogue-productions-aapp-2709-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3595
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2196
    -id: 364
    -nom: "Night Beat"
    -informationComplementaire: null
    -description: """
      "...Thanks to Analogue Productions' 45-rpm reissue of Cooke's 1963 RCA album Night Beat he still speaks to us - eloquently. The sound is opulent; the songs excellent; the singing nonpareil; the mood, oh-so nostalgic". Music = 4.5/5; Sonics = 4/5 - Jonathan Valin, The Absolute Sound, September 2010\r\n
      \r\n
      "...The recording by Dave Hassinger is a masterpiece of immediacy, transparency and harmonic complexity... This is a big, juicy, wet and intoxicating recording comprised of richly drawn instruments, particularly Billy Preston's shimmering Hammond organ and Hal Blaine's woody percussion... A knockout of a reissue and essential". Music = 10/11; Sound = 10/11 - Michael Fremer, Musicangle\r\n
      \r\n
      "Whenever I think of Night Beat, I wonder how many records as perfect have been made since 1963. Listen anew to Sam Cooke's vocal honey on this Soul Blues album and I doubt you will come up with any worthy contenders... This 45 RPM issue was remastered at Sterling Sound and brings out the backing musicians including organist Billy Preston and guitarist Barney Kessel better than the ABKCO release, and makes it sound more like Sam was in the same room with the band. The definitive Night Beat". Recording = 10/10; Music = 10/10 - Dennis Davis, Hi-Fi+, Issue 69\r\n
      \r\n
      Clearly Sam Cooke’s most intimate, most soulful and ultimately most real recording. This one has the feel of a private performance captured after hours when the audience had gone home and the singer was singing purely for the love of his songs. The performance put forth is simply straight from Cooke’s soul. His selection of songs include spiritual, bluesy ballads and gospel classics. Cooke owns these songs, making each interpretation all his own. This is warm music that’s easy to connect with. Mastered by George Marino at Sterling Sound from the original three-track masters.\r\n
      \r\n
      Originally released in 1963.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sam Cooke (vocals), René Hall, Clifton White, Barney Kessel (guitar), Cliff Hils (bass guitar), Ray Johnson (piano), Billy Preston (organ), Sharky Hall (drums, tambourine), Hal Blaine  (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEx5pLLTTDo"
    -referenceProduit: "Analogue Productions AAPP 2709-45"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => "2. Lost and Lookin'"
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        "nom" => "3. Mean Old World"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. Please Don't Drive Me Away"
      ]
      [
        "ordre" => 6
        "nom" => "2. I Lost Everything"
      ]
      [
        "ordre" => 7
        "nom" => "3. Get Yourself a Another Fool"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Little Red Rooster"
      ]
      [
        "ordre" => 10
        "nom" => "2. Laughin' and Clownin'"
      ]
      [
        "ordre" => 11
        "nom" => "3. Trouble Blues"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
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        "ordre" => 13
        "nom" => "1. You Gotta Move"
      ]
      [
        "ordre" => 14
        "nom" => "2. Fool's Paradise"
      ]
      [
        "ordre" => 15
        "nom" => "3. Shake Rattle and Roll"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1524 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …}
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    }
    -modifierLe: DateTime @1765139803 {#2194
      date: 2025-12-07 20:36:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …}
    -disponible: null
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    -slug: "vinyles-night-beat-analogue-productions-aapp-2709-45"
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}

[
  "produit" => App\Entity\Produit {#2209
    -id: 834
    -nom: "Mirrorball"
    -informationComplementaire: null
    -description: """
      - Sarah McLachlan "Mirrorball" 200 gram triple LP 45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      Features great McLachlan hits performed live : "Building A Mystery", "I Will Remember You", "Adia" and "Angel" !\r\n
      \r\n
      The Analogue Productions / QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by 'I Will Remember You'). Live, a haunting ballad such as "Possession" becomes a fevered, aggressive bit of psychedelia. "Hold On" reveals new depths when performed behind the beat with morphing time signatures and driving piano.\r\n
      \r\n
      "McLachlan's warmly expressive voice is still at the epicenter of her performances. She roams through these 14 songs with agile ease, riding the rails between singing for dramatic arena effect - huskily growling, airily trilling - and knowing what to play down with her sensually controlled crooning (witness such gems as Fumbling's title song and 'Good Enough'). Overall, McLachlan's vocals match the heavily percussive intensity of her band and the build of her backing vocalists, producing a more spacious sound than the precise pitch rendered on her studio recordings. - Amazon.com
      """
    -prixVente: "169.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sarah McLachlan (piano, guitar, vocals), Brian Minato (bass), Vince Jones (keyboards, vocals), Camille Henderson (vocals), David Sinclair, Sean Ashby (guitar, vocals), Ashwin Sood (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jhftGMTqnAU"
    -referenceProduit: "Analogue Productions AAPP 053-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Building A Mystery"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hold On"
      ]
      [
        "ordre" => 3
        "nom" => "3. Good Enough"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. I Will Remember You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Adia"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. I Love You"
      ]
      [
        "ordre" => 9
        "nom" => "2. Do What You Have To Do"
      ]
      [
        "ordre" => 10
        "nom" => "Side D :"
      ]
      [
        "ordre" => 11
        "nom" => "1. The Path of Thorns (Terms)"
      ]
      [
        "ordre" => 12
        "nom" => "2. Fear"
      ]
      [
        "ordre" => 13
        "nom" => "3. Possession"
      ]
      [
        "ordre" => 14
        "nom" => "Side E :"
      ]
      [
        "ordre" => 15
        "nom" => "1. Sweet Surrender"
      ]
      [
        "ordre" => 16
        "nom" => "2. Ice Cream"
      ]
      [
        "ordre" => 17
        "nom" => "Side F : "
      ]
      [
        "ordre" => 18
        "nom" => "1. Fumbling Towards Ecstasy"
      ]
      [
        "ordre" => 19
        "nom" => "2. Angel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
    -label: App\Entity\Label {#1116 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3641
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2209
    -id: 834
    -nom: "Mirrorball"
    -informationComplementaire: null
    -description: """
      - Sarah McLachlan "Mirrorball" 200 gram triple LP 45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      Features great McLachlan hits performed live : "Building A Mystery", "I Will Remember You", "Adia" and "Angel" !\r\n
      \r\n
      The Analogue Productions / QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by 'I Will Remember You'). Live, a haunting ballad such as "Possession" becomes a fevered, aggressive bit of psychedelia. "Hold On" reveals new depths when performed behind the beat with morphing time signatures and driving piano.\r\n
      \r\n
      "McLachlan's warmly expressive voice is still at the epicenter of her performances. She roams through these 14 songs with agile ease, riding the rails between singing for dramatic arena effect - huskily growling, airily trilling - and knowing what to play down with her sensually controlled crooning (witness such gems as Fumbling's title song and 'Good Enough'). Overall, McLachlan's vocals match the heavily percussive intensity of her band and the build of her backing vocalists, producing a more spacious sound than the precise pitch rendered on her studio recordings. - Amazon.com
      """
    -prixVente: "169.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sarah McLachlan (piano, guitar, vocals), Brian Minato (bass), Vince Jones (keyboards, vocals), Camille Henderson (vocals), David Sinclair, Sean Ashby (guitar, vocals), Ashwin Sood (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jhftGMTqnAU"
    -referenceProduit: "Analogue Productions AAPP 053-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Building A Mystery"
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        "nom" => "2. Hold On"
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        "ordre" => 3
        "nom" => "3. Good Enough"
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        "nom" => "1. I Will Remember You"
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      [
        "ordre" => 6
        "nom" => "2. Adia"
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      [
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        "nom" => "Side C :"
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        "ordre" => 8
        "nom" => "1. I Love You"
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        "nom" => "2. Do What You Have To Do"
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        "nom" => "1. Sweet Surrender"
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        "nom" => "2. Ice Cream"
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        "nom" => "1. Fumbling Towards Ecstasy"
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        "ordre" => 19
        "nom" => "2. Angel"
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[
  "produit" => App\Entity\Produit {#2225
    -id: 2755
    -nom: "Solace"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion), Bill Dillon (acoustic & electric guitars, mandolin, pedal steel guitar, guitorgan, billatron), Leo Nocentelli (electric guitar), \r\n
      Daryl Exnicious (bass, backing vocals), Hugh McMillan, Jocelyne Lanois, Alan Gevaert (bass), Deni Bonet (violin, viola), Peter “Harpy” Conway (harmonica), Michel Dupirre (percussion), Ronald Jones (drums, tambourine), Paul Brennan, Ashwin Sood (drums).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Into The Fire" and "Path Of Thorns" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.\r\n
      \r\n
      "The opening track, 'Drawn to the Rhythm', is a habit-forming gem of a song that soars on her smooth and heady soprano and Ronald Jones's addictive drums (though the drone of the billatron in the chorus seems incongruous). The rumbling, electric 'Into the Fire' grooves with a funky bass line; the lovelorn 'Path of Thorns' and 'I Will Not Forget You' are straight-ahead and bluesy. Always wise beyond her years, McLachlan displays a new awakening with introspective songs such as the Sinead O'Connor-esque 'Lost" and "Shelter'. The hymnlike 'Mercy' is the least interesting song spare in comparison to the others but it is a wondrous showcase of her multifaceted voice. Without a doubt, Solace is a testament to McLachlan's ever-swelling talent". - Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=yFUR1VSVX-E&list=OLAK5uy_nKAZpxQ6xzoKWxlrGhMYx_NaXUwTKnmdw"
    -referenceProduit: "Analogue Productions AAPP 052-45"
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        "nom" => "3. The Paths of Thorns (Terms)"
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        "nom" => "Side B : "
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        "nom" => "1. I Will Not Forget You"
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      [
        "ordre" => 6
        "nom" => "2. Lost"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Back Door Man"
      ]
      [
        "ordre" => 9
        "nom" => "2. Shelter"
      ]
      [
        "ordre" => 10
        "nom" => "3. Black"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
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        "ordre" => 12
        "nom" => "1. Home"
      ]
      [
        "ordre" => 13
        "nom" => "2. Mercy"
      ]
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        "nom" => "3. Wear Your Love Like Heaven"
      ]
      [
        "ordre" => 15
        "nom" => ""
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      [
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      [
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      [
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      [
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
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    -modifierLe: DateTime @1765124362 {#2223
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3694
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2225
    -id: 2755
    -nom: "Solace"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion), Bill Dillon (acoustic & electric guitars, mandolin, pedal steel guitar, guitorgan, billatron), Leo Nocentelli (electric guitar), \r\n
      Daryl Exnicious (bass, backing vocals), Hugh McMillan, Jocelyne Lanois, Alan Gevaert (bass), Deni Bonet (violin, viola), Peter “Harpy” Conway (harmonica), Michel Dupirre (percussion), Ronald Jones (drums, tambourine), Paul Brennan, Ashwin Sood (drums).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Into The Fire" and "Path Of Thorns" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.\r\n
      \r\n
      "The opening track, 'Drawn to the Rhythm', is a habit-forming gem of a song that soars on her smooth and heady soprano and Ronald Jones's addictive drums (though the drone of the billatron in the chorus seems incongruous). The rumbling, electric 'Into the Fire' grooves with a funky bass line; the lovelorn 'Path of Thorns' and 'I Will Not Forget You' are straight-ahead and bluesy. Always wise beyond her years, McLachlan displays a new awakening with introspective songs such as the Sinead O'Connor-esque 'Lost" and "Shelter'. The hymnlike 'Mercy' is the least interesting song spare in comparison to the others but it is a wondrous showcase of her multifaceted voice. Without a doubt, Solace is a testament to McLachlan's ever-swelling talent". - Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=yFUR1VSVX-E&list=OLAK5uy_nKAZpxQ6xzoKWxlrGhMYx_NaXUwTKnmdw"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
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      date: 2025-12-07 16:19:22.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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}

[
  "produit" => App\Entity\Produit {#2238
    -id: 2757
    -nom: "Afterglow"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass), Sean Ashby, Michel Pépin, Yves Desrosiers, Mark Jowett, Ethan Johns (guitar), Tony Levin, Daryl Johnson (bass guitar),  \r\n
      Jim Creeggan (acoustic bass), David Kershaw (Hammond organ), Jorane (cello, background vocals), Jerry Marotta (percussion ), Ashwin Sood (drums, percussion, loops, keyboard bass).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Fallen", "Stupid" and "World on Fire" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      McLachlan's rebellion is hushed on Afterglow, her first studio album since 1997's Surfacing. "At times even the piano chords at the heart of the sound are tucked neatly beneath layer upon layer of strings and overdubbed voices. Listen to what’s being sung within this soothing aural bed, though, and hear the just-before-sleep murmurings of the quietest riot grrl : "I’m a train wreck waiting to happen... a wildfire born of frustration", "How stupid could I be.... you’re no good for me, but you’re the only one I see", "I have to push just to see how far you’ll go." The latter song "Push" resolves itself with the assurance, "You complete me". Ultimately, McLachlan fans will be comforted again by what turns out to be her reliably untroubled aesthetic". -Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cpxZim7joMs&list=PLPaztBWnatcjLvllJJKTj4NdsuEpoqQMh"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
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        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. Fallen"
      ]
      [
        "ordre" => 2
        "nom" => "2. World On Fire"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
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        "nom" => "1. Stupid"
      ]
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3742
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1857 …}
  +produit: App\Entity\Produit {#2238
    -id: 2757
    -nom: "Afterglow"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass), Sean Ashby, Michel Pépin, Yves Desrosiers, Mark Jowett, Ethan Johns (guitar), Tony Levin, Daryl Johnson (bass guitar),  \r\n
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      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Fallen", "Stupid" and "World on Fire" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      McLachlan's rebellion is hushed on Afterglow, her first studio album since 1997's Surfacing. "At times even the piano chords at the heart of the sound are tucked neatly beneath layer upon layer of strings and overdubbed voices. Listen to what’s being sung within this soothing aural bed, though, and hear the just-before-sleep murmurings of the quietest riot grrl : "I’m a train wreck waiting to happen... a wildfire born of frustration", "How stupid could I be.... you’re no good for me, but you’re the only one I see", "I have to push just to see how far you’ll go." The latter song "Push" resolves itself with the assurance, "You complete me". Ultimately, McLachlan fans will be comforted again by what turns out to be her reliably untroubled aesthetic". -Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1938 …}
    -musicienOrchestre: "Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cpxZim7joMs&list=PLPaztBWnatcjLvllJJKTj4NdsuEpoqQMh"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Fallen"
      ]
      [
        "ordre" => 2
        "nom" => "2. World On Fire"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Stupid"
      ]
      [
        "ordre" => 5
        "nom" => "2. Drifting"
      ]
      [
        "ordre" => 6
        "nom" => "3. Train Wreck"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Push"
      ]
      [
        "ordre" => 9
        "nom" => "2. Answer"
      ]
      [
        "ordre" => 10
        "nom" => "3. Time"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Perfect Girl"
      ]
      [
        "ordre" => 13
        "nom" => "2. Dirty Little Secret"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
    -label: App\Entity\Label {#1116 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2246 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2239 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2241 …}
    -enregistreLe: DateTime @1755113217 {#2235
      date: 2025-08-13 19:26:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765124138 {#2236
      date: 2025-12-07 16:15:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2243 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-afterglow-analogue-productions-aapp-054-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3938
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3939 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3987 …}
  +isValidated: false
  +validatedFields: []
}