Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2574
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2651
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2654 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
  -formView: Symfony\Component\Form\FormView {#2690 …}
  -form: Symfony\Component\Form\Form {#2840 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 563
    -nom: "Belly Of The Sun"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Cassandra Wilson (surdo, guitar, vocals), Patrice Moncell, Jewell Bass, Henry Rhodes, Vasti Jackson (vocals), Olu Dara (trumpet), Marvin Sewell (guitars ,Children of M.S. 44 (NYC, vocals), Richard Johnston (guitar, vocals), Rhonda Richmond (piano, vocals), Kevin Breit (electric guitar, acoustic and slide resonator guitars, mandolin, 12 string banjo, E-bow guitar, bizouki, vocals), Mark Peterson (acoustic bass, guitar, fretless electric bass), Cyro Baptista (percussion, vocals), Jeffrey Haynes (percussion, plastic tub), Xavyon Jamison (drums).\r\n
      \r\n
      Cassandra Wilson continues to move down a highly eclectic path on Belly of the Sun, the somewhat belated follow-up to Traveling Miles. While displaying a jazz singer's mastery of melodic nuance and improvisatory phrasing, Wilson draws on a variety of non-jazz idioms roots music, rock, Delta blues, country, soul to create a kind of earthy, intelligent pop with obvious crossover appeal. \r\n
      \r\n
      Her core band includes guitarists Marvin Sewell and Kevin Breit, who blend marvelously, Sewell mostly on mellow acoustic and Breit adding atmospheric touches on electric, 12-string, and slide guitars, as well as mandolin, banjo, and even bouzouki. Bassist Mark Peterson and percussionists Jeffrey Haynes and Cyro Baptista provide a superbly sensitive rhythmic foundation. But because Wilson returned to her home state of Mississippi to record most of this album, she made sure to book some time with local musicians. Thus guitarist Jesse Robinson guests on (and co-writes) the funky "Show Me a Love", and the octogenarian pianist "Boogaloo" Ames plays an unpolished yet utterly heartfelt duet with Wilson on the classic "Darkness on the Delta".\r\n
      \r\n
      Other guests include drummer Xavyon Jamison, trumpeter Olu Dara, pianist and vocalist Rhonda Richmond (who penned the slowly swaying "Road So Clear"), guitarist Richard Johnston, backup vocalists Patrice Monell, Jewell Bass, Henry Rhodes, and Vasti Jackson, and the children of New York's Middle School 44. Wilson delves into vintage blues with Mississippi Fred McDowell's "You Gotta Move" and a brief yet dynamic rendition of Robert Johnson's "Hot Tamales". But the best tracks are the rock / pop covers : the Band's "The Weight", Bob Dylan's "Shelter From the Storm", James Taylor's "Only a Dream in Rio", Jobim's "Waters of March", and Jimmy Webb's "Wichita Lineman" (a 1968 hit for Glen Campbell). \r\n
      \r\n
      Wilson and band are in peak interpretive form on these ethereal reinventions. While her own lyrics may not rise to the level of a Robbie Robertson or a Bob Dylan, her versatility and focus come through clearly on the originals "Justice", "Just a Parade" (a collaboration with neo-soul rookie India. Arie), and the Caribbean-tinged "Cooter Brown". - David R Adler / AMG
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Cassandra Wilson (surdo, guitar, vocals), Patrice Moncell, Jewell Bass, Henry Rhodes, Vasti Jackson (vocals), Olu Dara (trumpet), Marvin Sewell (guitars ,Children of M.S. 44 (NYC, vocals), Richard Johnston (guitar, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Z_f9sUY7_pg"
    -referenceProduit: "Pure Pleasure Records PPAN BST 35072"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Weight"
        "ordre" => 1
      ]
      [
        "nom" => "2. Justice"
        "ordre" => 2
      ]
      [
        "nom" => "3. Darkness On the Delta"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Waters of March"
        "ordre" => 5
      ]
      [
        "nom" => "2. You Gotta Move"
        "ordre" => 6
      ]
      [
        "nom" => "3. Only A Dream In Rio"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Just Another Parade"
        "ordre" => 9
      ]
      [
        "nom" => "2. Wichita Lineman"
        "ordre" => 10
      ]
      [
        "nom" => "3. Shelter From the Storm"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Drunk As Cooter Brown"
        "ordre" => 13
      ]
      [
        "nom" => "2. Show Me A Love"
        "ordre" => 14
      ]
      [
        "nom" => "3. Road So Clear"
        "ordre" => 15
      ]
      [
        "nom" => "4. Hot Tamales"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1353918967 {#1876
      date: 2012-11-26 08:36:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761689411 {#1869
      date: 2025-10-28 22:10:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-belly-of-the-sun-pure-pleasure-records-ppan-bst-35072"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3114
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 563
    -nom: "Belly Of The Sun"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Cassandra Wilson (surdo, guitar, vocals), Patrice Moncell, Jewell Bass, Henry Rhodes, Vasti Jackson (vocals), Olu Dara (trumpet), Marvin Sewell (guitars ,Children of M.S. 44 (NYC, vocals), Richard Johnston (guitar, vocals), Rhonda Richmond (piano, vocals), Kevin Breit (electric guitar, acoustic and slide resonator guitars, mandolin, 12 string banjo, E-bow guitar, bizouki, vocals), Mark Peterson (acoustic bass, guitar, fretless electric bass), Cyro Baptista (percussion, vocals), Jeffrey Haynes (percussion, plastic tub), Xavyon Jamison (drums).\r\n
      \r\n
      Cassandra Wilson continues to move down a highly eclectic path on Belly of the Sun, the somewhat belated follow-up to Traveling Miles. While displaying a jazz singer's mastery of melodic nuance and improvisatory phrasing, Wilson draws on a variety of non-jazz idioms roots music, rock, Delta blues, country, soul to create a kind of earthy, intelligent pop with obvious crossover appeal. \r\n
      \r\n
      Her core band includes guitarists Marvin Sewell and Kevin Breit, who blend marvelously, Sewell mostly on mellow acoustic and Breit adding atmospheric touches on electric, 12-string, and slide guitars, as well as mandolin, banjo, and even bouzouki. Bassist Mark Peterson and percussionists Jeffrey Haynes and Cyro Baptista provide a superbly sensitive rhythmic foundation. But because Wilson returned to her home state of Mississippi to record most of this album, she made sure to book some time with local musicians. Thus guitarist Jesse Robinson guests on (and co-writes) the funky "Show Me a Love", and the octogenarian pianist "Boogaloo" Ames plays an unpolished yet utterly heartfelt duet with Wilson on the classic "Darkness on the Delta".\r\n
      \r\n
      Other guests include drummer Xavyon Jamison, trumpeter Olu Dara, pianist and vocalist Rhonda Richmond (who penned the slowly swaying "Road So Clear"), guitarist Richard Johnston, backup vocalists Patrice Monell, Jewell Bass, Henry Rhodes, and Vasti Jackson, and the children of New York's Middle School 44. Wilson delves into vintage blues with Mississippi Fred McDowell's "You Gotta Move" and a brief yet dynamic rendition of Robert Johnson's "Hot Tamales". But the best tracks are the rock / pop covers : the Band's "The Weight", Bob Dylan's "Shelter From the Storm", James Taylor's "Only a Dream in Rio", Jobim's "Waters of March", and Jimmy Webb's "Wichita Lineman" (a 1968 hit for Glen Campbell). \r\n
      \r\n
      Wilson and band are in peak interpretive form on these ethereal reinventions. While her own lyrics may not rise to the level of a Robbie Robertson or a Bob Dylan, her versatility and focus come through clearly on the originals "Justice", "Just a Parade" (a collaboration with neo-soul rookie India. Arie), and the Caribbean-tinged "Cooter Brown". - David R Adler / AMG
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Cassandra Wilson (surdo, guitar, vocals), Patrice Moncell, Jewell Bass, Henry Rhodes, Vasti Jackson (vocals), Olu Dara (trumpet), Marvin Sewell (guitars ,Children of M.S. 44 (NYC, vocals), Richard Johnston (guitar, vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Z_f9sUY7_pg"
    -referenceProduit: "Pure Pleasure Records PPAN BST 35072"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Weight"
        "ordre" => 1
      ]
      [
        "nom" => "2. Justice"
        "ordre" => 2
      ]
      [
        "nom" => "3. Darkness On the Delta"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Waters of March"
        "ordre" => 5
      ]
      [
        "nom" => "2. You Gotta Move"
        "ordre" => 6
      ]
      [
        "nom" => "3. Only A Dream In Rio"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Just Another Parade"
        "ordre" => 9
      ]
      [
        "nom" => "2. Wichita Lineman"
        "ordre" => 10
      ]
      [
        "nom" => "3. Shelter From the Storm"
        "ordre" => 11
      ]
      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
      [
        "nom" => "1. Drunk As Cooter Brown"
        "ordre" => 13
      ]
      [
        "nom" => "2. Show Me A Love"
        "ordre" => 14
      ]
      [
        "nom" => "3. Road So Clear"
        "ordre" => 15
      ]
      [
        "nom" => "4. Hot Tamales"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1353918967 {#1876
      date: 2012-11-26 08:36:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761689411 {#1869
      date: 2025-10-28 22:10:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-belly-of-the-sun-pure-pleasure-records-ppan-bst-35072"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 458
    -nom: "Blue Light´Til Dawn"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl 2 LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      One of the most distinctive voices in modern jazz, Cassandra Wilson made her artistic breakthrough with her visionary 1993 Blue Note debut Blue Light 'Til Dawn. Wilson wove an alluring tapestry of jazz, blues, folk, and R&B into a singular sound that opened up new avenues of expression for vocal jazz, paving a path that future vocalists from Norah Jones to Lizz Wright would follow. Produced by Craig Street, the album's inventive instrumentation and Wilson's riveting vocal performances transformed songs by Robert Johnson "Come On In My Kitchen" and "Hellhound On My Trail", Joni Mitchell "Black Crow", Van Morrison "Tupelo Honey", and more.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Cassandra Wilson (vocals), B. Ross (guitars), C. Burnham (violin, mandocello), K. Davis, (bass), T. Cedras (accordion), L. Carter (drums, percussion), K. Johnson (snare, percussion, loose change), Vinx (percussion, vocals), O. Dara (cornet), D. Byron (cla"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=N9bgKaz9yD0"
    -referenceProduit: "Blue Note Records 61906"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1 You Don’t Know What Love Is"
        "ordre" => 1
      ]
      [
        "nom" => "2. Come On In My Kitchen"
        "ordre" => 2
      ]
      [
        "nom" => "3. Tell Me You’ll Wait For Me"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Children Of The Night"
        "ordre" => 5
      ]
      [
        "nom" => "2. Hellhound On My Trail"
        "ordre" => 6
      ]
      [
        "nom" => "3. Black Crow"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Sankofa"
        "ordre" => 9
      ]
      [
        "nom" => "2. Estrellas"
        "ordre" => 10
      ]
      [
        "nom" => "3. Redbone"
        "ordre" => 11
      ]
      [
        "nom" => "4. Tupelo Honey"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. Blue Light ‘Til Dawn"
        "ordre" => 14
      ]
      [
        "nom" => "2. I Can’t Stand The Rain"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2047 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1315058956 {#2042
      date: 2011-09-03 14:09:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761689256 {#2043
      date: 2025-10-28 22:07:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blue-light-til-dawn-blue-note-records-61906"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3230
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 458
    -nom: "Blue Light´Til Dawn"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl 2 LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      One of the most distinctive voices in modern jazz, Cassandra Wilson made her artistic breakthrough with her visionary 1993 Blue Note debut Blue Light 'Til Dawn. Wilson wove an alluring tapestry of jazz, blues, folk, and R&B into a singular sound that opened up new avenues of expression for vocal jazz, paving a path that future vocalists from Norah Jones to Lizz Wright would follow. Produced by Craig Street, the album's inventive instrumentation and Wilson's riveting vocal performances transformed songs by Robert Johnson "Come On In My Kitchen" and "Hellhound On My Trail", Joni Mitchell "Black Crow", Van Morrison "Tupelo Honey", and more.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Cassandra Wilson (vocals), B. Ross (guitars), C. Burnham (violin, mandocello), K. Davis, (bass), T. Cedras (accordion), L. Carter (drums, percussion), K. Johnson (snare, percussion, loose change), Vinx (percussion, vocals), O. Dara (cornet), D. Byron (cla"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=N9bgKaz9yD0"
    -referenceProduit: "Blue Note Records 61906"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1 You Don’t Know What Love Is"
        "ordre" => 1
      ]
      [
        "nom" => "2. Come On In My Kitchen"
        "ordre" => 2
      ]
      [
        "nom" => "3. Tell Me You’ll Wait For Me"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Children Of The Night"
        "ordre" => 5
      ]
      [
        "nom" => "2. Hellhound On My Trail"
        "ordre" => 6
      ]
      [
        "nom" => "3. Black Crow"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Sankofa"
        "ordre" => 9
      ]
      [
        "nom" => "2. Estrellas"
        "ordre" => 10
      ]
      [
        "nom" => "3. Redbone"
        "ordre" => 11
      ]
      [
        "nom" => "4. Tupelo Honey"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. Blue Light ‘Til Dawn"
        "ordre" => 14
      ]
      [
        "nom" => "2. I Can’t Stand The Rain"
        "ordre" => 15
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      date: 2025-10-28 22:07:36.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-blue-light-til-dawn-blue-note-records-61906"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2061
    -id: 639
    -nom: "New Moon Daughter"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Cassandra Wilson (acoustic guitar, vocals), Gary Breit (Hammond organ), Chris Whitley (guitar), Gib Wharton (pedal steel guitar), Kevin Breit (acoustic & electric guitar, banjo, bouzouki), Brandon Ross (acoustic & electric guitar), Charles Burnham (violin), Tony Cedras (accordion), Graham Haynes, Lawrence "Butch" Morris (cornet), Jeff Haynes (percussion, bongos), Mark Peterson, Lonnie Plaxico (bass), Peepers (background vocals), Cyro Baptista (percussion, Jew's-Harp, shaker), Dougie Bowne (percussion, drums, whistle, vibraphone).\r\n
      \r\n
      This is no easy listen... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously "distant" musical backings to weave real magic.\r\n
      \r\n
      Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. "Last Train To Clarksville" is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. "Harvest Moon" slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' "I'm So Lonesome I Could Cry" & U2's "Love Is Blindness" are transformed into 3 in the morning jazz club classics. The vocals and backing to Robert Johnson's "32-20" are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's "Strange Fruit" becomes as desolate and challenging as it's horrific lyrics.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Fc2xKfAiCvo"
    -referenceProduit: "Pure Pleasure Records PPAN BST 32861"
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        "nom" => "1. Memphis "
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        "nom" => "2. Harvest Moon "
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      ]
      [
        "nom" => "3. 32-20"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
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    }
    -modifierLe: DateTime @1761689230 {#2059
      date: 2025-10-28 22:07:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-new-moon-daughter-pure-pleasure-records-ppan-bst-32861"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3278
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2061
    -id: 639
    -nom: "New Moon Daughter"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Cassandra Wilson (acoustic guitar, vocals), Gary Breit (Hammond organ), Chris Whitley (guitar), Gib Wharton (pedal steel guitar), Kevin Breit (acoustic & electric guitar, banjo, bouzouki), Brandon Ross (acoustic & electric guitar), Charles Burnham (violin), Tony Cedras (accordion), Graham Haynes, Lawrence "Butch" Morris (cornet), Jeff Haynes (percussion, bongos), Mark Peterson, Lonnie Plaxico (bass), Peepers (background vocals), Cyro Baptista (percussion, Jew's-Harp, shaker), Dougie Bowne (percussion, drums, whistle, vibraphone).\r\n
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      This is no easy listen... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously "distant" musical backings to weave real magic.\r\n
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2074
    -id: 2411
    -nom: "Home Again"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carole King (piano, vocals), David T. Walker (guitar), Charles Larkey (electric bass), Clarence McDonald (electric piano), Mike Altschul, Tom Scott (saxophone), Dick 'Slyde' Hyde, George Bohanon (trombone), Gene Goe, Oscar Brashear (trumpet), Ms Bobbye Hall (congas, percussion), Harvey Mason (drums).\r\n
      \r\n
      - Previously Unreleased 1973 Concert Recording on Double LP !\r\n
      - Contains 3 Sides of Music + Vinyl Etching !\r\n
      \r\n
      Recorded live on The Great Lawn of New York City's Central Park on May 26, 1973. Produced by Lou Adler, Carole King Home Again is a previously unreleased concert recording and a stunning document of one of the greatest contributors to the American songbook.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mNTc1eqXIz0"
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    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "5. Home Again "
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        "nom" => "3. Being At War With Each Other "
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2076 …}
    -label: Proxies\__CG__\App\Entity\Label {#2079 …}
    -style: App\Entity\Style {#1453 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3324
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2074
    -id: 2411
    -nom: "Home Again"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carole King (piano, vocals), David T. Walker (guitar), Charles Larkey (electric bass), Clarence McDonald (electric piano), Mike Altschul, Tom Scott (saxophone), Dick 'Slyde' Hyde, George Bohanon (trombone), Gene Goe, Oscar Brashear (trumpet), Ms Bobbye Hall (congas, percussion), Harvey Mason (drums).\r\n
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      - Previously Unreleased 1973 Concert Recording on Double LP !\r\n
      - Contains 3 Sides of Music + Vinyl Etching !\r\n
      \r\n
      Recorded live on The Great Lawn of New York City's Central Park on May 26, 1973. Produced by Lou Adler, Carole King Home Again is a previously unreleased concert recording and a stunning document of one of the greatest contributors to the American songbook.
      """
    -prixVente: "69.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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        "ordre" => 22
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2076 …}
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[
  "produit" => App\Entity\Produit {#2095
    -id: 1408
    -nom: "Tapestry"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carole King (keyboards, piano, vocals), Danny Kootch, James Taylor (acoustic guitar), Terry King (cello), Danny Kootch (guitar, congas), Charles Larkey (double bass "string bass"), Charles Larkey (electric bass), Ralph Schuckett (electric piano), David Campbell (viola), Barry Socher (violin), Joel O'Brien, Russ Kunkel (drums).\r\n
      \r\n
      - Carole King's Tapestry Defined the Singer-Songwriter Movement, Swept Grammy Awards, Spawned Four Hit Singles, and Sold More Than 25 Million Copies Worldwide !\r\n
      - Mobile Fidelity's Numbered Edition 180 gram 33 RPM (1 LP) Is True to Producer's Original Intent: Experience and Feel King's Intimate Deliveries !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Carole King’s Tapestry is one of the rare albums that immediately plays in your head the moment its title, cover art, or songs are mentioned. Having achieved status of near-mythical proportions, it is the singer-songwriter record you’d likely bring to the proverbial desert island if you were limited to one choice.\r\n
      \r\n
      Renowned for its lifelike production, Tapestry now sounds clearer, richer, and more emotional courtesy of Mobile Fidelity’s numbered-edition 180g LP. Faithful to original album producer Lou Adler’s vision of making King (and not just any pianist player) appear seated and playing in front of listeners, this audiophile reissue plays with stellar transparency, balance, warmth, intimacy, and perhaps most importantly, feeling. \r\n
      \r\n
      The results mirror what went down in the A&M Studios. Lean, simple, direct, and so nakedly real the sonics evoke what might be heard on a professional demo tape, this collectable Mobile Fidelity LP gives what Rolling Stonedeems the 36th Greatest Album of All Time the due it deserves. King's personal singing, her graceful pianism, the integral rhythmic foundation provided by the likes of drummer Russ Kunkel and guitarist Danny Kortchmar, and the symmetrical contributions of guest instrumentalists ranging from saxophonist Curtis Amy to guitarist James Taylor resonate with three-dimensional imaging and cozy realism. Every note, every basic movement, accurately rendered with exquisite detail and full-bodied tonality.\r\n
      \r\n
      Indeed, one reason-apart from the flawless songwriting, earnest deliveries, and eloquent performances Tapestry endures is because of the naturalness of the production and songs. King's unadulterated articulations on love, conviction, friendship, place, sadness, and companionship ring true because there's no doubting their meaning, intent, or sincerity. Tapestry makes you feel, and compels you to get closer to the music, and the musicians performing. It is an album of organic nuances, suggestive intents, and engaging melodies.\r\n
      \r\n
      Thematically, classics such as "You've Got a Friend", "I Feel the Earth Move", "Will You Love Me Tomorrow", and "(You Make Me Feel Like) a Natural Woman" resonate because they address universal sensibilities and the human condition. They, like all of Tapestry, are relaxed yet emancipating, strong yet mellow, comfortable yet terrifically beautiful and lastingly unique. Four major Grammy Awards, four Top 10 singles, sales of more than 25 million copies, and one of the first albums chosen for inclusion in the National Recording Registry just seem like icing on the cake.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Carole King (keyboards, piano, vocals), Danny Kootch, James Taylor (acoustic guitar), Terry King (cello), Danny Kootch (guitar, congas), Charles Larkey (double bass "string bass"), Charles Larkey (electric bass), Ralph Schuckett (electric piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6913KnbMpHM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-414"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. I Feel the Earth Move "
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        "nom" => "3. Will You Love Me Tomorrow ?"
        "ordre" => 10
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        "nom" => "4. Smackwater Jack"
        "ordre" => 11
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      [
        "nom" => "5. Tapestry"
        "ordre" => 12
      ]
      [
        "nom" => "6. (You Make Me Feel Like) A Natural Woman"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2076 …}
    -label: Proxies\__CG__\App\Entity\Label {#2097 …}
    -style: App\Entity\Style {#1453 …}
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    }
    -modifierLe: DateTime @1761688133 {#2090
      date: 2025-10-28 21:48:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3377
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2095
    -id: 1408
    -nom: "Tapestry"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carole King (keyboards, piano, vocals), Danny Kootch, James Taylor (acoustic guitar), Terry King (cello), Danny Kootch (guitar, congas), Charles Larkey (double bass "string bass"), Charles Larkey (electric bass), Ralph Schuckett (electric piano), David Campbell (viola), Barry Socher (violin), Joel O'Brien, Russ Kunkel (drums).\r\n
      \r\n
      - Carole King's Tapestry Defined the Singer-Songwriter Movement, Swept Grammy Awards, Spawned Four Hit Singles, and Sold More Than 25 Million Copies Worldwide !\r\n
      - Mobile Fidelity's Numbered Edition 180 gram 33 RPM (1 LP) Is True to Producer's Original Intent: Experience and Feel King's Intimate Deliveries !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Carole King’s Tapestry is one of the rare albums that immediately plays in your head the moment its title, cover art, or songs are mentioned. Having achieved status of near-mythical proportions, it is the singer-songwriter record you’d likely bring to the proverbial desert island if you were limited to one choice.\r\n
      \r\n
      Renowned for its lifelike production, Tapestry now sounds clearer, richer, and more emotional courtesy of Mobile Fidelity’s numbered-edition 180g LP. Faithful to original album producer Lou Adler’s vision of making King (and not just any pianist player) appear seated and playing in front of listeners, this audiophile reissue plays with stellar transparency, balance, warmth, intimacy, and perhaps most importantly, feeling. \r\n
      \r\n
      The results mirror what went down in the A&M Studios. Lean, simple, direct, and so nakedly real the sonics evoke what might be heard on a professional demo tape, this collectable Mobile Fidelity LP gives what Rolling Stonedeems the 36th Greatest Album of All Time the due it deserves. King's personal singing, her graceful pianism, the integral rhythmic foundation provided by the likes of drummer Russ Kunkel and guitarist Danny Kortchmar, and the symmetrical contributions of guest instrumentalists ranging from saxophonist Curtis Amy to guitarist James Taylor resonate with three-dimensional imaging and cozy realism. Every note, every basic movement, accurately rendered with exquisite detail and full-bodied tonality.\r\n
      \r\n
      Indeed, one reason-apart from the flawless songwriting, earnest deliveries, and eloquent performances Tapestry endures is because of the naturalness of the production and songs. King's unadulterated articulations on love, conviction, friendship, place, sadness, and companionship ring true because there's no doubting their meaning, intent, or sincerity. Tapestry makes you feel, and compels you to get closer to the music, and the musicians performing. It is an album of organic nuances, suggestive intents, and engaging melodies.\r\n
      \r\n
      Thematically, classics such as "You've Got a Friend", "I Feel the Earth Move", "Will You Love Me Tomorrow", and "(You Make Me Feel Like) a Natural Woman" resonate because they address universal sensibilities and the human condition. They, like all of Tapestry, are relaxed yet emancipating, strong yet mellow, comfortable yet terrifically beautiful and lastingly unique. Four major Grammy Awards, four Top 10 singles, sales of more than 25 million copies, and one of the first albums chosen for inclusion in the National Recording Registry just seem like icing on the cake.
      """
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    -musicienOrchestre: "Carole King (keyboards, piano, vocals), Danny Kootch, James Taylor (acoustic guitar), Terry King (cello), Danny Kootch (guitar, congas), Charles Larkey (double bass "string bass"), Charles Larkey (electric bass), Ralph Schuckett (electric piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6913KnbMpHM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-414"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. I Feel the Earth Move "
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      [
        "nom" => "2. Where You Lead"
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      [
        "nom" => "3. Will You Love Me Tomorrow ?"
        "ordre" => 10
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      [
        "nom" => "4. Smackwater Jack"
        "ordre" => 11
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        "nom" => "5. Tapestry"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2076 …}
    -label: Proxies\__CG__\App\Entity\Label {#2097 …}
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    }
    -modifierLe: DateTime @1761688133 {#2090
      date: 2025-10-28 21:48:53.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-tapestry-mobile-fidelity-sound-lab-mfsl-1-414"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
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[
  "produit" => App\Entity\Produit {#2111
    -id: 848
    -nom: "Gounod : Faust - Ballet Music / Bizet : Carmen - Suite"
    -informationComplementaire: null
    -description: """
      - Analogue Productions decided for this reissue to press from the Bernie Grundman parts that were used earlier for the Classic Records edition !\r\n
      - Plated and pressed by Quality Record Pressings !\r\n
      - Tip-on jacket by Stoughton Printing !\r\n
      \r\n
      Widely regarded as one of the great RCAs. Alexander Gibson conducts the Royal Opera House Orchestra, Covent Garden, performing ballet music from Charles Gounod's Faust and Georges Bizet's Carmen Suite. Featuring orchestral highlights from Faust and Carmen, the later selections on Side 2 are nothing short of spectacular. Outstanding clarity and stereo stage. Transparency and imaging is superb.\r\n
      \r\n
      Recorded in Kingsway Hall, London\r\n
      Producer : Ray Minshull\r\n
      Engineer : Kenneth Wilkinson
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The London Symphony Orchestra, Alexander Gibson, conductor"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tD7dXaOqt-w&list=RDtD7dXaOqt-w&start_radio=1"
    -referenceProduit: "Analogue Productions AAPC 2449"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
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      [
        "nom" => "1. Waltz (Allegretto) "
        "ordre" => 1
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      [
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        "ordre" => 2
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      [
        "nom" => "3. Dance of the Nubians "
        "ordre" => 3
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      [
        "nom" => "4. Cleopatra’s Dance "
        "ordre" => 4
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      [
        "nom" => "5. Dance of the Trojan Maidens "
        "ordre" => 5
      ]
      [
        "nom" => "6. Helen’s Dance "
        "ordre" => 6
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      [
        "nom" => "7. Bacchanalia \t"
        "ordre" => 7
      ]
      [
        "nom" => "8. Funeral March Of A Marionette "
        "ordre" => 8
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
      [
        "nom" => "9. Carmen Suite "
        "ordre" => 10
      ]
      [
        "nom" => "- Prelude; Entr’acte"
        "ordre" => 11
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      [
        "nom" => "– Aragonaise "
        "ordre" => 12
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      [
        "nom" => "- Habanera; Changing of the Guard "
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      [
        "nom" => "- Intermezzo; Smugglers’ March "
        "ordre" => 14
      ]
      [
        "nom" => "- Entr’acte"
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      [
        "nom" => "– Dragoons of Alcala"
        "ordre" => 16
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …}
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    -modifierLe: DateTime @1761687490 {#2109
      date: 2025-10-28 21:38:10.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-gounod-faust-ballet-music-bizet-carmen-suite-analogue-productions-aapc-2449"
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App\Twig\Components\GestionPanierFavoriComponents {#3423
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2111
    -id: 848
    -nom: "Gounod : Faust - Ballet Music / Bizet : Carmen - Suite"
    -informationComplementaire: null
    -description: """
      - Analogue Productions decided for this reissue to press from the Bernie Grundman parts that were used earlier for the Classic Records edition !\r\n
      - Plated and pressed by Quality Record Pressings !\r\n
      - Tip-on jacket by Stoughton Printing !\r\n
      \r\n
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      \r\n
      Recorded in Kingsway Hall, London\r\n
      Producer : Ray Minshull\r\n
      Engineer : Kenneth Wilkinson
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "The London Symphony Orchestra, Alexander Gibson, conductor"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=tD7dXaOqt-w&list=RDtD7dXaOqt-w&start_radio=1"
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      [
        "nom" => "- Prelude; Entr’acte"
        "ordre" => 11
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        "nom" => "– Aragonaise "
        "ordre" => 12
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      [
        "nom" => "- Habanera; Changing of the Guard "
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        "nom" => "- Intermezzo; Smugglers’ March "
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
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      date: 2025-10-28 21:38:10.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-gounod-faust-ballet-music-bizet-carmen-suite-analogue-productions-aapc-2449"
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[
  "produit" => App\Entity\Produit {#2130
    -id: 1921
    -nom: "Love Devotion Surrender"
    -informationComplementaire: null
    -description: """
      - Numbered, Limited Edition 180 gram Vinyl LP !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      - 1973 Meeting of Santana and John McLaughlin Yields Spiritual Transcendence : Love Devotion Surrender Is Inspired by John Coltrane and a Quest for Enlightenment !\r\n
      - Sourced from the Original Master Tapes : Tones, Textures, and Notes Float Amid a Large, Open Soundstage !\r\n
      - 1/4" / 15 IPS Analog Mmaster to DSD 64 to Analog Console to Lathe !\r\n
      \r\n
      Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.\r\n
      \r\n
      Sourced from the original analog master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity's numbered-edition 180 gram LP of Love Devotion Surrender benefits from the reissue label's painstaking engineering efforts. The windows on the record's give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.\r\n
      \r\n
      In addition, the pinpoint imaging Santana primarily on the left, McLaughlin on the right invites you to picture the musicians in the act. You'll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.\r\n
      \r\n
      Having each become a follower of Indian guru Sri Chinmoy, who wrote the album's extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favor of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.\r\n
      \r\n
      On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record's best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young's ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat make him an ideal foil for the proto post-rock happening throughout.\r\n
      \r\n
      Credited under his Muslim name, Khalid Yasin, Young isn't the only standout. Several Santana contemporaries bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis' seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable.\r\n
      \r\n
      In addition to the band's search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions "A Love Supreme", "Naima" are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional "Let Us Go Into the House of the Lord", integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you'll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3474
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  +produit: App\Entity\Produit {#2130
    -id: 1921
    -nom: "Love Devotion Surrender"
    -informationComplementaire: null
    -description: """
      - Numbered, Limited Edition 180 gram Vinyl LP !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      - 1973 Meeting of Santana and John McLaughlin Yields Spiritual Transcendence : Love Devotion Surrender Is Inspired by John Coltrane and a Quest for Enlightenment !\r\n
      - Sourced from the Original Master Tapes : Tones, Textures, and Notes Float Amid a Large, Open Soundstage !\r\n
      - 1/4" / 15 IPS Analog Mmaster to DSD 64 to Analog Console to Lathe !\r\n
      \r\n
      Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.\r\n
      \r\n
      Sourced from the original analog master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity's numbered-edition 180 gram LP of Love Devotion Surrender benefits from the reissue label's painstaking engineering efforts. The windows on the record's give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.\r\n
      \r\n
      In addition, the pinpoint imaging Santana primarily on the left, McLaughlin on the right invites you to picture the musicians in the act. You'll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.\r\n
      \r\n
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    -informationComplementaire: null
    -description: """
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      - Slipcase Package !\r\n
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3525
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    -id: 2897
    -nom: "Trio Of Trios (Box Set 3 LP)"
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    -description: """
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[
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[
  "produit" => App\Entity\Produit {#2185
    -id: 2234
    -nom: "Trios : Chapel"
    -informationComplementaire: null
    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains both at the height of his powers and as prolific as ever. Early on Lloyd saw how placing the improvised solo in interesting and original contexts could provoke greater freedom of expression and inspire creativity. And while he has recorded many classics of jazz in a piano, bass, and drums combination the latest Passin' Thru from 2017 all the while he has been open to, and has searched for, alternative ways to frame his improvisational skills.\r\n
      \r\n
      This has formed a fascinating counterpoint to his work with his quartet; a few examples might include his early days in Memphis when he regularly jammed with pedal steel guitarist Al Vescovo. Later, during his period as music director for the Chico Hamilton Quintet he used flute (and tenor), trombone, guitar, bass, and drums. More recently there has been an album in duet with drummer Billy Higgins, while the configuration of one of his current groups, The Marvels, has both guitar and pedal steel guitar with bass and drums.\r\n
      \r\n
      As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three individual albums that are connected by an overarching theme with each presenting him in a different trio setting a Trio of Trios. The first, Trios : Chapel, features Lloyd with guitarist Bill Frisell and bassist Thomas Morgan. The second, Trios : Ocean, with guitarist Anthony Wilson and pianist Gerald Clayton. The third, Trios : Sacred Thread, with guitarist Julian Lage and percussionist Zakir Hussain.\r\n
      \r\n
      Opening with Billy Strayhorn's "Blood Count", originally a feature for the late Johnny Hodges with the Duke Ellington Orchestra, it is a performance that can only be described as heartfelt. Lloyd's mother ran a rooming house in Memphis, and Lloyd's childhood memories are filled with impressions of musicians from the touring big bands who stayed there the Jimmie Lunceford Orchestra, and Duke Ellington's Famous Orchestra especially. His memories of meeting Johnny Hodges as a youngster are particularly vivid. While the present thinks it knows it all, the past – here in terms of memories, dreams, and reflections had a casting vote in shaping the destiny of this performance.\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charles Lloyd (saxophone), Thomas Morgan (bass), Bill Frisell (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3626
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    -id: 2234
    -nom: "Trios : Chapel"
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    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains both at the height of his powers and as prolific as ever. Early on Lloyd saw how placing the improvised solo in interesting and original contexts could provoke greater freedom of expression and inspire creativity. And while he has recorded many classics of jazz in a piano, bass, and drums combination the latest Passin' Thru from 2017 all the while he has been open to, and has searched for, alternative ways to frame his improvisational skills.\r\n
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      This has formed a fascinating counterpoint to his work with his quartet; a few examples might include his early days in Memphis when he regularly jammed with pedal steel guitarist Al Vescovo. Later, during his period as music director for the Chico Hamilton Quintet he used flute (and tenor), trombone, guitar, bass, and drums. More recently there has been an album in duet with drummer Billy Higgins, while the configuration of one of his current groups, The Marvels, has both guitar and pedal steel guitar with bass and drums.\r\n
      \r\n
      As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three individual albums that are connected by an overarching theme with each presenting him in a different trio setting a Trio of Trios. The first, Trios : Chapel, features Lloyd with guitarist Bill Frisell and bassist Thomas Morgan. The second, Trios : Ocean, with guitarist Anthony Wilson and pianist Gerald Clayton. The third, Trios : Sacred Thread, with guitarist Julian Lage and percussionist Zakir Hussain.\r\n
      \r\n
      Opening with Billy Strayhorn's "Blood Count", originally a feature for the late Johnny Hodges with the Duke Ellington Orchestra, it is a performance that can only be described as heartfelt. Lloyd's mother ran a rooming house in Memphis, and Lloyd's childhood memories are filled with impressions of musicians from the touring big bands who stayed there the Jimmie Lunceford Orchestra, and Duke Ellington's Famous Orchestra especially. His memories of meeting Johnny Hodges as a youngster are particularly vivid. While the present thinks it knows it all, the past – here in terms of memories, dreams, and reflections had a casting vote in shaping the destiny of this performance.\r\n
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      Frisell's accompaniment is perfect for this trio setting; the essence of his unique sound signature lies less in what he does, more the manner in which he does it. He introduces "Song My Lady Sings", a Lloyd original dating from 1966, allowing Morgan to share the foreground before Lloyd's entrance outlining the graceful melody that mutates into a series of eloquent musical arabesques that culminate in a double-time coda and the realization this has been Lloyd's finest performance of the song. "Ay Amor" is by the Cuban singer, songwriter, and pianist Bola de Nieve, born Ignacio Jacinto Villa Fernández, who was a top cabaret singer and a composer fluent in many languages. His version of "Ay Amor" was recorded in Spanish as a rhapsodic lament. Lloyd obliquely acknowledges the composer's intent in his exposition of the melody before re-imagining it in new contours, subtly implying the exotic in terms of melody and rhythm as he claims the song as his own.\r\n
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      The unspoken rule about the trio's collective improvisation seems to be that no-one refuses what another proposes, so that "Beyond Darkness", featuring Lloyd on flute, begins as a fractured melodic line, but as it is embellished, extended, and developed it grows into a pinnacle of dramatic possibilities, climaxed by a flute cadenza as coda. "Dorotea's Studio" is the workspace of Lloyd's partner and soul mate, Dorothy Darr. Introduced by Frisell, Lloyd's exposition of the melody to an implied Latin rhythm is developed through a series of motifs, inversions, and inter-connecting phrases that are here, perhaps, richer and more varied, forming the basis of a graceful climax to a memorable concert.
      """
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[
  "produit" => App\Entity\Produit {#2198
    -id: 2334
    -nom: "Trios Sacred Thread"
    -informationComplementaire: null
    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains at the height of his powers and as prolific as ever. As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork Trio of Trios, an expansive project that encompasses three albums, each a deft change of musical context that presents him in a different trio setting.\r\n
      \r\n
      The third album in the series Trios: Sacred Thread features guitarist Julian Lage and percussionist Zakir Hussain, and was recorded in September 2020 at The Paul Mahder Gallery in Healdsburg, California as a livestream concert for a virtual audience. Past experiences often illuminate the present in Lloyd' music, for example, the provenance of The Sacred Thread and the encounters that helped inform it originated in the late fifties : "When I was studying at the University of Southern California, Ravi Shankar and Alla Rakha used to come around. That's when I heard the call of Mother India", he recalls. "Zakir and I played together in concert for the first time in 2001, and it was then I learned Alla Rakha was his father, so it has been like that... connections on a journey. You could call it Providence, I call it a Sacred Thread".\r\n
      \r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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        "nom" => "2. Tales of Rumi "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3674
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2198
    -id: 2334
    -nom: "Trios Sacred Thread"
    -informationComplementaire: null
    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains at the height of his powers and as prolific as ever. As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork Trio of Trios, an expansive project that encompasses three albums, each a deft change of musical context that presents him in a different trio setting.\r\n
      \r\n
      The third album in the series Trios: Sacred Thread features guitarist Julian Lage and percussionist Zakir Hussain, and was recorded in September 2020 at The Paul Mahder Gallery in Healdsburg, California as a livestream concert for a virtual audience. Past experiences often illuminate the present in Lloyd' music, for example, the provenance of The Sacred Thread and the encounters that helped inform it originated in the late fifties : "When I was studying at the University of Southern California, Ravi Shankar and Alla Rakha used to come around. That's when I heard the call of Mother India", he recalls. "Zakir and I played together in concert for the first time in 2001, and it was then I learned Alla Rakha was his father, so it has been like that... connections on a journey. You could call it Providence, I call it a Sacred Thread".\r\n
      \r\n
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      """
    -prixVente: "38.00"
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        "nom" => "3. Nachekita's Lament "
        "ordre" => 3
      ]
      [
        "nom" => "4. Saraswati"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Kuti "
        "ordre" => 6
      ]
      [
        "nom" => "2. Tales of Rumi "
        "ordre" => 7
      ]
      [
        "nom" => "3. The Blessing"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2047 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2206 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2199 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2201 …}
    -enregistreLe: DateTime @1670657875 {#2195
      date: 2022-12-10 07:37:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761636057 {#2196
      date: 2025-10-28 07:20:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2203 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trios-sacred-thread-blue-note-records-9201"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2213
    -id: 1982
    -nom: "Tone Poem"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP !\r\n
      - Plated and pressed at RTI !\r\n
      - Saxophonist Charles Lloyd debuts his collective The Marvels on dynamic nine-song set !\r\n
      - First new release featured as part of the acclaimed Tone Poet Audiophile Vinyl Series !\r\n
      \r\n
      Tone Poem is the third album by Charles Lloyd & The Marvels, the genre-straddling quintet that features the master saxophonist with Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass, and Eric Harland on drums. The nine dynamic instrumental tracks here include new Lloyd originals along with pieces by Ornette Coleman, Thelonious Monk, Leonard Cohen, Gabor Szabo, and Bola de Nieve.\r\n
      \r\n
      Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2021. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charles Lloyd (tenor saxophone & alto flute), Bill Frisell (guitar), Greg Leisz (pedal steel guitar), Reuben Rogers (bass), Eric Harland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rGVIrck0pNI"
    -referenceProduit: "Blue Note Tone Poet Series 63434"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Peace"
        "ordre" => 1
      ]
      [
        "nom" => "2. Ramblin'"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anthem"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Dismal Swamp"
        "ordre" => 5
      ]
      [
        "nom" => "2. Tone Poem"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Monk's Mood"
        "ordre" => 8
      ]
      [
        "nom" => "2. Ay Amor"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
      [
        "nom" => "1. Lady Gabor"
        "ordre" => 11
      ]
      [
        "nom" => "2. Prayer"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2215 …}
    -label: Proxies\__CG__\App\Entity\Label {#2218 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2227 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2220 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2222 …}
    -enregistreLe: DateTime @1612250530 {#2209
      date: 2021-02-02 07:22:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761635318 {#2208
      date: 2025-10-28 07:08:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2224 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tone-poem-blue-note-tone-poet-series-63434"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3720
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2213
    -id: 1982
    -nom: "Tone Poem"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP !\r\n
      - Plated and pressed at RTI !\r\n
      - Saxophonist Charles Lloyd debuts his collective The Marvels on dynamic nine-song set !\r\n
      - First new release featured as part of the acclaimed Tone Poet Audiophile Vinyl Series !\r\n
      \r\n
      Tone Poem is the third album by Charles Lloyd & The Marvels, the genre-straddling quintet that features the master saxophonist with Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass, and Eric Harland on drums. The nine dynamic instrumental tracks here include new Lloyd originals along with pieces by Ornette Coleman, Thelonious Monk, Leonard Cohen, Gabor Szabo, and Bola de Nieve.\r\n
      \r\n
      Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2021. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charles Lloyd (tenor saxophone & alto flute), Bill Frisell (guitar), Greg Leisz (pedal steel guitar), Reuben Rogers (bass), Eric Harland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rGVIrck0pNI"
    -referenceProduit: "Blue Note Tone Poet Series 63434"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Peace"
        "ordre" => 1
      ]
      [
        "nom" => "2. Ramblin'"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anthem"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Dismal Swamp"
        "ordre" => 5
      ]
      [
        "nom" => "2. Tone Poem"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Monk's Mood"
        "ordre" => 8
      ]
      [
        "nom" => "2. Ay Amor"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
      [
        "nom" => "1. Lady Gabor"
        "ordre" => 11
      ]
      [
        "nom" => "2. Prayer"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2215 …}
    -label: Proxies\__CG__\App\Entity\Label {#2218 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2227 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2220 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2222 …}
    -enregistreLe: DateTime @1612250530 {#2209
      date: 2021-02-02 07:22:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761635318 {#2208
      date: 2025-10-28 07:08:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2224 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tone-poem-blue-note-tone-poet-series-63434"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3921
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3922 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3970 …}
  +isValidated: false
  +validatedFields: []
}