Components
4
Twig Components
15
Render Count
10
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.60ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 3.32ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.57ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.25ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 3.32 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2637 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.57 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2714 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2717 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} -formView: Symfony\Component\Form\FormView {#2753 …} -form: Symfony\Component\Form\Form {#2903 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.84 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1873 -id: 2450 -nom: "Let 'Em Roll" -informationComplementaire: "" -description: """ - 180 gram vinyl !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n Blue Note's roster of Hammond B3 organists was a vibrant and varied bunch that ran the stylistic gamut from Jimmy Smith's virtuosic innovations to Larry Young's horizon-expanding explorations. Kansas City born dynamo Big John Patton operated in a soul jazz sweet spot throughout his stellar 1960s Blue Note tenure always making sure each of his platters was served with a healthy helping of soul. Patton first appeared as a sideman on Lou Donaldson's albums The Natural Soul and Good Gracious and later cut his own Blue Note leader debut with 1963's Along Came John. Perhaps the most unique-and certainly one of the finest-albums in his discography is Let ‘Em Roll, a fantastic 1965 session that found Patton altering the standard organ trio line-up of guitar (Grant Green) and drums (Otis Finch) by adding vibraphonist Bobby Hutcherson into the mix (Green had used this same instrumentation to great effect on his album Street of Dreams the year prior). Highlights of the set include the Patton originals "Let ‘Em Roll" and "Latona", a tender performance of the Johnny Mandel ballad "The Shadow of Your Smile", and a spirited romp through Hank Mobley's "The Turnaround".\r\n \r\n This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "John Patton (organ), Grant Green (guitar), Bobby Hutcherson (vibes), Otis Finch (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=FVP1BLFKbKI" -referenceProduit: "Blue Note Tone Poet Series 84239" -titreMorceau: [ [ "nom" => "1. Let ‘Em Roll " "ordre" => 1 ] [ "nom" => "1. The Turnaround " "ordre" => 5 ] [ "nom" => "2. Jakey " "ordre" => 6 ] [ "nom" => "2. Latona " "ordre" => 2 ] [ "nom" => "3. On Step Ahead" "ordre" => 7 ] [ "nom" => "3. The Shadow of Your Smile" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …} -enregistreLe: DateTime @1693551311 {#1928 : 2023-09-01 06:55:11.0 UTC (+00:00) } -modifierLe: DateTime @1695543734 {#1921 : 2023-09-24 08:22:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-let-em-roll-blue-note-tone-poet-series-84239" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3175 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#1873 -id: 2450 -nom: "Let 'Em Roll" -informationComplementaire: "" -description: """ - 180 gram vinyl !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n Blue Note's roster of Hammond B3 organists was a vibrant and varied bunch that ran the stylistic gamut from Jimmy Smith's virtuosic innovations to Larry Young's horizon-expanding explorations. Kansas City born dynamo Big John Patton operated in a soul jazz sweet spot throughout his stellar 1960s Blue Note tenure always making sure each of his platters was served with a healthy helping of soul. Patton first appeared as a sideman on Lou Donaldson's albums The Natural Soul and Good Gracious and later cut his own Blue Note leader debut with 1963's Along Came John. Perhaps the most unique-and certainly one of the finest-albums in his discography is Let ‘Em Roll, a fantastic 1965 session that found Patton altering the standard organ trio line-up of guitar (Grant Green) and drums (Otis Finch) by adding vibraphonist Bobby Hutcherson into the mix (Green had used this same instrumentation to great effect on his album Street of Dreams the year prior). Highlights of the set include the Patton originals "Let ‘Em Roll" and "Latona", a tender performance of the Johnny Mandel ballad "The Shadow of Your Smile", and a spirited romp through Hank Mobley's "The Turnaround".\r\n \r\n This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "John Patton (organ), Grant Green (guitar), Bobby Hutcherson (vibes), Otis Finch (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=FVP1BLFKbKI" -referenceProduit: "Blue Note Tone Poet Series 84239" -titreMorceau: [ [ "nom" => "1. Let ‘Em Roll " "ordre" => 1 ] [ "nom" => "1. The Turnaround " "ordre" => 5 ] [ "nom" => "2. Jakey " "ordre" => 6 ] [ "nom" => "2. Latona " "ordre" => 2 ] [ "nom" => "3. On Step Ahead" "ordre" => 7 ] [ "nom" => "3. The Shadow of Your Smile" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …} -enregistreLe: DateTime @1693551311 {#1928 : 2023-09-01 06:55:11.0 UTC (+00:00) } -modifierLe: DateTime @1695543734 {#1921 : 2023-09-24 08:22:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-let-em-roll-blue-note-tone-poet-series-84239" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2099 -id: 2439 -nom: "Turning Point" -informationComplementaire: "" -description: """ - Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP !\r\n \r\n - Mastered by Kevin Gray Directly from the Original Master Tapes !\r\n \r\n - Manufactured at Optimal in Germany !\r\n \r\n The Classic Vinyl Reissue Series is the continuation of Blue Note's acclaimed Blue Note 80 Vinyl Reissue Series, which was created in celebration of the 80th anniversary of Blue Note Records in 2019. The series presents affordable, high-quality reissues in standard packaging that are mastered by Kevin Gray of Cohearent Audio and manufactured on 180g vinyl at Optimal Media in Germany. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes.\r\n \r\n Blue Note Records has recorded the legends of Jazz and has traced the entire evolution of the music from the early days of Boogie Woogie, Hot Jazz and Swing, through the innovations of Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and 70s Fusion, and into the vibrant sounds of Jazz's many modern-day incarnations. The Classic Vinyl Series is curated by Don Was and Cem Kurosman and is broad in its scope. The series reissues the best-known Blue Note classics from the 1950s and 60s, but also goes deeper, exploring the many different eras and styles of the legendary label's eight-decade history with the aim of telling their story and fully representing the Blue Note motto: The Finest In Jazz Since 1939.\r\n \r\n One of the funkiest and most creative organists of all time, Dr. Lonnie Smith was first brought into the Blue Note fold by alto saxophonist Lou Donaldson who featured the B3 virtuoso on late-1960s soul jazz classics including Alligator Bogaloo, Mr. Shing-a-Ling, and Midnight Creeper. Smith went on to sign with Blue Note and lead his own dates beginning with his excellent 1968 label debut Think! In January 1969 Smith returned to Van Gelder Studio to record the follow-up Turning Point with a dynamic 6-piece band that packed a punch with a 3-horn frontline featuring Lee Morgan on trumpet, Julian Priester on trombone, and Bennie Maupin on tenor saxophone. The rhythm section featured guitarist Melvin Sparks and was anchored by the propulsive drumming of Leo Morris (aka Idris Muhammad).\r\n \r\n The 5 song set produced by Francis Wolff opens with a hard-grooving take on Don Covay's "See Saw", which was a hit for Aretha Franklin the year before. Other choice covers include a laid-back version of "People Sure Act Funny" by Titus Turner and Bobby Robinson and an inventive reworking of The Beatles' "Eleanor Rigby" that injects the Lennon-McCartney gem with a healthy dose of soul. Two Smith originals round out the album including the smoldering "Slow High" and the expansive album-closing title piece which kicks into high gear after a rubato introduction by Smith.\r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Lonnie Smith (organ), Lee Morgan (trumpet), Julian Priester (trombone), Bennie Maupin (tenor saxophone), Melvin Sparks (guitar), Leo Morris (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=qwJDb_oLiY0" -referenceProduit: "Blue Note Records 84313" -titreMorceau: [ [ "nom" => "1. Eleanor Rigby " "ordre" => 5 ] [ "nom" => "1. See Saw " "ordre" => 1 ] [ "nom" => "2. Slow High " "ordre" => 2 ] [ "nom" => "2. Turning Point" "ordre" => 6 ] [ "nom" => "3. People Sure Act Funny " "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …} -label: Proxies\__CG__\App\Entity\Label {#2104 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …} -enregistreLe: DateTime @1686466026 {#2095 : 2023-06-11 06:47:06.0 UTC (+00:00) } -modifierLe: DateTime @1692909744 {#2094 : 2023-08-24 20:42:24.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-turning-point-blue-note-records-84313" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3289 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2099 -id: 2439 -nom: "Turning Point" -informationComplementaire: "" -description: """ - Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP !\r\n \r\n - Mastered by Kevin Gray Directly from the Original Master Tapes !\r\n \r\n - Manufactured at Optimal in Germany !\r\n \r\n The Classic Vinyl Reissue Series is the continuation of Blue Note's acclaimed Blue Note 80 Vinyl Reissue Series, which was created in celebration of the 80th anniversary of Blue Note Records in 2019. The series presents affordable, high-quality reissues in standard packaging that are mastered by Kevin Gray of Cohearent Audio and manufactured on 180g vinyl at Optimal Media in Germany. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes.\r\n \r\n Blue Note Records has recorded the legends of Jazz and has traced the entire evolution of the music from the early days of Boogie Woogie, Hot Jazz and Swing, through the innovations of Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, and 70s Fusion, and into the vibrant sounds of Jazz's many modern-day incarnations. The Classic Vinyl Series is curated by Don Was and Cem Kurosman and is broad in its scope. The series reissues the best-known Blue Note classics from the 1950s and 60s, but also goes deeper, exploring the many different eras and styles of the legendary label's eight-decade history with the aim of telling their story and fully representing the Blue Note motto: The Finest In Jazz Since 1939.\r\n \r\n One of the funkiest and most creative organists of all time, Dr. Lonnie Smith was first brought into the Blue Note fold by alto saxophonist Lou Donaldson who featured the B3 virtuoso on late-1960s soul jazz classics including Alligator Bogaloo, Mr. Shing-a-Ling, and Midnight Creeper. Smith went on to sign with Blue Note and lead his own dates beginning with his excellent 1968 label debut Think! In January 1969 Smith returned to Van Gelder Studio to record the follow-up Turning Point with a dynamic 6-piece band that packed a punch with a 3-horn frontline featuring Lee Morgan on trumpet, Julian Priester on trombone, and Bennie Maupin on tenor saxophone. The rhythm section featured guitarist Melvin Sparks and was anchored by the propulsive drumming of Leo Morris (aka Idris Muhammad).\r\n \r\n The 5 song set produced by Francis Wolff opens with a hard-grooving take on Don Covay's "See Saw", which was a hit for Aretha Franklin the year before. Other choice covers include a laid-back version of "People Sure Act Funny" by Titus Turner and Bobby Robinson and an inventive reworking of The Beatles' "Eleanor Rigby" that injects the Lennon-McCartney gem with a healthy dose of soul. Two Smith originals round out the album including the smoldering "Slow High" and the expansive album-closing title piece which kicks into high gear after a rubato introduction by Smith.\r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Lonnie Smith (organ), Lee Morgan (trumpet), Julian Priester (trombone), Bennie Maupin (tenor saxophone), Melvin Sparks (guitar), Leo Morris (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=qwJDb_oLiY0" -referenceProduit: "Blue Note Records 84313" -titreMorceau: [ [ "nom" => "1. Eleanor Rigby " "ordre" => 5 ] [ "nom" => "1. See Saw " "ordre" => 1 ] [ "nom" => "2. Slow High " "ordre" => 2 ] [ "nom" => "2. Turning Point" "ordre" => 6 ] [ "nom" => "3. People Sure Act Funny " "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …} -label: Proxies\__CG__\App\Entity\Label {#2104 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …} -enregistreLe: DateTime @1686466026 {#2095 : 2023-06-11 06:47:06.0 UTC (+00:00) } -modifierLe: DateTime @1692909744 {#2094 : 2023-08-24 20:42:24.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-turning-point-blue-note-records-84313" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2118 -id: 2352 -nom: "Shapes & Sound " -informationComplementaire: "AVAILABILITY : 28/02/2023 (subject Cohearent Records)" -description: """ - Debut album recorded for launch of new record label by award-winning mastering engineer Kevin Gray !\r\n \r\n - Recorded all-analog / all-tube at Gray's new studio, Cohearent Recording, for Cohearent Records !\r\n \r\n - Shapes and Sound by jazz composer saxophonist Kirsten Edkins !\r\n \r\n Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California.\r\n \r\n "It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings", Gray told music reviwer Michael Fremer.\r\n \r\n This album was produced all-analog/all-tube at Gray's Cohearent Recording on December 10 and 11, 2021. Dave Connor produced, while Gray and Ryan Wirthlin co-engineered. Edkins on sax was joined by Gerald Clayton (courtesy of Blue Note) on piano, Ahmet Turkmenoglu on bass, Lemar Guillary on trombone and Chris Wabich on drums.\r\n \r\n Edkins, a composer and saxophonist from Los Angeles, graduated from Eastman School of Music on scholarship. She studied composition and arranging with Bill Dobbins, as well as Walt Weiskopf and the legendary Ray Ricker. Before her time at Eastman she studied with Bob Sheppard, a jazz recording artist and woodwind specialist. Edkins is a sought-after improviser who has performed with Arturo Sandoval (Al "Tootie" Heath), Tim Hagans, Clay Jenkins, John Beasley, and Geoffrey Keezer.\r\n \r\n She has performed with the Clare Fischer Big Band, Bill Holman Big Band, Bernie Dresel Big Band (The BBB), Sara Gazarek and others. She's appeard on television shows such as American Idol, Duets, Knight Rider, Glee, and Bones, plus The Tonight Show. She's also a music educator whose associations include Cal State Fullerton, Stanford Jazz Workshop, Saddleback College and Golden West College. She also direct the American Jazz Institute's community outreach program and teaches saxophone at Occidental College in Eagle Rock.\r\n \r\n The album is an excellent showcase for Gray's new recording studio. Cohearent Recording was born from Gray's relentless passion to create the best sound recordings. It was that passion that has inspired Gray's long career cutting lacquers for such noted labels as Blue Note, Music Matters and Analogue Productions.\r\n \r\n He spent 15 years building gear for the project. "I had a novel idea : In order to get the vintage sound we all love, (I'd) design and build an all-valve (vacuum tube) recording system from microphones through to the disc cutting head, No transistors or IC's anywhere in the signal path. That took much longer than anticipated but it is finally complete".\r\n \r\n Gray was inspired to use his own living room as the studio space when he realized it was similar in size and shape to legendary jazz recording engineer Rudy Van Gelder's Hackensack N.J. parents' home. Many classic jazz albums were recorded there by Gelder.\r\n \r\n Some of the same microphones used on those earlier Gelder recordings are in use in Gray's setup. The custom vaccum tube electronics are different and for Shapes and Sound Gray used a tube-based Studer C37 rather than an Ampex.\r\n \r\n Gelder's Hackensack recordings for both Blue Note and Prestige, Gray says, are "some of my favorite jazz records, and they are also exceptionally good sonically".\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Kirsten Edkins (saxophone), Gerald Clayton (piano), Ahmet Turkmenoglu (bass), Lemar Guillary (trombone), Chris Wabich (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=M4_dtXZoygE" -referenceProduit: "Cohearent Records CR-AV 2201" -titreMorceau: [ [ "nom" => "1. Party Slug " "ordre" => 1 ] [ "nom" => "1. Sweet Pickles " "ordre" => 6 ] [ "nom" => "2. Bird Shapes " "ordre" => 2 ] [ "nom" => "2. Wuhoo " "ordre" => 7 ] [ "nom" => "3. Dedicated To You " "ordre" => 3 ] [ "nom" => "3. Proprietary Minor " "ordre" => 8 ] [ "nom" => "4. Hula Hoop" "ordre" => 9 ] [ "nom" => "4. The Goose" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2120 …} -label: Proxies\__CG__\App\Entity\Label {#2123 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2132 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2125 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2127 …} -enregistreLe: DateTime @1674631024 {#2115 : 2023-01-25 07:17:04.0 UTC (+00:00) } -modifierLe: DateTime @1688072829 {#2116 : 2023-06-29 21:07:09.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-shapes-sound-cohearent-records-cr-av-2201" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3340 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2118 -id: 2352 -nom: "Shapes & Sound " -informationComplementaire: "AVAILABILITY : 28/02/2023 (subject Cohearent Records)" -description: """ - Debut album recorded for launch of new record label by award-winning mastering engineer Kevin Gray !\r\n \r\n - Recorded all-analog / all-tube at Gray's new studio, Cohearent Recording, for Cohearent Records !\r\n \r\n - Shapes and Sound by jazz composer saxophonist Kirsten Edkins !\r\n \r\n Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California.\r\n \r\n "It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings", Gray told music reviwer Michael Fremer.\r\n \r\n This album was produced all-analog/all-tube at Gray's Cohearent Recording on December 10 and 11, 2021. Dave Connor produced, while Gray and Ryan Wirthlin co-engineered. Edkins on sax was joined by Gerald Clayton (courtesy of Blue Note) on piano, Ahmet Turkmenoglu on bass, Lemar Guillary on trombone and Chris Wabich on drums.\r\n \r\n Edkins, a composer and saxophonist from Los Angeles, graduated from Eastman School of Music on scholarship. She studied composition and arranging with Bill Dobbins, as well as Walt Weiskopf and the legendary Ray Ricker. Before her time at Eastman she studied with Bob Sheppard, a jazz recording artist and woodwind specialist. Edkins is a sought-after improviser who has performed with Arturo Sandoval (Al "Tootie" Heath), Tim Hagans, Clay Jenkins, John Beasley, and Geoffrey Keezer.\r\n \r\n She has performed with the Clare Fischer Big Band, Bill Holman Big Band, Bernie Dresel Big Band (The BBB), Sara Gazarek and others. She's appeard on television shows such as American Idol, Duets, Knight Rider, Glee, and Bones, plus The Tonight Show. She's also a music educator whose associations include Cal State Fullerton, Stanford Jazz Workshop, Saddleback College and Golden West College. She also direct the American Jazz Institute's community outreach program and teaches saxophone at Occidental College in Eagle Rock.\r\n \r\n The album is an excellent showcase for Gray's new recording studio. Cohearent Recording was born from Gray's relentless passion to create the best sound recordings. It was that passion that has inspired Gray's long career cutting lacquers for such noted labels as Blue Note, Music Matters and Analogue Productions.\r\n \r\n He spent 15 years building gear for the project. "I had a novel idea : In order to get the vintage sound we all love, (I'd) design and build an all-valve (vacuum tube) recording system from microphones through to the disc cutting head, No transistors or IC's anywhere in the signal path. That took much longer than anticipated but it is finally complete".\r\n \r\n Gray was inspired to use his own living room as the studio space when he realized it was similar in size and shape to legendary jazz recording engineer Rudy Van Gelder's Hackensack N.J. parents' home. Many classic jazz albums were recorded there by Gelder.\r\n \r\n Some of the same microphones used on those earlier Gelder recordings are in use in Gray's setup. The custom vaccum tube electronics are different and for Shapes and Sound Gray used a tube-based Studer C37 rather than an Ampex.\r\n \r\n Gelder's Hackensack recordings for both Blue Note and Prestige, Gray says, are "some of my favorite jazz records, and they are also exceptionally good sonically".\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Kirsten Edkins (saxophone), Gerald Clayton (piano), Ahmet Turkmenoglu (bass), Lemar Guillary (trombone), Chris Wabich (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=M4_dtXZoygE" -referenceProduit: "Cohearent Records CR-AV 2201" -titreMorceau: [ [ "nom" => "1. Party Slug " "ordre" => 1 ] [ "nom" => "1. Sweet Pickles " "ordre" => 6 ] [ "nom" => "2. Bird Shapes " "ordre" => 2 ] [ "nom" => "2. Wuhoo " "ordre" => 7 ] [ "nom" => "3. Dedicated To You " "ordre" => 3 ] [ "nom" => "3. Proprietary Minor " "ordre" => 8 ] [ "nom" => "4. Hula Hoop" "ordre" => 9 ] [ "nom" => "4. The Goose" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2120 …} -label: Proxies\__CG__\App\Entity\Label {#2123 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2132 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2125 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2127 …} -enregistreLe: DateTime @1674631024 {#2115 : 2023-01-25 07:17:04.0 UTC (+00:00) } -modifierLe: DateTime @1688072829 {#2116 : 2023-06-29 21:07:09.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-shapes-sound-cohearent-records-cr-av-2201" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2139 -id: 1582 -nom: "Songs For Distingue Lovers" -informationComplementaire: "" -description: """ - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n \r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n - Mastered by Bernie Grundman from the original analog tapes !\r\n \r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available through the Acoustic Sounds Series.\r\n \r\n Originally released in 1957.\r\n \r\n Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Billie Holiday (vocals), Harry Edison (trumpet), Ben Webster (tenor saxophone), Jimmy Rowles (piano), Barney Kessel (guitar), Red Mitchell (bass), Alvin Stoller (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Z1b1Gwr0Omg" -referenceProduit: "Acoustic Sounds Series MGVS 6021" -titreMorceau: [ [ "nom" => "1. Day In Day Out" "ordre" => 1 ] [ "nom" => "1. One For My Baby (And One More For The Road)" "ordre" => 5 ] [ "nom" => "2. A Foggy Day" "ordre" => 2 ] [ "nom" => "2. Just One Of Those Things" "ordre" => 6 ] [ "nom" => "3. I Didn't Know What Time It Was" "ordre" => 7 ] [ "nom" => "3. Stars Fell On Alabama " "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2141 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2153 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2146 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2148 …} -enregistreLe: DateTime @1551027018 {#2135 : 2019-02-24 16:50:18.0 UTC (+00:00) } -modifierLe: DateTime @1687590418 {#2134 : 2023-06-24 07:06:58.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2150 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-songs-for-distingue-lovers-acoustic-sounds-series-mgvs-6021" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3391 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2139 -id: 1582 -nom: "Songs For Distingue Lovers" -informationComplementaire: "" -description: """ - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n \r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n - Mastered by Bernie Grundman from the original analog tapes !\r\n \r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available through the Acoustic Sounds Series.\r\n \r\n Originally released in 1957.\r\n \r\n Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Billie Holiday (vocals), Harry Edison (trumpet), Ben Webster (tenor saxophone), Jimmy Rowles (piano), Barney Kessel (guitar), Red Mitchell (bass), Alvin Stoller (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Z1b1Gwr0Omg" -referenceProduit: "Acoustic Sounds Series MGVS 6021" -titreMorceau: [ [ "nom" => "1. Day In Day Out" "ordre" => 1 ] [ "nom" => "1. One For My Baby (And One More For The Road)" "ordre" => 5 ] [ "nom" => "2. A Foggy Day" "ordre" => 2 ] [ "nom" => "2. Just One Of Those Things" "ordre" => 6 ] [ "nom" => "3. I Didn't Know What Time It Was" "ordre" => 7 ] [ "nom" => "3. Stars Fell On Alabama " "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2141 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2153 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2146 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2148 …} -enregistreLe: DateTime @1551027018 {#2135 : 2019-02-24 16:50:18.0 UTC (+00:00) } -modifierLe: DateTime @1687590418 {#2134 : 2023-06-24 07:06:58.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2150 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-songs-for-distingue-lovers-acoustic-sounds-series-mgvs-6021" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.42 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2158 -id: 2419 -nom: "Shades of Blue" -informationComplementaire: "" -description: """ Musicians :\r\n Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards), James King (flute), Morgan Adam III (organ), Dan Ubick (guitar), Jeff Jank, Monk Hughes (acoustic bass), Russel Jenkins (bass), Derek Holman (percussion, synthesizer), Malik Flavors (percussion), Lefty Houston (drums).\r\n \r\n The sound of Blue Note had been embedded in hip hop through sampling and remixes since its early days, but Madlib raised the bar when the DJ / producer / rapper / musician invaded their vaults for his 2003 masterpiece, Shades Of Blue a visionary album featuring remixes / reimaginations of classics by Donald Byrd, Bobbi Humphrey, Ronnie Foster, Bobby Hutcherson, Wayne Shorter and more. Blue Note Classic Vinyl Series is all-analog mastering from the original master tapes and pressed on 180 gram vinyl. """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Musicians : Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=78E1ZFpHOJI" -referenceProduit: "Blue Note Records 7723" -titreMorceau: [ [ "nom" => "1. Introduction " "ordre" => 1 ] [ "nom" => "1. Song For My Father " "ordre" => 16 ] [ "nom" => "1. Stepping Into Tomorrow " "ordre" => 12 ] [ "nom" => "1. Stormy " "ordre" => 6 ] [ "nom" => "2. Andrew Hill Break " "ordre" => 13 ] [ "nom" => "2. Blue Note Interlude " "ordre" => 7 ] [ "nom" => "2. Footprints " "ordre" => 17 ] [ "nom" => "2. Slim’s Return " "ordre" => 2 ] [ "nom" => "3. Distant Land " "ordre" => 3 ] [ "nom" => "3. Montara" "ordre" => 14 ] [ "nom" => "3. Peace / Dolphin Dance " "ordre" => 18 ] [ "nom" => "3. Please Set Me At Ease " "ordre" => 8 ] [ "nom" => "4. Funky Blue Note " "ordre" => 9 ] [ "nom" => "4. Mystic Bounce" "ordre" => 4 ] [ "nom" => "4. Outro" "ordre" => 19 ] [ "nom" => "5. Alfred Lion Interlude" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] [ "nom" => "Side C : " "ordre" => 11 ] [ "nom" => "Side D : " "ordre" => 15 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2104 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …} -enregistreLe: DateTime @1683009360 {#2155 : 2023-05-02 06:36:00.0 UTC (+00:00) } -modifierLe: DateTime @1686891419 {#2156 : 2023-06-16 04:56:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-shades-of-blue-blue-note-records-7723" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3442 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2158 -id: 2419 -nom: "Shades of Blue" -informationComplementaire: "" -description: """ Musicians :\r\n Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards), James King (flute), Morgan Adam III (organ), Dan Ubick (guitar), Jeff Jank, Monk Hughes (acoustic bass), Russel Jenkins (bass), Derek Holman (percussion, synthesizer), Malik Flavors (percussion), Lefty Houston (drums).\r\n \r\n The sound of Blue Note had been embedded in hip hop through sampling and remixes since its early days, but Madlib raised the bar when the DJ / producer / rapper / musician invaded their vaults for his 2003 masterpiece, Shades Of Blue a visionary album featuring remixes / reimaginations of classics by Donald Byrd, Bobbi Humphrey, Ronnie Foster, Bobby Hutcherson, Wayne Shorter and more. Blue Note Classic Vinyl Series is all-analog mastering from the original master tapes and pressed on 180 gram vinyl. """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Musicians : Madlib (beats, scratches), DJ Lord Such (scratches, cuts, vocals), Morgan Adams Quartet Plus Two, M.E.D., Sound Direction, Yesterdays New Quintet (vocals), Ahmad Miller (vibraphone, vocals), Joe McDuphrey (electric piano, keyboards)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=78E1ZFpHOJI" -referenceProduit: "Blue Note Records 7723" -titreMorceau: [ [ "nom" => "1. Introduction " "ordre" => 1 ] [ "nom" => "1. Song For My Father " "ordre" => 16 ] [ "nom" => "1. Stepping Into Tomorrow " "ordre" => 12 ] [ "nom" => "1. Stormy " "ordre" => 6 ] [ "nom" => "2. Andrew Hill Break " "ordre" => 13 ] [ "nom" => "2. Blue Note Interlude " "ordre" => 7 ] [ "nom" => "2. Footprints " "ordre" => 17 ] [ "nom" => "2. Slim’s Return " "ordre" => 2 ] [ "nom" => "3. Distant Land " "ordre" => 3 ] [ "nom" => "3. Montara" "ordre" => 14 ] [ "nom" => "3. Peace / Dolphin Dance " "ordre" => 18 ] [ "nom" => "3. Please Set Me At Ease " "ordre" => 8 ] [ "nom" => "4. Funky Blue Note " "ordre" => 9 ] [ "nom" => "4. Mystic Bounce" "ordre" => 4 ] [ "nom" => "4. Outro" "ordre" => 19 ] [ "nom" => "5. Alfred Lion Interlude" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] [ "nom" => "Side C : " "ordre" => 11 ] [ "nom" => "Side D : " "ordre" => 15 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …} -label: Proxies\__CG__\App\Entity\Label {#2104 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …} -enregistreLe: DateTime @1683009360 {#2155 : 2023-05-02 06:36:00.0 UTC (+00:00) } -modifierLe: DateTime @1686891419 {#2156 : 2023-06-16 04:56:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-shades-of-blue-blue-note-records-7723" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2174 -id: 2410 -nom: "Time For Tyner" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n On his third Blue Note album pianist McCoy Tyner assembled a quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis & drummer Freddie Waits for an album rich in ethereal textures that delivers visceral performances of three expansive Tyner originals and three radically reinvented standards. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "McCoy Tyner (piano), Herbert Lewis (bass), Bobby Hutcherson (vibes), Freddie Waits (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Ln-3usYA110" -referenceProduit: "Blue Note Tone Poet Series 8406" -titreMorceau: [ [ "nom" => "1. African Village" "ordre" => 1 ] [ "nom" => "1. May Street" "ordre" => 4 ] [ "nom" => "2. I Didn't Know What Time It Was" "ordre" => 5 ] [ "nom" => "2. Little Madimba" "ordre" => 2 ] [ "nom" => "3. The Surrey with the Fringe on Top" "ordre" => 6 ] [ "nom" => "4. I've Grown Accustomed to Her Face" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …} -enregistreLe: DateTime @1681821391 {#2171 : 2023-04-18 12:36:31.0 UTC (+00:00) } -modifierLe: DateTime @1685688577 {#2172 : 2023-06-02 06:49:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-time-for-tyner-blue-note-tone-poet-series-8406" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3493 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2174 -id: 2410 -nom: "Time For Tyner" -informationComplementaire: "" -description: """ - 180 gram LP !\r\n \r\n - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n \r\n - Plated and pressed at RTI !\r\n \r\n The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n \r\n On his third Blue Note album pianist McCoy Tyner assembled a quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis & drummer Freddie Waits for an album rich in ethereal textures that delivers visceral performances of three expansive Tyner originals and three radically reinvented standards. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180 gram vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "McCoy Tyner (piano), Herbert Lewis (bass), Bobby Hutcherson (vibes), Freddie Waits (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Ln-3usYA110" -referenceProduit: "Blue Note Tone Poet Series 8406" -titreMorceau: [ [ "nom" => "1. African Village" "ordre" => 1 ] [ "nom" => "1. May Street" "ordre" => 4 ] [ "nom" => "2. I Didn't Know What Time It Was" "ordre" => 5 ] [ "nom" => "2. Little Madimba" "ordre" => 2 ] [ "nom" => "3. The Surrey with the Fringe on Top" "ordre" => 6 ] [ "nom" => "4. I've Grown Accustomed to Her Face" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …} -label: Proxies\__CG__\App\Entity\Label {#1963 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …} -enregistreLe: DateTime @1681821391 {#2171 : 2023-04-18 12:36:31.0 UTC (+00:00) } -modifierLe: DateTime @1685688577 {#2172 : 2023-06-02 06:49:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-time-for-tyner-blue-note-tone-poet-series-8406" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2190 -id: 2125 -nom: "Kwanza" -informationComplementaire: "" -description: """ Musicians :\r\n Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass), Leon Thomas (lead vocals), Tasha Thomas, Doris Troy (backing vocals), Jimmy Owens, Woody Shaw (trumpet), Grachan Moncur III, Matthew Gee (trombone), James Spaulding, Clarence Sharpe (alto saxophone), Charles Davis (baritone saxophone), Dave Burrell (organ, piano), Bob Bushnell (electric bass), Walter Booker, Wilbur Ware (bass), Cecil Payne (baritone saxophone, flute), Beaver Harris, Bernard Purdie, Joe Chambers (drums).\r\n \r\n Verve Records/UMe and Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist. Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month each hand-picked by Verve and Third Man Records. The records will include both long-out-of-print titles from the vault as well as the first-ever vinyl pressings for albums released in the '90s and aughts that were only originally released on CD.\r\n \r\n Albums will be newly remastered from original analog sources, when available, and pressed on 180 gram at Third Man Record Pressings in Detroit.\r\n \r\n These 1969 recordings (released in 1974) combine Archie Shepp's free jazz bonafides and a blend of blues/funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III, lead the way on stand-out cuts including "New Africa" and "Spoo Pee Doo". Verve By Request Series features transfers from the analog tapes remastered on 180 gram vinyl.\r\n \r\n \r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass)…" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=WlTPdltKqGs" -referenceProduit: "Verve Records AS 9262" -titreMorceau: [ [ "nom" => "1. Back Back " "ordre" => 1 ] [ "nom" => "1. Slow Drag " "ordre" => 5 ] [ "nom" => "2. Bakai" "ordre" => 6 ] [ "nom" => "2. Spoo Pee Doo " "ordre" => 2 ] [ "nom" => "3. New Africa" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …} -label: Proxies\__CG__\App\Entity\Label {#2195 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2199 …} -enregistreLe: DateTime @1630824279 {#2187 : 2021-09-05 06:44:39.0 UTC (+00:00) } -modifierLe: DateTime @1685600359 {#2188 : 2023-06-01 06:19:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-kwanza-verve-records-as-9262" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3544 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2190 -id: 2125 -nom: "Kwanza" -informationComplementaire: "" -description: """ Musicians :\r\n Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass), Leon Thomas (lead vocals), Tasha Thomas, Doris Troy (backing vocals), Jimmy Owens, Woody Shaw (trumpet), Grachan Moncur III, Matthew Gee (trombone), James Spaulding, Clarence Sharpe (alto saxophone), Charles Davis (baritone saxophone), Dave Burrell (organ, piano), Bob Bushnell (electric bass), Walter Booker, Wilbur Ware (bass), Cecil Payne (baritone saxophone, flute), Beaver Harris, Bernard Purdie, Joe Chambers (drums).\r\n \r\n Verve Records/UMe and Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist. Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month each hand-picked by Verve and Third Man Records. The records will include both long-out-of-print titles from the vault as well as the first-ever vinyl pressings for albums released in the '90s and aughts that were only originally released on CD.\r\n \r\n Albums will be newly remastered from original analog sources, when available, and pressed on 180 gram at Third Man Record Pressings in Detroit.\r\n \r\n These 1969 recordings (released in 1974) combine Archie Shepp's free jazz bonafides and a blend of blues/funk through an African lens, all in a big band setting. The all-star brass section, featuring James Spaulding and Charles Davis on sax along with trombonist Graham Moncur III, lead the way on stand-out cuts including "New Africa" and "Spoo Pee Doo". Verve By Request Series features transfers from the analog tapes remastered on 180 gram vinyl.\r\n \r\n \r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Archie Shepp (tenor & soprano saxophone), Martin Banks (trumpet, flugelhorn), Robin Kenyatta (alto saxophone, flute), Andrew Bey, Cedar Walton (piano), Bert Payne, Wally Richardson (guitar), Albert Winston (electric bass, bass)…" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=WlTPdltKqGs" -referenceProduit: "Verve Records AS 9262" -titreMorceau: [ [ "nom" => "1. Back Back " "ordre" => 1 ] [ "nom" => "1. Slow Drag " "ordre" => 5 ] [ "nom" => "2. Bakai" "ordre" => 6 ] [ "nom" => "2. Spoo Pee Doo " "ordre" => 2 ] [ "nom" => "3. New Africa" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …} -label: Proxies\__CG__\App\Entity\Label {#2195 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2199 …} -enregistreLe: DateTime @1630824279 {#2187 : 2021-09-05 06:44:39.0 UTC (+00:00) } -modifierLe: DateTime @1685600359 {#2188 : 2023-06-01 06:19:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-kwanza-verve-records-as-9262" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2209 -id: 2390 -nom: "Purdie Good !" -informationComplementaire: "" -description: """ - Remastered from the Original Tapes !\r\n \r\n - Pressed on 180 gram Vinyl !\r\n \r\n In between being one of the most recorded studio drummers of all time (this "Purdie Shuffle" graced everything from Aretha Franklin to Steely Dan), Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer Rudy Van Gelder. The album masterfully balances three Purdie originals with three covers, including a blazing romp through James Brown's "Cold Sweat". 180 gram LP remastered from the original tapes and packaged in a tip-on jacket. """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Bernard Purdie (drums), Harold Wheeler (electric piano), Billy Nichols, Ted Dunbar (guitar), Charlie Brown, Warren Daniels (tenor saxophone), Tippy Larkin (trumpet), Gordon Edwards (bass), Norman Pride (congas)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=CXRa5T4FW_U" -referenceProduit: "Concord Craft Recordings 0522" -titreMorceau: [ [ "nom" => "1. Cold Sweat " "ordre" => 1 ] [ "nom" => "1. Wasteland " "ordre" => 5 ] [ "nom" => "2. Everybody's Talkin' " "ordre" => 6 ] [ "nom" => "2. Montego Bay " "ordre" => 2 ] [ "nom" => "3. Purdie Good" "ordre" => 3 ] [ "nom" => "3. You Turn Me On" "ordre" => 7 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …} -label: Proxies\__CG__\App\Entity\Label {#2214 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …} -enregistreLe: DateTime @1679557959 {#2206 : 2023-03-23 07:52:39.0 UTC (+00:00) } -modifierLe: DateTime @1685553462 {#2207 : 2023-05-31 17:17:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-purdie-good-concord-craft-recordings-0522" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3595 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2209 -id: 2390 -nom: "Purdie Good !" -informationComplementaire: "" -description: """ - Remastered from the Original Tapes !\r\n \r\n - Pressed on 180 gram Vinyl !\r\n \r\n In between being one of the most recorded studio drummers of all time (this "Purdie Shuffle" graced everything from Aretha Franklin to Steely Dan), Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer Rudy Van Gelder. The album masterfully balances three Purdie originals with three covers, including a blazing romp through James Brown's "Cold Sweat". 180 gram LP remastered from the original tapes and packaged in a tip-on jacket. """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Bernard Purdie (drums), Harold Wheeler (electric piano), Billy Nichols, Ted Dunbar (guitar), Charlie Brown, Warren Daniels (tenor saxophone), Tippy Larkin (trumpet), Gordon Edwards (bass), Norman Pride (congas)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=CXRa5T4FW_U" -referenceProduit: "Concord Craft Recordings 0522" -titreMorceau: [ [ "nom" => "1. Cold Sweat " "ordre" => 1 ] [ "nom" => "1. Wasteland " "ordre" => 5 ] [ "nom" => "2. Everybody's Talkin' " "ordre" => 6 ] [ "nom" => "2. Montego Bay " "ordre" => 2 ] [ "nom" => "3. Purdie Good" "ordre" => 3 ] [ "nom" => "3. You Turn Me On" "ordre" => 7 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …} -label: Proxies\__CG__\App\Entity\Label {#2214 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …} -enregistreLe: DateTime @1679557959 {#2206 : 2023-03-23 07:52:39.0 UTC (+00:00) } -modifierLe: DateTime @1685553462 {#2207 : 2023-05-31 17:17:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-purdie-good-concord-craft-recordings-0522" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2228 -id: 2275 -nom: "Ella And Louis Again" -informationComplementaire: "" -description: """ - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Producer Norman Granz had a stroke of genius when he signed the jazz greats Ella Fitzgerald and Louis Armstrong to his Verve label. The duo that critics have called "A match made in heaven," take to the microphone here for a repeat on Ella And Louis Again, the sequel to 1956's acclaimed Ella and Louis. Ella's voice radiant, warm, sweet as honey, and Louis' gritty, gravelly, croon formed a sound rife with commercial success.\r\n \r\n The sequel album was backed by the Oscar Peterson trio, with Louie Bellson replacing Buddy Rich on the drums. The 10 track album had seven tracks with solo singing and three duet tracks. Ella and Louis Again stood out from their first album and subsequent album Porgy and Bess. It focused more on the artist's voices rather than Louis' trumpet solos on Ella and Louis and didn't have a big band like the one featured in Porgy and Bess. This focus truly brought the voices of the two icons center stage, where they were able to perform in perfect black and white contrast. The Oscar Peterson trio did not go unnoticed, however. They were mentioned as a "solid rhythm section" by Alex Henderson at AllMusic.\r\n \r\n Ella and Louis Again will rein down in history as being an important piece to what could be considered the most iconic jazz trilogy of all time.\r\n \r\n Originally released in 1957. """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Ella Fitzgerald (vocals), Ray Brown (bass), Herb Ellis (guitar), Oscar Peterson (piano), Louie Bellson (drums) " -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=dtLerPwneMw" -referenceProduit: "Analogue Productions AVG 4006-2" -titreMorceau: [ [ "nom" => "1. A Fine Romance " "ordre" => 18 ] [ "nom" => "1. Don't Be That Way " "ordre" => 1 ] [ "nom" => "1. Let's Call The Whole Thing Off " "ordre" => 12 ] [ "nom" => "1. Let's Do It (Let's Fall In Love) " "ordre" => 7 ] [ "nom" => "2. Ill Wind " "ordre" => 19 ] [ "nom" => "2. Makin' Whoopee " "ordre" => 2 ] [ "nom" => "2. Stompin' At The Savoy " "ordre" => 8 ] [ "nom" => "2. These Foolish Things (Remind Me Of You) " "ordre" => 13 ] [ "nom" => "3. I Won't Dance " "ordre" => 9 ] [ "nom" => "3. I've Got My Love To Keep Me Warm " "ordre" => 14 ] [ "nom" => "3. Love Is Here To Stay " "ordre" => 20 ] [ "nom" => "3. They All Laughed " "ordre" => 3 ] [ "nom" => "4. Comes Love " "ordre" => 4 ] [ "nom" => "4. Gee, Baby, Ain't I Good To You?" "ordre" => 10 ] [ "nom" => "4. I Get A Kick Out Of You " "ordre" => 21 ] [ "nom" => "4. Willow Weep For Me " "ordre" => 15 ] [ "nom" => "5. Autumn In New York" "ordre" => 5 ] [ "nom" => "5. I'm Puttin' All My Eggs In One Basket" "ordre" => 16 ] [ "nom" => "5. Learnin' The Blues" "ordre" => 22 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 11 ] [ "nom" => "Side D : " "ordre" => 17 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2239 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2232 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2234 …} -enregistreLe: DateTime @1663310735 {#2225 : 2022-09-16 06:45:35.0 UTC (+00:00) } -modifierLe: DateTime @1685184320 {#2226 : 2023-05-27 10:45:20.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2236 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ella-and-louis-again-analogue-productions-avg-4006-2" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3646 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2228 -id: 2275 -nom: "Ella And Louis Again" -informationComplementaire: "" -description: """ - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Producer Norman Granz had a stroke of genius when he signed the jazz greats Ella Fitzgerald and Louis Armstrong to his Verve label. The duo that critics have called "A match made in heaven," take to the microphone here for a repeat on Ella And Louis Again, the sequel to 1956's acclaimed Ella and Louis. Ella's voice radiant, warm, sweet as honey, and Louis' gritty, gravelly, croon formed a sound rife with commercial success.\r\n \r\n The sequel album was backed by the Oscar Peterson trio, with Louie Bellson replacing Buddy Rich on the drums. The 10 track album had seven tracks with solo singing and three duet tracks. Ella and Louis Again stood out from their first album and subsequent album Porgy and Bess. It focused more on the artist's voices rather than Louis' trumpet solos on Ella and Louis and didn't have a big band like the one featured in Porgy and Bess. This focus truly brought the voices of the two icons center stage, where they were able to perform in perfect black and white contrast. The Oscar Peterson trio did not go unnoticed, however. They were mentioned as a "solid rhythm section" by Alex Henderson at AllMusic.\r\n \r\n Ella and Louis Again will rein down in history as being an important piece to what could be considered the most iconic jazz trilogy of all time.\r\n \r\n Originally released in 1957. """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Ella Fitzgerald (vocals), Ray Brown (bass), Herb Ellis (guitar), Oscar Peterson (piano), Louie Bellson (drums) " -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=dtLerPwneMw" -referenceProduit: "Analogue Productions AVG 4006-2" -titreMorceau: [ [ "nom" => "1. A Fine Romance " "ordre" => 18 ] [ "nom" => "1. Don't Be That Way " "ordre" => 1 ] [ "nom" => "1. Let's Call The Whole Thing Off " "ordre" => 12 ] [ "nom" => "1. Let's Do It (Let's Fall In Love) " "ordre" => 7 ] [ "nom" => "2. Ill Wind " "ordre" => 19 ] [ "nom" => "2. Makin' Whoopee " "ordre" => 2 ] [ "nom" => "2. Stompin' At The Savoy " "ordre" => 8 ] [ "nom" => "2. These Foolish Things (Remind Me Of You) " "ordre" => 13 ] [ "nom" => "3. I Won't Dance " "ordre" => 9 ] [ "nom" => "3. I've Got My Love To Keep Me Warm " "ordre" => 14 ] [ "nom" => "3. Love Is Here To Stay " "ordre" => 20 ] [ "nom" => "3. They All Laughed " "ordre" => 3 ] [ "nom" => "4. Comes Love " "ordre" => 4 ] [ "nom" => "4. Gee, Baby, Ain't I Good To You?" "ordre" => 10 ] [ "nom" => "4. I Get A Kick Out Of You " "ordre" => 21 ] [ "nom" => "4. Willow Weep For Me " "ordre" => 15 ] [ "nom" => "5. Autumn In New York" "ordre" => 5 ] [ "nom" => "5. I'm Puttin' All My Eggs In One Basket" "ordre" => 16 ] [ "nom" => "5. Learnin' The Blues" "ordre" => 22 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "Side C : " "ordre" => 11 ] [ "nom" => "Side D : " "ordre" => 17 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …} -label: Proxies\__CG__\App\Entity\Label {#2144 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2239 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2232 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2234 …} -enregistreLe: DateTime @1663310735 {#2225 : 2022-09-16 06:45:35.0 UTC (+00:00) } -modifierLe: DateTime @1685184320 {#2226 : 2023-05-27 10:45:20.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2236 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ella-and-louis-again-analogue-productions-avg-4006-2" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.39 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2244 -id: 2165 -nom: "Saturday Night In San Francisco / Live 12/06/80" -informationComplementaire: "" -description: """ Audiophile 180 gram Vinyl LP !\r\n \r\n Long-Awaited Follow Up To Friday Night In San Francisco !\r\n \r\n Assembled From Original 16 Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson !\r\n \r\n Mastered From Analog Tapes by Bernie Grundman !\r\n \r\n Pressed at RTI !\r\n \r\n Jazz writer Walter Kolovsky has said that Friday Night In San Francisco "may be the most influential of all acoustic guitar albums". LPs of it have been a demonstration staple on turntables around the world for over 40 years. To celebrate the lasting impact of this singular album and the legendary concert that it represents, Impex Records is proud to announce the long-awaited follow up : Saturday Night In San Francisco.\r\n \r\n Working with hours of original 16-track live session tapes, Al Di Meola and his team have brilliantly curated this musical tour-de-force, bringing to life for the first time on LP, SACD-Hybrid and CD the explosively virtuosic final performance of Di Meola, John McLaughlin, and Paco De Lucia at the Warfield Theater in San Francisco, December 6, 1980. In the exclusive essay by music historian Charles L. Granata, Di Meola says of that final night : "It's exciting because the audience was right there with us, savoring every single note of music. And, we were ripping. It was crazy good !"\r\n \r\n Impex worked carefully with Di Meola, mixing engineer Roy Hendrickson (SPIN Studio), and mastering engineer Bernie Grundman to recreate the magic of Friday Night In San Francisco so these never-before-released solos and trios burst out of your system with striking clarity, dynamics and technical brilliance. "Crazy good", indeed. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco De Lucia (guitar)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=cFlDf7Ck-N4" -referenceProduit: "Impex Records 6045" -titreMorceau: [ [ "nom" => "1. Bill Graham Introduction" "ordre" => 1 ] [ "nom" => "1. El Pañuelo" "ordre" => 7 ] [ "nom" => "2. Meeting Of The Spirits" "ordre" => 8 ] [ "nom" => "2. Splendido Sundance" "ordre" => 2 ] [ "nom" => "3. One Word" "ordre" => 3 ] [ "nom" => "4. Trilogy Suite" "ordre" => 4 ] [ "nom" => "5. Monasterio de Sal" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2246 …} -label: Proxies\__CG__\App\Entity\Label {#2249 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2258 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2251 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2253 …} -enregistreLe: DateTime @1638805315 {#2241 : 2021-12-06 15:41:55.0 UTC (+00:00) } -modifierLe: DateTime @1685183172 {#2242 : 2023-05-27 10:26:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2255 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-saturday-night-in-san-francisco-live-12-06-80-impex-records-6045" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3697 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2244 -id: 2165 -nom: "Saturday Night In San Francisco / Live 12/06/80" -informationComplementaire: "" -description: """ Audiophile 180 gram Vinyl LP !\r\n \r\n Long-Awaited Follow Up To Friday Night In San Francisco !\r\n \r\n Assembled From Original 16 Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson !\r\n \r\n Mastered From Analog Tapes by Bernie Grundman !\r\n \r\n Pressed at RTI !\r\n \r\n Jazz writer Walter Kolovsky has said that Friday Night In San Francisco "may be the most influential of all acoustic guitar albums". LPs of it have been a demonstration staple on turntables around the world for over 40 years. To celebrate the lasting impact of this singular album and the legendary concert that it represents, Impex Records is proud to announce the long-awaited follow up : Saturday Night In San Francisco.\r\n \r\n Working with hours of original 16-track live session tapes, Al Di Meola and his team have brilliantly curated this musical tour-de-force, bringing to life for the first time on LP, SACD-Hybrid and CD the explosively virtuosic final performance of Di Meola, John McLaughlin, and Paco De Lucia at the Warfield Theater in San Francisco, December 6, 1980. In the exclusive essay by music historian Charles L. Granata, Di Meola says of that final night : "It's exciting because the audience was right there with us, savoring every single note of music. And, we were ripping. It was crazy good !"\r\n \r\n Impex worked carefully with Di Meola, mixing engineer Roy Hendrickson (SPIN Studio), and mastering engineer Bernie Grundman to recreate the magic of Friday Night In San Francisco so these never-before-released solos and trios burst out of your system with striking clarity, dynamics and technical brilliance. "Crazy good", indeed. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Al Di Meola, John McLaughlin, Paco De Lucia (guitar)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=cFlDf7Ck-N4" -referenceProduit: "Impex Records 6045" -titreMorceau: [ [ "nom" => "1. Bill Graham Introduction" "ordre" => 1 ] [ "nom" => "1. El Pañuelo" "ordre" => 7 ] [ "nom" => "2. Meeting Of The Spirits" "ordre" => 8 ] [ "nom" => "2. Splendido Sundance" "ordre" => 2 ] [ "nom" => "3. One Word" "ordre" => 3 ] [ "nom" => "4. Trilogy Suite" "ordre" => 4 ] [ "nom" => "5. Monasterio de Sal" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2246 …} -label: Proxies\__CG__\App\Entity\Label {#2249 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2258 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2251 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2253 …} -enregistreLe: DateTime @1638805315 {#2241 : 2021-12-06 15:41:55.0 UTC (+00:00) } -modifierLe: DateTime @1685183172 {#2242 : 2023-05-27 10:26:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2255 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-saturday-night-in-san-francisco-live-12-06-80-impex-records-6045" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.39 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2263 -id: 2197 -nom: "The Wonderful World Of Louis Armstrong All Stars "A Gift To Pops"" -informationComplementaire: "" -description: """ Musicians : \r\n Louis Armstrong (trumpet, vocals), Wynton Marsalis, Nicolas Payton, Ashlin Parker, Wendell Brunious (trumpet), Wycliffe Gordon (trombone), Roderick Paulin (tenor saxophone), Courtney Bryan (piano), Derwin "Big D" Perkins (guitar), Don Vappie (banjo), Niki Haris, Menia Chester (vocals).\r\n \r\n Album includes new arrangements and performances of tunes from the Louis Armstrong era !\r\n \r\n A-list ensemble includes special guests Wynton Marsalis and Common !\r\n \r\n Celebrate the ongoing influence and legacy of jazz giant and entertainer Louis Armstrong !\r\n \r\n The Wonderful World of Louis Armstrong All Stars are the cream of the crop of current New Orleans musicians, paying tribute to the musician who started it all in the Crescent City. Comprised of new arrangements and recordings of music associated with Louis by a rotating cast of key New Orleans players including guest features from Wynton Marsalis, Common, and more.\r\n \r\n The project's origins came in 2018 under the auspices of the Louis Armstrong Educational Foundation and via the recommendation of its executive director Jackie Harris. The further goal was to celebrate the 50th anniversary of the New York organization founded in 1969 by Armstrong and his wife Lucille "to give back to the world some of the goodness he received". The new release missed that landmark because of the pandemic and the fact that some contribuitng artists were living in different cities and recording in different studios.\r\n \r\n Nicholas Payton, who arranged seven of the songs, stars on trumpet throughout, including on his own arrangements such as the swinging "Strutting with Some Barbeque", the lyrical and bluesy "A Kiss to Dream On", and the playful "I'll Be Glad When You're Dead". The latter rendition features vocals by Wycliffe Gordon, drummer Herlin Riley, and bassist Reginald Veal.\r\n \r\n "We wanted to make this recording of the major 20th century artist who instructs and intersects with artists of the 21st century", says Harris. "All the musicians we asked to participate, even Wynton and Common, were honored to be a part of this. Each artist had a say on the music. We allowed all the musicians to put their own signatures on the songs".\r\n \r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Louis Armstrong (Trumpet, vocals), Wynton Marsalis, Nicolas Payton, Ashlin Parker, Wendell Brunious (trumpet), Wycliffe Gordon (trombone), Roderick Paulin (tenor saxophone), Courtney Bryan (piano), Derwin "Big D" Perkins (guitar)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=mWUVZvw36-o" -referenceProduit: "Verve Records 36501" -titreMorceau: [ [ "nom" => "1. St. Louis Blues " "ordre" => 7 ] [ "nom" => "1. The Peanut Vendor (feat. Wynton Marsalis) " "ordre" => 1 ] [ "nom" => "2. Black and Blue (feat. Common) " "ordre" => 8 ] [ "nom" => "2. Struttin’ With Some Barbeque " "ordre" => 2 ] [ "nom" => "3. Just A Closer Walk With Thee " "ordre" => 9 ] [ "nom" => "3. Up A Lazy River " "ordre" => 3 ] [ "nom" => "4. I’ll Be Glad When You’re Dead " "ordre" => 4 ] [ "nom" => "4. What A Wonderful World " "ordre" => 10 ] [ "nom" => "5. Philosophy of Life" "ordre" => 11 ] [ "nom" => "5. Rockin’ Chair" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2265 …} -label: Proxies\__CG__\App\Entity\Label {#2195 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2274 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2267 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2269 …} -enregistreLe: DateTime @1643009725 {#2260 : 2022-01-24 07:35:25.0 UTC (+00:00) } -modifierLe: DateTime @1685168003 {#2261 : 2023-05-27 06:13:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2271 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-wonderful-world-of-louis-armstrong-all-stars-a-gift-to-pops-verve-records-36501" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3748 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2263 -id: 2197 -nom: "The Wonderful World Of Louis Armstrong All Stars "A Gift To Pops"" -informationComplementaire: "" -description: """ Musicians : \r\n Louis Armstrong (trumpet, vocals), Wynton Marsalis, Nicolas Payton, Ashlin Parker, Wendell Brunious (trumpet), Wycliffe Gordon (trombone), Roderick Paulin (tenor saxophone), Courtney Bryan (piano), Derwin "Big D" Perkins (guitar), Don Vappie (banjo), Niki Haris, Menia Chester (vocals).\r\n \r\n Album includes new arrangements and performances of tunes from the Louis Armstrong era !\r\n \r\n A-list ensemble includes special guests Wynton Marsalis and Common !\r\n \r\n Celebrate the ongoing influence and legacy of jazz giant and entertainer Louis Armstrong !\r\n \r\n The Wonderful World of Louis Armstrong All Stars are the cream of the crop of current New Orleans musicians, paying tribute to the musician who started it all in the Crescent City. Comprised of new arrangements and recordings of music associated with Louis by a rotating cast of key New Orleans players including guest features from Wynton Marsalis, Common, and more.\r\n \r\n The project's origins came in 2018 under the auspices of the Louis Armstrong Educational Foundation and via the recommendation of its executive director Jackie Harris. The further goal was to celebrate the 50th anniversary of the New York organization founded in 1969 by Armstrong and his wife Lucille "to give back to the world some of the goodness he received". The new release missed that landmark because of the pandemic and the fact that some contribuitng artists were living in different cities and recording in different studios.\r\n \r\n Nicholas Payton, who arranged seven of the songs, stars on trumpet throughout, including on his own arrangements such as the swinging "Strutting with Some Barbeque", the lyrical and bluesy "A Kiss to Dream On", and the playful "I'll Be Glad When You're Dead". The latter rendition features vocals by Wycliffe Gordon, drummer Herlin Riley, and bassist Reginald Veal.\r\n \r\n "We wanted to make this recording of the major 20th century artist who instructs and intersects with artists of the 21st century", says Harris. "All the musicians we asked to participate, even Wynton and Common, were honored to be a part of this. Each artist had a say on the music. We allowed all the musicians to put their own signatures on the songs".\r\n \r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1911 …} -musicienOrchestre: "Louis Armstrong (Trumpet, vocals), Wynton Marsalis, Nicolas Payton, Ashlin Parker, Wendell Brunious (trumpet), Wycliffe Gordon (trombone), Roderick Paulin (tenor saxophone), Courtney Bryan (piano), Derwin "Big D" Perkins (guitar)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=mWUVZvw36-o" -referenceProduit: "Verve Records 36501" -titreMorceau: [ [ "nom" => "1. St. Louis Blues " "ordre" => 7 ] [ "nom" => "1. The Peanut Vendor (feat. Wynton Marsalis) " "ordre" => 1 ] [ "nom" => "2. Black and Blue (feat. Common) " "ordre" => 8 ] [ "nom" => "2. Struttin’ With Some Barbeque " "ordre" => 2 ] [ "nom" => "3. Just A Closer Walk With Thee " "ordre" => 9 ] [ "nom" => "3. Up A Lazy River " "ordre" => 3 ] [ "nom" => "4. I’ll Be Glad When You’re Dead " "ordre" => 4 ] [ "nom" => "4. What A Wonderful World " "ordre" => 10 ] [ "nom" => "5. Philosophy of Life" "ordre" => 11 ] [ "nom" => "5. Rockin’ Chair" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2265 …} -label: Proxies\__CG__\App\Entity\Label {#2195 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2274 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2267 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2269 …} -enregistreLe: DateTime @1643009725 {#2260 : 2022-01-24 07:35:25.0 UTC (+00:00) } -modifierLe: DateTime @1685168003 {#2261 : 2023-05-27 06:13:23.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2271 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-wonderful-world-of-louis-armstrong-all-stars-a-gift-to-pops-verve-records-36501" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2279 -id: 526 -nom: "Undercurrent" -informationComplementaire: "Reissue 2023" -description: """ - DIVERSE SET ENCOMPASSES BALLADS, WALTZES, HARD-SWINGING BOP\r\n \r\n - 1/4" / 15 IPS Dolby A analog copy to analog console to lathe\r\n \r\n Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.\r\n \r\n While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.\r\n \r\n In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream", as well as the Hall original "Romain", the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.\r\n \r\n Indeed, even the album's cover an iconic photograph by Toni Frissell exhibits the surreal, almost-hallucinogenic properties of the fare contained within.\r\n \r\n \r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Bill Evans (piano), Jim Hall (guitar)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=_-N_9xpWXVU" -referenceProduit: "Mobile Fidelity Sound Labs MOFI 1-031" -titreMorceau: [ [ "nom" => "1. My Funny Valentine" "ordre" => 1 ] [ "nom" => "1. Romain" "ordre" => 5 ] [ "nom" => "2. I Hear A Rhapsody" "ordre" => 2 ] [ "nom" => "2. Skating In Central Park" "ordre" => 6 ] [ "nom" => "3. Darn That Dream" "ordre" => 7 ] [ "nom" => "3. Dream Gypsy" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2281 …} -label: Proxies\__CG__\App\Entity\Label {#2284 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2293 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2286 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2288 …} -enregistreLe: DateTime @1341518987 {#2276 : 2012-07-05 20:09:47.0 UTC (+00:00) } -modifierLe: DateTime @1684998636 {#2277 : 2023-05-25 07:10:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2290 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-undercurrent-mobile-fidelity-sound-labs-mofi-1-031" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3799 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2716 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …} +produit: App\Entity\Produit {#2279 -id: 526 -nom: "Undercurrent" -informationComplementaire: "Reissue 2023" -description: """ - DIVERSE SET ENCOMPASSES BALLADS, WALTZES, HARD-SWINGING BOP\r\n \r\n - 1/4" / 15 IPS Dolby A analog copy to analog console to lathe\r\n \r\n Bill Evans catapulted to the top of the jazz world in June 1961 after reeling off three straight masterpiece sessions at New York's Village Vanguard with his trio. Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.\r\n \r\n While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.\r\n \r\n In tackling standards such as Rodgers and Hart's "My Funny Valentine" and the Broadway classic "Darn That Dream", as well as the Hall original "Romain", the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title.\r\n \r\n Indeed, even the album's cover an iconic photograph by Toni Frissell exhibits the surreal, almost-hallucinogenic properties of the fare contained within.\r\n \r\n \r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …} -musicienOrchestre: "Bill Evans (piano), Jim Hall (guitar)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=_-N_9xpWXVU" -referenceProduit: "Mobile Fidelity Sound Labs MOFI 1-031" -titreMorceau: [ [ "nom" => "1. My Funny Valentine" "ordre" => 1 ] [ "nom" => "1. Romain" "ordre" => 5 ] [ "nom" => "2. I Hear A Rhapsody" "ordre" => 2 ] [ "nom" => "2. Skating In Central Park" "ordre" => 6 ] [ "nom" => "3. Darn That Dream" "ordre" => 7 ] [ "nom" => "3. Dream Gypsy" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2281 …} -label: Proxies\__CG__\App\Entity\Label {#2284 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2293 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2286 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2288 …} -enregistreLe: DateTime @1341518987 {#2276 : 2012-07-05 20:09:47.0 UTC (+00:00) } -modifierLe: DateTime @1684998636 {#2277 : 2023-05-25 07:10:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2290 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-undercurrent-mobile-fidelity-sound-labs-mofi-1-031" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.25 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#4000 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2484 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#4001 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4049 …} +isValidated: false +validatedFields: [] } |
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