Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2621
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2698
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2701 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
  -formView: Symfony\Component\Form\FormView {#2737 …}
  -form: Symfony\Component\Form\Form {#2887 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 2409
    -nom: "Slow Drag"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "Slow Drag 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      More than a dozen albums into his Blue Note tenure, Donald Byrd's 1967 date Slow Drag would be one of the last pure hard bop sessions that the reliably brilliant trumpeter would cut before his music began evolving towards fusion. Byrd flies high on this highly gratifying set that finds it's groove across a variety of feels fueled by the tremendous drumming of Billy Higgins. The quintet is rounded out by alto saxophonist Sonny Red, pianist Cedar Walton, and bassist Walter Booker, each of whom contribute original compositions to the set list.\r\n
      \r\n
      The album opens with Byrd's loose-limbed titled track, an endlessly entertaining 10 minute groovefest that features Higgins' scene-stealing adlibbed vocals. "Secret Love", a 1950s hit for Doris Day, becomes a modal jazz vehicle that shifts easily into a bright swing before Booker and Walton's "Book's Bossa" introduces a bossa nova flavor to the proceedings. Red's upbeat boogaloo number "Jelly Roll" lifts the energy at the start of Side 2 followed by Walton's soulful jazz waltz "The Loner". The album comes to a close with a showstopping performance of the ballad "My Ideal" that's a showcase for Byrd's dazzling melodicism.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Sonny Red (alto saxophone), Cedar Walton (piano), Walter Booker (bass), Billy Higgins (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6l8Rssn5XT4"
    -referenceProduit: "Blue Note Tone Poet Series 6401"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Slow Drag "
        "ordre" => 1
      ]
      [
        "nom" => "2. Secret Love "
        "ordre" => 2
      ]
      [
        "nom" => "3. Book’s Bossa"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Jelly Roll "
        "ordre" => 5
      ]
      [
        "nom" => "2. The Loner "
        "ordre" => 6
      ]
      [
        "nom" => "3. My Ideal"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1681798441 {#1928
      date: 2023-04-18 06:14:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764500002 {#1921
      date: 2025-11-30 10:53:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-slow-drag-blue-note-tone-poet-series-6401"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3159
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 2409
    -nom: "Slow Drag"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "Slow Drag 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      More than a dozen albums into his Blue Note tenure, Donald Byrd's 1967 date Slow Drag would be one of the last pure hard bop sessions that the reliably brilliant trumpeter would cut before his music began evolving towards fusion. Byrd flies high on this highly gratifying set that finds it's groove across a variety of feels fueled by the tremendous drumming of Billy Higgins. The quintet is rounded out by alto saxophonist Sonny Red, pianist Cedar Walton, and bassist Walter Booker, each of whom contribute original compositions to the set list.\r\n
      \r\n
      The album opens with Byrd's loose-limbed titled track, an endlessly entertaining 10 minute groovefest that features Higgins' scene-stealing adlibbed vocals. "Secret Love", a 1950s hit for Doris Day, becomes a modal jazz vehicle that shifts easily into a bright swing before Booker and Walton's "Book's Bossa" introduces a bossa nova flavor to the proceedings. Red's upbeat boogaloo number "Jelly Roll" lifts the energy at the start of Side 2 followed by Walton's soulful jazz waltz "The Loner". The album comes to a close with a showstopping performance of the ballad "My Ideal" that's a showcase for Byrd's dazzling melodicism.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Sonny Red (alto saxophone), Cedar Walton (piano), Walter Booker (bass), Billy Higgins (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6l8Rssn5XT4"
    -referenceProduit: "Blue Note Tone Poet Series 6401"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Slow Drag "
        "ordre" => 1
      ]
      [
        "nom" => "2. Secret Love "
        "ordre" => 2
      ]
      [
        "nom" => "3. Book’s Bossa"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Jelly Roll "
        "ordre" => 5
      ]
      [
        "nom" => "2. The Loner "
        "ordre" => 6
      ]
      [
        "nom" => "3. My Ideal"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1681798441 {#1928
      date: 2023-04-18 06:14:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764500002 {#1921
      date: 2025-11-30 10:53:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-slow-drag-blue-note-tone-poet-series-6401"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 2452
    -nom: "A New Perspective"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Donald Byrd (trumpet), Hank Mobley (tenor saxophone), Herbie Hancock (piano), Kenny Burrell\t(guitar), Donald Best (vibraphone), Butch Warren (bass), Lex Humphries (drums), Marlena Shaw, Donald Ross, Coleridge-Taylor Perkinson, Nathaniel Ruff, Mildred Lane, Martha Johnson, Eli Robinson, George Butler, Howard Roberts, Bobby Taylor (choir vocalists).\r\n
      \r\n
      Blue Note legends such as Grant Green, Horace Silver, and Jimmy Smith often looked to the church for musical inspiration, but trumpeter Donald Byrd presented A New Perspective with his magnificent 1963 album for band and voices which wove the essence of spirituals into modern jazz.\r\n
      \r\n
      In collaboration with composer and arranger Duke Pearson, Byrd assembled an ensemble with tenor saxophonist Hank Mobley, pianist Herbie Hancock, guitarist Kenny Burrell, vibraphonist Donald Best, bassist Butch Warren, drummer Lex Humphries, and a choir under the direction of Coleridge Perkinson. The result was one of Byrd's most popular albums, an uplifting and deeply soulful hybrid that delivers many memorable highlights including Byrd's spirited opener "Elijah" and Pearson's stirring compositions "Cristo Redentor" and "Chant".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Hank Mobley (tenor saxophone), Herbie Hancock (piano), Kenny Burrell\t(guitar), Donald Best (vibraphone), Butch Warren (bass), Lex Humphries (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uvQKac2SbQw&list=RDuvQKac2SbQw&start_radio=1"
    -referenceProduit: "Third Man Records 313 Series"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Elijah"
        "ordre" => 1
      ]
      [
        "nom" => "2. Beast Of Burden"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Cristo Redentor"
        "ordre" => 4
      ]
      [
        "nom" => "2. The Black Discipline"
        "ordre" => 5
      ]
      [
        "nom" => "3. Chant"
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2101 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2110 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2103 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2105 …}
    -enregistreLe: DateTime @1693553159 {#2095
      date: 2023-09-01 07:25:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764499663 {#2094
      date: 2025-11-30 10:47:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2107 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-new-perspective-third-man-records-313-series"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3275
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2099
    -id: 2452
    -nom: "A New Perspective"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Donald Byrd (trumpet), Hank Mobley (tenor saxophone), Herbie Hancock (piano), Kenny Burrell\t(guitar), Donald Best (vibraphone), Butch Warren (bass), Lex Humphries (drums), Marlena Shaw, Donald Ross, Coleridge-Taylor Perkinson, Nathaniel Ruff, Mildred Lane, Martha Johnson, Eli Robinson, George Butler, Howard Roberts, Bobby Taylor (choir vocalists).\r\n
      \r\n
      Blue Note legends such as Grant Green, Horace Silver, and Jimmy Smith often looked to the church for musical inspiration, but trumpeter Donald Byrd presented A New Perspective with his magnificent 1963 album for band and voices which wove the essence of spirituals into modern jazz.\r\n
      \r\n
      In collaboration with composer and arranger Duke Pearson, Byrd assembled an ensemble with tenor saxophonist Hank Mobley, pianist Herbie Hancock, guitarist Kenny Burrell, vibraphonist Donald Best, bassist Butch Warren, drummer Lex Humphries, and a choir under the direction of Coleridge Perkinson. The result was one of Byrd's most popular albums, an uplifting and deeply soulful hybrid that delivers many memorable highlights including Byrd's spirited opener "Elijah" and Pearson's stirring compositions "Cristo Redentor" and "Chant".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Hank Mobley (tenor saxophone), Herbie Hancock (piano), Kenny Burrell\t(guitar), Donald Best (vibraphone), Butch Warren (bass), Lex Humphries (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uvQKac2SbQw&list=RDuvQKac2SbQw&start_radio=1"
    -referenceProduit: "Third Man Records 313 Series"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Elijah"
        "ordre" => 1
      ]
      [
        "nom" => "2. Beast Of Burden"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Cristo Redentor"
        "ordre" => 4
      ]
      [
        "nom" => "2. The Black Discipline"
        "ordre" => 5
      ]
      [
        "nom" => "3. Chant"
        "ordre" => 6
      ]
      [
        "nom" => ""
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2101 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2110 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2103 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2105 …}
    -enregistreLe: DateTime @1693553159 {#2095
      date: 2023-09-01 07:25:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764499663 {#2094
      date: 2025-11-30 10:47:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2107 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-new-perspective-third-man-records-313-series"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2550
    -nom: "Byrd Blows On Beacon Hill"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "Byrd Blows on Beacon Hill" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd Blows On Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with his frequent collaborator Doug Watkins on bass along with Boston area musicians Ray Santisi on piano and Jim Zitano on drums.\r\n
      \r\n
      The standards-heavy set was captured on a rainy spring afternoon in the Beacon Hill home of engineer Steve Fassett which provided a casual atmosphere that gave the album both its title and its easy-going charm. Byrd is at his lyrical best on Joe Sullivan's tune "Little Rock Getaway" as well versions of "Polka Dots and Moonbeams", "If I Love Again", and "Stella by Starlight". The trumpeter lays out to let the trio shine on "People Will Say We're in Love" and "What's New".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Ray Santisi (piano), Doug Watkins (bass),  Jim Zitano (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=TJ9nQ9JMYD4"
    -referenceProduit: "Blue Note Tone Poet Series 3479"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Little Rock Getaway"
        "ordre" => 1
      ]
      [
        "nom" => "2. Polka Dots And Moonbeams"
        "ordre" => 2
      ]
      [
        "nom" => "3. People Will Say We’re In Love"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. If I Love Again"
        "ordre" => 5
      ]
      [
        "nom" => "2. What’s New"
        "ordre" => 6
      ]
      [
        "nom" => "3. Stella By Starlight"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2118 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …}
    -enregistreLe: DateTime @1723239194 {#2113
      date: 2024-08-09 21:33:14.0 UTC (+00:00)
    }
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    -id: 2550
    -nom: "Byrd Blows On Beacon Hill"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "Byrd Blows on Beacon Hill" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1956 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd Blows On Beacon Hill presented trumpeter Donald Byrd in a relaxed and intimate quartet setting with his frequent collaborator Doug Watkins on bass along with Boston area musicians Ray Santisi on piano and Jim Zitano on drums.\r\n
      \r\n
      The standards-heavy set was captured on a rainy spring afternoon in the Beacon Hill home of engineer Steve Fassett which provided a casual atmosphere that gave the album both its title and its easy-going charm. Byrd is at his lyrical best on Joe Sullivan's tune "Little Rock Getaway" as well versions of "Polka Dots and Moonbeams", "If I Love Again", and "Stella by Starlight". The trumpeter lays out to let the trio shine on "People Will Say We're in Love" and "What's New".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Ray Santisi (piano), Doug Watkins (bass),  Jim Zitano (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
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[
  "produit" => App\Entity\Produit {#2134
    -id: 2532
    -nom: "Byrd's Eye View"
    -informationComplementaire: null
    -description: """
      - Donald Byrd "Byrd's Eye View" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1955 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd's Eye View was trumpeter Donald Byrd's first issued recording as a leader. The date presented Byrd at the helm of what was then the current line-up of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey. Local Boston area trumpeter Joe Gordon joins the band for some friendly brass sparring with Byrd on several numbers, further adding to the album's jovial air of a blowing session.\r\n
      \r\n
      Everyone is in fine form on this five-song set with Side A consisting of an extended stroll through Watkins' laid-back original "Doug's Blues" followed by some inspired trading between Byrd and Gordon on "El Sino". A beautiful rendition of the ballad "Everything Happens To Me" and two swinging Mobley pieces comprise Side B, bringing this highly-enjoyable date to a close.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Donald Byrd, Joe Gordon (trumpet), Hank Mobley (tenor saxophone), Horace Silver (piano), Doug Watkins (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -description: """
      - Donald Byrd "Byrd's Eye View" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1955 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd's Eye View was trumpeter Donald Byrd's first issued recording as a leader. The date presented Byrd at the helm of what was then the current line-up of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey. Local Boston area trumpeter Joe Gordon joins the band for some friendly brass sparring with Byrd on several numbers, further adding to the album's jovial air of a blowing session.\r\n
      \r\n
      Everyone is in fine form on this five-song set with Side A consisting of an extended stroll through Watkins' laid-back original "Doug's Blues" followed by some inspired trading between Byrd and Gordon on "El Sino". A beautiful rendition of the ballad "Everything Happens To Me" and two swinging Mobley pieces comprise Side B, bringing this highly-enjoyable date to a close.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1185 …}
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[
  "produit" => App\Entity\Produit {#2151
    -id: 2230
    -nom: "Preach Brother !"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - All analog 180 gram vinyl LP !\r\n
      - Mastered by Kevin Gray directly from the original master tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      The deeply soulful Louisiana-born tenor saxophonist Don Wilkerson made his Blue Note debut in 1962 with Preach Brother!, an under-recognized soul jazz classic and a hidden gem of the label catalog. Wilkerson had joined Ray Charles' band in the mid-50s and played on several of the soul legend's classic Atlantic sides, the feeling of which carries over into this exuberant 6-song set of Wilkerson originals. Joined by Grant Green on guitar, Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums, Wilkerson is an absolute powerhouse from the opening flourishes of the jump blues "Jeanie-Weenie" to the swaggering closer "Pigeon Peas". In between, Wilkerson takes his listeners to church on the irrepressible shouters "Dem Tambourines" and "Camp Meetin'", downshifts for the expressive "Homesick Blues", and carries on an animated conversation with Green's soul-drenched guitar on "The Eldorado Shuffle".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Don Wilkerson (tenor saxophone), Grant Green (guitar), Sonny Clark (piano), Butch Warren (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3417
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    -id: 2230
    -nom: "Preach Brother !"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - All analog 180 gram vinyl LP !\r\n
      - Mastered by Kevin Gray directly from the original master tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
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      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
  "produit" => App\Entity\Produit {#2170
    -id: 934
    -nom: "Back To the Blues"
    -informationComplementaire: null
    -description: """
      Although she was one of the most powerful and moving of the jazz singers, Dinah Washington suffered more than most from unimaginative and erratic backings. Many of her EmArcy recordings, notably those with Clifford Brown or Clark Terry on trumpet, had outstanding performances, but her collections were compromised by unsuitable accompaniment. This set of 12 blues gives a lop-sided picture in that it doesn't include any of her ballad performances. However, the basic big band settings allow the power and verve of her singing to come through, and confirm her as the best of the women singers with blues material.\r\n
      \r\n
      During the 1950s she had been regarded as an R&B performer but arranger and band-leader Fred Norman wrote these fine 1962 jazz settings for her shortly before her death. The material is strong and Washington soars and swings, her voice reaching many of the potent climaxes for which she was so highly regarded. The material runs through much of the traditional repertoire - Big Bill Broonzy, Leroy Carr and Lil Green being represented - and there is a nine-minute "Nobody Knows The Way I Feel This Morning" that is unique in her discography.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=V5fx1R3strg"
    -referenceProduit: "Pure Pleasure 25189"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. The Blues Ain't Nothin' But A Woman Cryin' For Her Man"
        "ordre" => 1
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        "nom" => "2. Romance In the Dark"
        "ordre" => 2
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        "nom" => "3. You've Been A Good Old Wagon"
        "ordre" => 3
      ]
      [
        "nom" => "4. Let Me Be the First To Know"
        "ordre" => 4
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      [
        "nom" => "5. How Long, How Long blues"
        "ordre" => 5
      ]
      [
        "nom" => "6. Don't Come Running Back To Me"
        "ordre" => 6
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        "nom" => "1. It's A Mean Old Man's World"
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        "nom" => "2. Key To the Highway"
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        "nom" => "3. If I Never Get To Heaven"
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        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#2175 …}
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    -modifierLe: DateTime @1764443473 {#2168
      date: 2025-11-29 19:11:13.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-back-to-the-blues-pure-pleasure-25189"
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App\Twig\Components\GestionPanierFavoriComponents {#3468
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    -id: 934
    -nom: "Back To the Blues"
    -informationComplementaire: null
    -description: """
      Although she was one of the most powerful and moving of the jazz singers, Dinah Washington suffered more than most from unimaginative and erratic backings. Many of her EmArcy recordings, notably those with Clifford Brown or Clark Terry on trumpet, had outstanding performances, but her collections were compromised by unsuitable accompaniment. This set of 12 blues gives a lop-sided picture in that it doesn't include any of her ballad performances. However, the basic big band settings allow the power and verve of her singing to come through, and confirm her as the best of the women singers with blues material.\r\n
      \r\n
      During the 1950s she had been regarded as an R&B performer but arranger and band-leader Fred Norman wrote these fine 1962 jazz settings for her shortly before her death. The material is strong and Washington soars and swings, her voice reaching many of the potent climaxes for which she was so highly regarded. The material runs through much of the traditional repertoire - Big Bill Broonzy, Leroy Carr and Lil Green being represented - and there is a nine-minute "Nobody Knows The Way I Feel This Morning" that is unique in her discography.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1909 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-the-blues-pure-pleasure-25189"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
}

[
  "produit" => App\Entity\Produit {#2189
    -id: 2459
    -nom: "Great Women Of Song Dinah Washington"
    -informationComplementaire: null
    -description: "As Duke Ellington would have said, Dinah Washington was "beyond category". Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock 'n' roll audiences. Equally at ease performing Broadway songs, pop tunes or jazz material, Washington combined urbane finesse with down-home grit to make music that reflected her strong-willed, larger-than-life personality."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OmBxVfQTuvI"
    -referenceProduit: "Verve Records 4565"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "1. What a Difference a Day Made"
        "ordre" => 1
      ]
      [
        "nom" => "2. It's Magic"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Can't Believe That You're In Love With Me"
        "ordre" => 3
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      [
        "nom" => "4. Baby, You've Got What It Takes"
        "ordre" => 4
      ]
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        "nom" => "5. I Get a Kick Out of You"
        "ordre" => 5
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        "nom" => "6. September In the Rain"
        "ordre" => 6
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        "nom" => "7. This Bitter Earth"
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        "ordre" => 15
      ]
    ]
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2197 …}
    -disponible: null
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    -slug: "vinyles-great-women-of-song-dinah-washington-verve-records-4565"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3521
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2189
    -id: 2459
    -nom: "Great Women Of Song Dinah Washington"
    -informationComplementaire: null
    -description: "As Duke Ellington would have said, Dinah Washington was "beyond category". Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock 'n' roll audiences. Equally at ease performing Broadway songs, pop tunes or jazz material, Washington combined urbane finesse with down-home grit to make music that reflected her strong-willed, larger-than-life personality."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OmBxVfQTuvI"
    -referenceProduit: "Verve Records 4565"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
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      date: 2025-11-29 19:08:30.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2205
    -id: 2167
    -nom: "Where Is Brooklyn ?"
    -informationComplementaire: null
    -description: """
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. \r\n
      \r\n
      While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes : Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      Don Cherry first rose to prominence as part of the Ornette Coleman Quartet that turned the jazz world on its ear in 1959, then in 1965 began his career as a leader with a run of fiery Blue Note albums including Where Is Brooklyn ?, a highly interactive quartet date with Pharoah Sanders on tenor saxophone, Henry Grimes on bass and Ed Blackwell on drums.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Don Cherry (cornet), Pharoah Sanders (tenor saxophone & piccolo flute), Henry Grimes (bass), Edward Blackwell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=zCnpjoFfufA"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2207 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3567
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2205
    -id: 2167
    -nom: "Where Is Brooklyn ?"
    -informationComplementaire: null
    -description: """
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. \r\n
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      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Don Cherry (cornet), Pharoah Sanders (tenor saxophone & piccolo flute), Henry Grimes (bass), Edward Blackwell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
  "produit" => App\Entity\Produit {#2221
    -id: 2475
    -nom: "Art Deco"
    -informationComplementaire: null
    -description: """
      - Don Cherry "Art Deco 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      Don Cherry reunites with his bandmates Charlie Haden and Billy Higgins from the original Ornette Coleman Quartet along with ‘Texas tenor' saxophonist James Clay on this stellar session from 1989. The Verve By Request Series features 180 gram vinyl, pressed at Third Man Pressing in Detroit.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Don Cherry (trumpet), James Clay (tenor saxophone), Charlie Haden (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=190vB1FV8o8"
    -referenceProduit: "Verve Records 4515"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2207 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3620
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    -description: """
      - Don Cherry "Art Deco 180 gram vinyl !\r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      Don Cherry reunites with his bandmates Charlie Haden and Billy Higgins from the original Ornette Coleman Quartet along with ‘Texas tenor' saxophonist James Clay on this stellar session from 1989. The Verve By Request Series features 180 gram vinyl, pressed at Third Man Pressing in Detroit.
      """
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[
  "produit" => App\Entity\Produit {#2236
    -id: 2693
    -nom: "Complete Communion"
    -informationComplementaire: null
    -description: """
      - Don Cherry "Complete Communion" !\r\n
      - 180 gram gatefold LP !\r\n
      - Mastered at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
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      \r\n
      Though Cherry co-led the album The Avant-Garde with John Coltrane for Atlantic Records in 1961, his career as a bandleader began with his bold Blue Note debut Complete Communion recorded in December 1965 (Coleman had documented his new trio live at the Golden Circle in Stockholm for his own Blue Note debut just weeks before). On two extended side-long suites "Complete Communion" and "Elephantasy" Cherry expounds upon his expansive musical vision with a quartet of intrepid companions: tenor saxophonist Leandro "Gato" Barbeiri, bassist Henry Grimes, and drummer Edward Blackwell.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Don Cherry (trumpet), Gato Barbieri (tenor saxophone), Henry Grimes (bass), Ed Blackwell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -referenceProduit: "Blue Note Tone Poet Series 4951"
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App\Twig\Components\GestionPanierFavoriComponents {#3668
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2236
    -id: 2693
    -nom: "Complete Communion"
    -informationComplementaire: null
    -description: """
      - Don Cherry "Complete Communion" !\r\n
      - 180 gram gatefold LP !\r\n
      - Mastered at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
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      \r\n
      Though Cherry co-led the album The Avant-Garde with John Coltrane for Atlantic Records in 1961, his career as a bandleader began with his bold Blue Note debut Complete Communion recorded in December 1965 (Coleman had documented his new trio live at the Golden Circle in Stockholm for his own Blue Note debut just weeks before). On two extended side-long suites "Complete Communion" and "Elephantasy" Cherry expounds upon his expansive musical vision with a quartet of intrepid companions: tenor saxophonist Leandro "Gato" Barbeiri, bassist Henry Grimes, and drummer Edward Blackwell.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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      date: 2025-11-29 18:46:12.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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}

[
  "produit" => App\Entity\Produit {#2251
    -id: 2640
    -nom: "Blues in Trinity"
    -informationComplementaire: null
    -description: """
      - Dizzy Reece "Blues in Trinity" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The Kingston, Jamaica born trumpeter Dizzy Reece moved to London at age 17 and began performing across Europe, most frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davis and Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when trumpeter Donald Byrd and drummer Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together in London for a U.K.-U.S. jazz summit that would become Reece's Blue Note debut: Blues In Trinity.\r\n
      \r\n
      The date was produced by Tony Hall who had cut several sessions with Reece for Decca Records' imprint Tempo that had caught the ear of Alfred Lion, and an arrangement was made for Blue Note to release the new album. Reece delivers bravado performances throughout-including the stunning ballad feature "I Had The Craziest Dream" with Byrd joining for some friendly sparring on "Close-Up" and "Color Blind". Taylor anchors the rhythm section throughout with British pianist Terry Shannon and Canadian bassist Lloyd Thompson, but the album's ace-up-the-sleeve is arguably British tenor saxophonist Tubby Hayes who is a robust presence on standout tracks including the opener "Blues In Trinity" and the Monk classic "‘Round About Midnight".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dizzy Reece, Donald Byrd (trumpet), Tubby Hayes (tenor saxophone), Terry Shannon (piano), Lloyd Thompson (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
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    -limitedEdition: true
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Je56wsTPEC8"
    -referenceProduit: "Blue Note Tone Poet Series 84006"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 4
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      [
        "nom" => "1. Shepherd's Serenade"
        "ordre" => 5
      ]
      [
        "nom" => "2. Color Blind"
        "ordre" => 6
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      [
        "nom" => "3. 'Round About Midnight"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2253 …}
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    -modifierLe: DateTime @1764441324 {#2246
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2259 …}
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    -slug: "vinyles-blues-in-trinity-blue-note-tone-poet-series-84006"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3714
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2251
    -id: 2640
    -nom: "Blues in Trinity"
    -informationComplementaire: null
    -description: """
      - Dizzy Reece "Blues in Trinity" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      - Deluxe gatefold tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The Kingston, Jamaica born trumpeter Dizzy Reece moved to London at age 17 and began performing across Europe, most frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davis and Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when trumpeter Donald Byrd and drummer Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together in London for a U.K.-U.S. jazz summit that would become Reece's Blue Note debut: Blues In Trinity.\r\n
      \r\n
      The date was produced by Tony Hall who had cut several sessions with Reece for Decca Records' imprint Tempo that had caught the ear of Alfred Lion, and an arrangement was made for Blue Note to release the new album. Reece delivers bravado performances throughout-including the stunning ballad feature "I Had The Craziest Dream" with Byrd joining for some friendly sparring on "Close-Up" and "Color Blind". Taylor anchors the rhythm section throughout with British pianist Terry Shannon and Canadian bassist Lloyd Thompson, but the album's ace-up-the-sleeve is arguably British tenor saxophonist Tubby Hayes who is a robust presence on standout tracks including the opener "Blues In Trinity" and the Monk classic "‘Round About Midnight".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dizzy Reece, Donald Byrd (trumpet), Tubby Hayes (tenor saxophone), Terry Shannon (piano), Lloyd Thompson (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Je56wsTPEC8"
    -referenceProduit: "Blue Note Tone Poet Series 84006"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blues In Trinity"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Had The Craziest Dream"
        "ordre" => 2
      ]
      [
        "nom" => "3. Close-Up"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Shepherd's Serenade"
        "ordre" => 5
      ]
      [
        "nom" => "2. Color Blind"
        "ordre" => 6
      ]
      [
        "nom" => "3. 'Round About Midnight"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2253 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2262 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2255 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2257 …}
    -enregistreLe: DateTime @1739296658 {#2247
      date: 2025-02-11 17:57:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764441324 {#2246
      date: 2025-11-29 18:35:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2259 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-in-trinity-blue-note-tone-poet-series-84006"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
}

[
  "produit" => App\Entity\Produit {#2269
    -id: 2367
    -nom: "Star Bright"
    -informationComplementaire: null
    -description: """
      Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davis and Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece's Blue Note debut Blues In Trinity.\r\n
      \r\n
      Encouraged by Alfred Lion, Reece would move to New York City the next year where Lion quickly put him back in the studio with a first-rate hard bop band including Hank Mobley on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass, and Taylor once again on drums. The resulting album Star Bright is a hidden gem of the Blue Note catalog with Reece shining brightly on a six-song set that included several of his own bluesy originals such as "The Rake", "Groovesville", "The Rebound", and the Thelonious Monk inspired "A Variation On Monk". Two standards round out the offering with swinging takes on "I'll Close My Eyes" and "I Wished On The Moon", both of which showcase Reece's sublime delivery of a melody.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dizzy Reece (trumpet), Hank Mobley (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tcbrf-UAGsE"
    -referenceProduit: "Blue Note Records 84023"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Rake "
        "ordre" => 1
      ]
      [
        "nom" => "2. I'll Close My Eyes "
        "ordre" => 2
      ]
      [
        "nom" => "3. Groovesville"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. The Rebound "
        "ordre" => 5
      ]
      [
        "nom" => "2. I Wished On The Moon "
        "ordre" => 6
      ]
      [
        "nom" => "3. A Variation On Monk"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2253 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2277 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2270 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2272 …}
    -enregistreLe: DateTime @1677568518 {#2265
      date: 2023-02-28 07:15:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764441245 {#2264
      date: 2025-11-29 18:34:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2274 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-star-bright-blue-note-records-84023"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3767
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2700 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2269
    -id: 2367
    -nom: "Star Bright"
    -informationComplementaire: null
    -description: """
      Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davis and Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece's Blue Note debut Blues In Trinity.\r\n
      \r\n
      Encouraged by Alfred Lion, Reece would move to New York City the next year where Lion quickly put him back in the studio with a first-rate hard bop band including Hank Mobley on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass, and Taylor once again on drums. The resulting album Star Bright is a hidden gem of the Blue Note catalog with Reece shining brightly on a six-song set that included several of his own bluesy originals such as "The Rake", "Groovesville", "The Rebound", and the Thelonious Monk inspired "A Variation On Monk". Two standards round out the offering with swinging takes on "I'll Close My Eyes" and "I Wished On The Moon", both of which showcase Reece's sublime delivery of a melody.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Dizzy Reece (trumpet), Hank Mobley (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tcbrf-UAGsE"
    -referenceProduit: "Blue Note Records 84023"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Rake "
        "ordre" => 1
      ]
      [
        "nom" => "2. I'll Close My Eyes "
        "ordre" => 2
      ]
      [
        "nom" => "3. Groovesville"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. The Rebound "
        "ordre" => 5
      ]
      [
        "nom" => "2. I Wished On The Moon "
        "ordre" => 6
      ]
      [
        "nom" => "3. A Variation On Monk"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2253 …}
    -label: Proxies\__CG__\App\Entity\Label {#2156 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2277 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2270 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2272 …}
    -enregistreLe: DateTime @1677568518 {#2265
      date: 2023-02-28 07:15:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764441245 {#2264
      date: 2025-11-29 18:34:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2274 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-star-bright-blue-note-records-84023"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3963
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2468 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3964 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4012 …}
  +isValidated: false
  +validatedFields: []
}