Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2584
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2431 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2661
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2664 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2663 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2431 …}
  -formView: Symfony\Component\Form\FormView {#2700 …}
  -form: Symfony\Component\Form\Form {#2850 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 3032
    -nom: "Petrouchka"
    -informationComplementaire: "Plongez dans "Petrouchka" de Igor Stravinsky, une œuvre vibrante où rythmes et émotions s’entrelacent, portée par la direction inspirée de Claudio Abbado et l’énergie du London Symphony Orchestra."
    -description: """
      L’album "Petrouchka" de Igor Stravinsky, interprété par le London Symphony Orchestra sous la direction de Claudio Abbado, offre une lecture à la fois précise, vibrante et profondément expressive de ce chef-d’œuvre du XXe siècle.\r\n
      \r\n
      Composé en 1911, "Petrouchka" est un ballet emblématique qui mêle folklore russe, modernité rythmique et richesse orchestrale. L’œuvre raconte l’histoire tragique d’une marionnette dotée d’émotions humaines, évoluant dans une foire animée, entre illusion et désespoir.\r\n
      \r\n
      Dans cet enregistrement, Claudio Abbado met en valeur toute la palette de couleurs de l’orchestre : les contrastes dynamiques, les rythmes incisifs et les textures foisonnantes prennent vie avec une clarté remarquable. Le London Symphony Orchestra, réputé pour sa virtuosité, restitue avec brio l’énergie brute et la poésie singulière de cette partition.\r\n
      \r\n
      - Igor Stravinsky "Petrushka" 180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Petrushka is one of three innovative ballets composed by Igor Stravinsky during his "Russian" period. With Petrushka, Stravinsky showed his neo-folkloric side and brought a colorful street crowd with a magician and his puppets, merchants and mummies to the ballet stage. In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\r\n
      \r\n
      This is one of the few Deutsche Grammophon productions from 1980 in which digital 2 track and analogue 8 track were recorded in parallel. By using the analogue 8 track master, this release now makes the recording available in purely analogue form for the very first time.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180-gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Claudio Abbado conducts the London Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UjBnGQLjz-g"
    -referenceProduit: "Deutsche Grammophon Records 2532010"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Petrushka, K012 (1911/1947 Versions), Scene 1 :"
      ]
      [
        "ordre" => 2
        "nom" => "Ia. The Shrovetide Fair - The Crowds"
      ]
      [
        "ordre" => 3
        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 1 :"
      ]
      [
        "ordre" => 4
        "nom" => "Ib. Russian Dance"
      ]
      [
        "ordre" => 5
        "nom" => "3. Petrushka, K012 (1911/1947 Versions), Scene 2 :"
      ]
      [
        "ordre" => 6
        "nom" => "II. Petrushka's Room"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
      ]
      [
        "ordre" => 9
        "nom" => "IIIa. The Moor's Room - IIIb. Dance of"
      ]
      [
        "ordre" => 10
        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
      ]
      [
        "ordre" => 11
        "nom" => "IIIc. Waltz. The Ballerina and the Moor"
      ]
      [
        "ordre" => 12
        "nom" => "3. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 13
        "nom" => "IVa. The Shrovetide Fair (Evening)"
      ]
      [
        "ordre" => 14
        "nom" => "4. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 15
        "nom" => "IVb. Dance of the Wet-Nurses"
      ]
      [
        "ordre" => 16
        "nom" => "5. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 17
        "nom" => "IVc. Dance of the Peasant and the Bear"
      ]
      [
        "ordre" => 18
        "nom" => "6. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 19
        "nom" => "IVd. The Jovial Merchant with 2 Gypsy G"
      ]
      [
        "ordre" => 20
        "nom" => "7. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 21
        "nom" => "IVe. Dance of the Coachmen and the Groo"
      ]
      [
        "ordre" => 22
        "nom" => "8. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 23
        "nom" => "IVf. The Masqueraders"
      ]
      [
        "ordre" => 24
        "nom" => "9. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 25
        "nom" => "IVg. The Scuffle"
      ]
      [
        "ordre" => 26
        "nom" => "10. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 27
        "nom" => "IVh. Death of Petrushka"
      ]
      [
        "ordre" => 28
        "nom" => "11. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 29
        "nom" => "IVi. The Police and the Charlatan"
      ]
      [
        "ordre" => 30
        "nom" => "12. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 31
        "nom" => "IVj. Apparition of Petrushka's Ghost"
      ]
      [
        "ordre" => 32
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1774044890 {#1875
      date: 2026-03-20 22:14:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774045820 {#1868
      date: 2026-03-20 22:30:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-petrouchka-deutsche-grammophon-records-2532010"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3125
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2663 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 3032
    -nom: "Petrouchka"
    -informationComplementaire: "Plongez dans "Petrouchka" de Igor Stravinsky, une œuvre vibrante où rythmes et émotions s’entrelacent, portée par la direction inspirée de Claudio Abbado et l’énergie du London Symphony Orchestra."
    -description: """
      L’album "Petrouchka" de Igor Stravinsky, interprété par le London Symphony Orchestra sous la direction de Claudio Abbado, offre une lecture à la fois précise, vibrante et profondément expressive de ce chef-d’œuvre du XXe siècle.\r\n
      \r\n
      Composé en 1911, "Petrouchka" est un ballet emblématique qui mêle folklore russe, modernité rythmique et richesse orchestrale. L’œuvre raconte l’histoire tragique d’une marionnette dotée d’émotions humaines, évoluant dans une foire animée, entre illusion et désespoir.\r\n
      \r\n
      Dans cet enregistrement, Claudio Abbado met en valeur toute la palette de couleurs de l’orchestre : les contrastes dynamiques, les rythmes incisifs et les textures foisonnantes prennent vie avec une clarté remarquable. Le London Symphony Orchestra, réputé pour sa virtuosité, restitue avec brio l’énergie brute et la poésie singulière de cette partition.\r\n
      \r\n
      - Igor Stravinsky "Petrushka" 180 gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Petrushka is one of three innovative ballets composed by Igor Stravinsky during his "Russian" period. With Petrushka, Stravinsky showed his neo-folkloric side and brought a colorful street crowd with a magician and his puppets, merchants and mummies to the ballet stage. In doing so, he showed the world that funfair and classical music are not contradictory, and his audience now heard folk music from a new perspective.\r\n
      \r\n
      This is one of the few Deutsche Grammophon productions from 1980 in which digital 2 track and analogue 8 track were recorded in parallel. By using the analogue 8 track master, this release now makes the recording available in purely analogue form for the very first time.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180-gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Claudio Abbado conducts the London Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UjBnGQLjz-g"
    -referenceProduit: "Deutsche Grammophon Records 2532010"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Petrushka, K012 (1911/1947 Versions), Scene 1 :"
      ]
      [
        "ordre" => 2
        "nom" => "Ia. The Shrovetide Fair - The Crowds"
      ]
      [
        "ordre" => 3
        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 1 :"
      ]
      [
        "ordre" => 4
        "nom" => "Ib. Russian Dance"
      ]
      [
        "ordre" => 5
        "nom" => "3. Petrushka, K012 (1911/1947 Versions), Scene 2 :"
      ]
      [
        "ordre" => 6
        "nom" => "II. Petrushka's Room"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
      ]
      [
        "ordre" => 9
        "nom" => "IIIa. The Moor's Room - IIIb. Dance of"
      ]
      [
        "ordre" => 10
        "nom" => "2. Petrushka, K012 (1911/1947 Versions), Scene 3 :"
      ]
      [
        "ordre" => 11
        "nom" => "IIIc. Waltz. The Ballerina and the Moor"
      ]
      [
        "ordre" => 12
        "nom" => "3. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 13
        "nom" => "IVa. The Shrovetide Fair (Evening)"
      ]
      [
        "ordre" => 14
        "nom" => "4. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 15
        "nom" => "IVb. Dance of the Wet-Nurses"
      ]
      [
        "ordre" => 16
        "nom" => "5. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 17
        "nom" => "IVc. Dance of the Peasant and the Bear"
      ]
      [
        "ordre" => 18
        "nom" => "6. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 19
        "nom" => "IVd. The Jovial Merchant with 2 Gypsy G"
      ]
      [
        "ordre" => 20
        "nom" => "7. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 21
        "nom" => "IVe. Dance of the Coachmen and the Groo"
      ]
      [
        "ordre" => 22
        "nom" => "8. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 23
        "nom" => "IVf. The Masqueraders"
      ]
      [
        "ordre" => 24
        "nom" => "9. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 25
        "nom" => "IVg. The Scuffle"
      ]
      [
        "ordre" => 26
        "nom" => "10. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 27
        "nom" => "IVh. Death of Petrushka"
      ]
      [
        "ordre" => 28
        "nom" => "11. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 29
        "nom" => "IVi. The Police and the Charlatan"
      ]
      [
        "ordre" => 30
        "nom" => "12. Petrushka, K012 (1911/1947 Versions), Scene 4 :"
      ]
      [
        "ordre" => 31
        "nom" => "IVj. Apparition of Petrushka's Ghost"
      ]
      [
        "ordre" => 32
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1774044890 {#1875
      date: 2026-03-20 22:14:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774045820 {#1868
      date: 2026-03-20 22:30:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-petrouchka-deutsche-grammophon-records-2532010"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2431 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 3031
    -nom: "Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219"
    -informationComplementaire: "Plongez dans le génie de Wolfgang Amadeus Mozart avec l’interprétation d’exception de Anne-Sophie Mutter et Herbert von Karajan, un équilibre parfait entre virtuosité et élégance."
    -description: """
      Enregistrés à la fin des années 1970 avec le prestigieux Berlin Philharmonic Orchestra, les Concertos pour violon N° 3 en sol majeur (KV216) et N° 5 en la majeur (KV219) comptent parmi les œuvres les plus emblématiques de Wolfgang Amadeus Mozart.\r\n
      \r\n
      Sous la direction magistrale de Herbert von Karajan, la jeune Anne-Sophie Mutter alors au début de sa carrière livre une interprétation d’une maturité et d’une sensibilité remarquables. Son jeu, à la fois précis, expressif et lumineux, sublime l’équilibre parfait entre virtuosité et lyrisme qui caractérise ces concertos.\r\n
      \r\n
      Le Concerto N°3 séduit par sa fraîcheur mélodique et son élégance classique, tandis que le Concerto N° 5, surnommé “Turc”, surprend par ses contrastes et son final aux accents exotiques.\r\n
      \r\n
      Cette collaboration légendaire incarne une rencontre rare entre tradition et modernité, faisant de cet enregistrement une référence incontournable du répertoire pour violon.\r\n
      \r\n
      - Herbert Von Karajan, Anne Sophie Mutter (violin) : Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219180-gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Some sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart's G major Concerto. After the young musician had gone through her baptism of fire with flying colors the conductor beamed and the Berlin Philharmonic players applauded enthusiastically a rare occurrence. Her fellow performers and the audience had been equally aware of how auspicious her debut had been.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4- and 8-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berlin Philharmonic Orchestra, Anne Sophie Mutter (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xaJqkk8R-Q4"
    -referenceProduit: "Deutsche Grammophon Records 2531049"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mozart : Violin Concerto N° 3 in G Major, K. 216 : I. Allegro"
      ]
      [
        "ordre" => 2
        "nom" => "2. Mozart : Violin Concerto N° 3 in G Major, K. 216 : II. Adagio"
      ]
      [
        "ordre" => 3
        "nom" => "3. Mozart : Violin Concerto N° 3 in G Major, K. 216 :"
      ]
      [
        "ordre" => 4
        "nom" => "III. Rondeau. Allegro "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
      ]
      [
        "ordre" => 7
        "nom" => "I. Allegro aperto"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
      ]
      [
        "ordre" => 9
        "nom" => "II. Adagio"
      ]
      [
        "ordre" => 10
        "nom" => "3. Mozart : Violin Concerto N° 5 in A Major, K. 219 "Turkish" :"
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        "nom" => "III. Rondeau. Tempo di menuetto"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
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    -slug: "vinyles-mozart-violin-concertos-no-3-g-dur-g-major-kv216-no-5-a-dur-a-major-kv219-deutsche-grammophon-records-2531049"
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App\Twig\Components\GestionPanierFavoriComponents {#3239
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2663 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 3031
    -nom: "Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219"
    -informationComplementaire: "Plongez dans le génie de Wolfgang Amadeus Mozart avec l’interprétation d’exception de Anne-Sophie Mutter et Herbert von Karajan, un équilibre parfait entre virtuosité et élégance."
    -description: """
      Enregistrés à la fin des années 1970 avec le prestigieux Berlin Philharmonic Orchestra, les Concertos pour violon N° 3 en sol majeur (KV216) et N° 5 en la majeur (KV219) comptent parmi les œuvres les plus emblématiques de Wolfgang Amadeus Mozart.\r\n
      \r\n
      Sous la direction magistrale de Herbert von Karajan, la jeune Anne-Sophie Mutter alors au début de sa carrière livre une interprétation d’une maturité et d’une sensibilité remarquables. Son jeu, à la fois précis, expressif et lumineux, sublime l’équilibre parfait entre virtuosité et lyrisme qui caractérise ces concertos.\r\n
      \r\n
      Le Concerto N°3 séduit par sa fraîcheur mélodique et son élégance classique, tandis que le Concerto N° 5, surnommé “Turc”, surprend par ses contrastes et son final aux accents exotiques.\r\n
      \r\n
      Cette collaboration légendaire incarne une rencontre rare entre tradition et modernité, faisant de cet enregistrement une référence incontournable du répertoire pour violon.\r\n
      \r\n
      - Herbert Von Karajan, Anne Sophie Mutter (violin) : Mozart - Violin Concertos No. 3 G-dur (G major) KV216 – No. 5 A dur (A major) KV219180-gram gatefold LP !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Some sensations occur without much ado, as they almost seem to be a matter of course. One such sensation took place at the Berlin Philharmonic Hall in February 1978, when Herbert von Karajan introduced the 14-year-old violinist Anne-Sophie Mutter to the Berlin public in Mozart's G major Concerto. After the young musician had gone through her baptism of fire with flying colors the conductor beamed and the Berlin Philharmonic players applauded enthusiastically a rare occurrence. Her fellow performers and the audience had been equally aware of how auspicious her debut had been.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4- and 8-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berlin Philharmonic Orchestra, Anne Sophie Mutter (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xaJqkk8R-Q4"
    -referenceProduit: "Deutsche Grammophon Records 2531049"
    -titreMorceau: [
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        "nom" => "1. Mozart : Violin Concerto N° 3 in G Major, K. 216 : I. Allegro"
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        "nom" => "2. Mozart : Violin Concerto N° 3 in G Major, K. 216 : II. Adagio"
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        "nom" => "3. Mozart : Violin Concerto N° 3 in G Major, K. 216 :"
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        "nom" => "III. Rondeau. Allegro "
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        "nom" => "Side B : "
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        "nom" => "1. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
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        "nom" => "I. Allegro aperto"
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        "nom" => "2. Mozart : Violin Concerto N° 5 in A Major, K. 219 'Turkish' :"
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        "nom" => "3. Mozart : Violin Concerto N° 5 in A Major, K. 219 "Turkish" :"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
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[
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    -id: 3028
    -nom: "Ottorino Respighi : Pines of Rome, Roman Festivals, Fountains of Rome"
    -informationComplementaire: "Plongez au cœur de Rome comme vous ne l’avez jamais entendue. Avec Seiji Ozawa et le Boston Symphony Orchestra, la musique de Ottorino Respighi prend vie dans une explosion de couleurs, de lumière et d’émotions."
    -description: """
      Cet enregistrement emblématique réunit le chef d’orchestre Seiji Ozawa et le prestigieux Boston Symphony Orchestra autour de l’univers orchestral flamboyant de Ottorino Respighi.\r\n
      \r\n
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      \r\n
      Sous la direction précise et expressive d’Ozawa, l’orchestre révèle toute la richesse de cette musique, des murmures délicats des fontaines aux explosions festives des célébrations romaines. L’interprétation se distingue par sa clarté, son énergie et son sens du détail, offrant une immersion totale dans l’atmosphère de Rome.\r\n
      \r\n
      - Ottorino Respighi "Pines of Rome, Roman Festivals, Fountains of Rome" 180 gram gatefold (2 LP) !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      No contemporary Italian was as successful as an instrumental composer in the concert hall in the period after the First World War as Ottorino Respighi with his four-movement symphonic poems "Fountains Of Rome" (1917), "Pines Of Rome" (1924) and "Feste Romane" (1929). In these works, program music experienced a magnificent revival. Particularly noteworthy is Respighi's art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism' that did not exclude modernist influences.\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Seiji Ozawa conducts the Boston Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tk2lX9vJI3A"
    -referenceProduit: "Deutsche Grammophon Records 2530890"
    -titreMorceau: [
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        "ordre" => 0
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      [
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        "nom" => "1. I. I pini di Villa Borghese"
      ]
      [
        "ordre" => 2
        "nom" => "2. II. Pini presso una catacomba"
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        "ordre" => 3
        "nom" => "3. III. I pini del Gianicolo"
      ]
      [
        "ordre" => 4
        "nom" => "4. IV. I pini della Via Appia "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. I. Circenses"
      ]
      [
        "ordre" => 7
        "nom" => "2. II. Il Giubileo"
      ]
      [
        "ordre" => 8
        "nom" => "3. III. L'Ottobrata"
      ]
      [
        "ordre" => 9
        "nom" => "4. IV. La Befana "
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. I. The Valle Giulia Fountain at Dawn"
      ]
      [
        "ordre" => 12
        "nom" => "2. II. The Triton Fountain in the Morning"
      ]
      [
        "ordre" => 13
        "nom" => "3. III. The Trevi Fountain at Midday"
      ]
      [
        "ordre" => 14
        "nom" => "4. IV. The Villa Medici Fountain at Sunset"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
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    -modifierLe: DateTime @1773903055 {#2058
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
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    -slug: "vinyles-ottorino-respighi-pines-of-rome-roman-festivals-fountains-of-rome-deutsche-grammophon-records-2530890"
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App\Twig\Components\GestionPanierFavoriComponents {#3290
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2663 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2060
    -id: 3028
    -nom: "Ottorino Respighi : Pines of Rome, Roman Festivals, Fountains of Rome"
    -informationComplementaire: "Plongez au cœur de Rome comme vous ne l’avez jamais entendue. Avec Seiji Ozawa et le Boston Symphony Orchestra, la musique de Ottorino Respighi prend vie dans une explosion de couleurs, de lumière et d’émotions."
    -description: """
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      \r\n
      À travers trois poèmes symphoniques "Les Pins de Rome, Les Fontaines de Rome et Fêtes romaines" Respighi dépeint une fresque sonore spectaculaire de la Ville éternelle. Chaque œuvre explore des lieux et des moments différents, mêlant couleurs orchestrales éclatantes, évocations impressionnistes et puissance dramatique.\r\n
      \r\n
      Sous la direction précise et expressive d’Ozawa, l’orchestre révèle toute la richesse de cette musique, des murmures délicats des fontaines aux explosions festives des célébrations romaines. L’interprétation se distingue par sa clarté, son énergie et son sens du détail, offrant une immersion totale dans l’atmosphère de Rome.\r\n
      \r\n
      - Ottorino Respighi "Pines of Rome, Roman Festivals, Fountains of Rome" 180 gram gatefold (2 LP) !\r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      - 100 % pure analog AAA mastering !\r\n
      - Remastered from the original 4 and 8 track recordings at Emil Berliner Studios !\r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      No contemporary Italian was as successful as an instrumental composer in the concert hall in the period after the First World War as Ottorino Respighi with his four-movement symphonic poems "Fountains Of Rome" (1917), "Pines Of Rome" (1924) and "Feste Romane" (1929). In these works, program music experienced a magnificent revival. Particularly noteworthy is Respighi's art of instrumentation, with which he rivaled orchestral composers such as Richard Strauss and Maurice Ravel. He made use of a musical language distilled from many sources, a kind of ‘Euro-Impressionism' that did not exclude modernist influences.\r\n
      \r\n
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      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Seiji Ozawa conducts the Boston Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Tk2lX9vJI3A"
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        "nom" => "4. IV. La Befana "
      ]
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        "ordre" => 10
        "nom" => "Side C :"
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        "nom" => "1. I. The Valle Giulia Fountain at Dawn"
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        "nom" => "2. II. The Triton Fountain in the Morning"
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      [
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        "nom" => "3. III. The Trevi Fountain at Midday"
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        "ordre" => 14
        "nom" => "4. IV. The Villa Medici Fountain at Sunset"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
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    -modifierLe: DateTime @1773903055 {#2058
      date: 2026-03-19 06:50:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2068 …}
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    -slug: "vinyles-ottorino-respighi-pines-of-rome-roman-festivals-fountains-of-rome-deutsche-grammophon-records-2530890"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2431 …}
}

[
  "produit" => App\Entity\Produit {#2076
    -id: 2931
    -nom: "Richard Strauss : Also Sprach Zarathustra (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 331/3 edition series reissues :\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      The legendary 1954 Fritz Reiner/Chicago Symphony Orchestra performance of a Strauss war horse. Recorded directly to 2 track analog by Jack Pfeiffer, the original session tapes were used in mastering for LPs and SACDS. Among the very first Living Stereo recordings ever made, these landmark performances document the start of the legendary partnership of Fritz Reiner and the Chicago Symphony Orchestra.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "The Chicago Symphony Orchestra conducted by Fritz Reiner"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
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      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 331/3 edition series reissues :\r\n
      \r\n
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      \r\n
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    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2099
    -id: 2934
    -nom: "Ravel : Daphnis & Chloe (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      By far, this is Ravel's richest and most sumptuously colorful work. Charles Munch, throughout his conducting career, gave sympathetic attention to the music of Ravel, and, by performing the entire ballet score in its entirety, restored Daphnis and Chloe to a single rounded work, drawn together not only thematically, but by its characteristic mood and color. Recorded Jan. 23-24, 1955 at Symphony Hall. Originally released in 1960.\r\n
      \r\n
      Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound, and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
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App\Twig\Components\GestionPanierFavoriComponents {#3392
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2663 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2099
    -id: 2934
    -nom: "Ravel : Daphnis & Chloe (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
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      By far, this is Ravel's richest and most sumptuously colorful work. Charles Munch, throughout his conducting career, gave sympathetic attention to the music of Ravel, and, by performing the entire ballet score in its entirety, restored Daphnis and Chloe to a single rounded work, drawn together not only thematically, but by its characteristic mood and color. Recorded Jan. 23-24, 1955 at Symphony Hall. Originally released in 1960.\r\n
      \r\n
      Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound, and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Boston Symphony Orchestra conducted by Charles Munch"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2119
    -id: 1311
    -nom: "The Little Train Of The Caipira (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      - Ten Everest titles, each a (2 LP) 45 RPM release ! 45 RPM versions have never been issued !\r\n
      - Mastered directly from the original 35 mm magnetic film using an "all tube" cutting system !\r\n
      - Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings !\r\n
      - Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket !\r\n
      - Two LPs are packaged in a protective clear sleeve !\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35 mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series cut directly from the original 35mm tapes through Classic's "all-tube" cutting system by Bernie Grundman. Grundman cut the Classic Records reissues at both 33 and 45 RPM  the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each (2 LP) set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      In 1960, David Hall, who wrote the original liner notes for this Everest 35 MM recording had this to say about the Villa Lobos composition / Everest Recording : " In recent years, hi-fi fans have delighted in the realistic recordings of big steam locomotives and other railway sounds. For some, it is more thrilling to have a fast freight roaring through the living room than to hear the music of Beethoven or Tchaikovsky. Here, though, is a tailor made for both the audiophile and music lover. With Everest's startlingly lifelike sound, coupled with the vivid imagination of Villa-Lobos, you can hear a musical train come to life on your phonograph".\r\n
      \r\n
      The Little train of the Caipira was inspired by a ride that Villa-Lobos took in 1931 on a train that was transporting berry-pickers and farm laborers between villages in the Brazilian province of Sao Paolo. Within and hour he had completed the last movement (toccata) and that very night he and his wife played the movement on cello and piano.\r\n
      \r\n
      Alberto Ginastera, Argentina's most celebrated composers, wrote "Estancia", a one act Ballet in five movements, as a commissioned composition in 1941. It was not performed in ballet form, however, until 1952 in Buenos Aires. "Panambi" composed in 1936, and another ballet suite in five movements, is based on a South American Indian legend. Its primitive element is most spectacularly evident in the second movement which is scored for percussion and brass only and in the last movement "Dance of the Warriors" which works up to a tremendous final climax.\r\n
      \r\n
      This Classic Records faithful reissue features original artwork and labels and includes an "old style tip-on" jacket to add a touch of authenticity.
      """
    -prixVente: "129.50"
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    -musicienOrchestre: "The London Symphony Orchestra conducted by Sir Eugene Goossens"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8mZSm1TfQHM&list=RD8mZSm1TfQHM&start_radio=1"
    -referenceProduit: "Analogue Productions Everest AEVC 3041-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Heitor Villa-Lobos - From Bachianas Brasiliensis No. 2"
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        "ordre" => 2
        "nom" => "2. The Land Workers"
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        "ordre" => 3
        "nom" => "3. Wheat Dance"
      ]
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        "ordre" => 4
        "nom" => "4. The Cattlemen"
      ]
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        "ordre" => 5
        "nom" => "5. Final Dance "Malambo""
      ]
      [
        "ordre" => 6
        "nom" => "Alberto Ginastera - Panambi Suite (Ballet Suite)"
      ]
      [
        "ordre" => 7
        "nom" => "6. Moonlight On The Parana"
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        "ordre" => 8
        "nom" => "7. Invocation Of The Powerful Spirits"
      ]
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        "ordre" => 9
        "nom" => "8. Lament Of The Maidens"
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        "ordre" => 10
        "nom" => "9. Rondo Of The Maidens / Dance Of The Warriors"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3443
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2663 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2119
    -id: 1311
    -nom: "The Little Train Of The Caipira (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The exceptional sound of Everest 35 mm Magnetic Film Recordings returns !\r\n
      - Ten Everest titles, each a (2 LP) 45 RPM release ! 45 RPM versions have never been issued !\r\n
      - Mastered directly from the original 35 mm magnetic film using an "all tube" cutting system !\r\n
      - Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings !\r\n
      - Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket !\r\n
      - Two LPs are packaged in a protective clear sleeve !\r\n
      \r\n
      Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory.\r\n
      \r\n
      Everest LPs through the early 1960s were recorded on 3 channel 35 mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages.\r\n
      \r\n
      Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10-title reissue series cut directly from the original 35mm tapes through Classic's "all-tube" cutting system by Bernie Grundman. Grundman cut the Classic Records reissues at both 33 and 45 RPM  the 45 RPM versions have never been reissued !\r\n
      \r\n
      Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface and no incline on your turntable.\r\n
      \r\n
      Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional !\r\n
      \r\n
      Each (2 LP) set comes with a Stoughton Printing tip-on original jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve.\r\n
      \r\n
      In 1960, David Hall, who wrote the original liner notes for this Everest 35 MM recording had this to say about the Villa Lobos composition / Everest Recording : " In recent years, hi-fi fans have delighted in the realistic recordings of big steam locomotives and other railway sounds. For some, it is more thrilling to have a fast freight roaring through the living room than to hear the music of Beethoven or Tchaikovsky. Here, though, is a tailor made for both the audiophile and music lover. With Everest's startlingly lifelike sound, coupled with the vivid imagination of Villa-Lobos, you can hear a musical train come to life on your phonograph".\r\n
      \r\n
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      \r\n
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      """
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      - One-step plating for superior sound !\r\n
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    -nom: "Tchaikovsky - The Seasons"
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      Yunchan Lim "Tchaikovsky - The Seasons" !\r\n
      \r\n
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      \r\n
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      """
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[
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    -id: 309
    -nom: "Bach - Suites For Unaccompanied Cello Complete (Box Set 6 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - JS Bach's Suites for Unaccompanied Cello Complete performed by Janos Starker !\r\n
      - Box Set (6 LP) 180 Gram 45 RPM !\r\n
      - Cut directly from the original 3-track, first-generation master tapes at 45 RPM by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 tape machine customized with 3-track flux magnetic heads !\r\n
      - Pressed at RTI !\r\n
      \r\n
      "What better time than during a period of self-isolation and social distancing could there be to explore Bach’s 'Suites For Unaccompanied Cello' ? Arguably, there’s no finer recorded performances than the ones Janos Starker performed for Mercury Records April 15 and 17, 1963, September 7-8, 1965 and December 21-22, 1965. ... The finest version of these historic recordings, is without a doubt, this latest one from Analogue Productions and the sound is unassailable." - Music = 11/11; Sound 11/11 - Michael Fremer, AnalogPlanet.com, July 3, 2020. Read the whole review here.\r\n
      \r\n
      "The original LP has now been reissued by Analogue Productions on 180 gram vinyl, mastered at Sterling Sound by Ryan K. Smith and stamped at . I compared my review copy of the AS release to my IS/IS original and found the two to be very, very close; if anything, I believe most listeners would prefer the AS reissue for its very slightly more rounded-off sound, which sacrifices nothing of the original's presence yet pulls the dry sound back an inch or two from the brink of brightness. Also, the reissue has a somewhat wider dynamic range: After matching its volume to the original during a quiet passage, forte passages on the reissue seemed to go louder than on the original. All around, a well-done reissue of a recording that deserves your love". - Revinylization by Art Dudley, Stereophile.com, June 2020\r\n
      \r\n
      "After receiving the final package, I am so proud of this product! I knew we hit a home run sound-wise when I heard the test pressings, but this packaging is super-deluxe and well manufactured, a whole other level. The production pressings are as good as the test pressings. This is just what you want in an all-analog vinyl reissue: superb sound and a collector-grade physical artifact. Great craftsmanship all around!" - Thomas Fine, remastering supervisor\r\n
      \r\n
      These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3 track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.\r\n
      \r\n
      Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.\r\n
      \r\n
      The definitive recording and perrformance of these works by JS Bach was originally released as a 3LP Mercury Living Presence Stereo SR3-9016, original mint copies of which command hundreds of dollars on the preowned LP market. Hungarian-American cellist János Starker epitomized refined elegance and superbly subtle bow work. Starker, who died in April 2013, was one of the 20th century's most renowned cellists.\r\n
      \r\n
      Starker's recording of the Suites from 1965 makes a lasting impression on the listener, and even record producers who are well used to recorded excellence have been highly impressed. Starker's full-bodied sound and technical brilliance are complemented by his finely chiseled interpretation that lends immense expression to Bach's thrilling harmony and verve to the strict rhythmic construction of the movements.\r\n
      \r\n
      This (6 LP) set, cut at 45 RPM, allows for the full dynamics present on the master tapes to shine through masterfully, as the wider-spaced grooves across the six sides, instead of three, let your stereo cartridge track more accurately. Housed in a glossy lid-style box reproducing the original artwork.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
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    -id: 309
    -nom: "Bach - Suites For Unaccompanied Cello Complete (Box Set 6 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - JS Bach's Suites for Unaccompanied Cello Complete performed by Janos Starker !\r\n
      - Box Set (6 LP) 180 Gram 45 RPM !\r\n
      - Cut directly from the original 3-track, first-generation master tapes at 45 RPM by Ryan K. Smith at Sterling Sound using an AMPEX ATR-100 tape machine customized with 3-track flux magnetic heads !\r\n
      - Pressed at RTI !\r\n
      \r\n
      "What better time than during a period of self-isolation and social distancing could there be to explore Bach’s 'Suites For Unaccompanied Cello' ? Arguably, there’s no finer recorded performances than the ones Janos Starker performed for Mercury Records April 15 and 17, 1963, September 7-8, 1965 and December 21-22, 1965. ... The finest version of these historic recordings, is without a doubt, this latest one from Analogue Productions and the sound is unassailable." - Music = 11/11; Sound 11/11 - Michael Fremer, AnalogPlanet.com, July 3, 2020. Read the whole review here.\r\n
      \r\n
      "The original LP has now been reissued by Analogue Productions on 180 gram vinyl, mastered at Sterling Sound by Ryan K. Smith and stamped at . I compared my review copy of the AS release to my IS/IS original and found the two to be very, very close; if anything, I believe most listeners would prefer the AS reissue for its very slightly more rounded-off sound, which sacrifices nothing of the original's presence yet pulls the dry sound back an inch or two from the brink of brightness. Also, the reissue has a somewhat wider dynamic range: After matching its volume to the original during a quiet passage, forte passages on the reissue seemed to go louder than on the original. All around, a well-done reissue of a recording that deserves your love". - Revinylization by Art Dudley, Stereophile.com, June 2020\r\n
      \r\n
      "After receiving the final package, I am so proud of this product! I knew we hit a home run sound-wise when I heard the test pressings, but this packaging is super-deluxe and well manufactured, a whole other level. The production pressings are as good as the test pressings. This is just what you want in an all-analog vinyl reissue: superb sound and a collector-grade physical artifact. Great craftsmanship all around!" - Thomas Fine, remastering supervisor\r\n
      \r\n
      These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3 track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.\r\n
      \r\n
      Thomas Fine made the 3-2 mixes with mastering engineer Ryan K. Smith at Sterling Sound's new facility in Nashville, Tennesee. Smith manually controlled groove margin and depth on his Neumann VMS-80 lathe, working with no preview signal and bypassing the lathe's margin-control computer. In doing so, he cut these sides the same way the original LP was cut by George Piros, who was Fine Recording Inc's VP and head of mastering. As with the original LP, no "sweetening" equalization or dynamic range control was used.\r\n
      \r\n
      The definitive recording and perrformance of these works by JS Bach was originally released as a 3LP Mercury Living Presence Stereo SR3-9016, original mint copies of which command hundreds of dollars on the preowned LP market. Hungarian-American cellist János Starker epitomized refined elegance and superbly subtle bow work. Starker, who died in April 2013, was one of the 20th century's most renowned cellists.\r\n
      \r\n
      Starker's recording of the Suites from 1965 makes a lasting impression on the listener, and even record producers who are well used to recorded excellence have been highly impressed. Starker's full-bodied sound and technical brilliance are complemented by his finely chiseled interpretation that lends immense expression to Bach's thrilling harmony and verve to the strict rhythmic construction of the movements.\r\n
      \r\n
      This (6 LP) set, cut at 45 RPM, allows for the full dynamics present on the master tapes to shine through masterfully, as the wider-spaced grooves across the six sides, instead of three, let your stereo cartridge track more accurately. Housed in a glossy lid-style box reproducing the original artwork.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Janos Starker (cello)"
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    -description: """
      Janos Starker performs with the London Symphony Orchestra conducted by Antal Dorati performing Dvorak's Cello Concerto in B minor, Op. 104 and Bruch's Kol Nidrei.\r\n
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      These newly remastered Mercury Living Presence reissue LPs represent the state of the art of all-analog technology and production. Led by remastering supervisor Thomas Fine, son of high-fidelity recording pioneers C. Robert Fine and Wilma Cozart Fine of Fine Recording Inc. in New York City, these reissues were cut at 45 RPM directly from first-generation 3 track master tapes. A 3-2 channel mix was made directly to the cutting lathe, no "cutting master" tape stage, digital source or digital delay was used.\r\n
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    -nom: "Dvorak : Violincello Concerto / Bruch : Kol Nidrei"
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      Janos Starker performs with the London Symphony Orchestra conducted by Antal Dorati performing Dvorak's Cello Concerto in B minor, Op. 104 and Bruch's Kol Nidrei.\r\n
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[
  "produit" => App\Entity\Produit {#2210
    -id: 1391
    -nom: "Vivaldi In Venice"
    -informationComplementaire: null
    -description: """
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3695
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2663 …}
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  +produit: App\Entity\Produit {#2210
    -id: 1391
    -nom: "Vivaldi In Venice"
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    -description: """
      Chasing The Dragon's first "Direct Cut" album was of the Interpreti Veneziani performing a wonderful version of Vivaldi's Four Seasons. When chatting with Paolo, the orchestra's organizer, CTD discovered the group had never taken part in a 'live' recording. They have always performed in the San Vidal Church which is in the Accademia area of Venice. The acoustics in the church are outstanding. So after some discussion with the orchestra, they were convinced to record a live double album there. This would mean that a small crew would have to go to Venice and record 5 live concerts. It's a dirty job, but somebody had to do it! The jump factor of this album really has to be heard ! \r\n
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      """
    -prixVente: "99.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
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[
  "produit" => App\Entity\Produit {#2229
    -id: 1454
    -nom: "Henryk Szeryng in Recital"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\r\n
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      - Lacquers plated by Gary Salstrom and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - RCA Living Stereo Reissue Series N° 2 - 25 newly-remastered classical mainstays !\r\n
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      Analogue Productions' RCA Living Stereo Reissue Series N° 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon - from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, "Living Stereo" logo, "Shaded Dog" label and all !\r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3746
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      - RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\r\n
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      - Lacquers plated by Gary Salstrom and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - RCA Living Stereo Reissue Series N° 2 - 25 newly-remastered classical mainstays !\r\n
      \r\n
      Analogue Productions' RCA Living Stereo Reissue Series N° 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon - from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, "Living Stereo" logo, "Shaded Dog" label and all !\r\n
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}