Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2660
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2737
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2740 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
  -formView: Symfony\Component\Form\FormView {#2776 …}
  -form: Symfony\Component\Form\Form {#2926 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1891
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Sister"
      ]
      [
        "ordre" => 2
        "nom" => "2. Modal Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want More "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. End Of A Love Affair"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear The Dex"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ernie's Tune"
      ]
      [
        "ordre" => 8
        "nom" => "4. Smile"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1948 …}
    -label: Proxies\__CG__\App\Entity\Label {#1966 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1929 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1775666383 {#1887
      date: 2026-04-08 16:39:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963829 {#1932
      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dexter-calling-blue-note-tone-poet-series-9548"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3197
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#1891
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Sister"
      ]
      [
        "ordre" => 2
        "nom" => "2. Modal Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want More "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. End Of A Love Affair"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear The Dex"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ernie's Tune"
      ]
      [
        "ordre" => 8
        "nom" => "4. Smile"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1948 …}
    -label: Proxies\__CG__\App\Entity\Label {#1966 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1929 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2071 …}
    -enregistreLe: DateTime @1775666383 {#1887
      date: 2026-04-08 16:39:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963829 {#1932
      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2077 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dexter-calling-blue-note-tone-poet-series-9548"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
}

[
  "produit" => App\Entity\Produit {#2104
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Down on the Street"
      ]
      [
        "ordre" => 2
        "nom" => "2. Loose "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. T.V. Eye"
      ]
      [
        "ordre" => 5
        "nom" => "2. Dirt "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. 1970 "
      ]
      [
        "ordre" => 8
        "nom" => "Side D : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Fun House"
      ]
      [
        "ordre" => 10
        "nom" => "2. L.A. Blues"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2106 …}
    -label: Proxies\__CG__\App\Entity\Label {#2109 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2118 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2111 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2113 …}
    -enregistreLe: DateTime @1777926616 {#2097
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    }
    -modifierLe: DateTime @1777927181 {#2098
      date: 2026-05-04 20:39:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2115 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fun-house-mobile-fidelity-sound-lab-mfsl-2-606"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3311
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2104
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606"
    -titreMorceau: [
      [
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[
  "produit" => App\Entity\Produit {#2123
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Prelude"
      ]
      [
        "ordre" => 2
        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
      ]
      [
        "ordre" => 4
        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
      ]
      [
        "ordre" => 7
        "nom" => "6. Nur wer der Minne Macht entsagt"
      ]
      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
      ]
      [
        "ordre" => 9
        "nom" => "8. Haltet den Räuber !"
      ]
      [
        "ordre" => 10
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 11
        "nom" => "9. Introduction"
      ]
      [
        "ordre" => 12
        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
      [
        "ordre" => 13
        "nom" => "Side B : "
      ]
      [
        "ordre" => 14
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 15
        "nom" => "1. So schirme sie jetzt"
      ]
      [
        "ordre" => 16
        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
      ]
      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
      [
        "ordre" => 20
        "nom" => "Side C :"
      ]
      [
        "ordre" => 21
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 22
        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
        "ordre" => 25
        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
      ]
      [
        "ordre" => 26
        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
      ]
      [
        "ordre" => 27
        "nom" => "6. Transformation Scene"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "Scene 3 :"
      ]
      [
        "ordre" => 30
        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
        "ordre" => 35
        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
        "ordre" => 44
        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
        "ordre" => 48
        "nom" => "Side F : "
      ]
      [
        "ordre" => 49
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
        "ordre" => 51
        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
        "ordre" => 52
        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
      [
        "ordre" => 53
        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
      ]
      [
        "ordre" => 54
        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
      ]
      [
        "ordre" => 56
        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
      ]
      [
        "ordre" => 57
        "nom" => ""
      ]
      [
        "ordre" => 58
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3362
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2123
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Prelude"
      ]
      [
        "ordre" => 2
        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
      ]
      [
        "ordre" => 4
        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
      ]
      [
        "ordre" => 7
        "nom" => "6. Nur wer der Minne Macht entsagt"
      ]
      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
      ]
      [
        "ordre" => 9
        "nom" => "8. Haltet den Räuber !"
      ]
      [
        "ordre" => 10
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 11
        "nom" => "9. Introduction"
      ]
      [
        "ordre" => 12
        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
      [
        "ordre" => 13
        "nom" => "Side B : "
      ]
      [
        "ordre" => 14
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 15
        "nom" => "1. So schirme sie jetzt"
      ]
      [
        "ordre" => 16
        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
      ]
      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
      [
        "ordre" => 20
        "nom" => "Side C :"
      ]
      [
        "ordre" => 21
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 22
        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
        "ordre" => 25
        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
      ]
      [
        "ordre" => 26
        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
      ]
      [
        "ordre" => 27
        "nom" => "6. Transformation Scene"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "Scene 3 :"
      ]
      [
        "ordre" => 30
        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
        "ordre" => 35
        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
        "ordre" => 44
        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
        "ordre" => 48
        "nom" => "Side F : "
      ]
      [
        "ordre" => 49
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
        "ordre" => 51
        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
        "ordre" => 52
        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
      [
        "ordre" => 53
        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
      ]
      [
        "ordre" => 54
        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
      ]
      [
        "ordre" => 56
        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
      ]
      [
        "ordre" => 57
        "nom" => ""
      ]
      [
        "ordre" => 58
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
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    -style: App\Entity\Style {#1491 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2132 …}
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      date: 2026-05-04 07:48:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777882280 {#2121
      date: 2026-05-04 08:11:20.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2134 …}
    -disponible: null
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    -slug: "vinyles-richard-wagner-das-rheingold-deutsche-grammophon"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
}

[
  "produit" => App\Entity\Produit {#2146
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Tori Amos (piano, keyboards, harpsichord, synthesizer, vocals), Mark Hawley (guitar, ukulele), Jon Evans (bass), Matt Chamberlain (drums, percussion), Natashya “Tash” Hawley (vocals), John Philip Shenale (keyboards, synthesizer, string arrangement)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Shush"
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      [
        "ordre" => 2
        "nom" => "2. In Times of Dragons"
      ]
      [
        "ordre" => 3
        "nom" => "3. Provincetown "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. St. Teresa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Gasoline Girls"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ode to Minnesota"
      ]
      [
        "ordre" => 8
        "nom" => "4. Fanny Faudrey"
      ]
      [
        "ordre" => 9
        "nom" => "5. Veins"
      ]
      [
        "ordre" => 10
        "nom" => "6. Strawberry Moon "
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Song of Sorrow"
      ]
      [
        "ordre" => 13
        "nom" => "2. Flood"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pyrite"
      ]
      [
        "ordre" => 15
        "nom" => "4. Tempest "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Angelshark"
      ]
      [
        "ordre" => 18
        "nom" => "2. Blue Lotus"
      ]
      [
        "ordre" => 19
        "nom" => "3. Stronger Together"
      ]
      [
        "ordre" => 20
        "nom" => "4. 23 Peaks"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2160 …}
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    -enregistreLe: DateTime @1777706443 {#2139
      date: 2026-05-02 07:20:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777706995 {#2140
      date: 2026-05-02 07:29:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-times-of-dragons-decca-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3413
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2146
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Tori Amos (piano, keyboards, harpsichord, synthesizer, vocals), Mark Hawley (guitar, ukulele), Jon Evans (bass), Matt Chamberlain (drums, percussion), Natashya “Tash” Hawley (vocals), John Philip Shenale (keyboards, synthesizer, string arrangement)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Shush"
      ]
      [
        "ordre" => 2
        "nom" => "2. In Times of Dragons"
      ]
      [
        "ordre" => 3
        "nom" => "3. Provincetown "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. St. Teresa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Gasoline Girls"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ode to Minnesota"
      ]
      [
        "ordre" => 8
        "nom" => "4. Fanny Faudrey"
      ]
      [
        "ordre" => 9
        "nom" => "5. Veins"
      ]
      [
        "ordre" => 10
        "nom" => "6. Strawberry Moon "
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Song of Sorrow"
      ]
      [
        "ordre" => 13
        "nom" => "2. Flood"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pyrite"
      ]
      [
        "ordre" => 15
        "nom" => "4. Tempest "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Angelshark"
      ]
      [
        "ordre" => 18
        "nom" => "2. Blue Lotus"
      ]
      [
        "ordre" => 19
        "nom" => "3. Stronger Together"
      ]
      [
        "ordre" => 20
        "nom" => "4. 23 Peaks"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2151 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2160 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2153 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2155 …}
    -enregistreLe: DateTime @1777706443 {#2139
      date: 2026-05-02 07:20:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777706995 {#2140
      date: 2026-05-02 07:29:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-times-of-dragons-decca-records"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
}

[
  "produit" => App\Entity\Produit {#2167
    -id: 3072
    -nom: "Baz Luhrmann's EPiC : Elvis Presley In Concert  (Original Motion Picture Soundtrack)"
    -informationComplementaire: "Le King comme vous ne l’avez jamais entendu. Une icône, une voix, une renaissance. Un son puissant, une émotion brute, une légende revisitée. Elvis Presley revient en force. Plongez dans son univers intemporel, sublimé par une production d’exception."
    -description: """
      Baz Luhrmann's EPiC : Elvis Presley In Concert (Original Motion Picture Soundtrack) est bien plus qu’une simple bande originale, c’est une célébration vibrante de l’héritage musical de Elvis Presley.\r\n
      \r\n
      Construit à partir de performances live emblématiques des années 1970, cet album restitue toute l’intensité et le charisme du King sur scène. Sa voix, capturée dans des moments d’une rare authenticité, est ici magnifiée par une production contemporaine qui mêle subtilement orchestrations modernes, remasterisation de haute précision et arrangements inédits.\r\n
      \r\n
      On y retrouve l’énergie incomparable de son groupe historique, guitares incisives, section rythmique puissante, chœurs gospel envoûtants, enrichie par un travail sonore actuel qui donne une nouvelle dimension à ces enregistrements légendaires.\r\n
      \r\n
      Supervisé dans l’esprit du cinéma spectaculaire par Baz Luhrmann, ce projet offre une immersion totale entre passé et présent. Le résultat, une expérience musicale à la fois nostalgique et résolument moderne, capable de séduire aussi bien les fans de toujours que les nouvelles générations.\r\n
      \r\n
      Musicians : \r\n
      Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums), The Sweet Inspirations, J.D. Sumner & the Stamps Quartet (backing vocals), Kathy Westmoreland (soprano vocals), Joe Guercio (orchestra conductor).\r\n
      \r\n
      - Elvis Presley "Baz Luhrmann's EPiC : Elvis Presley In Concert" !\r\n
      - Original Motion Picture Soundtrack !\r\n
      \r\n
      Discover Elvis like never before with the Original Motion Picture Soundtrack to "Baz Luhrmann's EPiC : Elvis Presley in Concert". Executive produced by Baz Luhrmann, this collection features the showstopping performances featured in the film, including new mixes and fresh remixes of classic Elvis hits, along with two exclusive new tracks that blend and reimagine iconic Elvis performances, delivering bold, innovative interpretations that celebrate the King in an entirely new way.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i5yJ7iSfFUo&list=PLLRIXAxtV8zybiPlnoWJEssZmC-4Hi-F2&index=7"
    -referenceProduit: "Legacy Records 3117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Can’t Help Falling In Love (EPiC Intro)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Also Sprach Zarathustra / An American Trilogy (EPiC Version)"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s All Right (EPiC Version)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tiger Man (EPiC Version)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Wearin’ That Night Life Look"
      ]
      [
        "ordre" => 6
        "nom" => "6. Hound Dog (EPiC Version)"
      ]
      [
        "ordre" => 7
        "nom" => "7. Polk Salad Annie (EPiC Version)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. You’ve Lost That Loving Feeling (EPiC Version)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Little Sister / Get Back (EPiC Version)"
      ]
      [
        "ordre" => 11
        "nom" => "3. Burning Love (EPiC Version)"
      ]
      [
        "ordre" => 12
        "nom" => "4. Never Been To Spain (EPiC Version)"
      ]
      [
        "ordre" => 13
        "nom" => "5. Love Me (Jamieson Shaw Remix)"
      ]
      [
        "ordre" => 14
        "nom" => "Side C :"
      ]
      [
        "ordre" => 15
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Always On My Mind (EPiC Version)"
      ]
      [
        "ordre" => 18
        "nom" => "4. How Great Thou Art (EPiC Version)"
      ]
      [
        "ordre" => 19
        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
        "ordre" => 20
        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 21
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 22
        "nom" => "Side D : "
      ]
      [
        "ordre" => 23
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 24
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 25
        "nom" => "3. Always On My Mind (EPiC Version)"
      ]
      [
        "ordre" => 26
        "nom" => "4. How Great Thou Art (EPiC Version)"
      ]
      [
        "ordre" => 27
        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
        "ordre" => 28
        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 29
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
      [
        "ordre" => 31
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1777322564 {#2163
      date: 2026-04-27 20:42:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777323478 {#2162
      date: 2026-04-27 20:57:58.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-baz-luhrmann-s-epic-elvis-presley-in-concert-original-motion-picture-soundtrack-legacy-records-3117"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3464
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2167
    -id: 3072
    -nom: "Baz Luhrmann's EPiC : Elvis Presley In Concert  (Original Motion Picture Soundtrack)"
    -informationComplementaire: "Le King comme vous ne l’avez jamais entendu. Une icône, une voix, une renaissance. Un son puissant, une émotion brute, une légende revisitée. Elvis Presley revient en force. Plongez dans son univers intemporel, sublimé par une production d’exception."
    -description: """
      Baz Luhrmann's EPiC : Elvis Presley In Concert (Original Motion Picture Soundtrack) est bien plus qu’une simple bande originale, c’est une célébration vibrante de l’héritage musical de Elvis Presley.\r\n
      \r\n
      Construit à partir de performances live emblématiques des années 1970, cet album restitue toute l’intensité et le charisme du King sur scène. Sa voix, capturée dans des moments d’une rare authenticité, est ici magnifiée par une production contemporaine qui mêle subtilement orchestrations modernes, remasterisation de haute précision et arrangements inédits.\r\n
      \r\n
      On y retrouve l’énergie incomparable de son groupe historique, guitares incisives, section rythmique puissante, chœurs gospel envoûtants, enrichie par un travail sonore actuel qui donne une nouvelle dimension à ces enregistrements légendaires.\r\n
      \r\n
      Supervisé dans l’esprit du cinéma spectaculaire par Baz Luhrmann, ce projet offre une immersion totale entre passé et présent. Le résultat, une expérience musicale à la fois nostalgique et résolument moderne, capable de séduire aussi bien les fans de toujours que les nouvelles générations.\r\n
      \r\n
      Musicians : \r\n
      Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums), The Sweet Inspirations, J.D. Sumner & the Stamps Quartet (backing vocals), Kathy Westmoreland (soprano vocals), Joe Guercio (orchestra conductor).\r\n
      \r\n
      - Elvis Presley "Baz Luhrmann's EPiC : Elvis Presley In Concert" !\r\n
      - Original Motion Picture Soundtrack !\r\n
      \r\n
      Discover Elvis like never before with the Original Motion Picture Soundtrack to "Baz Luhrmann's EPiC : Elvis Presley in Concert". Executive produced by Baz Luhrmann, this collection features the showstopping performances featured in the film, including new mixes and fresh remixes of classic Elvis hits, along with two exclusive new tracks that blend and reimagine iconic Elvis performances, delivering bold, innovative interpretations that celebrate the King in an entirely new way.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i5yJ7iSfFUo&list=PLLRIXAxtV8zybiPlnoWJEssZmC-4Hi-F2&index=7"
    -referenceProduit: "Legacy Records 3117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Can’t Help Falling In Love (EPiC Intro)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Also Sprach Zarathustra / An American Trilogy (EPiC Version)"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s All Right (EPiC Version)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tiger Man (EPiC Version)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Wearin’ That Night Life Look"
      ]
      [
        "ordre" => 6
        "nom" => "6. Hound Dog (EPiC Version)"
      ]
      [
        "ordre" => 7
        "nom" => "7. Polk Salad Annie (EPiC Version)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. You’ve Lost That Loving Feeling (EPiC Version)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Little Sister / Get Back (EPiC Version)"
      ]
      [
        "ordre" => 11
        "nom" => "3. Burning Love (EPiC Version)"
      ]
      [
        "ordre" => 12
        "nom" => "4. Never Been To Spain (EPiC Version)"
      ]
      [
        "ordre" => 13
        "nom" => "5. Love Me (Jamieson Shaw Remix)"
      ]
      [
        "ordre" => 14
        "nom" => "Side C :"
      ]
      [
        "ordre" => 15
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Always On My Mind (EPiC Version)"
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      [
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        "nom" => "4. How Great Thou Art (EPiC Version)"
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        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
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        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 21
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 22
        "nom" => "Side D : "
      ]
      [
        "ordre" => 23
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
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        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
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        "nom" => "3. Always On My Mind (EPiC Version)"
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        "nom" => "4. How Great Thou Art (EPiC Version)"
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        "nom" => "5. Oh Happy Day (EPiC Version)"
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        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
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      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
}

[
  "produit" => App\Entity\Produit {#2188
    -id: 3046
    -nom: "Africav/ Brass"
    -informationComplementaire: "Un souffle nouveau traverse le jazz. Avec "Africa / Brass", John Coltrane transcende le jazz en mêlant puissance orchestrale et profondeur spirituelle. Un album emblématique du label Impulse ! Records, à la fois intense, hypnotique et intemporel."
    -description: """
      Paru en 1961 sur le mythique label Impulse! Records, "Africa / Brass" marque un tournant majeur dans la trajectoire de John Coltrane. Derrière l’appellation de son quartet se cache en réalité une formation élargie, enrichie d’un ensemble de cuivres et de bois qui donne à l’album une dimension orchestrale inédite dans son œuvre.\r\n
      \r\n
      Arrangé en grande partie par Eric Dolphy et McCoy Tyner, le disque déploie une musique à la fois dense, modale et hypnotique. La pièce titre, "Africa", s’étire comme une transe profonde, portée par des ostinatos puissants et une section de cuivres majestueuse. À l’inverse, Greensleeves revisite un thème traditionnel avec une sensibilité méditative et une élégance presque spirituelle.\r\n
      \r\n
      Entre exploration sonore et rigueur structurelle, "Africa / Brass" témoigne de l’ambition de Coltrane d’élargir les frontières du jazz, annonçant déjà ses grandes fresques à venir. Un album à la fois monumental et introspectif, essentiel pour comprendre l’évolution du jazz des années 60.\r\n
      \r\n
      Musicians : \r\n
      John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet), Eric Dolphy (alto saxophone, bass clarinet, flute), Pat Patrick (baritone saxophone), Julius Watkins, Jim Buffington, Bob Northern, Donald Corrado, Robert Swisshelm (French horns), Julian Priester, Charles Greenlee, Carl Bowman (euphoniums), Britt Woodman (trombone), Bill Barber (tuba), Garvin Bushell (woodwinds), Art Davis (bass).\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Coltrane's incandescent 1961 classic, Africa / Brass was recorded by the legendary Rudy Van Gelder, produced by Bob Thiele, and is a showcase for bold, fearless and visionary music.  It was recorded during a period where many African countries were becoming independent, and African music and art were becoming better known in America, though not as well known in European colonial powers like France, Belgium, or England.\r\n
      \r\n
      Africa/Brass was Coletrane's monumental debut for Impulse! Records a sonic manifesto that shattered the boundaries of hard bop to reveal something primal and sophisticated. Under the visionary arrangements of Eric Dolphy and McCoy Tyner, the ensemble creates a dense, shimmering "drone" a revolutionary harmonic foundation that allows Coltrane to soar. His playing is more than skillful; it's athletic. \r\n
      \r\n
      Coltrane's working quartet is augmented by a larger ensemble that brings the total to 21 musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. The interlocking brass lines move with the clockwork accuracy of a chamber orchestra, but breathe with the sweat and soul of a midnight jam session.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LqEouEEw6rU&list=RDLqEouEEw6rU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Impulse) 0301"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Africa "
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Greensleeves"
      ]
      [
        "ordre" => 4
        "nom" => "2. Blues Minor"
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      [
        "ordre" => 5
        "nom" => ""
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      [
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        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
    -label: Proxies\__CG__\App\Entity\Label {#2193 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2202 …}
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    -enregistreLe: DateTime @1775374067 {#2184
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    }
    -modifierLe: DateTime @1777113960 {#2183
      date: 2026-04-25 10:46:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2199 …}
    -disponible: null
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    -slug: "vinyles-africav-brass-acoustic-sounds-series-impulse-0301"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3515
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2188
    -id: 3046
    -nom: "Africav/ Brass"
    -informationComplementaire: "Un souffle nouveau traverse le jazz. Avec "Africa / Brass", John Coltrane transcende le jazz en mêlant puissance orchestrale et profondeur spirituelle. Un album emblématique du label Impulse ! Records, à la fois intense, hypnotique et intemporel."
    -description: """
      Paru en 1961 sur le mythique label Impulse! Records, "Africa / Brass" marque un tournant majeur dans la trajectoire de John Coltrane. Derrière l’appellation de son quartet se cache en réalité une formation élargie, enrichie d’un ensemble de cuivres et de bois qui donne à l’album une dimension orchestrale inédite dans son œuvre.\r\n
      \r\n
      Arrangé en grande partie par Eric Dolphy et McCoy Tyner, le disque déploie une musique à la fois dense, modale et hypnotique. La pièce titre, "Africa", s’étire comme une transe profonde, portée par des ostinatos puissants et une section de cuivres majestueuse. À l’inverse, Greensleeves revisite un thème traditionnel avec une sensibilité méditative et une élégance presque spirituelle.\r\n
      \r\n
      Entre exploration sonore et rigueur structurelle, "Africa / Brass" témoigne de l’ambition de Coltrane d’élargir les frontières du jazz, annonçant déjà ses grandes fresques à venir. Un album à la fois monumental et introspectif, essentiel pour comprendre l’évolution du jazz des années 60.\r\n
      \r\n
      Musicians : \r\n
      John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet), Eric Dolphy (alto saxophone, bass clarinet, flute), Pat Patrick (baritone saxophone), Julius Watkins, Jim Buffington, Bob Northern, Donald Corrado, Robert Swisshelm (French horns), Julian Priester, Charles Greenlee, Carl Bowman (euphoniums), Britt Woodman (trombone), Bill Barber (tuba), Garvin Bushell (woodwinds), Art Davis (bass).\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Coltrane's incandescent 1961 classic, Africa / Brass was recorded by the legendary Rudy Van Gelder, produced by Bob Thiele, and is a showcase for bold, fearless and visionary music.  It was recorded during a period where many African countries were becoming independent, and African music and art were becoming better known in America, though not as well known in European colonial powers like France, Belgium, or England.\r\n
      \r\n
      Africa/Brass was Coletrane's monumental debut for Impulse! Records a sonic manifesto that shattered the boundaries of hard bop to reveal something primal and sophisticated. Under the visionary arrangements of Eric Dolphy and McCoy Tyner, the ensemble creates a dense, shimmering "drone" a revolutionary harmonic foundation that allows Coltrane to soar. His playing is more than skillful; it's athletic. \r\n
      \r\n
      Coltrane's working quartet is augmented by a larger ensemble that brings the total to 21 musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. The interlocking brass lines move with the clockwork accuracy of a chamber orchestra, but breathe with the sweat and soul of a midnight jam session.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LqEouEEw6rU&list=RDLqEouEEw6rU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series (Impulse) 0301"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. Africa "
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      ]
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      ]
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2190 …}
    -label: Proxies\__CG__\App\Entity\Label {#2193 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2202 …}
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    }
    -modifierLe: DateTime @1777113960 {#2183
      date: 2026-04-25 10:46:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2199 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-africav-brass-acoustic-sounds-series-impulse-0301"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
}

[
  "produit" => App\Entity\Produit {#2207
    -id: 3045
    -nom: "The Young Lions"
    -informationComplementaire: "Avant d’être des icônes, ils étaient jeunes, audacieux et affamés de musique. The Young Lions raconte ce moment unique où Lee Morgan, Wayne Shorter et leurs compagnons capturent l’énergie brute d’une génération prête à marquer l’histoire du jazz."
    -description: """
      The Young Lions est un album emblématique du hard bop, enregistré en 1960 et réunissant une génération montante de musiciens destinés à marquer durablement l’histoire du jazz. Sous l’impulsion du trompettiste Lee Morgan et du saxophoniste Wayne Shorter, cet enregistrement capture l’énergie brute, l’audace et la créativité de jeunes artistes en pleine ascension.\r\n
      \r\n
      Accompagnés notamment de Bobby Timmons au piano et de Louis Hayes à la batterie, les musiciens livrent un jazz puissant et expressif, où se mêlent influences blues, gospel et bebop. L’album incarne parfaitement l’esprit du hard bop, une musique vivante, ancrée dans la tradition mais tournée vers l’avenir.\r\n
      \r\n
      À la fois témoignage d’une époque et tremplin pour des carrières exceptionnelles, "The Young Lions" reste une œuvre essentielle pour tout amateur de jazz.\r\n
      \r\n
      - The Young Lions "The Young Lions" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      The Young Lions was recorded at Bell Sound Studios in NYC in 1960 and released in 1961 on Vee-Jay Records. It includes four songs composed by Wayne Shorter, and one by Lee Morgan. The album title references Irwin Shaw's popular 1948 novel of the same name. In the album's liner notes, saxophonist Cannonball Adderley uses Shaw's novel to make an argument about jazz, claiming that there is a tension in modern jazz between tradition and the avant-garde. He suggests that conformity to either traditionalism or the avant-garde is stifling of "true genius".
      """
    -prixVente: "38.00"
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App\Twig\Components\GestionPanierFavoriComponents {#3566
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    -id: 3045
    -nom: "The Young Lions"
    -informationComplementaire: "Avant d’être des icônes, ils étaient jeunes, audacieux et affamés de musique. The Young Lions raconte ce moment unique où Lee Morgan, Wayne Shorter et leurs compagnons capturent l’énergie brute d’une génération prête à marquer l’histoire du jazz."
    -description: """
      The Young Lions est un album emblématique du hard bop, enregistré en 1960 et réunissant une génération montante de musiciens destinés à marquer durablement l’histoire du jazz. Sous l’impulsion du trompettiste Lee Morgan et du saxophoniste Wayne Shorter, cet enregistrement capture l’énergie brute, l’audace et la créativité de jeunes artistes en pleine ascension.\r\n
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      À la fois témoignage d’une époque et tremplin pour des carrières exceptionnelles, "The Young Lions" reste une œuvre essentielle pour tout amateur de jazz.\r\n
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      - The Young Lions "The Young Lions" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2209 …}
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[
  "produit" => App\Entity\Produit {#2228
    -id: 3048
    -nom: "Introducing Lee Morgan"
    -informationComplementaire: "Un prodige de 18 ans, un son déjà légendaire. Avec "Introducing Lee Morgan", plongez aux origines d’un génie du jazz. Une session vibrante et maîtrisée, où chaque note annonce la naissance d’une icône. Le début d’une légende. À écouter absolument !"
    -description: """
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      \r\n
      Entouré de musiciens d’exception, dont Hank Mobley au saxophone ténor, Lee Morgan impose déjà un style puissant et affirmé. La section rythmique, avec Hank Jones, Doug Watkins et Art Taylor, offre un écrin solide et élégant à cette session devenue emblématique.\r\n
      \r\n
      Entre reprises inspirées et compositions originales, cet album capture l’émergence d’un des plus grands trompettistes de l’histoire du jazz, annonçant déjà la carrière brillante de Lee Morgan.\r\n
      \r\n
      - Lee Morgan "Introducing Lee Morgan" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -nom: "Introducing Lee Morgan"
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[
  "produit" => App\Entity\Produit {#2246
    -id: 3050
    -nom: "From A Page - (Expanded Edition) - Half-Speed Master"
    -informationComplementaire: "Redécouvrez Yes sous un nouveau jour. Avec "From a Page", plongez dans des trésors cachés du rock progressif, des compositions inédites, une énergie intacte, et toute la magie d’un groupe au sommet de sa créativité."
    -description: """
      From a Page est une sortie singulière du groupe mythique Yes, dévoilant des morceaux restés longtemps dans l’ombre. Enregistrées à la fin des années 1970, ces compositions réunissent la formation emblématique composée de Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman et Alan White.\r\n
      \r\n
      À mi-chemin entre sophistication progressive et accessibilité mélodique, cet enregistrement capture un moment charnière du groupe. On y retrouve les harmonies célestes, les structures complexes et les envolées instrumentales qui ont forgé la légende de Yes, tout en laissant entrevoir une facette plus concise et directe de leur écriture.\r\n
      \r\n
      Sorti en 2019, "From a Page" agit comme une capsule temporelle précieuse, offrant aux fans une plongée inédite dans une période fertile mais méconnue de leur discographie.\r\n
      \r\n
      - Yes "From A Page" (Expanded Edition) !\r\n
      - Half-speed mastered 180 gram (2 LP) !\r\n
      - Expanded to include alternate versions and demos !\r\n
      \r\n
      From a Page features the lineup of Chris Squire (bass), Steve Howe (guitars), Alan White (drums/percussion), Benoit David (vocals), and Oliver Wakeman (keyboards). Released in 2019, the EP featured four songs leftover from recording sessions that would ultimately turn into their 2011 album, Fly from Here, which featured Geoff Downes on keyboards after Wakeman left the group.\r\n
      \r\n
      This expanded edition of From a Page incorporates the original four songs, along with alternate versions of three songs from Fly from Here, featuring Oliver Wakeman's keyboard parts from the original writing sessions, and a studio version of the Chris Squire-penned song, "Aliens", which was played on their 2008 tour.\r\n
      \r\n
      A second LP features session demos, including "Updraft", which became the basis for the "Army of Angels" section of "Into the Storm", "Don't Take No for an Answer", and the single mix of "To the Moment".\r\n
      \r\n
      This (2 LP) set is mastered at half-speed and pressed on 180 gram vinyl.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Chris Squire (bass, backing vocals), Steve Howe (guitars), Rick Wakeman (keyboards), Alan White (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ahxlo_lOgv8&list=OLAK5uy_lIAb_KzTKwSK567B5gPL_KpdeNbZbUxLo&index=6"
    -referenceProduit: "Mercury Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. To The Moment "
      ]
      [
        "ordre" => 2
        "nom" => "2. The Man You Always Wanted Me To Be "
      ]
      [
        "ordre" => 3
        "nom" => "3. From The Turn Of A Card "
      ]
      [
        "ordre" => 4
        "nom" => "4. Into The Storm "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Aliens "
      ]
      [
        "ordre" => 7
        "nom" => "2. Hour Of Need "
      ]
      [
        "ordre" => 8
        "nom" => "3. Words On A Page "
      ]
      [
        "ordre" => 9
        "nom" => "4. The Gift Of Love "
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Words On A Page (Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "2. The Man You Always Wanted Me To Be (Demo)"
      ]
      [
        "ordre" => 13
        "nom" => "3. To The Moment (Demo) "
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. The Gift Of Love (Demo)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Don't Take No For An Answer (Demo)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Updraft (Demo)"
      ]
      [
        "ordre" => 18
        "nom" => "4. To The Moment (Single Mix)"
      ]
      [
        "ordre" => 19
        "nom" => ""
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      [
        "ordre" => 20
        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2248 …}
    -label: Proxies\__CG__\App\Entity\Label {#2251 …}
    -style: App\Entity\Style {#1506 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2255 …}
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    -modifierLe: DateTime @1777113456 {#2241
      date: 2026-04-25 10:37:36.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2257 …}
    -disponible: null
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    -infoMasterTape: null
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3668
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2246
    -id: 3050
    -nom: "From A Page - (Expanded Edition) - Half-Speed Master"
    -informationComplementaire: "Redécouvrez Yes sous un nouveau jour. Avec "From a Page", plongez dans des trésors cachés du rock progressif, des compositions inédites, une énergie intacte, et toute la magie d’un groupe au sommet de sa créativité."
    -description: """
      From a Page est une sortie singulière du groupe mythique Yes, dévoilant des morceaux restés longtemps dans l’ombre. Enregistrées à la fin des années 1970, ces compositions réunissent la formation emblématique composée de Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman et Alan White.\r\n
      \r\n
      À mi-chemin entre sophistication progressive et accessibilité mélodique, cet enregistrement capture un moment charnière du groupe. On y retrouve les harmonies célestes, les structures complexes et les envolées instrumentales qui ont forgé la légende de Yes, tout en laissant entrevoir une facette plus concise et directe de leur écriture.\r\n
      \r\n
      Sorti en 2019, "From a Page" agit comme une capsule temporelle précieuse, offrant aux fans une plongée inédite dans une période fertile mais méconnue de leur discographie.\r\n
      \r\n
      - Yes "From A Page" (Expanded Edition) !\r\n
      - Half-speed mastered 180 gram (2 LP) !\r\n
      - Expanded to include alternate versions and demos !\r\n
      \r\n
      From a Page features the lineup of Chris Squire (bass), Steve Howe (guitars), Alan White (drums/percussion), Benoit David (vocals), and Oliver Wakeman (keyboards). Released in 2019, the EP featured four songs leftover from recording sessions that would ultimately turn into their 2011 album, Fly from Here, which featured Geoff Downes on keyboards after Wakeman left the group.\r\n
      \r\n
      This expanded edition of From a Page incorporates the original four songs, along with alternate versions of three songs from Fly from Here, featuring Oliver Wakeman's keyboard parts from the original writing sessions, and a studio version of the Chris Squire-penned song, "Aliens", which was played on their 2008 tour.\r\n
      \r\n
      A second LP features session demos, including "Updraft", which became the basis for the "Army of Angels" section of "Into the Storm", "Don't Take No for an Answer", and the single mix of "To the Moment".\r\n
      \r\n
      This (2 LP) set is mastered at half-speed and pressed on 180 gram vinyl.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Chris Squire (bass, backing vocals), Steve Howe (guitars), Rick Wakeman (keyboards), Alan White (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -setBoxMusic: false
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    -referenceProduit: "Mercury Records"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "2. The Man You Always Wanted Me To Be "
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        "nom" => "3. From The Turn Of A Card "
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        "nom" => "4. Into The Storm "
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        "nom" => "Side B : "
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        "nom" => "1. Aliens "
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      [
        "ordre" => 7
        "nom" => "2. Hour Of Need "
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      [
        "ordre" => 8
        "nom" => "3. Words On A Page "
      ]
      [
        "ordre" => 9
        "nom" => "4. The Gift Of Love "
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Words On A Page (Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "2. The Man You Always Wanted Me To Be (Demo)"
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        "nom" => "Side D : "
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        "nom" => "1. The Gift Of Love (Demo)"
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        "nom" => "2. Don't Take No For An Answer (Demo)"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2248 …}
    -label: Proxies\__CG__\App\Entity\Label {#2251 …}
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    -modifierLe: DateTime @1777113456 {#2241
      date: 2026-04-25 10:37:36.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2507 …}
}

[
  "produit" => App\Entity\Produit {#2265
    -id: 3002
    -nom: "Tonight At Noon"
    -informationComplementaire: "Une œuvre qui se regarde autant qu’elle s’écoute. Avec "Tonight at Noon", Charles Mingus livre un jazz intense et libre, où chaque note vibre d’émotion et d’audace. Une expérience musicale brute, à la fois puissante et inoubliable."
    -description: """
      Tonight at Noon de Charles Mingus est un album aussi fascinant musicalement que visuellement. Sa pochette, dominée par un portrait expressionniste aux traits éclatés et aux couleurs vives, reflète parfaitement l’univers sonore de Mingus, intense, libre et profondément émotionnel.\r\n
      \r\n
      Sorti en 1964, l’album rassemble des enregistrements issus de différentes sessions, capturant un moment de transition dans le jazz moderne. Entre compositions structurées et élans d’improvisation, Mingus y façonne un langage unique, mêlant énergie brute et sophistication harmonique.\r\n
      \r\n
      À l’image de la peinture qui semble presque en mouvement, la musique de "Tonight at Noon" est vivante, imprévisible, traversée de contrastes. Chaque morceau révèle une tension entre ordre et chaos, signature du génie créatif de Mingus.\r\n
      \r\n
      Tonight at Noon compiles tracks from two earlier recordings sessions: one session from 1957 with Jimmy Knepper on the trombone, the drummer Dannie Richmond, saxophone player Shafi Hadi and the pianist Wade Legge, which were released on the album The Clown (Atlantic 1260). The second session took place in 1961 with Booker Ervin and Roland Kirk on the saxophone, Knepper, the bassist Doug Watkins, Mingus at the piano and Richmond on the drums, and was released on Oh Yeah (Atlantic SD 1377).\r\n
      \r\n
      The two sets differ in mood, but this does not mean that it is an album that uses leftovers. While Mingus in the first session strives for European harmonics and melodic approaches with a hard bop tempo (particularly on the title track) in the direction of the blues, the second session with its vespertine elegance and spatial explorations comes over rather as a sort of exercise à la avant-garde Ellington with sophisticated harmonies that pave the way for sluggish marches and gospel-like blues. Kirk and Ervin complement one another particularly well, their swing is apparently boundless. Mingus's piano playing is deeply rooted in the blues, and his sense of tempo and lightness enhances these numbers, particularly in "'Old' Blues for Walt's Torin".\r\n
      \r\n
      In these compositions one already finds hints of Mingus's later recordings. The most beautiful number is taken from the 1957 session and concludes the album : "Passions of a Woman Loved", almost ten minutes in length, feels like an Ellington suite. Although, or maybe simply because several years passed between the two sessions, one cannot deny this album's magic.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      \r\n
      Recording : March 1957 in mono and November 1961 in stereo in New York City by Tom Dowd and Phil Iehle.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Jimmie Knepper (trombone), Shafi Hadi\t(alto saxophone), Roland Kirk (saxophone), Booker Ervin (tenor saxophone), Wade Legge (piano), Doug Watkins (bass), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n4ys-h1d0kY&list=RDn4ys-h1d0kY&start_radio=1"
    -referenceProduit: "Speakers Corner Atlantic SD 1416"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tonight At Noon"
      ]
      [
        "ordre" => 2
        "nom" => "2. Invisible Lady"
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      [
        "ordre" => 3
        "nom" => "3. Old Blues For Walts Torin"
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Peggy's Blue Skylight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Passions Of A Woman Loved"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2267 …}
    -label: Proxies\__CG__\App\Entity\Label {#2270 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2279 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2272 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2274 …}
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    -modifierLe: DateTime @1777062192 {#2263
      date: 2026-04-24 20:23:12.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2276 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3719
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2265
    -id: 3002
    -nom: "Tonight At Noon"
    -informationComplementaire: "Une œuvre qui se regarde autant qu’elle s’écoute. Avec "Tonight at Noon", Charles Mingus livre un jazz intense et libre, où chaque note vibre d’émotion et d’audace. Une expérience musicale brute, à la fois puissante et inoubliable."
    -description: """
      Tonight at Noon de Charles Mingus est un album aussi fascinant musicalement que visuellement. Sa pochette, dominée par un portrait expressionniste aux traits éclatés et aux couleurs vives, reflète parfaitement l’univers sonore de Mingus, intense, libre et profondément émotionnel.\r\n
      \r\n
      Sorti en 1964, l’album rassemble des enregistrements issus de différentes sessions, capturant un moment de transition dans le jazz moderne. Entre compositions structurées et élans d’improvisation, Mingus y façonne un langage unique, mêlant énergie brute et sophistication harmonique.\r\n
      \r\n
      À l’image de la peinture qui semble presque en mouvement, la musique de "Tonight at Noon" est vivante, imprévisible, traversée de contrastes. Chaque morceau révèle une tension entre ordre et chaos, signature du génie créatif de Mingus.\r\n
      \r\n
      Tonight at Noon compiles tracks from two earlier recordings sessions: one session from 1957 with Jimmy Knepper on the trombone, the drummer Dannie Richmond, saxophone player Shafi Hadi and the pianist Wade Legge, which were released on the album The Clown (Atlantic 1260). The second session took place in 1961 with Booker Ervin and Roland Kirk on the saxophone, Knepper, the bassist Doug Watkins, Mingus at the piano and Richmond on the drums, and was released on Oh Yeah (Atlantic SD 1377).\r\n
      \r\n
      The two sets differ in mood, but this does not mean that it is an album that uses leftovers. While Mingus in the first session strives for European harmonics and melodic approaches with a hard bop tempo (particularly on the title track) in the direction of the blues, the second session with its vespertine elegance and spatial explorations comes over rather as a sort of exercise à la avant-garde Ellington with sophisticated harmonies that pave the way for sluggish marches and gospel-like blues. Kirk and Ervin complement one another particularly well, their swing is apparently boundless. Mingus's piano playing is deeply rooted in the blues, and his sense of tempo and lightness enhances these numbers, particularly in "'Old' Blues for Walt's Torin".\r\n
      \r\n
      In these compositions one already finds hints of Mingus's later recordings. The most beautiful number is taken from the 1957 session and concludes the album : "Passions of a Woman Loved", almost ten minutes in length, feels like an Ellington suite. Although, or maybe simply because several years passed between the two sessions, one cannot deny this album's magic.\r\n
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      \r\n
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      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n4ys-h1d0kY&list=RDn4ys-h1d0kY&start_radio=1"
    -referenceProduit: "Speakers Corner Atlantic SD 1416"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2267 …}
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      date: 2026-04-24 20:23:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2276 …}
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}

[
  "produit" => App\Entity\Produit {#2284
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_w-i7LwoAIo&list=RD_w-i7LwoAIo&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0023-45"
    -titreMorceau: [
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        "nom" => "2. Jesus Just Left Chicago"
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        "ordre" => 3
        "nom" => "3. Beer Drinkers & Hell Raisers "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Master Of Sparks"
      ]
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        "nom" => "2. Hot, Blue And Righteous "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Move Me On Down The Line"
      ]
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        "ordre" => 9
        "nom" => "2. Precious And Grace"
      ]
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        "ordre" => 10
        "nom" => "3. La Grange "
      ]
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Shiek"
      ]
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        "nom" => "2. Have You Heard ?"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2286 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-tres-hombres-2-lp-45-rpm-clarity-vinyl-analogue-productions-uhqr-0023-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3770
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2739 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1937 …}
  +produit: App\Entity\Produit {#2284
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_w-i7LwoAIo&list=RD_w-i7LwoAIo&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0023-45"
    -titreMorceau: [
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        "nom" => "3. Beer Drinkers & Hell Raisers "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2286 …}
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[
  "produit" => App\Entity\Produit {#2303
    -id: 3041
    -nom: "Live At Montreux"
    -informationComplementaire: "Un concert historique, une rencontre légendaire. Quand Miles Davis retrouve les orchestrations de Gil Evans sous la direction de Quincy Jones, la scène de Montreux devient le théâtre d’un moment unique dans l’histoire du jazz."
    -description: """
      Enregistré le 8 juillet 1991 au Montreux Jazz Festival, "Miles & Quincy Live at Montreux" réunit deux figures majeures de la musique, Miles Davis et Quincy Jones, entourés d’un orchestre exceptionnel.\r\n
      \r\n
      Ce concert marque un événement rare, le retour de Miles Davis aux arrangements de Gil Evans, collaborateur emblématique avec lequel il avait créé des œuvres majeures comme "Sketches of Spain". Pour l’occasion, Quincy Jones dirige une formation impressionnante mêlant solistes de jazz, big band et orchestre élargi.\r\n
      \r\n
      Porté par le jeu intense et introspectif de Miles Davis, l’ensemble offre une relecture magistrale de ces compositions, où se mêlent richesse orchestrale, puissance des cuivres et subtilité des textures.\r\n
      \r\n
      À la fois hommage et aboutissement, cet enregistrement est d’autant plus poignant qu’il s’agit de l’une des dernières apparitions de Miles Davis sur scène. Il capture un moment suspendu, où passé et présent se rencontrent dans une interprétation d’une grande profondeur artistique.\r\n
      \r\n
      Musicians & conductor :\r\n
      Miles Davis (trumpet), Quincy Jones (conductor), Lew Soloff, Miles Evans (trompet), Wallace Roney, Benny Bailey, Marvin Stamm, John D'earth, Jack Walrath (trompet, flugelhorn), John Clark, Tom Varner (French horn), Tom Malone (trombone), Dave Bargeron, Earl McIntyre (trombone, euphonium), Dave Taylor (bass trombone), Howard Johnson (tuba), Alex Foster (alto & soprano saxophone, flute), George Adams (tenor saxophone, flute), Jerry Bergonzi (tenor saxophone), Bob Malach (tenor saxophone, flute, clarinet), Larry Schneider (tenor saxophone, flute, oboe, clarinet), Sal Giorgianni (alto saxophone), Christian Gavillet, Roger Rosenberg (bass clarinet, baritone saxophone), Michel Weber (clarinet), Anne O’Brien, Julian Cawdry, Hanspeter Frehner (flute), Tilman Zahn, Dave Seghezzo, Xavier Duss, Judith Wenziker (oboe), Christian Raabe, Reiner Erb (bassoon), Gil Goldstein, Delmar Brown (keyboards), George Gruntz (piano), Mike Richmond (double bass), Xenia Schindler (harp), Kenwood Dennard (percussion), John Riley (drums, percussion).\r\n
      \r\n
      - Miles Davis & Quincy Jones "Live At Montreux" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut by Matthew Luthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      - 1994 Grammy Award Winner !\r\n
      - Best Large Jazz Ensemble Album !\r\n
      \r\n
      The Grammy® Award-winning collaboration of Miles & Quincy revisiting the classic Gil Evans arrangements that Miles originally recorded decades before with Gil. It's rare for Miles to look back, and these performances are superb. Recorded live at the Montreux Jazz Festival on July 8, 1991, these are some of Miles' final recordings.\r\n
      \r\n
      Cut by Matthew Lutthans at The Mastering Lab and pressed on 180 gram black vinyl at Fidelity Record Pressing.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1759 …}
    -musicienOrchestre: "Miles Davis (trumpet), Quincy Jones (conductor), Kenny Garrett (alto saxophone), Wallace Roney, Benny Bailey (trumpet, flugelhorn), Carles Benavent (bass), John Riley (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=-JQzCZjb1eg&list=RD-JQzCZjb1eg&start_radio=1"
    -referenceProduit: "Rhino Reserve 5221"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Introduction by Claude Nobs and Quincy Jones "
      ]
      [
        "ordre" => 2
        "nom" => "2. Boplicity "
      ]
      [
        "ordre" => 3
        "nom" => "3. Introduction to Miles Ahead Medley"
      ]
      [
        "ordre" => 4
        "nom" => "4. Springsville "
      ]
      [
        "ordre" => 5
        "nom" => "5. Maids of Cadiz "
      ]
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        "nom" => "6. The Duke "
      ]
      [
        "ordre" => 7
        "nom" => "7. My Ship "
      ]
      [
        "ordre" => 8
        "nom" => "8. Miles Ahead "
      ]
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        "ordre" => 9
        "nom" => "9. Blues for Pablo "
      ]
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Introduction to Porgy and Bess Medley "
      ]
      [
        "ordre" => 12
        "nom" => "2. Orgone "
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        "nom" => "5. Here Come De Honey Man "
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        "nom" => "7. Solea "
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