Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2585
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2662
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2665 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
  -formView: Symfony\Component\Form\FormView {#2701 …}
  -form: Symfony\Component\Form\Form {#2851 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 443
    -nom: "Sunny Side Up"
    -informationComplementaire: "OUT OF PRINT ! LAST COPY !"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52  \r\n
      \r\n
      In the late fifties and early sixties, alto saxophonist Lou Donaldson recorded primarily with his own quartet with pianist Herman Foster or with organ trios. Occasionally, he'd break the mold as he did on this February, 1960 session that was strictly a hard bop affair which includes trumpeter Bill Hardman and pianist Horace Parlan. There's still plenty of funk in evidence as "Goose Grease" bears out, but "Hardman's Politely", "Softly As In A Morning Sunrise" and "The Man I Love" find Lou digging deep into his bop roots.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1873 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Bill Hardman (trumpet), Sam Jones, Laymon Jackson (bass), Horace Parlan (piano), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oV12d6Rkffw"
    -referenceProduit: "ABNJ 84036"
    -titreMorceau: [
      [
        "nom" => "1. Blues for J.P."
        "ordre" => 1
      ]
      [
        "nom" => "1. Politely"
        "ordre" => 4
      ]
      [
        "nom" => "1. Softly, As in a Morning Sunrise"
        "ordre" => 10
      ]
      [
        "nom" => "1. The Truth"
        "ordre" => 7
      ]
      [
        "nom" => "2. Goose Grease"
        "ordre" => 8
      ]
      [
        "nom" => "2. It's You or No One"
        "ordre" => 5
      ]
      [
        "nom" => "2. The Man I Love"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1307045306 {#1875
      date: 2011-06-02 20:08:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1626675226 {#1868
      date: 2021-07-19 06:13:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sunny-side-up-abnj-84036"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3126
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 443
    -nom: "Sunny Side Up"
    -informationComplementaire: "OUT OF PRINT ! LAST COPY !"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52  \r\n
      \r\n
      In the late fifties and early sixties, alto saxophonist Lou Donaldson recorded primarily with his own quartet with pianist Herman Foster or with organ trios. Occasionally, he'd break the mold as he did on this February, 1960 session that was strictly a hard bop affair which includes trumpeter Bill Hardman and pianist Horace Parlan. There's still plenty of funk in evidence as "Goose Grease" bears out, but "Hardman's Politely", "Softly As In A Morning Sunrise" and "The Man I Love" find Lou digging deep into his bop roots.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1873 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Bill Hardman (trumpet), Sam Jones, Laymon Jackson (bass), Horace Parlan (piano), Al Harewood (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=oV12d6Rkffw"
    -referenceProduit: "ABNJ 84036"
    -titreMorceau: [
      [
        "nom" => "1. Blues for J.P."
        "ordre" => 1
      ]
      [
        "nom" => "1. Politely"
        "ordre" => 4
      ]
      [
        "nom" => "1. Softly, As in a Morning Sunrise"
        "ordre" => 10
      ]
      [
        "nom" => "1. The Truth"
        "ordre" => 7
      ]
      [
        "nom" => "2. Goose Grease"
        "ordre" => 8
      ]
      [
        "nom" => "2. It's You or No One"
        "ordre" => 5
      ]
      [
        "nom" => "2. The Man I Love"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1307045306 {#1875
      date: 2011-06-02 20:08:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1626675226 {#1868
      date: 2021-07-19 06:13:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sunny-side-up-abnj-84036"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 1054
    -nom: "The Clown"
    -informationComplementaire: ""
    -description: """
      Who hasn't got an ancient, worn-out copy of "The Clown" on his shelf, with a tatty cover and torn inner sleeve ? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art ? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. "The Clown" was, and still is, an absolute must-have for every jazz collector. The small ensemble, only five musicians, came into the New York Atlantic Records studio in March 1957 to record music exclusively composed by the double bassist. Over the next 15 years, three of them were to be heard in numerous concerts with other ensembles. But the original recordings on this LP were the most deeply concentrated, the most versatile, and quite simply the best of all. The more so because the label attached great importance to optimal studio conditions and allowed the instrumentalists plenty of time to make the recordings.\r\n
      \r\n
      In the present reissue "The Clown" can be enjoyed to the full from the very first note of "Haitian Fight Song" up until the words "William Morris Sends Regrets" in the title work.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Charles Mingus (bass), Curtis Porter (alto & tenor saxophone),  Jimmy Knepper (trombone), Wade Legge (piano), Jean Shepherd (vocals), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KESFYXQwCYA"
    -referenceProduit: "Atlantic 1260"
    -titreMorceau: [
      [
        "nom" => "1. Haitian Fight Song"
        "ordre" => 1
      ]
      [
        "nom" => "1. Reincarnation of A Lovebird"
        "ordre" => 4
      ]
      [
        "nom" => "2. Blue Cee"
        "ordre" => 2
      ]
      [
        "nom" => "2. The Clown"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1475041706 {#2041
      date: 2016-09-28 05:48:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1625899922 {#2042
      date: 2021-07-10 06:52:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-clown-atlantic-1260"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3240
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 1054
    -nom: "The Clown"
    -informationComplementaire: ""
    -description: """
      Who hasn't got an ancient, worn-out copy of "The Clown" on his shelf, with a tatty cover and torn inner sleeve ? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art ? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. "The Clown" was, and still is, an absolute must-have for every jazz collector. The small ensemble, only five musicians, came into the New York Atlantic Records studio in March 1957 to record music exclusively composed by the double bassist. Over the next 15 years, three of them were to be heard in numerous concerts with other ensembles. But the original recordings on this LP were the most deeply concentrated, the most versatile, and quite simply the best of all. The more so because the label attached great importance to optimal studio conditions and allowed the instrumentalists plenty of time to make the recordings.\r\n
      \r\n
      In the present reissue "The Clown" can be enjoyed to the full from the very first note of "Haitian Fight Song" up until the words "William Morris Sends Regrets" in the title work.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Charles Mingus (bass), Curtis Porter (alto & tenor saxophone),  Jimmy Knepper (trombone), Wade Legge (piano), Jean Shepherd (vocals), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KESFYXQwCYA"
    -referenceProduit: "Atlantic 1260"
    -titreMorceau: [
      [
        "nom" => "1. Haitian Fight Song"
        "ordre" => 1
      ]
      [
        "nom" => "1. Reincarnation of A Lovebird"
        "ordre" => 4
      ]
      [
        "nom" => "2. Blue Cee"
        "ordre" => 2
      ]
      [
        "nom" => "2. The Clown"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1475041706 {#2041
      date: 2016-09-28 05:48:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1625899922 {#2042
      date: 2021-07-10 06:52:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-clown-atlantic-1260"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2063
    -id: 2051
    -nom: "Olé Coltrane"
    -informationComplementaire: ""
    -description: """
      Mastered from the original analog tapes and cut at 45 RPM by Bernie Grundman !\r\n
      \r\n
      180 gram vinyl pressing by Pallas in Germany !\r\n
      \r\n
      Engineered by Phil Ramone, featuring Freddie Hubbard on trumpet !\r\n
      \r\n
      John Coltrane's final album for Atlantic bookends the exploratory motifs he explores on his Impulse! debut, Africa / Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures. Bonding with an amazing band that includes pianist McCoy Tyner, drummer Elvin Jones, and an uncredited Eric Dolphy (due to contractual reasons), Coltrane welcomes improvisations and ranging outside conventional parameters, all the while retaining melodic beauty.\r\n
      \r\n
      Yet the biggest attraction on this 1961 effort comes via the double-bass interplay between Art Davis and Reggie Workman, whose back-and-forth exchanges produce heat and cause the leader to up his own game. Mastered from the original master tapes, this dead-quiet 180 gram 45 RPM double LP set presents each pluck of the acoustic basses with tremendous body and decay. Long overdue for audiophile treatment, Olé Coltrane is ready for its closeup, and how. \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (soprano saxophone), John Coltrane (tenor saxophone), George Lane (Alto saxophone), Art Davis, Reggie Workman (bass), McCoy Tyner (piano), Freddie Hubbard (trumpet), George Lane (flute), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FktW86qGeY8"
    -referenceProduit: "ORG Music 1086-45"
    -titreMorceau: [
      [
        "nom" => "1. Olé (Part 1) "
        "ordre" => 1
      ]
      [
        "nom" => "2. Olé (Part 2)"
        "ordre" => 3
      ]
      [
        "nom" => "3. Dahomey Dance "
        "ordre" => 5
      ]
      [
        "nom" => "4. Aisha "
        "ordre" => 7
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
    -label: Proxies\__CG__\App\Entity\Label {#2068 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2077 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2070 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2072 …}
    -enregistreLe: DateTime @1622528367 {#2060
      date: 2021-06-01 06:19:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1625639266 {#2061
      date: 2021-07-07 06:27:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ole-coltrane-org-music-1086-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3291
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2063
    -id: 2051
    -nom: "Olé Coltrane"
    -informationComplementaire: ""
    -description: """
      Mastered from the original analog tapes and cut at 45 RPM by Bernie Grundman !\r\n
      \r\n
      180 gram vinyl pressing by Pallas in Germany !\r\n
      \r\n
      Engineered by Phil Ramone, featuring Freddie Hubbard on trumpet !\r\n
      \r\n
      John Coltrane's final album for Atlantic bookends the exploratory motifs he explores on his Impulse! debut, Africa / Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures. Bonding with an amazing band that includes pianist McCoy Tyner, drummer Elvin Jones, and an uncredited Eric Dolphy (due to contractual reasons), Coltrane welcomes improvisations and ranging outside conventional parameters, all the while retaining melodic beauty.\r\n
      \r\n
      Yet the biggest attraction on this 1961 effort comes via the double-bass interplay between Art Davis and Reggie Workman, whose back-and-forth exchanges produce heat and cause the leader to up his own game. Mastered from the original master tapes, this dead-quiet 180 gram 45 RPM double LP set presents each pluck of the acoustic basses with tremendous body and decay. Long overdue for audiophile treatment, Olé Coltrane is ready for its closeup, and how. \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Coltrane (soprano saxophone), John Coltrane (tenor saxophone), George Lane (Alto saxophone), Art Davis, Reggie Workman (bass), McCoy Tyner (piano), Freddie Hubbard (trumpet), George Lane (flute), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=FktW86qGeY8"
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        "nom" => "3. Dahomey Dance "
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        "nom" => "4. Aisha "
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        "ordre" => 0
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        "ordre" => 2
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        "nom" => "Side C : "
        "ordre" => 4
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        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
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[
  "produit" => App\Entity\Produit {#2082
    -id: 2045
    -nom: "Live At The Berlin Jazz Days 1980"
    -informationComplementaire: ""
    -description: """
      A duo album of the highest caliber ! U.S. alto saxophonist Lee Konitz's career encompasses the beginnings of bebop, the Birth of the Cool, mainstream as well as the avant-garde. Konitz has recorded with virtually every major modern jazz figure of the last 60 years, including Miles Davis, Charles Mingus, Gil Evans, and Brad Mehldau.\r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lee Konitz (alto saxophone), Martial Solal (piano)"
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=HXtMj-oiTF4"
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
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    }
    -modifierLe: DateTime @1625639123 {#2080
      date: 2021-07-07 06:25:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2093 …}
    -disponible: null
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    -slug: "vinyles-live-at-the-berlin-jazz-days-1980-mps-records-5571"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3342
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2082
    -id: 2045
    -nom: "Live At The Berlin Jazz Days 1980"
    -informationComplementaire: ""
    -description: """
      A duo album of the highest caliber ! U.S. alto saxophonist Lee Konitz's career encompasses the beginnings of bebop, the Birth of the Cool, mainstream as well as the avant-garde. Konitz has recorded with virtually every major modern jazz figure of the last 60 years, including Miles Davis, Charles Mingus, Gil Evans, and Brad Mehldau.\r\n
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      French pianist Martial Solal has been a major musical voice since the 1950's. The two have had a rich musical relationship since the 1960s. This live 1980 album was conceived in part as a "Lennie Tristano Memorial". Lee's studies and playing experience with the iconoclastic pianist left an indelible imprint on the saxophonist's concept, and Solal is the perfect partner for the project. A free-wheeling interpretation of the standard invitation is followed by "No. 317 East 32nd Street" Tristano's Manhattan address. Martial and Lee play the piece as if they were at one of Lennie's open-ended sessions, as they experiment with the musical possibilities.\r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lee Konitz (alto saxophone), Martial Solal (piano)"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
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    -modifierLe: DateTime @1625639123 {#2080
      date: 2021-07-07 06:25:23.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-live-at-the-berlin-jazz-days-1980-mps-records-5571"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
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[
  "produit" => App\Entity\Produit {#2101
    -id: 2061
    -nom: "Stormy Weather"
    -informationComplementaire: ""
    -description: """
      The Frog lets loose: Marathon 1965 Copenhagen show yields unforgettable bluesy and bop phrasing, ballads that come across as mini-symphonies !\r\n
      \r\n
      Tantalizing audiophile restoration series resurrects U.K. label Black Lion: Mastered at Bernie Grundman Studios by Chris Bellman and pressed at Pallas !\r\n
      \r\n
      EQ notes and curation performed by iconic engineer Steve Hoffman; LPs EQ'd and set up by Bernie Grundman !\r\n
      \r\n
      Conceived, designed, and manufactured for collectors and enthusiasts : Vinyl jacket features exclusive art !\r\n
      \r\n
      A few months after moving from America. That's the time it took a reinvigorated Ben Webster to conquer Cafe Montmarte, a Copenhagen stage, during a marathon performance in January 1965, the standout highlights from which are collected on this exhilarating release. Backed by pianist Kenny Drew and a rhythm section comprised of young European lions, the tenor saxophonist swings and stings through originals and standards, riffing off of bluesy and bop-themed phrases while blowing hard and heavy on uptempo pieces. On slower compositions, Webster turns each note into a mini-symphony, full of distinguished character and preeminent tonality. What a gas.\r\n
      \r\n
      Originally released by the U.K. label Black Lion, an imprint that specialized in resurrecting rare gems from U.S. jazz and blues legends, Stormy Weather stands as an unequivocal example of Webster's dynamic live prowess and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Orchestrated by ORG Music, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.\r\n
      \r\n
      Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180 gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about.\r\n
      \r\n
      Sure, the title may not be as widely known as some of Webster's other works, but it's a killer. And this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.\r\n
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Kenny Drew (piano), Nils Henning Orsted Pederson (bass), Alex Riel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=V_25vU4Rdeg"
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        "nom" => "1. I Can't Get Started "
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        "nom" => "Side A : "
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        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
    -label: Proxies\__CG__\App\Entity\Label {#2068 …}
    -style: App\Entity\Style {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3393
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2101
    -id: 2061
    -nom: "Stormy Weather"
    -informationComplementaire: ""
    -description: """
      The Frog lets loose: Marathon 1965 Copenhagen show yields unforgettable bluesy and bop phrasing, ballads that come across as mini-symphonies !\r\n
      \r\n
      Tantalizing audiophile restoration series resurrects U.K. label Black Lion: Mastered at Bernie Grundman Studios by Chris Bellman and pressed at Pallas !\r\n
      \r\n
      EQ notes and curation performed by iconic engineer Steve Hoffman; LPs EQ'd and set up by Bernie Grundman !\r\n
      \r\n
      Conceived, designed, and manufactured for collectors and enthusiasts : Vinyl jacket features exclusive art !\r\n
      \r\n
      A few months after moving from America. That's the time it took a reinvigorated Ben Webster to conquer Cafe Montmarte, a Copenhagen stage, during a marathon performance in January 1965, the standout highlights from which are collected on this exhilarating release. Backed by pianist Kenny Drew and a rhythm section comprised of young European lions, the tenor saxophonist swings and stings through originals and standards, riffing off of bluesy and bop-themed phrases while blowing hard and heavy on uptempo pieces. On slower compositions, Webster turns each note into a mini-symphony, full of distinguished character and preeminent tonality. What a gas.\r\n
      \r\n
      Originally released by the U.K. label Black Lion, an imprint that specialized in resurrecting rare gems from U.S. jazz and blues legends, Stormy Weather stands as an unequivocal example of Webster's dynamic live prowess and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Orchestrated by ORG Music, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.\r\n
      \r\n
      Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180 gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about.\r\n
      \r\n
      Sure, the title may not be as widely known as some of Webster's other works, but it's a killer. And this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.\r\n
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Kenny Drew (piano), Nils Henning Orsted Pederson (bass), Alex Riel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2103 …}
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[
  "produit" => App\Entity\Produit {#2117
    -id: 2054
    -nom: "Powerhouse"
    -informationComplementaire: ""
    -description: """
      First-ever vinyl LP reissue !\r\n
      \r\n
      Remastered by Mike Milchner at Sonic Vision !\r\n
      \r\n
      Lacquer cutting by Clint Holley and Dave Polster at Well Made Music !\r\n
      \r\n
      LPs pressed at Gotta Groove Records !\r\n
      \r\n
      Added liner notes by Pat Thomas, author of Listen Whitey ! The Sounds of Black Power !\r\n
      \r\n
      Chester Thompson is one of the most decorated and distinguished keyboardists in R&B and rock 'n' roll, let alone the San Francisco Bay area musical scene. Playing with legendary Bay area bands Tower of Power and Santana, Powerhouse was his 1971 recording debut as a bandleader.\r\n
      \r\n
      It's little wonder that this album, then, is one of the rarest and most coveted albums on the highly collectible Black Jazz Records label it's Thompson's debut record, cut a couple of years before he joined Tower of Power, with a smokin' band featuring fellow Black Jazz recording artist Rudolph Johnson on sax along with ace drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris). And, yes, Powerhouse comes by its title honestly... it's jazz, all right, but injected with a jolt of electricity courtesy of Thompson's Hammond B-3, and with just four tunes spread out over two sides, it's pretty much a nonstop groove.\r\n
      \r\n
      Newly remastered, and with liner notes featuring quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayeté that testify as to Chester Thompson's greatness, this is another long-lost triumph from the Black Jazz label. First-ever vinyl reissue !\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -modifierLe: DateTime @1622630200 {#2115
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App\Twig\Components\GestionPanierFavoriComponents {#3444
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2117
    -id: 2054
    -nom: "Powerhouse"
    -informationComplementaire: ""
    -description: """
      First-ever vinyl LP reissue !\r\n
      \r\n
      Remastered by Mike Milchner at Sonic Vision !\r\n
      \r\n
      Lacquer cutting by Clint Holley and Dave Polster at Well Made Music !\r\n
      \r\n
      LPs pressed at Gotta Groove Records !\r\n
      \r\n
      Added liner notes by Pat Thomas, author of Listen Whitey ! The Sounds of Black Power !\r\n
      \r\n
      Chester Thompson is one of the most decorated and distinguished keyboardists in R&B and rock 'n' roll, let alone the San Francisco Bay area musical scene. Playing with legendary Bay area bands Tower of Power and Santana, Powerhouse was his 1971 recording debut as a bandleader.\r\n
      \r\n
      It's little wonder that this album, then, is one of the rarest and most coveted albums on the highly collectible Black Jazz Records label it's Thompson's debut record, cut a couple of years before he joined Tower of Power, with a smokin' band featuring fellow Black Jazz recording artist Rudolph Johnson on sax along with ace drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris). And, yes, Powerhouse comes by its title honestly... it's jazz, all right, but injected with a jolt of electricity courtesy of Thompson's Hammond B-3, and with just four tunes spread out over two sides, it's pretty much a nonstop groove.\r\n
      \r\n
      Newly remastered, and with liner notes featuring quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayeté that testify as to Chester Thompson's greatness, this is another long-lost triumph from the Black Jazz label. First-ever vinyl reissue !\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chester Thompson (organ), Rudolph Johnson (saxophone), Al Hall (trombone), Raymond Pounds (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -disponible: null
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    -slug: "vinyles-powerhouse-real-gone-music-1202"
  }
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[
  "produit" => App\Entity\Produit {#2136
    -id: 2053
    -nom: "Billy Bang : Music From The Film Lucky Man "
    -informationComplementaire: ""
    -description: """
      "Bang was a genuine original, whose radicalism of method was always balanced by a powerful lyrical sense, a driving inner beat and the earthiness of the blues". - The Guardian\r\n
      \r\n
      BBE Music presents Lucky Man, music from the eponymous documentary film charting jazz violinist and Vietnam veteran Billy Bang's brave return to the country, 40 years after the war.\r\n
      \r\n
      The film Lucky Man by Jean-Marie Boulet & Markus Hansen follows Billy Bang as he returns to the battlefields of his past, this time with a violin in-hand instead of a rifle. The documentary follows Billy as he travels the length and breadth of Vietnam to collaborate with local musicians, discover the culture he never got to experience the first time around, and to try to find some closure for the haunting trauma that still lingers within.\r\n
      \r\n
      The trip took place in 2008, three years before Billy Bang's passing and these never-before released field recordings, lovingly polished at The Carvery studio in London, capture the musician's many poignant musical encounters along the way. The journey took him from Ho Chi Minh City and the Mekong Delta, through to the highlands and the Banhar and Jorai gongs of the Montagnards, north across the 17th parallel, climaxing with "Mystery of the Mekong", his collaboration with the Hanoi Symphony Orchestra.\r\n
      \r\n
      The album Lucky Man is composed of recordings captured throughout Billy Bang's travels in Vietnam, interspersed with his candid thoughts about music, art, war, and his return to the country. Tran Manh Tuan, the saxophonist featured on "Jungle Lullaby" is well known in Saigon, where he owns a club called Sax n'Art, in which the live collaboration was recorded. In the more rural Kon Tum province, The Banhar Gong Group of Kuntum perform one of their traditional pieces, over which Billy's off-the-cuff improvisation simply soars. The Phu Dong Family Band (a collective comprising an incredible 25 members of leader Duc Dau's family) appears on "New Saigon Phunk" and "Song for Don Cherry", recorded in their native Ho Chi Minh City. Duc Dau is also a collector of ancient traditional instruments, and he plays a primitive stone Lithophone called a Dan Da with Billy in an energetic and exciting live jam that feels more like a duel at points.Born in 1947, Billy Bang was only 18 years old when he was drafted and shipped out to Vietnam. He served only one tour of duty, but his traumatic experiences there would haunt him for the rest of his life. Small in stature, Bang became a "tunnel rat", searching for North Vietnamese soldiers in booby-trapped tunnels with only a flashlight and a .45 pistol. On his return to the USA, Billy felt lost, haunted and stateless. He fell into revolutionary politics, alcohol and drugs, and on a trip to a pawnshop to purchase guns, chose to pick up up a $25 violin instead.\r\n
      \r\n
      Having played violin, drums and flute before the War, Billy Bang found music to be a perfect medium through which to channel his emotions and trauma, initially under the mentorship of early free-jazz exponent Leroy Jenkins. Bang soon became a fixture in New York's fertile "loft jazz" scene, and went on to perform with the Sun Ra Arkestra in the 1980s.\r\n
      \r\n
      A prolific composer, recording artist and sideman, Billy Bang started to address his Vietnam memories more directly with his music on 2001's critically acclaimed album Vietnam, The Aftermath, which also featured fellow veteran Ted Daniel. The 2005 follow-up Vietnam: Reflections featured four American Vietnam war veterans and two Vietnamese musicians. This project, Lucky Man, completes Billy Bang's trilogy of Vietnam-themed works with a courageous solo voyage into the unknown; embarking on a new creative challenge while confronting a past he could never quite get over.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=X8m0z_pP9q4"
    -referenceProduit: "BBE 650"
    -titreMorceau: [
      [
        "nom" => "1. Lucky Man : Billy reflecting on memories and feelings "
        "ordre" => 13
      ]
      [
        "nom" => "1. Lucky Man : Flashback Memories "
        "ordre" => 9
      ]
      [
        "nom" => "1. Lucky Man : Flashlight and a 45 Tunnel Memories "
        "ordre" => 20
      ]
      [
        "nom" => "1. Lucky Man : Introduction "
        "ordre" => 1
      ]
      [
        "nom" => "1. Lucky Man : Quynh Anh Pham's memories about her father "
        "ordre" => 16
      ]
      [
        "nom" => "1. Lucky Man : The Sun Rising - Introduction to Song for Don Cherry "
        "ordre" => 6
      ]
      [
        "nom" => "2. Billy playing with the Banhar Gong Group of Kuntum (traditional and improvised) "
        "ordre" => 2
      ]
      [
        "nom" => "2. Dan Da "
        "ordre" => 17
      ]
      [
        "nom" => "2. Jungle Lullaby"
        "ordre" => 14
      ]
      [
        "nom" => "2. Lucky Man Title Music : Vietnam 1967 Battle Composition "
        "ordre" => 21
      ]
      [
        "nom" => "2. New Saigon Phunk "
        "ordre" => 10
      ]
      [
        "nom" => "2. Song for Don Cherry"
        "ordre" => 7
      ]
      [
        "nom" => "3. Lucky Man : Billy speaking about music and art "
        "ordre" => 18
      ]
      [
        "nom" => "3. Lucky Man : Flashback Tunnel Reflections "
        "ordre" => 3
      ]
      [
        "nom" => "3. Lucky Man : Teach Me Banhar "
        "ordre" => 22
      ]
      [
        "nom" => "3. Lucky Man : Traditional Vietnamese Catru Music "
        "ordre" => 11
      ]
      [
        "nom" => "4. Mystery of the Mekong "
        "ordre" => 4
      ]
      [
        "nom" => "4. Traditional Quan Ho "
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      ]
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        "nom" => "5. Lucky Man : Billy reflecting on America, music and being left alone "
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3495
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2136
    -id: 2053
    -nom: "Billy Bang : Music From The Film Lucky Man "
    -informationComplementaire: ""
    -description: """
      "Bang was a genuine original, whose radicalism of method was always balanced by a powerful lyrical sense, a driving inner beat and the earthiness of the blues". - The Guardian\r\n
      \r\n
      BBE Music presents Lucky Man, music from the eponymous documentary film charting jazz violinist and Vietnam veteran Billy Bang's brave return to the country, 40 years after the war.\r\n
      \r\n
      The film Lucky Man by Jean-Marie Boulet & Markus Hansen follows Billy Bang as he returns to the battlefields of his past, this time with a violin in-hand instead of a rifle. The documentary follows Billy as he travels the length and breadth of Vietnam to collaborate with local musicians, discover the culture he never got to experience the first time around, and to try to find some closure for the haunting trauma that still lingers within.\r\n
      \r\n
      The trip took place in 2008, three years before Billy Bang's passing and these never-before released field recordings, lovingly polished at The Carvery studio in London, capture the musician's many poignant musical encounters along the way. The journey took him from Ho Chi Minh City and the Mekong Delta, through to the highlands and the Banhar and Jorai gongs of the Montagnards, north across the 17th parallel, climaxing with "Mystery of the Mekong", his collaboration with the Hanoi Symphony Orchestra.\r\n
      \r\n
      The album Lucky Man is composed of recordings captured throughout Billy Bang's travels in Vietnam, interspersed with his candid thoughts about music, art, war, and his return to the country. Tran Manh Tuan, the saxophonist featured on "Jungle Lullaby" is well known in Saigon, where he owns a club called Sax n'Art, in which the live collaboration was recorded. In the more rural Kon Tum province, The Banhar Gong Group of Kuntum perform one of their traditional pieces, over which Billy's off-the-cuff improvisation simply soars. The Phu Dong Family Band (a collective comprising an incredible 25 members of leader Duc Dau's family) appears on "New Saigon Phunk" and "Song for Don Cherry", recorded in their native Ho Chi Minh City. Duc Dau is also a collector of ancient traditional instruments, and he plays a primitive stone Lithophone called a Dan Da with Billy in an energetic and exciting live jam that feels more like a duel at points.Born in 1947, Billy Bang was only 18 years old when he was drafted and shipped out to Vietnam. He served only one tour of duty, but his traumatic experiences there would haunt him for the rest of his life. Small in stature, Bang became a "tunnel rat", searching for North Vietnamese soldiers in booby-trapped tunnels with only a flashlight and a .45 pistol. On his return to the USA, Billy felt lost, haunted and stateless. He fell into revolutionary politics, alcohol and drugs, and on a trip to a pawnshop to purchase guns, chose to pick up up a $25 violin instead.\r\n
      \r\n
      Having played violin, drums and flute before the War, Billy Bang found music to be a perfect medium through which to channel his emotions and trauma, initially under the mentorship of early free-jazz exponent Leroy Jenkins. Bang soon became a fixture in New York's fertile "loft jazz" scene, and went on to perform with the Sun Ra Arkestra in the 1980s.\r\n
      \r\n
      A prolific composer, recording artist and sideman, Billy Bang started to address his Vietnam memories more directly with his music on 2001's critically acclaimed album Vietnam, The Aftermath, which also featured fellow veteran Ted Daniel. The 2005 follow-up Vietnam: Reflections featured four American Vietnam war veterans and two Vietnamese musicians. This project, Lucky Man, completes Billy Bang's trilogy of Vietnam-themed works with a courageous solo voyage into the unknown; embarking on a new creative challenge while confronting a past he could never quite get over.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=X8m0z_pP9q4"
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      [
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      [
        "nom" => "2. Billy playing with the Banhar Gong Group of Kuntum (traditional and improvised) "
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        "nom" => "2. Jungle Lullaby"
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      ]
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        "nom" => "2. Lucky Man Title Music : Vietnam 1967 Battle Composition "
        "ordre" => 21
      ]
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        "ordre" => 10
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      ]
      [
        "nom" => "3. Lucky Man : Billy speaking about music and art "
        "ordre" => 18
      ]
      [
        "nom" => "3. Lucky Man : Flashback Tunnel Reflections "
        "ordre" => 3
      ]
      [
        "nom" => "3. Lucky Man : Teach Me Banhar "
        "ordre" => 22
      ]
      [
        "nom" => "3. Lucky Man : Traditional Vietnamese Catru Music "
        "ordre" => 11
      ]
      [
        "nom" => "4. Mystery of the Mekong "
        "ordre" => 4
      ]
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        "nom" => "4. Traditional Quan Ho "
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      [
        "nom" => "5. Lucky Man : Billy reflecting on America, music and being left alone "
        "ordre" => 24
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      [
        "nom" => "6. Moments for the KIAMIA, Solo in a Hotel interior courtyard "
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        "nom" => "Side A : "
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        "nom" => "Side C : "
        "ordre" => 8
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        "ordre" => 12
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        "ordre" => 19
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2150 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2143 …}
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    -modifierLe: DateTime @1622629131 {#2134
      date: 2021-06-02 10:18:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-billy-bang-music-from-the-film-lucky-man-bbe-650"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2155
    -id: 1986
    -nom: "Moanin'"
    -informationComplementaire: ""
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958's Moanin' featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt was the perfect crystallization of the band's bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin' due to the popularity of Timmons' unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including "Along Came Betty" and "Blues March".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xbBVY3oZC5c"
    -referenceProduit: "Blue Note Records 84003"
    -titreMorceau: [
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        "nom" => "1. Moanin'"
        "ordre" => 1
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      [
        "nom" => "1. The Drum Thunder Suite"
        "ordre" => 5
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      [
        "nom" => "2. Are You Real"
        "ordre" => 2
      ]
      [
        "nom" => "2. Blues March"
        "ordre" => 6
      ]
      [
        "nom" => "3. Along Came Betty"
        "ordre" => 3
      ]
      [
        "nom" => "3. Come Rain or Come Shine"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
    -label: Proxies\__CG__\App\Entity\Label {#2160 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …}
    -enregistreLe: DateTime @1613471146 {#2152
      date: 2021-02-16 10:25:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621866995 {#2153
      date: 2021-05-24 14:36:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moanin-blue-note-records-84003"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3546
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2155
    -id: 1986
    -nom: "Moanin'"
    -informationComplementaire: ""
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958's Moanin' featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt was the perfect crystallization of the band's bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin' due to the popularity of Timmons' unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including "Along Came Betty" and "Blues March".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xbBVY3oZC5c"
    -referenceProduit: "Blue Note Records 84003"
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        "ordre" => 0
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      [
        "nom" => "Side B : "
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
    -label: Proxies\__CG__\App\Entity\Label {#2160 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …}
    -typeMasterTape: null
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      date: 2021-02-16 10:25:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621866995 {#2153
      date: 2021-05-24 14:36:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moanin-blue-note-records-84003"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2174
    -id: 406
    -nom: "Whistle Stop"
    -informationComplementaire: "OUT OF PRINT ! 45 RPM Limited Edition N° 1736"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "These are simply amazing pressings. I have no regrets whatsoever about signing up for this subscription. The folks I'd invited over last Saturday are by no means audiophiles, but they couldn't believe that they were listening to vinyl, or that recordings that were 40+ years old could sound so good. I'm working hard to turn them into vinyl converts. These discs are the icing on the cake !" – Tim Bingaman, Acoustic Sounds customer\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
      "...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 RPM pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good ! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 RPM, clean your stylus occassionally, and get ready to be transported to nirvana". - Dan Babineau, Tone Audio, N° 14 2008, www.tonepublications.com\r\n
      \r\n
      Rightfully considered one of Kenny Dorham's best, this album features great originals and great trumpet playing. The superb cast consists of Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. The title tune and "Philly Twist" are often heard, but the entire album represents a great composing achievement for KD.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EMpkHkvDBMY"
    -referenceProduit: "ABNJ 84063"
    -titreMorceau: [
      [
        "nom" => "1. Philly Twist"
        "ordre" => 1
      ]
      [
        "nom" => "1. Sunset"
        "ordre" => 4
      ]
      [
        "nom" => "1. Whistle Stop"
        "ordre" => 6
      ]
      [
        "nom" => "1. Windmill"
        "ordre" => 9
      ]
      [
        "nom" => "2. Buffalo"
        "ordre" => 2
      ]
      [
        "nom" => "2. Dorham's Epitaph"
        "ordre" => 10
      ]
      [
        "nom" => "2. Sunrise in Mexico"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
    -enregistreLe: DateTime @1291928459 {#2171
      date: 2010-12-09 21:00:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621598735 {#2172
      date: 2021-05-21 12:05:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-abnj-84063"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3597
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2174
    -id: 406
    -nom: "Whistle Stop"
    -informationComplementaire: "OUT OF PRINT ! 45 RPM Limited Edition N° 1736"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "These are simply amazing pressings. I have no regrets whatsoever about signing up for this subscription. The folks I'd invited over last Saturday are by no means audiophiles, but they couldn't believe that they were listening to vinyl, or that recordings that were 40+ years old could sound so good. I'm working hard to turn them into vinyl converts. These discs are the icing on the cake !" – Tim Bingaman, Acoustic Sounds customer\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
      "...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 RPM pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good ! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 RPM, clean your stylus occassionally, and get ready to be transported to nirvana". - Dan Babineau, Tone Audio, N° 14 2008, www.tonepublications.com\r\n
      \r\n
      Rightfully considered one of Kenny Dorham's best, this album features great originals and great trumpet playing. The superb cast consists of Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. The title tune and "Philly Twist" are often heard, but the entire album represents a great composing achievement for KD.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EMpkHkvDBMY"
    -referenceProduit: "ABNJ 84063"
    -titreMorceau: [
      [
        "nom" => "1. Philly Twist"
        "ordre" => 1
      ]
      [
        "nom" => "1. Sunset"
        "ordre" => 4
      ]
      [
        "nom" => "1. Whistle Stop"
        "ordre" => 6
      ]
      [
        "nom" => "1. Windmill"
        "ordre" => 9
      ]
      [
        "nom" => "2. Buffalo"
        "ordre" => 2
      ]
      [
        "nom" => "2. Dorham's Epitaph"
        "ordre" => 10
      ]
      [
        "nom" => "2. Sunrise in Mexico"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
    -enregistreLe: DateTime @1291928459 {#2171
      date: 2010-12-09 21:00:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621598735 {#2172
      date: 2021-05-21 12:05:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-abnj-84063"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2190
    -id: 1973
    -nom: "Passing Ships"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone), Dizzy Reece, Woody Shaw (trumpet), Lenny White (drums).\r\n
      \r\n
      - Double LP, 180 gram\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape\r\n
      \r\n
      - Plated and pressed at RTI\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Andrew Hill is one of the most distinctive pianists, composers in jazz. Recorded in 1969, this album sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_RbmeL_amO8"
    -referenceProduit: "Blue Note Tone Poet Series 87401"
    -titreMorceau: [
      [
        "nom" => "1. Cascade "
        "ordre" => 8
      ]
      [
        "nom" => "1. Noon Tide "
        "ordre" => 5
      ]
      [
        "nom" => "1. Sideways"
        "ordre" => 1
      ]
      [
        "nom" => "2. Passing Ships "
        "ordre" => 2
      ]
      [
        "nom" => "2. The Brown Queen"
        "ordre" => 6
      ]
      [
        "nom" => "2. Tomorrow"
        "ordre" => 9
      ]
      [
        "nom" => "3. Plantation Bag"
        "ordre" => 3
      ]
      [
        "nom" => "Face D : "
        "ordre" => 10
      ]
      [
        "nom" => "Face D blank"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2195 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2199 …}
    -enregistreLe: DateTime @1610637836 {#2187
      date: 2021-01-14 15:23:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1620898320 {#2188
      date: 2021-05-13 09:32:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-passing-ships-blue-note-tone-poet-series-87401"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3648
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2190
    -id: 1973
    -nom: "Passing Ships"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone), Dizzy Reece, Woody Shaw (trumpet), Lenny White (drums).\r\n
      \r\n
      - Double LP, 180 gram\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape\r\n
      \r\n
      - Plated and pressed at RTI\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Andrew Hill is one of the most distinctive pianists, composers in jazz. Recorded in 1969, this album sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_RbmeL_amO8"
    -referenceProduit: "Blue Note Tone Poet Series 87401"
    -titreMorceau: [
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        "nom" => "1. Cascade "
        "ordre" => 8
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      [
        "nom" => "1. Noon Tide "
        "ordre" => 5
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      [
        "nom" => "1. Sideways"
        "ordre" => 1
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      [
        "nom" => "2. Passing Ships "
        "ordre" => 2
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      [
        "nom" => "2. The Brown Queen"
        "ordre" => 6
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      [
        "nom" => "2. Tomorrow"
        "ordre" => 9
      ]
      [
        "nom" => "3. Plantation Bag"
        "ordre" => 3
      ]
      [
        "nom" => "Face D : "
        "ordre" => 10
      ]
      [
        "nom" => "Face D blank"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2195 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2199 …}
    -enregistreLe: DateTime @1610637836 {#2187
      date: 2021-01-14 15:23:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1620898320 {#2188
      date: 2021-05-13 09:32:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-passing-ships-blue-note-tone-poet-series-87401"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2211
    -id: 1930
    -nom: "Chet Baker Sings : It Could Happen To You"
    -informationComplementaire: ""
    -description: """
      180 gram Vinyl LP Reissue Cut from the Original Analog Masters by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      Few musicians have embodied the romantic and ultimately tragic jazz figure as totally as Chet Baker. Unschooled yet eloquent in his music, and a fast-liver who survived for nearly six decades, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenious approaches to jazz singing. The Los Angeles-based musician rose to fame in the early '50s, playing with established artists like Charlie Parker, Gerry Mulligan and pianist Russ Freeman partnerships which would solidify his status as a major jazz star. By the end of the decade, when he signed a four-album deal with the New York-based label Riverside, Baker had become known for his trademark West Coast "cool jazz" style. However, these recordings which paired the artist with some of the best East Coast players demonstrate Baker's versatility as a modern trumpeter who could play with even the hardest boppers.\r\n
      \r\n
      Baker's 1958 recording session debut for Riverside, which resulted in the album release (Chet Baker Sings) It Could Happen To You, offers a modern, hipper take on standards like "Old Devil Moon", "You're Driving Me Crazy", and "How Long Has This Been Going On ?" Baker's only album for Riverside not produced by the label's co-founder, Orrin Keepnews (who initially objected to his partner Bill Grauer's unilateral signing of Baker), the essential Chet Baker Sings is unique in that the nimble artist sets aside his trumpet in several of the tracks, using only his vocals and even scatting some of the improvised solos in a style that sounds very much like his lyrical trumpet playing. \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chet Baker (trumpet), Kenny Drew (piano), George Morrow, Sam Jones (bass), Philly Joe Jones, Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=h8nogpQr6so"
    -referenceProduit: "Craft Recordings 0357"
    -titreMorceau: [
      [
        "nom" => "1. Do It The Hard Way "
        "ordre" => 1
      ]
      [
        "nom" => "1. The More I See You "
        "ordre" => 7
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        "ordre" => 8
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      [
        "nom" => "2. I'm Old Fashioned "
        "ordre" => 2
      ]
      [
        "nom" => "3. Dancing On The Ceiling "
        "ordre" => 9
      ]
      [
        "nom" => "3. You're Driving Me Crazy "
        "ordre" => 3
      ]
      [
        "nom" => "4. How Long Has This Been Going On ?"
        "ordre" => 10
      ]
      [
        "nom" => "4. It Could Happen To You "
        "ordre" => 4
      ]
      [
        "nom" => "5. My Heart Stood Still "
        "ordre" => 5
      ]
      [
        "nom" => "5. Old Devil Moon"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …}
    -enregistreLe: DateTime @1601534357 {#2207
      date: 2020-10-01 06:39:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1617522412 {#2206
      date: 2021-04-04 07:46:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chet-baker-sings-it-could-happen-to-you-craft-recordings-0357"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3699
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2211
    -id: 1930
    -nom: "Chet Baker Sings : It Could Happen To You"
    -informationComplementaire: ""
    -description: """
      180 gram Vinyl LP Reissue Cut from the Original Analog Masters by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      Few musicians have embodied the romantic and ultimately tragic jazz figure as totally as Chet Baker. Unschooled yet eloquent in his music, and a fast-liver who survived for nearly six decades, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenious approaches to jazz singing. The Los Angeles-based musician rose to fame in the early '50s, playing with established artists like Charlie Parker, Gerry Mulligan and pianist Russ Freeman partnerships which would solidify his status as a major jazz star. By the end of the decade, when he signed a four-album deal with the New York-based label Riverside, Baker had become known for his trademark West Coast "cool jazz" style. However, these recordings which paired the artist with some of the best East Coast players demonstrate Baker's versatility as a modern trumpeter who could play with even the hardest boppers.\r\n
      \r\n
      Baker's 1958 recording session debut for Riverside, which resulted in the album release (Chet Baker Sings) It Could Happen To You, offers a modern, hipper take on standards like "Old Devil Moon", "You're Driving Me Crazy", and "How Long Has This Been Going On ?" Baker's only album for Riverside not produced by the label's co-founder, Orrin Keepnews (who initially objected to his partner Bill Grauer's unilateral signing of Baker), the essential Chet Baker Sings is unique in that the nimble artist sets aside his trumpet in several of the tracks, using only his vocals and even scatting some of the improvised solos in a style that sounds very much like his lyrical trumpet playing. \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Chet Baker (trumpet), Kenny Drew (piano), George Morrow, Sam Jones (bass), Philly Joe Jones, Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=h8nogpQr6so"
    -referenceProduit: "Craft Recordings 0357"
    -titreMorceau: [
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        "nom" => "1. Do It The Hard Way "
        "ordre" => 1
      ]
      [
        "nom" => "1. The More I See You "
        "ordre" => 7
      ]
      [
        "nom" => "2. Everything Happens To Me "
        "ordre" => 8
      ]
      [
        "nom" => "2. I'm Old Fashioned "
        "ordre" => 2
      ]
      [
        "nom" => "3. Dancing On The Ceiling "
        "ordre" => 9
      ]
      [
        "nom" => "3. You're Driving Me Crazy "
        "ordre" => 3
      ]
      [
        "nom" => "4. How Long Has This Been Going On ?"
        "ordre" => 10
      ]
      [
        "nom" => "4. It Could Happen To You "
        "ordre" => 4
      ]
      [
        "nom" => "5. My Heart Stood Still "
        "ordre" => 5
      ]
      [
        "nom" => "5. Old Devil Moon"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2213 …}
    -label: Proxies\__CG__\App\Entity\Label {#2216 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2225 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2218 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2220 …}
    -enregistreLe: DateTime @1601534357 {#2207
      date: 2020-10-01 06:39:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1617522412 {#2206
      date: 2021-04-04 07:46:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2222 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-chet-baker-sings-it-could-happen-to-you-craft-recordings-0357"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2230
    -id: 1185
    -nom: "Ripples (Echoes Of Dreams)  (Limited Edition LP + 7 Inch LP)"
    -informationComplementaire: ""
    -description: """
      LP plus bonus 7-inch record !\n
      \n
      Bonus 7-inch contains "Imagine" and "The First Time Ever I Saw Your Face" !\n
      \n
      Ripples (Echoes of Dreams) shows another perspective on jazz singer Malia's 2004 album Echoes of Dreams it's not a remake in the usual sense, but a highly emotional commitment of the British-African musician to her roots, coupled with the experience from the previous albums.\n
      \n
      Carefully accompanied by pianist Alexandre Saada and his arrangements for a string trio, Malia has radically gutted her own work from playful pop jazz at the beginning of her career to a blues and soul-soaked sound that more than ever relies on the power of her voice.\n
      \n
      "Sometimes life gives you a chance to realign", says Malia, about the motives to explore the echoes of her dreams in a musical way. "I feel that I often have a better understanding of my lyrics today than when I wrote them. With the experiences I've lived through, including the hard times, I've had a strong inner desire to re-work the songs".\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Malia (vocals), Alexandre Saada (piano), Bruno Ducret (cello), Marina Capstick (viola), Sylvain Rabi violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ocs-ep9Wqc4"
    -referenceProduit: "MPS 2740"
    -titreMorceau: [
      [
        "nom" => "1. Imagine"
        "ordre" => 16
      ]
      [
        "nom" => "1. Mary Mary "
        "ordre" => 9
      ]
      [
        "nom" => "1. The First Time Ever I Saw Your Face"
        "ordre" => 18
      ]
      [
        "nom" => "1. Unfastened "
        "ordre" => 1
      ]
      [
        "nom" => "2. Maddy "
        "ordre" => 2
      ]
      [
        "nom" => "2. My Love \t"
        "ordre" => 10
      ]
      [
        "nom" => "3. Little Darling "
        "ordre" => 3
      ]
      [
        "nom" => "3. Unfolding "
        "ordre" => 11
      ]
      [
        "nom" => "4. After The Love "
        "ordre" => 4
      ]
      [
        "nom" => "4. Man In Your Eyes "
        "ordre" => 12
      ]
      [
        "nom" => "5. Echoes of Dreams "
        "ordre" => 5
      ]
      [
        "nom" => "5. I Miss You"
        "ordre" => 13
      ]
      [
        "nom" => "6. Little Bee "
        "ordre" => 6
      ]
      [
        "nom" => "7. Little Sparrow"
        "ordre" => 7
      ]
      [
        "nom" => "Bonus 7 Inch LP"
        "ordre" => 14
      ]
      [
        "nom" => "Side A : "
        "ordre" => 15
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 17
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …}
    -label: Proxies\__CG__\App\Entity\Label {#2087 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …}
    -enregistreLe: DateTime @1498285984 {#2227
      date: 2017-06-24 06:33:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1613807518 {#2228
      date: 2021-02-20 07:51:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ripples-echoes-of-dreams-limited-edition-lp-7-inch-lp-mps-2740"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3750
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2230
    -id: 1185
    -nom: "Ripples (Echoes Of Dreams)  (Limited Edition LP + 7 Inch LP)"
    -informationComplementaire: ""
    -description: """
      LP plus bonus 7-inch record !\n
      \n
      Bonus 7-inch contains "Imagine" and "The First Time Ever I Saw Your Face" !\n
      \n
      Ripples (Echoes of Dreams) shows another perspective on jazz singer Malia's 2004 album Echoes of Dreams it's not a remake in the usual sense, but a highly emotional commitment of the British-African musician to her roots, coupled with the experience from the previous albums.\n
      \n
      Carefully accompanied by pianist Alexandre Saada and his arrangements for a string trio, Malia has radically gutted her own work from playful pop jazz at the beginning of her career to a blues and soul-soaked sound that more than ever relies on the power of her voice.\n
      \n
      "Sometimes life gives you a chance to realign", says Malia, about the motives to explore the echoes of her dreams in a musical way. "I feel that I often have a better understanding of my lyrics today than when I wrote them. With the experiences I've lived through, including the hard times, I've had a strong inner desire to re-work the songs".\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Malia (vocals), Alexandre Saada (piano), Bruno Ducret (cello), Marina Capstick (viola), Sylvain Rabi violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ocs-ep9Wqc4"
    -referenceProduit: "MPS 2740"
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        "nom" => "1. The First Time Ever I Saw Your Face"
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        "ordre" => 11
      ]
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        "ordre" => 4
      ]
      [
        "nom" => "4. Man In Your Eyes "
        "ordre" => 12
      ]
      [
        "nom" => "5. Echoes of Dreams "
        "ordre" => 5
      ]
      [
        "nom" => "5. I Miss You"
        "ordre" => 13
      ]
      [
        "nom" => "6. Little Bee "
        "ordre" => 6
      ]
      [
        "nom" => "7. Little Sparrow"
        "ordre" => 7
      ]
      [
        "nom" => "Bonus 7 Inch LP"
        "ordre" => 14
      ]
      [
        "nom" => "Side A : "
        "ordre" => 15
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 17
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2232 …}
    -label: Proxies\__CG__\App\Entity\Label {#2087 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …}
    -enregistreLe: DateTime @1498285984 {#2227
      date: 2017-06-24 06:33:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1613807518 {#2228
      date: 2021-02-20 07:51:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ripples-echoes-of-dreams-limited-edition-lp-7-inch-lp-mps-2740"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3951
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3952 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4000 …}
  +isValidated: false
  +validatedFields: []
}