Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2527
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2374 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2604
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2607 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2606 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1829 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2374 …}
  -formView: Symfony\Component\Form\FormView {#2643 …}
  -form: Symfony\Component\Form\Form {#2793 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1855
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Sweet Dulcinea"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Martina"
      ]
      [
        "ordre" => 4
        "nom" => "2. Second Time Around"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. A Child Is Born"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Bass Face"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1916 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2017 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1919 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2005 …}
    -enregistreLe: DateTime @1767808111 {#1851
      date: 2026-01-07 17:48:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775138410 {#1896
      date: 2026-04-02 14:00:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2011 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-quintessence-analogue-productions-aapj-208-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3080
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2606 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1829 …}
  +produit: App\Entity\Produit {#1855
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Sweet Dulcinea"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Martina"
      ]
      [
        "ordre" => 4
        "nom" => "2. Second Time Around"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. A Child Is Born"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Bass Face"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
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      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1916 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2017 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1919 …}
    -typeMasterTape: null
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    -enregistreLe: DateTime @1767808111 {#1851
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    }
    -modifierLe: DateTime @1775138410 {#1896
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2011 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-quintessence-analogue-productions-aapj-208-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2374 …}
}

[
  "produit" => App\Entity\Produit {#2034
    -id: 2028
    -nom: "Everybody Digs Bill Evan"
    -informationComplementaire: null
    -description: """
      - Bill Evans "Everybody Digs Bill Evans" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection ! \r\n
      \r\n
      The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history : The Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied). With this record, the jazz public began to follow their lead.\r\n
      \r\n
      Here, joined by bassist Sam Jones and drummer Philly Joe Jones, Evans delivers some of his most fluid, swinging trio performances elegant, lyrical, and rhythmically alive. Yet it's the solo improvisation "Peace Piece" that forever marked his arrival. Built on two hypnotic chords, it unfolds with a quiet intensity that feels both spontaneous and transcendent a glimpse into the meditative, deeply personal world Evans would explore for the rest of his career.\r\n
      \r\n
      For collectors, Everybody Digs Bill Evans captures that pivotal moment when a brilliant accompanist became an icon in his own right. It's the bridge between promise and legend, a record that doesn't just showcase Evans' genius it invites you into it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano), Sam Jones (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3Ny3xNW28lA&list=RD3Ny3xNW28lA&start_radio=1"
    -referenceProduit: "Analogue Productions AJAZ 1129"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Minority"
      ]
      [
        "ordre" => 1
        "nom" => "2. Young And Foolish"
      ]
      [
        "ordre" => 2
        "nom" => "3. Lucky To Be Me"
      ]
      [
        "ordre" => 3
        "nom" => "4. Night And Day"
      ]
      [
        "ordre" => 4
        "nom" => "5. Epilogue"
      ]
      [
        "ordre" => 5
        "nom" => "6. Tenderly"
      ]
      [
        "ordre" => 6
        "nom" => "7. Peace Piece"
      ]
      [
        "ordre" => 7
        "nom" => "8. What Is There To Say ?"
      ]
      [
        "ordre" => 8
        "nom" => "9. Oleo"
      ]
      [
        "ordre" => 9
        "nom" => "10. Epilogue"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1916 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2042 …}
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    }
    -modifierLe: DateTime @1764927708 {#2032
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2039 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-everybody-digs-bill-evan-analogue-productions-ajaz-1129"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3171
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2606 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1829 …}
  +produit: App\Entity\Produit {#2034
    -id: 2028
    -nom: "Everybody Digs Bill Evan"
    -informationComplementaire: null
    -description: """
      - Bill Evans "Everybody Digs Bill Evans" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection ! \r\n
      \r\n
      The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history : The Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied). With this record, the jazz public began to follow their lead.\r\n
      \r\n
      Here, joined by bassist Sam Jones and drummer Philly Joe Jones, Evans delivers some of his most fluid, swinging trio performances elegant, lyrical, and rhythmically alive. Yet it's the solo improvisation "Peace Piece" that forever marked his arrival. Built on two hypnotic chords, it unfolds with a quiet intensity that feels both spontaneous and transcendent a glimpse into the meditative, deeply personal world Evans would explore for the rest of his career.\r\n
      \r\n
      For collectors, Everybody Digs Bill Evans captures that pivotal moment when a brilliant accompanist became an icon in his own right. It's the bridge between promise and legend, a record that doesn't just showcase Evans' genius it invites you into it.
      """
    -prixVente: "99.50"
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        "nom" => "8. What Is There To Say ?"
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        "ordre" => 11
        "nom" => ""
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        "nom" => ""
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    -artiste: App\Entity\Artiste {#1063 …}
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[
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    -id: 2291
    -nom: "Riverside Recordings - (Box Set 22 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Here it is : The Audiophile Jazz Fan's box set to end all box sets All Of Bill Evans' Riverside releases cut at 45 RPM PLUS The Cannonball Adderley Know What I Mean? release for which Evans was such an important contributor !\r\n
      \r\n
      "hese are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase".\r\n
      - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      Of everything Analogue Productions has reissued, nothing has come close in sales or accolades to the 45 RPM versions of Bill Evans titles from his Riverside catalog. And now we've compiled all of them into one irresistible box set package. Includes facsimiles of each original jacket along with an 18-page booklet detailing Evans' career and Riverside era.\r\n
      \r\n
      Titles Included: New Jazz Conceptions, Everybody Digs Bill Evans, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Moonbeams, Know What I Mean ?, Interplay, How My Heart Sings! and At Shelly's Manne-Hole.\r\n
      \r\n
      Now pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      Mastered by Steve Hoffman & Kevin Gray at AcousTech Mastering AAA analog from original  master tapes !
      """
    -prixVente: "1299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: null
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    -referenceProduit: "Analogue Productions AAPJ 0018"
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        "ordre" => 0
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        "ordre" => 1
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        "nom" => "1. Minority (Gigi Gryce)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Young And Foolish (Horwit-Hague)"
        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
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        "nom" => "1. Lucky To Be Me (Comden, Green-Bernstein)"
        "ordre" => 5
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        "nom" => "2. Night And Day (Cole Porter)"
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        "nom" => "Side D : "
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        "nom" => "LP 2 - Explorations "
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      [
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      [
        "nom" => "1. Israel (John Carisi)"
        "ordre" => 17
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      [
        "nom" => "2. Haunted Heart (Deitz-Schwartz)"
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      [
        "nom" => "Side B : "
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      ]
      [
        "nom" => "1. Beautiful Love (Gillespie-King-Van Alstyne-Young)"
        "ordre" => 20
      ]
      [
        "nom" => "2. Elsa (Earl Zindars)"
        "ordre" => 21
      ]
      [
        "nom" => "Side C : "
        "ordre" => 22
      ]
      [
        "nom" => "1. Nardis (Miles Davis)"
        "ordre" => 23
      ]
      [
        "nom" => "2. How Deep Is The Ocean ? (Irving Berlin)"
        "ordre" => 24
      ]
      [
        "nom" => "Side D : "
        "ordre" => 25
      ]
      [
        "nom" => "1. I Wish I Knew (Gordon-Warren)"
        "ordre" => 26
      ]
      [
        "nom" => "2. Sweet and Lovely (Arnheim-Tobias-Lemare)"
        "ordre" => 27
      ]
      [
        "nom" => "LP 3 - Portrait In Jazz "
        "ordre" => 28
      ]
      [
        "nom" => "Side A : "
        "ordre" => 29
      ]
      [
        "nom" => "1. Come Rain Or Come Shine (Mercer-Arlen)"
        "ordre" => 30
      ]
      [
        "nom" => "2. Autumn Leaves (Mercer-Kosmo-Prevert)"
        "ordre" => 31
      ]
      [
        "nom" => "Side B : "
        "ordre" => 32
      ]
      [
        "nom" => "1. Witchcraft (Leigh-Coleman)"
        "ordre" => 33
      ]
      [
        "nom" => "2. When I Fall In Love (Heyman-Young)"
        "ordre" => 34
      ]
      [
        "nom" => "3. Peri`s Scope (Bill Evans)"
        "ordre" => 35
      ]
      [
        "nom" => "Side C : "
        "ordre" => 36
      ]
      [
        "nom" => "1. What Is This Thing Called Love ? (Cole Porter)"
        "ordre" => 37
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      [
        "nom" => "2. Spring Is Here (Rodgers & Hart)"
        "ordre" => 38
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      [
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      [
        "nom" => "1. Some Day My Prince Will Come (Morey-Churchill)a"
        "ordre" => 40
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      [
        "nom" => "2. Blue In Green (Davis-Evans)"
        "ordre" => 41
      ]
      [
        "nom" => "LP 4 - At Shelly’s Manne-Hole, Hollywood "
        "ordre" => 42
      ]
      [
        "nom" => "Side A : "
        "ordre" => 43
      ]
      [
        "nom" => "1. Isn`t It Romantic (Rodgers, Hart)"
        "ordre" => 44
      ]
      [
        "nom" => "2. The Boy Next Door (Youmans, Harbach, Greene)"
        "ordre" => 45
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      [
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      [
        "nom" => "1. Wonder Why (Brodszky, Cahn)"
        "ordre" => 47
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      [
        "nom" => "2. Swedish Pastry (Barney Kessel)"
        "ordre" => 48
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      [
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      [
        "nom" => "1. Our Love Is Here To Stay (G & I Gershwin)"
        "ordre" => 50
      ]
      [
        "nom" => "2. ‘Round Midnight (Monk, Williams)"
        "ordre" => 51
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      [
        "nom" => "Side D : "
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      ]
      [
        "nom" => "1. Stella By Starlight (Young, Washington)"
        "ordre" => 53
      ]
      [
        "nom" => "2. Blues IN "F" (Chuck Israels)"
        "ordre" => 54
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        "nom" => "LP 5 - How My Heart Sings !"
        "ordre" => 55
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        "nom" => "Side A : "
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        "nom" => "1. How My Heart Sings (Earl Zindars) Zindars Publ. Co.-BMI "
        "ordre" => 57
      ]
      [
        "nom" => "2. I Should Care (Cahn-Stordahl-Weston) Cahn Music/Hanover Music/Stordahl "
        "ordre" => 58
      ]
      [
        "nom" => "Music-ASCAP "
        "ordre" => 59
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      [
        "nom" => "Side B : "
        "ordre" => 60
      ]
      [
        "nom" => "1. In Your Own Sweet Way (Dave Brubeck) Derry Music Co.-BMI "
        "ordre" => 61
      ]
      [
        "nom" => "2. Walking Up (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 62
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      [
        "nom" => "Side C : "
        "ordre" => 63
      ]
      [
        "nom" => "1. Summertime (Gershwin-Heyward-Gershwin) Chappell & Co., Inc./Gershwin"
        "ordre" => 64
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        "nom" => "Publ.-ASCAP"
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        "nom" => "2. 34 Skidoo (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 66
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      [
        "nom" => "Side D : "
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      [
        "nom" => "1. Ev`rything I Love (Cole Porter) Chappell Music-ASCAP"
        "ordre" => 68
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      [
        "nom" => "2. Show-Type Tune (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 69
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        "nom" => "LP 6 - Interplay "
        "ordre" => 70
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      [
        "nom" => "Side A : "
        "ordre" => 71
      ]
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        "nom" => "1. You And The Night And the Music (Dietz-Schwartz) (ASCAP)"
        "ordre" => 72
      ]
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        "nom" => "Side B : "
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      [
        "nom" => "1. When You Wish Upon A Star (Washington-Harline) (ASCAP)"
        "ordre" => 74
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      [
        "nom" => "2. I`ll Never Smile Again (Ruth Lowe) (ASCAP)"
        "ordre" => 75
      ]
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        "ordre" => 77
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        "nom" => "Side D : "
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      ]
      [
        "nom" => "1. You Go To My Head (Gillespie-Coots) (ASCAP)"
        "ordre" => 79
      ]
      [
        "nom" => "2. Wrap Your Troubles In Dreams(Moll-Koehler-Barris) (ASCAP)"
        "ordre" => 80
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        "nom" => "LP 7 - Moonbeams "
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        "nom" => "Side A : "
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      ]
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        "nom" => "- ASCAP"
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        "nom" => "Side B : "
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      [
        "nom" => "1. I Fall In Love Too Easily (Styne-Cahn) SBK Feist Catalog-ASCAP"
        "ordre" => 87
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        "ordre" => 88
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      ]
      [
        "nom" => "1. If You Could See Me Now (Dameron-Sigman) SBK Robbins Catalog-ASCAP"
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      ]
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        "nom" => "2. It Might As Well Be Spring (Rodgers-Hammerstein) Williamson Music ASCAP"
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        "nom" => "Side D : "
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      ]
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        "nom" => "1. Some Other Time"
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      ]
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        "nom" => "2. Milestones"
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      ]
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        "nom" => "LP 9 - Sunday at the Village Vanguard "
        "ordre" => 106
      ]
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        "nom" => "Side A : "
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      ]
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        "nom" => "1. Gloria`s Step (Scott LaFaro) Orpheum Music-BMI"
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      ]
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        "nom" => "2. My Man`s Gone Now (G. & I. Gershwin) Chappell Music-ASCAP"
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      ]
      [
        "nom" => "Side B : "
        "ordre" => 110
      ]
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        "nom" => "1. Solar (Miles Davis) Prestige Music-BMI"
        "ordre" => 111
      ]
      [
        "nom" => "Side C : "
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      ]
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        "nom" => "1. Alice In Wonderland (Fain-Hilliard) Walt Disney Music-ASCAP"
        "ordre" => 113
      ]
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        "nom" => "Side D : "
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        "nom" => "3. Who Cares ? (take 5)"
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      [
        "nom" => "2. Know What I Mean ? (re-take 7)"
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      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3219
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2606 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1829 …}
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    -id: 2291
    -nom: "Riverside Recordings - (Box Set 22 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Here it is : The Audiophile Jazz Fan's box set to end all box sets All Of Bill Evans' Riverside releases cut at 45 RPM PLUS The Cannonball Adderley Know What I Mean? release for which Evans was such an important contributor !\r\n
      \r\n
      "hese are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase".\r\n
      - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      Of everything Analogue Productions has reissued, nothing has come close in sales or accolades to the 45 RPM versions of Bill Evans titles from his Riverside catalog. And now we've compiled all of them into one irresistible box set package. Includes facsimiles of each original jacket along with an 18-page booklet detailing Evans' career and Riverside era.\r\n
      \r\n
      Titles Included: New Jazz Conceptions, Everybody Digs Bill Evans, Portrait In Jazz, Explorations, Sunday At The Village Vanguard, Waltz For Debby, Moonbeams, Know What I Mean ?, Interplay, How My Heart Sings! and At Shelly's Manne-Hole.\r\n
      \r\n
      Now pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      Mastered by Steve Hoffman & Kevin Gray at AcousTech Mastering AAA analog from original  master tapes !
      """
    -prixVente: "1299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 22
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Analogue Productions AAPJ 0018"
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        "ordre" => 2
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      ]
      [
        "nom" => "1. Lucky To Be Me (Comden, Green-Bernstein)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Night And Day (Cole Porter)"
        "ordre" => 6
      ]
      [
        "nom" => "3. Epilogue (Bill Evans)"
        "ordre" => 7
      ]
      [
        "nom" => "Side C : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Tenderly (Walter Gross)"
        "ordre" => 9
      ]
      [
        "nom" => "2. Peace Piece (Bill Evans)"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. What Is There To Stay ? (Harburg-Duke)"
        "ordre" => 12
      ]
      [
        "nom" => "2. Oleo (Sonny Rollins)"
        "ordre" => 13
      ]
      [
        "nom" => "3. Epilogue (Bill Evans)"
        "ordre" => 14
      ]
      [
        "nom" => "LP 2 - Explorations "
        "ordre" => 15
      ]
      [
        "nom" => "Side A : "
        "ordre" => 16
      ]
      [
        "nom" => "1. Israel (John Carisi)"
        "ordre" => 17
      ]
      [
        "nom" => "2. Haunted Heart (Deitz-Schwartz)"
        "ordre" => 18
      ]
      [
        "nom" => "Side B : "
        "ordre" => 19
      ]
      [
        "nom" => "1. Beautiful Love (Gillespie-King-Van Alstyne-Young)"
        "ordre" => 20
      ]
      [
        "nom" => "2. Elsa (Earl Zindars)"
        "ordre" => 21
      ]
      [
        "nom" => "Side C : "
        "ordre" => 22
      ]
      [
        "nom" => "1. Nardis (Miles Davis)"
        "ordre" => 23
      ]
      [
        "nom" => "2. How Deep Is The Ocean ? (Irving Berlin)"
        "ordre" => 24
      ]
      [
        "nom" => "Side D : "
        "ordre" => 25
      ]
      [
        "nom" => "1. I Wish I Knew (Gordon-Warren)"
        "ordre" => 26
      ]
      [
        "nom" => "2. Sweet and Lovely (Arnheim-Tobias-Lemare)"
        "ordre" => 27
      ]
      [
        "nom" => "LP 3 - Portrait In Jazz "
        "ordre" => 28
      ]
      [
        "nom" => "Side A : "
        "ordre" => 29
      ]
      [
        "nom" => "1. Come Rain Or Come Shine (Mercer-Arlen)"
        "ordre" => 30
      ]
      [
        "nom" => "2. Autumn Leaves (Mercer-Kosmo-Prevert)"
        "ordre" => 31
      ]
      [
        "nom" => "Side B : "
        "ordre" => 32
      ]
      [
        "nom" => "1. Witchcraft (Leigh-Coleman)"
        "ordre" => 33
      ]
      [
        "nom" => "2. When I Fall In Love (Heyman-Young)"
        "ordre" => 34
      ]
      [
        "nom" => "3. Peri`s Scope (Bill Evans)"
        "ordre" => 35
      ]
      [
        "nom" => "Side C : "
        "ordre" => 36
      ]
      [
        "nom" => "1. What Is This Thing Called Love ? (Cole Porter)"
        "ordre" => 37
      ]
      [
        "nom" => "2. Spring Is Here (Rodgers & Hart)"
        "ordre" => 38
      ]
      [
        "nom" => "Side D : "
        "ordre" => 39
      ]
      [
        "nom" => "1. Some Day My Prince Will Come (Morey-Churchill)a"
        "ordre" => 40
      ]
      [
        "nom" => "2. Blue In Green (Davis-Evans)"
        "ordre" => 41
      ]
      [
        "nom" => "LP 4 - At Shelly’s Manne-Hole, Hollywood "
        "ordre" => 42
      ]
      [
        "nom" => "Side A : "
        "ordre" => 43
      ]
      [
        "nom" => "1. Isn`t It Romantic (Rodgers, Hart)"
        "ordre" => 44
      ]
      [
        "nom" => "2. The Boy Next Door (Youmans, Harbach, Greene)"
        "ordre" => 45
      ]
      [
        "nom" => "Side B : "
        "ordre" => 46
      ]
      [
        "nom" => "1. Wonder Why (Brodszky, Cahn)"
        "ordre" => 47
      ]
      [
        "nom" => "2. Swedish Pastry (Barney Kessel)"
        "ordre" => 48
      ]
      [
        "nom" => "Side C : "
        "ordre" => 49
      ]
      [
        "nom" => "1. Our Love Is Here To Stay (G & I Gershwin)"
        "ordre" => 50
      ]
      [
        "nom" => "2. ‘Round Midnight (Monk, Williams)"
        "ordre" => 51
      ]
      [
        "nom" => "Side D : "
        "ordre" => 52
      ]
      [
        "nom" => "1. Stella By Starlight (Young, Washington)"
        "ordre" => 53
      ]
      [
        "nom" => "2. Blues IN "F" (Chuck Israels)"
        "ordre" => 54
      ]
      [
        "nom" => "LP 5 - How My Heart Sings !"
        "ordre" => 55
      ]
      [
        "nom" => "Side A : "
        "ordre" => 56
      ]
      [
        "nom" => "1. How My Heart Sings (Earl Zindars) Zindars Publ. Co.-BMI "
        "ordre" => 57
      ]
      [
        "nom" => "2. I Should Care (Cahn-Stordahl-Weston) Cahn Music/Hanover Music/Stordahl "
        "ordre" => 58
      ]
      [
        "nom" => "Music-ASCAP "
        "ordre" => 59
      ]
      [
        "nom" => "Side B : "
        "ordre" => 60
      ]
      [
        "nom" => "1. In Your Own Sweet Way (Dave Brubeck) Derry Music Co.-BMI "
        "ordre" => 61
      ]
      [
        "nom" => "2. Walking Up (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 62
      ]
      [
        "nom" => "Side C : "
        "ordre" => 63
      ]
      [
        "nom" => "1. Summertime (Gershwin-Heyward-Gershwin) Chappell & Co., Inc./Gershwin"
        "ordre" => 64
      ]
      [
        "nom" => "Publ.-ASCAP"
        "ordre" => 65
      ]
      [
        "nom" => "2. 34 Skidoo (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 66
      ]
      [
        "nom" => "Side D : "
        "ordre" => 67
      ]
      [
        "nom" => "1. Ev`rything I Love (Cole Porter) Chappell Music-ASCAP"
        "ordre" => 68
      ]
      [
        "nom" => "2. Show-Type Tune (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 69
      ]
      [
        "nom" => "LP 6 - Interplay "
        "ordre" => 70
      ]
      [
        "nom" => "Side A : "
        "ordre" => 71
      ]
      [
        "nom" => "1. You And The Night And the Music (Dietz-Schwartz) (ASCAP)"
        "ordre" => 72
      ]
      [
        "nom" => "Side B : "
        "ordre" => 73
      ]
      [
        "nom" => "1. When You Wish Upon A Star (Washington-Harline) (ASCAP)"
        "ordre" => 74
      ]
      [
        "nom" => "2. I`ll Never Smile Again (Ruth Lowe) (ASCAP)"
        "ordre" => 75
      ]
      [
        "nom" => "Side C : "
        "ordre" => 76
      ]
      [
        "nom" => "1. Interplay (Bill Evans) (BMI)"
        "ordre" => 77
      ]
      [
        "nom" => "Side D : "
        "ordre" => 78
      ]
      [
        "nom" => "1. You Go To My Head (Gillespie-Coots) (ASCAP)"
        "ordre" => 79
      ]
      [
        "nom" => "2. Wrap Your Troubles In Dreams(Moll-Koehler-Barris) (ASCAP)"
        "ordre" => 80
      ]
      [
        "nom" => "LP 7 - Moonbeams "
        "ordre" => 81
      ]
      [
        "nom" => "Side A : "
        "ordre" => 82
      ]
      [
        "nom" => "1. RE: Person I Knew (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 83
      ]
      [
        "nom" => "2. Polka Dots and Moonbeams (Burke-Van Heusen) Bourne Co./Music Sales Corp."
        "ordre" => 84
      ]
      [
        "nom" => "- ASCAP"
        "ordre" => 85
      ]
      [
        "nom" => "Side B : "
        "ordre" => 86
      ]
      [
        "nom" => "1. I Fall In Love Too Easily (Styne-Cahn) SBK Feist Catalog-ASCAP"
        "ordre" => 87
      ]
      [
        "nom" => "2. Stairway To the Stars (Parish-Malneck-Signorelli) SBK Robbins Catalog-ASCAP"
        "ordre" => 88
      ]
      [
        "nom" => "Side C : "
        "ordre" => 89
      ]
      [
        "nom" => "1. If You Could See Me Now (Dameron-Sigman) SBK Robbins Catalog-ASCAP"
        "ordre" => 90
      ]
      [
        "nom" => "2. It Might As Well Be Spring (Rodgers-Hammerstein) Williamson Music ASCAP"
        "ordre" => 91
      ]
      [
        "nom" => "Side D : "
        "ordre" => 92
      ]
      [
        "nom" => "1. In Love In Vain (Kern-Robin) T.B. Harms, Inc.-ASCAP"
        "ordre" => 93
      ]
      [
        "nom" => "2. Very Early (Bill Evans) TRO-Acorn-BMI"
        "ordre" => 94
      ]
      [
        "nom" => "LP 8 - Waltz for Debby "
        "ordre" => 95
      ]
      [
        "nom" => "Side A : "
        "ordre" => 96
      ]
      [
        "nom" => "1. My Foolish Heart"
        "ordre" => 97
      ]
      [
        "nom" => "2. Waltz For Debby"
        "ordre" => 98
      ]
      [
        "nom" => "Side B : "
        "ordre" => 99
      ]
      [
        "nom" => "1. Detour Ahead"
        "ordre" => 100
      ]
      [
        "nom" => "Side C : "
        "ordre" => 101
      ]
      [
        "nom" => "1. My Roamnce"
        "ordre" => 102
      ]
      [
        "nom" => "Side D : "
        "ordre" => 103
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 104
      ]
      [
        "nom" => "2. Milestones"
        "ordre" => 105
      ]
      [
        "nom" => "LP 9 - Sunday at the Village Vanguard "
        "ordre" => 106
      ]
      [
        "nom" => "Side A : "
        "ordre" => 107
      ]
      [
        "nom" => "1. Gloria`s Step (Scott LaFaro) Orpheum Music-BMI"
        "ordre" => 108
      ]
      [
        "nom" => "2. My Man`s Gone Now (G. & I. Gershwin) Chappell Music-ASCAP"
        "ordre" => 109
      ]
      [
        "nom" => "Side B : "
        "ordre" => 110
      ]
      [
        "nom" => "1. Solar (Miles Davis) Prestige Music-BMI"
        "ordre" => 111
      ]
      [
        "nom" => "Side C : "
        "ordre" => 112
      ]
      [
        "nom" => "1. Alice In Wonderland (Fain-Hilliard) Walt Disney Music-ASCAP"
        "ordre" => 113
      ]
      [
        "nom" => "Side D : "
        "ordre" => 114
      ]
      [
        "nom" => "1. All Of You (Cole Porter) Chappell Music-ASCAP"
        "ordre" => 115
      ]
      [
        "nom" => "2. Jade Visions (Scott LaFaro) Orpheum Music-BMI"
        "ordre" => 116
      ]
      [
        "nom" => "LP 10 - Know What I Mean ? (Cannonball Adderley)"
        "ordre" => 117
      ]
      [
        "nom" => "Side A : "
        "ordre" => 118
      ]
      [
        "nom" => "1. Waltz for Debby"
        "ordre" => 119
      ]
      [
        "nom" => "2. Goodbye"
        "ordre" => 120
      ]
      [
        "nom" => "Side B : "
        "ordre" => 121
      ]
      [
        "nom" => "3. Who Cares ? (take 5)"
        "ordre" => 122
      ]
      [
        "nom" => "4. Venice"
        "ordre" => 123
      ]
      [
        "nom" => "Side C : "
        "ordre" => 124
      ]
      [
        "nom" => "1. Toy"
        "ordre" => 125
      ]
      [
        "nom" => "2. Elsa"
        "ordre" => 126
      ]
      [
        "nom" => "Side D : "
        "ordre" => 127
      ]
      [
        "nom" => "1. Nancy (WIth the Laughing Face)"
        "ordre" => 128
      ]
      [
        "nom" => "2. Know What I Mean ? (re-take 7)"
        "ordre" => 129
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1916 …}
    -style: App\Entity\Style {#1468 …}
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      date: 2022-09-29 06:10:15.0 UTC (+00:00)
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    -modifierLe: DateTime @1760742015 {#2045
      date: 2025-10-17 23:00:15.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-riverside-recordings-box-set-22-lp-45-rpm-analogue-productions-aapj-0018"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2374 …}
}

[
  "produit" => App\Entity\Produit {#2064
    -id: 2210
    -nom: "You Must Believe In Spring"
    -informationComplementaire: null
    -description: """
      - Double LP, 180 gram, 45 RPM !\r\n
      - All Analog Mastering From Original Tapes by Kevin Gray at Cohearent Audio ! \r\n
      - Pressed at RTI !\r\n
      \r\n
      Newly mastered edition of jazz pianist Bill Evans' seventieth studio album, You Must Believe In Spring, his final recording session with bassist Eddie Gómez and drummer Eliot Zigmund. Featuring all-analog mastering cut at 45 RPM from the original tapes by Kevin Gray at Cohearent Audio. The 2 LP set, pressed on 180-gram vinyl at RTI, also includes new liner notes by music journalist, author and historian, Marc Myers.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Eliot Zigmund (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kXIF-x6w3RA"
    -referenceProduit: "Concord Craft Recordings 0465"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "ordre" => 1
      ]
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        "nom" => "2. You Must Believe In Spring "
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        "nom" => "2. We Will Meet Again (For Harry) "
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
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      ]
      [
        "nom" => "1. The Peacocks "
        "ordre" => 7
      ]
      [
        "nom" => "2. Sometime Ago "
        "ordre" => 8
      ]
      [
        "nom" => "Side D : "
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      ]
      [
        "nom" => "1. Theme from M*A*S*H* (aka Suicide Is Painless)"
        "ordre" => 10
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1468 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2070 …}
    -enregistreLe: DateTime @1650178283 {#2057
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    }
    -modifierLe: DateTime @1760741638 {#2058
      date: 2025-10-17 22:53:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-you-must-believe-in-spring-concord-craft-recordings-0465"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3267
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2606 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1829 …}
  +produit: App\Entity\Produit {#2064
    -id: 2210
    -nom: "You Must Believe In Spring"
    -informationComplementaire: null
    -description: """
      - Double LP, 180 gram, 45 RPM !\r\n
      - All Analog Mastering From Original Tapes by Kevin Gray at Cohearent Audio ! \r\n
      - Pressed at RTI !\r\n
      \r\n
      Newly mastered edition of jazz pianist Bill Evans' seventieth studio album, You Must Believe In Spring, his final recording session with bassist Eddie Gómez and drummer Eliot Zigmund. Featuring all-analog mastering cut at 45 RPM from the original tapes by Kevin Gray at Cohearent Audio. The 2 LP set, pressed on 180-gram vinyl at RTI, also includes new liner notes by music journalist, author and historian, Marc Myers.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Eliot Zigmund (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kXIF-x6w3RA"
    -referenceProduit: "Concord Craft Recordings 0465"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. B Minor Waltz (For Ellaine) "
        "ordre" => 1
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        "nom" => "2. You Must Believe In Spring "
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        "ordre" => 4
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      [
        "nom" => "2. We Will Meet Again (For Harry) "
        "ordre" => 5
      ]
      [
        "nom" => "Side C :"
        "ordre" => 6
      ]
      [
        "nom" => "1. The Peacocks "
        "ordre" => 7
      ]
      [
        "nom" => "2. Sometime Ago "
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      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
      [
        "nom" => "1. Theme from M*A*S*H* (aka Suicide Is Painless)"
        "ordre" => 10
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2075 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2070 …}
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    -modifierLe: DateTime @1760741638 {#2058
      date: 2025-10-17 22:53:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-you-must-believe-in-spring-concord-craft-recordings-0465"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2374 …}
}

[
  "produit" => App\Entity\Produit {#2082
    -id: 2302
    -nom: "Some Other Time : The Lost Session from the Black Forest"
    -informationComplementaire: ""
    -description: """
      - AAA Audiophile 200 gram 45 RPM Double LP !\r\n
      \r\n
      - Mastered by René Laflamme from the Original Analog Master !\r\n
      \r\n
      - Cut All Analog at Bernie Grundman Mastering !\r\n
      \r\n
      The recordings on this album constitute the material from a June 20th, 1968 studio session recorded by Hans Georg Brunner-Schwer (HGBS) and Joachim-Ernst Brendt in Germany's Black Forest. This is no ordinary recording. This enthralling Bill Evans session was recorded five days after a famous performance at the 1968 Montreux jazz festival by Evans, bassist Eddie Gomez and drummer Jack DeJohnette. Verve's Montreux live recording won a Grammy, but this studio session has been in the vaults ever since.\r\n
      \r\n
      For the first time this album was mastered in all analog (AAA), from the original analog master. Mastered by René Laflamme at 2xHD Mastering lab and cut at Bernie Grundman at 45 RPM.\r\n
      \r\n
      The 2xHD Fusion Mastering System is an innovation in audio restoration for a virtual audio reality. In the constant evolution of its proprietary mastering process, 2xHD has progressed to a new phase called 2xHD Fusion, integrating the finest state-of-the-art analog Nagra-T tape recorder modified with high-end tube playback technology, wired with OCC silver cable for better transparency and 3D imaging. 2xHD Vinyl are sourced from first generation analog recordings without any digital corruption. The cutting is done at Bernie Grundman Mastering Lab on tube cutting equipment.\r\n
      """
    -prixVente: "129.50"
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    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3315
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    -id: 2302
    -nom: "Some Other Time : The Lost Session from the Black Forest"
    -informationComplementaire: ""
    -description: """
      - AAA Audiophile 200 gram 45 RPM Double LP !\r\n
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      \r\n
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    -id: 1527
    -nom: "Bill Evans At The Montreux Jazz Festival "
    -informationComplementaire: ""
    -description: """
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n
      \n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You".\n
      \n
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App\Twig\Components\GestionPanierFavoriComponents {#3363
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    -id: 1527
    -nom: "Bill Evans At The Montreux Jazz Festival "
    -informationComplementaire: ""
    -description: """
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n
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      \n
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      \n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\n
      \n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.\n
      """
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[
  "produit" => App\Entity\Produit {#2111
    -id: 2027
    -nom: "Trio '64"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
      Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n
      \r\n
      The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n
      """
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App\Twig\Components\GestionPanierFavoriComponents {#3411
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    -nom: "Trio '64"
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    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      There's scarcely a more towering figure in modern jazz save Miles and Coltrane than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\r\n
      \r\n
      It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\r\n
      \r\n
      The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\r\n
      \r\n
      Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n
      \r\n
      The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1883 …}
    -musicienOrchestre: "Bill Evans (piano), Gary Peacock (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=uVmy3Hvqfq0"
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    -artiste: App\Entity\Artiste {#1063 …}
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[
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    -id: 1074
    -nom: "Symbiosis"
    -informationComplementaire: ""
    -description: """
      Bill Evans was the leader of one of most influential trios in jazz history, an invaluable contributor to the model explorations on Miles Davis' Kind of Blue. Miles said it best : "Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall".\r\n
      \r\n
      Klaus Ogerman was one of the most prolific 20th century arranger-composers, at home in every style - rock, pop, jazz, classical. He worked with Sinatra, Jobim, and was a 2010 Emmy winner with Diane Krall. Symbiosis takes Ogerman's potent melding of contemporary classical and jazz with New York Philharmonic players, top jazz musicians, and the Bill Evans Trio. Classic Evans in an unusual setting.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano Stenway & Fender rodhes), Harvey Estrin, Jerry Dodgion, Phil Woods, Walt Levinsky (saxophone), Eddie Gomez (bass), Bernie Glow, Johnny Frosk, Marky Markowitz, Mel Davis (trumpet), Dave Carey, Doug Allen, George Devens (percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JwXESGNG3Mc"
    -referenceProduit: "MPS 211547"
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        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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      date: 2021-09-04 06:35:18.0 UTC (+00:00)
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    -id: 1074
    -nom: "Symbiosis"
    -informationComplementaire: ""
    -description: """
      Bill Evans was the leader of one of most influential trios in jazz history, an invaluable contributor to the model explorations on Miles Davis' Kind of Blue. Miles said it best : "Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall".\r\n
      \r\n
      Klaus Ogerman was one of the most prolific 20th century arranger-composers, at home in every style - rock, pop, jazz, classical. He worked with Sinatra, Jobim, and was a 2010 Emmy winner with Diane Krall. Symbiosis takes Ogerman's potent melding of contemporary classical and jazz with New York Philharmonic players, top jazz musicians, and the Bill Evans Trio. Classic Evans in an unusual setting.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: App\Entity\Artiste {#1063 …}
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      date: 2021-09-04 06:35:18.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2145
    -id: 1860
    -nom: "At The Montreux Jazz Festival"
    -informationComplementaire: ""
    -description: """
      200 gram pressing by Quality Record Pressings Now at 45 RPM !\r\n
      \r\n
      Mastered from the original tapes by Bernie Grundman !\r\n
      \r\n
      Old-style tip-on gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Winner of the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group !\r\n
      \r\n
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\r\n
      \r\n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost 7 minute-long "Embraceable You".\r\n
      \r\n
      As the liner notes by Gene Lees reveal, Evan's performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\r\n
      \r\n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\r\n
      \r\n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. And Stoughton Printing old-style tip-on cardboard gatefold jacket with vibrantly reproduced original artwork. How does it get any better ? Well, we've cut this edition at 45 RPM ! The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
      First-rate and top-notch, this album will make a superb addition to your record collection.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=WoHQhbDxAcE"
    -referenceProduit: "Analogue Productions AAPJ 8762-45"
    -titreMorceau: [
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        "nom" => " 1. One For Helen "
        "ordre" => 0
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        "nom" => "6. The Touch Of Your Lips "
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        "ordre" => 7
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      [
        "nom" => "9. Walkin’ Up"
        "ordre" => 8
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3507
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2606 …}
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  +produit: App\Entity\Produit {#2145
    -id: 1860
    -nom: "At The Montreux Jazz Festival"
    -informationComplementaire: ""
    -description: """
      200 gram pressing by Quality Record Pressings Now at 45 RPM !\r\n
      \r\n
      Mastered from the original tapes by Bernie Grundman !\r\n
      \r\n
      Old-style tip-on gatefold jacket by Stoughton Printing !\r\n
      \r\n
      Winner of the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group !\r\n
      \r\n
      As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack deJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\r\n
      \r\n
      By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost 7 minute-long "Embraceable You".\r\n
      \r\n
      As the liner notes by Gene Lees reveal, Evan's performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\r\n
      \r\n
      At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\r\n
      \r\n
      Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. And Stoughton Printing old-style tip-on cardboard gatefold jacket with vibrantly reproduced original artwork. How does it get any better ? Well, we've cut this edition at 45 RPM ! The dead-quiet double LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.\r\n
      \r\n
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      [
        "nom" => "6. The Touch Of Your Lips "
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        "nom" => "7. Embraceable You "
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        "nom" => "8. Someday My Prince Will Come "
        "ordre" => 7
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      [
        "nom" => "9. Walkin’ Up"
        "ordre" => 8
      ]
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[
  "produit" => App\Entity\Produit {#2158
    -id: 860
    -nom: "The Bill Evans Album"
    -informationComplementaire: ""
    -description: """
      The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meager result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm - and ever better - trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in The Bill Evans Album.\r\n
      \r\n
      The LP is remarkable in that only Evans's own compositions were recorded — three previously recorded pieces and four brand-new works. Of particular note is the melancholy "Two Lonely People", Evans's musical interpretation of a poem by Carol Hall. "Sugar Plum" and "T.T.T." were to remain in his repertoire right up until his very last recordings. Unusual but very commendable because it begins with an ad hoc introductory improvisation is the electric piano version of Evans's most well-known composition - "Waltz For Debby".\r\n
      \r\n
      The excellent technical facilities at the Columbia Studio were used to the full by Bill Evans, even though they were only recording a small ensemble. And that is why the seven numbers sound far better than most of the trio's live recordings. And as Bill Evans once said, it was with this trio that he could fulfil his musical ambitions.\r\n
      \r\n
      Recording : May and June 1971 at CBS 30th Street Studio, New York, by Pete Weiss.\r\n
      Production : Helen Keane.
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano, electric piano), Eddie Gomez (bass),  Marty Morrell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=BgStcqTnPAM"
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    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3555
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    -description: """
      The global corporation Columbia recorded and released only two LPs with pianist Bill Evans. A meager result when one considers the numerous concerts that the new trio undertook between 1969 and 1974. Together with Eddie Gomez, a phenomenon on the bass, and drummer Marty Mortell, the three established a firm - and ever better - trio. Evans became interested in the possibilities offered by the Fender Rhodes piano and used it for the first time in The Bill Evans Album.\r\n
      \r\n
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      \r\n
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      Recording : May and June 1971 at CBS 30th Street Studio, New York, by Pete Weiss.\r\n
      Production : Helen Keane.
      """
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}

[
  "produit" => App\Entity\Produit {#2174
    -id: 954
    -nom: "New Jazz Conceptions "
    -informationComplementaire: ""
    -description: """
      This two-LP, 45 RPM record will be included in an upcoming Bill Evans box set on Analogue Productions. \r\n
      \r\n
      In 1956, Bill Evans was virtually unknown (it would be more than a year before he first gained notice as part of the celebrated Miles Davis Sextet). His initial album attracted little attention back then, but listening with hindsight it is easy to hear in these highly individual trio and solo treatments a clear prophecy of the rich inventiveness that so deeply influenced Herbie Hancock, Chick Corea, Keith Jarrett and an entire generation of jazz pianists. \r\n
      \r\n
      Recorded September 18 & 27, 1956 in New York.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano), Teddy Kotick (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3603
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2606 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1829 …}
  +produit: App\Entity\Produit {#2174
    -id: 954
    -nom: "New Jazz Conceptions "
    -informationComplementaire: ""
    -description: """
      This two-LP, 45 RPM record will be included in an upcoming Bill Evans box set on Analogue Productions. \r\n
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      In 1956, Bill Evans was virtually unknown (it would be more than a year before he first gained notice as part of the celebrated Miles Davis Sextet). His initial album attracted little attention back then, but listening with hindsight it is easy to hear in these highly individual trio and solo treatments a clear prophecy of the rich inventiveness that so deeply influenced Herbie Hancock, Chick Corea, Keith Jarrett and an entire generation of jazz pianists. \r\n
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      Recorded September 18 & 27, 1956 in New York.
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3795
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2374 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3796 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3844 …}
  +isValidated: false
  +validatedFields: []
}