Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2618
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2695
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2698 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
  -formView: Symfony\Component\Form\FormView {#2734 …}
  -form: Symfony\Component\Form\Form {#2884 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 2267
    -nom: "Trio : Ocean"
    -informationComplementaire: null
    -description: "As a sound seeker, Charles Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three albums with an overarching theme, each presenting him in a different trio setting a Trio of Trios. The second, Trios : Ocean, features guitarist Anthony Wilson and pianist Gerald Clayton."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Lloyd (saxophone), Anthony Wilson (guitar), Gerald Clayton (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aCPJqJkjnzc"
    -referenceProduit: "Blue Note Records 9101"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Lonely One "
        "ordre" => 1
      ]
      [
        "nom" => "2. Hagar of the Inuits"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Jaramillo Blues (For Virginia and Danny) "
        "ordre" => 4
      ]
      [
        "nom" => "2. Kuan Yin"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1661926969 {#1928
      date: 2022-08-31 06:22:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761637790 {#1921
      date: 2025-10-28 07:49:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-ocean-blue-note-records-9101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3156
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 2267
    -nom: "Trio : Ocean"
    -informationComplementaire: null
    -description: "As a sound seeker, Charles Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three albums with an overarching theme, each presenting him in a different trio setting a Trio of Trios. The second, Trios : Ocean, features guitarist Anthony Wilson and pianist Gerald Clayton."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Lloyd (saxophone), Anthony Wilson (guitar), Gerald Clayton (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aCPJqJkjnzc"
    -referenceProduit: "Blue Note Records 9101"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. The Lonely One "
        "ordre" => 1
      ]
      [
        "nom" => "2. Hagar of the Inuits"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Jaramillo Blues (For Virginia and Danny) "
        "ordre" => 4
      ]
      [
        "nom" => "2. Kuan Yin"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1661926969 {#1928
      date: 2022-08-31 06:22:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761637790 {#1921
      date: 2025-10-28 07:49:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-ocean-blue-note-records-9101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 2234
    -nom: "Trios : Chapel"
    -informationComplementaire: null
    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains both at the height of his powers and as prolific as ever. Early on Lloyd saw how placing the improvised solo in interesting and original contexts could provoke greater freedom of expression and inspire creativity. And while he has recorded many classics of jazz in a piano, bass, and drums combination the latest Passin' Thru from 2017 all the while he has been open to, and has searched for, alternative ways to frame his improvisational skills.\r\n
      \r\n
      This has formed a fascinating counterpoint to his work with his quartet; a few examples might include his early days in Memphis when he regularly jammed with pedal steel guitarist Al Vescovo. Later, during his period as music director for the Chico Hamilton Quintet he used flute (and tenor), trombone, guitar, bass, and drums. More recently there has been an album in duet with drummer Billy Higgins, while the configuration of one of his current groups, The Marvels, has both guitar and pedal steel guitar with bass and drums.\r\n
      \r\n
      As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three individual albums that are connected by an overarching theme with each presenting him in a different trio setting a Trio of Trios. The first, Trios : Chapel, features Lloyd with guitarist Bill Frisell and bassist Thomas Morgan. The second, Trios : Ocean, with guitarist Anthony Wilson and pianist Gerald Clayton. The third, Trios : Sacred Thread, with guitarist Julian Lage and percussionist Zakir Hussain.\r\n
      \r\n
      Opening with Billy Strayhorn's "Blood Count", originally a feature for the late Johnny Hodges with the Duke Ellington Orchestra, it is a performance that can only be described as heartfelt. Lloyd's mother ran a rooming house in Memphis, and Lloyd's childhood memories are filled with impressions of musicians from the touring big bands who stayed there the Jimmie Lunceford Orchestra, and Duke Ellington's Famous Orchestra especially. His memories of meeting Johnny Hodges as a youngster are particularly vivid. While the present thinks it knows it all, the past – here in terms of memories, dreams, and reflections had a casting vote in shaping the destiny of this performance.\r\n
      \r\n
      Frisell's accompaniment is perfect for this trio setting; the essence of his unique sound signature lies less in what he does, more the manner in which he does it. He introduces "Song My Lady Sings", a Lloyd original dating from 1966, allowing Morgan to share the foreground before Lloyd's entrance outlining the graceful melody that mutates into a series of eloquent musical arabesques that culminate in a double-time coda and the realization this has been Lloyd's finest performance of the song. "Ay Amor" is by the Cuban singer, songwriter, and pianist Bola de Nieve, born Ignacio Jacinto Villa Fernández, who was a top cabaret singer and a composer fluent in many languages. His version of "Ay Amor" was recorded in Spanish as a rhapsodic lament. Lloyd obliquely acknowledges the composer's intent in his exposition of the melody before re-imagining it in new contours, subtly implying the exotic in terms of melody and rhythm as he claims the song as his own.\r\n
      \r\n
      The unspoken rule about the trio's collective improvisation seems to be that no-one refuses what another proposes, so that "Beyond Darkness", featuring Lloyd on flute, begins as a fractured melodic line, but as it is embellished, extended, and developed it grows into a pinnacle of dramatic possibilities, climaxed by a flute cadenza as coda. "Dorotea's Studio" is the workspace of Lloyd's partner and soul mate, Dorothy Darr. Introduced by Frisell, Lloyd's exposition of the melody to an implied Latin rhythm is developed through a series of motifs, inversions, and inter-connecting phrases that are here, perhaps, richer and more varied, forming the basis of a graceful climax to a memorable concert.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Lloyd (saxophone), Thomas Morgan (bass), Bill Frisell (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Blue Note Records"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Blood Count "
        "ordre" => 1
      ]
      [
        "nom" => "2. Song My Lady Sings "
        "ordre" => 2
      ]
      [
        "nom" => "3. Ay Amor"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Beyond Darkness "
        "ordre" => 5
      ]
      [
        "nom" => "2. Dorotea's Studio"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1654011441 {#2095
      date: 2022-05-31 15:37:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761637227 {#2094
      date: 2025-10-28 07:40:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trios-chapel-blue-note-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3272
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2099
    -id: 2234
    -nom: "Trios : Chapel"
    -informationComplementaire: null
    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains both at the height of his powers and as prolific as ever. Early on Lloyd saw how placing the improvised solo in interesting and original contexts could provoke greater freedom of expression and inspire creativity. And while he has recorded many classics of jazz in a piano, bass, and drums combination the latest Passin' Thru from 2017 all the while he has been open to, and has searched for, alternative ways to frame his improvisational skills.\r\n
      \r\n
      This has formed a fascinating counterpoint to his work with his quartet; a few examples might include his early days in Memphis when he regularly jammed with pedal steel guitarist Al Vescovo. Later, during his period as music director for the Chico Hamilton Quintet he used flute (and tenor), trombone, guitar, bass, and drums. More recently there has been an album in duet with drummer Billy Higgins, while the configuration of one of his current groups, The Marvels, has both guitar and pedal steel guitar with bass and drums.\r\n
      \r\n
      As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork, an expansive project that encompasses three individual albums that are connected by an overarching theme with each presenting him in a different trio setting a Trio of Trios. The first, Trios : Chapel, features Lloyd with guitarist Bill Frisell and bassist Thomas Morgan. The second, Trios : Ocean, with guitarist Anthony Wilson and pianist Gerald Clayton. The third, Trios : Sacred Thread, with guitarist Julian Lage and percussionist Zakir Hussain.\r\n
      \r\n
      Opening with Billy Strayhorn's "Blood Count", originally a feature for the late Johnny Hodges with the Duke Ellington Orchestra, it is a performance that can only be described as heartfelt. Lloyd's mother ran a rooming house in Memphis, and Lloyd's childhood memories are filled with impressions of musicians from the touring big bands who stayed there the Jimmie Lunceford Orchestra, and Duke Ellington's Famous Orchestra especially. His memories of meeting Johnny Hodges as a youngster are particularly vivid. While the present thinks it knows it all, the past – here in terms of memories, dreams, and reflections had a casting vote in shaping the destiny of this performance.\r\n
      \r\n
      Frisell's accompaniment is perfect for this trio setting; the essence of his unique sound signature lies less in what he does, more the manner in which he does it. He introduces "Song My Lady Sings", a Lloyd original dating from 1966, allowing Morgan to share the foreground before Lloyd's entrance outlining the graceful melody that mutates into a series of eloquent musical arabesques that culminate in a double-time coda and the realization this has been Lloyd's finest performance of the song. "Ay Amor" is by the Cuban singer, songwriter, and pianist Bola de Nieve, born Ignacio Jacinto Villa Fernández, who was a top cabaret singer and a composer fluent in many languages. His version of "Ay Amor" was recorded in Spanish as a rhapsodic lament. Lloyd obliquely acknowledges the composer's intent in his exposition of the melody before re-imagining it in new contours, subtly implying the exotic in terms of melody and rhythm as he claims the song as his own.\r\n
      \r\n
      The unspoken rule about the trio's collective improvisation seems to be that no-one refuses what another proposes, so that "Beyond Darkness", featuring Lloyd on flute, begins as a fractured melodic line, but as it is embellished, extended, and developed it grows into a pinnacle of dramatic possibilities, climaxed by a flute cadenza as coda. "Dorotea's Studio" is the workspace of Lloyd's partner and soul mate, Dorothy Darr. Introduced by Frisell, Lloyd's exposition of the melody to an implied Latin rhythm is developed through a series of motifs, inversions, and inter-connecting phrases that are here, perhaps, richer and more varied, forming the basis of a graceful climax to a memorable concert.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Lloyd (saxophone), Thomas Morgan (bass), Bill Frisell (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Blue Note Records"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Blood Count "
        "ordre" => 1
      ]
      [
        "nom" => "2. Song My Lady Sings "
        "ordre" => 2
      ]
      [
        "nom" => "3. Ay Amor"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Beyond Darkness "
        "ordre" => 5
      ]
      [
        "nom" => "2. Dorotea's Studio"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1654011441 {#2095
      date: 2022-05-31 15:37:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761637227 {#2094
      date: 2025-10-28 07:40:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trios-chapel-blue-note-records"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2112
    -id: 2334
    -nom: "Trios Sacred Thread"
    -informationComplementaire: null
    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains at the height of his powers and as prolific as ever. As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork Trio of Trios, an expansive project that encompasses three albums, each a deft change of musical context that presents him in a different trio setting.\r\n
      \r\n
      The third album in the series Trios: Sacred Thread features guitarist Julian Lage and percussionist Zakir Hussain, and was recorded in September 2020 at The Paul Mahder Gallery in Healdsburg, California as a livestream concert for a virtual audience. Past experiences often illuminate the present in Lloyd' music, for example, the provenance of The Sacred Thread and the encounters that helped inform it originated in the late fifties : "When I was studying at the University of Southern California, Ravi Shankar and Alla Rakha used to come around. That's when I heard the call of Mother India", he recalls. "Zakir and I played together in concert for the first time in 2001, and it was then I learned Alla Rakha was his father, so it has been like that... connections on a journey. You could call it Providence, I call it a Sacred Thread".\r\n
      \r\n
      "I first heard young Julian when he was 12", Lloyd continues. "He grew up not far from Healdsburg and was known to be a wunderkind he had big ears and I heard his potential. Twenty years later I invited him to join me he's still a young man and his ears have only grown bigger. So I keep being blessed by souls who find a way to me, it still inspires me to go out on the high wire and try to fly".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Lloyd (tenor saxophone, alto flute, tarogato, maracas), Zakir Hussain (tabla, percussion, vocals), Julian Lage (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dj9-vAYG2fc"
    -referenceProduit: "Blue Note Records 9201"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Desolation Sound "
        "ordre" => 1
      ]
      [
        "nom" => "2. Guman "
        "ordre" => 2
      ]
      [
        "nom" => "3. Nachekita's Lament "
        "ordre" => 3
      ]
      [
        "nom" => "4. Saraswati"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Kuti "
        "ordre" => 6
      ]
      [
        "nom" => "2. Tales of Rumi "
        "ordre" => 7
      ]
      [
        "nom" => "3. The Blessing"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1670657875 {#2109
      date: 2022-12-10 07:37:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761636057 {#2110
      date: 2025-10-28 07:20:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trios-sacred-thread-blue-note-records-9201"
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App\Twig\Components\GestionPanierFavoriComponents {#3320
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  +produit: App\Entity\Produit {#2112
    -id: 2334
    -nom: "Trios Sacred Thread"
    -informationComplementaire: null
    -description: """
      Charles Lloyd has long been a free spirit, master musician, and visionary. For more than six decades the legendary saxophonist and composer has loomed large over the music world, and at 84 years old he remains at the height of his powers and as prolific as ever. As a sound seeker, Lloyd's restless creativity has perhaps found no greater manifestation than on his latest masterwork Trio of Trios, an expansive project that encompasses three albums, each a deft change of musical context that presents him in a different trio setting.\r\n
      \r\n
      The third album in the series Trios: Sacred Thread features guitarist Julian Lage and percussionist Zakir Hussain, and was recorded in September 2020 at The Paul Mahder Gallery in Healdsburg, California as a livestream concert for a virtual audience. Past experiences often illuminate the present in Lloyd' music, for example, the provenance of The Sacred Thread and the encounters that helped inform it originated in the late fifties : "When I was studying at the University of Southern California, Ravi Shankar and Alla Rakha used to come around. That's when I heard the call of Mother India", he recalls. "Zakir and I played together in concert for the first time in 2001, and it was then I learned Alla Rakha was his father, so it has been like that... connections on a journey. You could call it Providence, I call it a Sacred Thread".\r\n
      \r\n
      "I first heard young Julian when he was 12", Lloyd continues. "He grew up not far from Healdsburg and was known to be a wunderkind he had big ears and I heard his potential. Twenty years later I invited him to join me he's still a young man and his ears have only grown bigger. So I keep being blessed by souls who find a way to me, it still inspires me to go out on the high wire and try to fly".
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Charles Lloyd (tenor saxophone, alto flute, tarogato, maracas), Zakir Hussain (tabla, percussion, vocals), Julian Lage (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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        "nom" => "2. Tales of Rumi "
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -disponible: null
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    -slug: "vinyles-trios-sacred-thread-blue-note-records-9201"
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[
  "produit" => App\Entity\Produit {#2127
    -id: 1982
    -nom: "Tone Poem"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP !\r\n
      - Plated and pressed at RTI !\r\n
      - Saxophonist Charles Lloyd debuts his collective The Marvels on dynamic nine-song set !\r\n
      - First new release featured as part of the acclaimed Tone Poet Audiophile Vinyl Series !\r\n
      \r\n
      Tone Poem is the third album by Charles Lloyd & The Marvels, the genre-straddling quintet that features the master saxophonist with Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass, and Eric Harland on drums. The nine dynamic instrumental tracks here include new Lloyd originals along with pieces by Ornette Coleman, Thelonious Monk, Leonard Cohen, Gabor Szabo, and Bola de Nieve.\r\n
      \r\n
      Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2021. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "89.50"
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    -musicienOrchestre: "Charles Lloyd (tenor saxophone & alto flute), Bill Frisell (guitar), Greg Leisz (pedal steel guitar), Reuben Rogers (bass), Eric Harland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=rGVIrck0pNI"
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Peace"
        "ordre" => 1
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        "nom" => "2. Ramblin'"
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        "nom" => "Side D : "
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      [
        "nom" => "2. Prayer"
        "ordre" => 12
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2136 …}
    -enregistreLe: DateTime @1612250530 {#2123
      date: 2021-02-02 07:22:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761635318 {#2122
      date: 2025-10-28 07:08:38.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2138 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3366
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2127
    -id: 1982
    -nom: "Tone Poem"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP !\r\n
      - Plated and pressed at RTI !\r\n
      - Saxophonist Charles Lloyd debuts his collective The Marvels on dynamic nine-song set !\r\n
      - First new release featured as part of the acclaimed Tone Poet Audiophile Vinyl Series !\r\n
      \r\n
      Tone Poem is the third album by Charles Lloyd & The Marvels, the genre-straddling quintet that features the master saxophonist with Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass, and Eric Harland on drums. The nine dynamic instrumental tracks here include new Lloyd originals along with pieces by Ornette Coleman, Thelonious Monk, Leonard Cohen, Gabor Szabo, and Bola de Nieve.\r\n
      \r\n
      Blue Note Records' acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2021. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Lloyd (tenor saxophone & alto flute), Bill Frisell (guitar), Greg Leisz (pedal steel guitar), Reuben Rogers (bass), Eric Harland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2129 …}
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[
  "produit" => App\Entity\Produit {#2148
    -id: 2896
    -nom: "Figure In Blue"
    -informationComplementaire: null
    -description: """
      - Charles Lloyd "Figure In Blue" !\r\n
      - 180-gram double LP\r\n
      \r\n
      In March 2025, the legendary saxophonist Charles Lloyd convened a new trio of musical explorers with Jason Moran on piano and Marvin Sewell on guitar for his 87th birthday concert at the Lobero Theater in Santa Barbara and immediately brought them into the studio to record his remarkable 12th Blue Note album, Figure In Blue. The spacious double album travels wide expanses of musical terrain from beautiful ballads to raw Delta blues and includes stunning homages to Duke Ellington, Billie Holiday, and Zakir Hussain.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Charles Lloyd (saxophone, flute), Jason Moran (piano), Marvin Sewell (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=7X33R1tWasc&list=PLEz_mLoNZMeTgUK1FP8BLCEt3U758nJ0J"
    -referenceProduit: "Blue Note Records 9746"
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        "nom" => "2. Hina Hanta, the way of peace"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
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    -modifierLe: DateTime @1761587880 {#2143
      date: 2025-10-27 17:58:00.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3419
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  +produit: App\Entity\Produit {#2148
    -id: 2896
    -nom: "Figure In Blue"
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    -description: """
      - Charles Lloyd "Figure In Blue" !\r\n
      - 180-gram double LP\r\n
      \r\n
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      """
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1761587687 {#2144
      date: 2025-10-27 17:54:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761587880 {#2143
      date: 2025-10-27 17:58:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-figure-in-blue-blue-note-records-9746"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2161
    -id: 2892
    -nom: "King Of The Tenors"
    -informationComplementaire: null
    -description: """
      - Ben Webster "King Of The Tenors" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Limited edition premium 180 gram vinyl LP repressing of this classic jazz album, which was originally recorded for Verve in 1953 with the title The Consumate Artistry of Ben Webster when it was released in 1954. The album was reissued in 1957 as King Of The Tenors.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Benny Carter\t!alto saxophone), Harry Edison (trumpet), Oscar Peterson\t(piano), Ray Brown (bass), Herb Ellis, Barney Kessel (guitar), Alvin Stoller, J. C. Heard\t(drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=r1ggdlsokkU&list=RDr1ggdlsokkU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 7261"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Tenderly"
        "ordre" => 1
      ]
      [
        "nom" => "2. Jive At Six"
        "ordre" => 2
      ]
      [
        "nom" => "3. Don't Get Around Much Anymore"
        "ordre" => 3
      ]
      [
        "nom" => "4. That's All"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Bounce Blues"
        "ordre" => 6
      ]
      [
        "nom" => "2. Pennies From Heaven"
        "ordre" => 7
      ]
      [
        "nom" => "3. Cottontail"
        "ordre" => 8
      ]
      [
        "nom" => "4. Danny Boy"
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1761548453 {#2158
      date: 2025-10-27 07:00:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761548923 {#2159
      date: 2025-10-27 07:08:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-king-of-the-tenors-acoustic-sounds-series-7261"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3465
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2161
    -id: 2892
    -nom: "King Of The Tenors"
    -informationComplementaire: null
    -description: """
      - Ben Webster "King Of The Tenors" !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Limited edition premium 180 gram vinyl LP repressing of this classic jazz album, which was originally recorded for Verve in 1953 with the title The Consumate Artistry of Ben Webster when it was released in 1954. The album was reissued in 1957 as King Of The Tenors.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Benny Carter\t!alto saxophone), Harry Edison (trumpet), Oscar Peterson\t(piano), Ray Brown (bass), Herb Ellis, Barney Kessel (guitar), Alvin Stoller, J. C. Heard\t(drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=r1ggdlsokkU&list=RDr1ggdlsokkU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 7261"
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        "nom" => "Side A :"
        "ordre" => 0
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        "ordre" => 1
      ]
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      [
        "nom" => "4. That's All"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Bounce Blues"
        "ordre" => 6
      ]
      [
        "nom" => "2. Pennies From Heaven"
        "ordre" => 7
      ]
      [
        "nom" => "3. Cottontail"
        "ordre" => 8
      ]
      [
        "nom" => "4. Danny Boy"
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1761548453 {#2158
      date: 2025-10-27 07:00:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761548923 {#2159
      date: 2025-10-27 07:08:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-king-of-the-tenors-acoustic-sounds-series-7261"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2180
    -id: 2827
    -nom: "Gerry Mulligan Meets Johnny Hodges"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The 1959 record Gerry Mulligan Meets Johnny Hodges, a collaboration between the two great jazz saxophonists, has been reissued as the latest release from Verve's Acoustic Sounds Series.\r\n
      \r\n
      Recorded on November 17th, 1959, Gerry Mulligan Meets Johnny Hodges has been heralded as one of Mulligan's best collaborations with fellow instrumentalists. On this date, the two saxophonists were joined by a solid rhythm section of Claude Williamson (piano), Buddy Clark (bass), and Mel Lewis (drums).\r\n
      \r\n
      The tracklist pulls from both artist's repertoires, featuring three originals each from Mulligan and Hodges. The two complement the other throughout with the exception of Mulligan's "What's the Rush", where the baritonist sits out altogether in favor of Hodges' alto taking the spotlight.\r\n
      \r\n
      Gerry Mulligan Meets Johnny Hodges is the second Hodges collaboration to be reissued by Verve. Earlier this year, Acoustic Sounds re-released Side By Side, one of two 1959 LPs he recorded with Duke Ellington.\r\n
      \r\n
      The Acoustic Sounds series has been ongoing since 2020, reissuing a vast collection of records from Verve / UMe's rich archive. Artists featured have included icons such as Billie Holiday, Louis Armstrong, Ella Fiztgerald, Nina Simone, and many more.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Gerry Mulligan (baritone saxophone), Johnny Hodges (alto saxophone), Claude Williamson (piano), Buddy Clark (bass), Mel Lewis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p4F0U2Y350Y&list=PLvxWibFr0wiKfHrhNBDdpUrz98w6KP4Oo"
    -referenceProduit: "Acoustic Sounds Series Verve 7189"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Bunny"
        "ordre" => 1
      ]
      [
        "nom" => "2. What's The Rush"
        "ordre" => 2
      ]
      [
        "nom" => "3. Back Beat"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. What It's All About"
        "ordre" => 5
      ]
      [
        "nom" => "2. 18 Carrots For Rabbit"
        "ordre" => 6
      ]
      [
        "nom" => "3. Shady Side"
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1757842014 {#2177
      date: 2025-09-14 09:26:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761547683 {#2178
      date: 2025-10-27 06:48:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-gerry-mulligan-meets-johnny-hodges-acoustic-sounds-series-verve-7189"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3516
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2180
    -id: 2827
    -nom: "Gerry Mulligan Meets Johnny Hodges"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The 1959 record Gerry Mulligan Meets Johnny Hodges, a collaboration between the two great jazz saxophonists, has been reissued as the latest release from Verve's Acoustic Sounds Series.\r\n
      \r\n
      Recorded on November 17th, 1959, Gerry Mulligan Meets Johnny Hodges has been heralded as one of Mulligan's best collaborations with fellow instrumentalists. On this date, the two saxophonists were joined by a solid rhythm section of Claude Williamson (piano), Buddy Clark (bass), and Mel Lewis (drums).\r\n
      \r\n
      The tracklist pulls from both artist's repertoires, featuring three originals each from Mulligan and Hodges. The two complement the other throughout with the exception of Mulligan's "What's the Rush", where the baritonist sits out altogether in favor of Hodges' alto taking the spotlight.\r\n
      \r\n
      Gerry Mulligan Meets Johnny Hodges is the second Hodges collaboration to be reissued by Verve. Earlier this year, Acoustic Sounds re-released Side By Side, one of two 1959 LPs he recorded with Duke Ellington.\r\n
      \r\n
      The Acoustic Sounds series has been ongoing since 2020, reissuing a vast collection of records from Verve / UMe's rich archive. Artists featured have included icons such as Billie Holiday, Louis Armstrong, Ella Fiztgerald, Nina Simone, and many more.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Gerry Mulligan (baritone saxophone), Johnny Hodges (alto saxophone), Claude Williamson (piano), Buddy Clark (bass), Mel Lewis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p4F0U2Y350Y&list=PLvxWibFr0wiKfHrhNBDdpUrz98w6KP4Oo"
    -referenceProduit: "Acoustic Sounds Series Verve 7189"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "ordre" => 4
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      [
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        "ordre" => 5
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      [
        "nom" => "2. 18 Carrots For Rabbit"
        "ordre" => 6
      ]
      [
        "nom" => "3. Shady Side"
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
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      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2186 …}
    -enregistreLe: DateTime @1757842014 {#2177
      date: 2025-09-14 09:26:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761547683 {#2178
      date: 2025-10-27 06:48:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-gerry-mulligan-meets-johnny-hodges-acoustic-sounds-series-verve-7189"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2198
    -id: 2891
    -nom: "Juju"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter "JuJu" 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      1964 was a momentous year in the musical life of Wayne Shorter. At the start of the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums such as Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and that summer he joined the Miles Davis Quintet cementing a line-up that would become one of the seminal bands in jazz history.\r\n
      \r\n
      When he returned to the studio for Blue Note in August it was in the company of three musicians with strong ties to John Coltrane: pianist McCoy Tyner, bassist Reggie Workman, and drummer Elvin Jones. The resulting album JuJu is a marvel in Shorter's formidable discography which presents six of his evocative original compositions including the churning title track, the mesmerizing "House of Jade", and the brightly swinging "Yes Or No".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter\t(tenor saxophone), McCoy Tyner (piano), Reginald Workman (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OzQ9dshXMOM"
    -referenceProduit: "Blue Note Records 8452"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Juju"
        "ordre" => 1
      ]
      [
        "nom" => "2. Deluge"
        "ordre" => 2
      ]
      [
        "nom" => "3. House Of Jade"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Mahjong"
        "ordre" => 5
      ]
      [
        "nom" => "2. Yes Or No"
        "ordre" => 6
      ]
      [
        "nom" => "3. Twelve More Bars To Go"
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2209 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2202 …}
    -typeMasterTape: null
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    -modifierLe: DateTime @1761520540 {#2193
      date: 2025-10-26 23:15:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3567
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2198
    -id: 2891
    -nom: "Juju"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter "JuJu" 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Analog Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      1964 was a momentous year in the musical life of Wayne Shorter. At the start of the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums such as Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and that summer he joined the Miles Davis Quintet cementing a line-up that would become one of the seminal bands in jazz history.\r\n
      \r\n
      When he returned to the studio for Blue Note in August it was in the company of three musicians with strong ties to John Coltrane: pianist McCoy Tyner, bassist Reggie Workman, and drummer Elvin Jones. The resulting album JuJu is a marvel in Shorter's formidable discography which presents six of his evocative original compositions including the churning title track, the mesmerizing "House of Jade", and the brightly swinging "Yes Or No".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter\t(tenor saxophone), McCoy Tyner (piano), Reginald Workman (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=OzQ9dshXMOM"
    -referenceProduit: "Blue Note Records 8452"
    -titreMorceau: [
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        "ordre" => 0
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      [
        "nom" => ""
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
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    }
    -modifierLe: DateTime @1761520540 {#2193
      date: 2025-10-26 23:15:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …}
    -disponible: null
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    -slug: "vinyles-juju-blue-note-records-8452"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2216
    -id: 2248
    -nom: "Adam's Apple"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter "Adam's Apple" 180 gram Vinyl LP !\r\n
      - Mastered by Kevin Gray from Original Analog Tapes !\r\n
      - Pressed at Optimal !\r\n
      \r\n
      Wayne Shorter had already set a high bar over the course of his first several Blue Note albums, which included all-time jazz classics such as Night Dreamer, JuJu, and Speak No Evil, but 1966's Adam's Apple featuring Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums, immediately joined the ranks of the saxophonist's greatest recordings and remains a pinnacle artistic statement of Blue Note's fertile post-bop era. Shorter composed five of the session's six tracks including the grooving title track, which surely had producer Alfred Lion dancing around Rudy Van Gelder's studio. Other highlights of this sublime set include Jimmy Rowles' arresting "502 Blues (Drinkin' and Drivin')", Shorter's bossa-inflected "El Gaucho", the tender ballad "Teru", and the first recording of his timeless composition "Footprints", which Shorter would record again later that year with the Miles Davis Quintet for the album Miles Smiles. The album closes with the evocative composition "Chief Crazy Horse" featuring Shorter's trademark harmonic twists and a churning solo spotlight by Chambers.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter (saxophone), Reggie Workman (bass), Herbie Hancock (piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eYMfrrdwrdE"
    -referenceProduit: "Blue Note Records 81232"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
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        "nom" => "1. Adam's Apple"
        "ordre" => 1
      ]
      [
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        "ordre" => 2
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      [
        "nom" => "3. El Gaucho"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
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      ]
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      ]
      [
        "nom" => "3. Chief Crazy Horse"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
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      date: 2025-10-26 23:01:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
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    -slug: "vinyles-adam-s-apple-blue-note-records-81232"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3620
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2216
    -id: 2248
    -nom: "Adam's Apple"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter "Adam's Apple" 180 gram Vinyl LP !\r\n
      - Mastered by Kevin Gray from Original Analog Tapes !\r\n
      - Pressed at Optimal !\r\n
      \r\n
      Wayne Shorter had already set a high bar over the course of his first several Blue Note albums, which included all-time jazz classics such as Night Dreamer, JuJu, and Speak No Evil, but 1966's Adam's Apple featuring Herbie Hancock on piano, Reggie Workman on bass, and Joe Chambers on drums, immediately joined the ranks of the saxophonist's greatest recordings and remains a pinnacle artistic statement of Blue Note's fertile post-bop era. Shorter composed five of the session's six tracks including the grooving title track, which surely had producer Alfred Lion dancing around Rudy Van Gelder's studio. Other highlights of this sublime set include Jimmy Rowles' arresting "502 Blues (Drinkin' and Drivin')", Shorter's bossa-inflected "El Gaucho", the tender ballad "Teru", and the first recording of his timeless composition "Footprints", which Shorter would record again later that year with the Miles Davis Quintet for the album Miles Smiles. The album closes with the evocative composition "Chief Crazy Horse" featuring Shorter's trademark harmonic twists and a churning solo spotlight by Chambers.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter (saxophone), Reggie Workman (bass), Herbie Hancock (piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eYMfrrdwrdE"
    -referenceProduit: "Blue Note Records 81232"
    -titreMorceau: [
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      ]
      [
        "nom" => "3. Chief Crazy Horse"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2217 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2219 …}
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    }
    -modifierLe: DateTime @1761519701 {#2211
      date: 2025-10-26 23:01:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-adam-s-apple-blue-note-records-81232"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2231
    -id: 1957
    -nom: "Speak No Evil"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter "Speak No Evil" 180 gram Vinyl LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from original analog tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamerand quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, "Witch Hunt", and sublime ballad "Infant Eyes".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter (tenor saxophone), Freddie Hubbard (trumpet), Herbie Hancock (piano), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fvRkGglLe-U"
    -referenceProduit: "Blue Note Records 4042"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Witch Hunt "
        "ordre" => 1
      ]
      [
        "nom" => "2. Fee-Fi-Fo-Fum "
        "ordre" => 2
      ]
      [
        "nom" => "3. Dance Cadaverous "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Speak No Evil "
        "ordre" => 5
      ]
      [
        "nom" => "2. Infant Eyes "
        "ordre" => 6
      ]
      [
        "nom" => "3. Wild Flower"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2239 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2232 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2234 …}
    -enregistreLe: DateTime @1606202799 {#2227
      date: 2020-11-24 07:26:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761518774 {#2226
      date: 2025-10-26 22:46:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2236 …}
    -disponible: null
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    -slug: "vinyles-speak-no-evil-blue-note-records-4042"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3668
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2231
    -id: 1957
    -nom: "Speak No Evil"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter "Speak No Evil" 180 gram Vinyl LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from original analog tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamerand quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, "Witch Hunt", and sublime ballad "Infant Eyes".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter (tenor saxophone), Freddie Hubbard (trumpet), Herbie Hancock (piano), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fvRkGglLe-U"
    -referenceProduit: "Blue Note Records 4042"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Witch Hunt "
        "ordre" => 1
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      [
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      [
        "nom" => "3. Dance Cadaverous "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
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      [
        "nom" => "1. Speak No Evil "
        "ordre" => 5
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      [
        "nom" => "2. Infant Eyes "
        "ordre" => 6
      ]
      [
        "nom" => "3. Wild Flower"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2239 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2232 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2234 …}
    -enregistreLe: DateTime @1606202799 {#2227
      date: 2020-11-24 07:26:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761518774 {#2226
      date: 2025-10-26 22:46:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2236 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-speak-no-evil-blue-note-records-4042"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2246
    -id: 2090
    -nom: "The All Seeing Eye"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter  "The All Seeing Eye" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The All Seeing Eye, a brilliant and ambitiously multi-layered album for Blue Note. Shorter's goal for the album was to use "a wider range of colors and textures" while continuing his explorations of "life and the universe and God". Joining Shorter in his quest are Freddie Hubbard on trumpet, Grachan Moncur III on trombone, James Spaulding on alto saxophone, Herbie Hancock on piano, Ron Carter on bass, Joe Chambers on drums, and, on one track, Wayne's brother Alan Shorter on flugelhorn.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=xY2rNo9dUZs"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3716
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2246
    -id: 2090
    -nom: "The All Seeing Eye"
    -informationComplementaire: null
    -description: """
      - Wayne Shorter  "The All Seeing Eye" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The All Seeing Eye, a brilliant and ambitiously multi-layered album for Blue Note. Shorter's goal for the album was to use "a wider range of colors and textures" while continuing his explorations of "life and the universe and God". Joining Shorter in his quest are Freddie Hubbard on trumpet, Grachan Moncur III on trombone, James Spaulding on alto saxophone, Herbie Hancock on piano, Ron Carter on bass, Joe Chambers on drums, and, on one track, Wayne's brother Alan Shorter on flugelhorn.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter (tenor saxophone), James Spaulding (alto saxophone), Ron Carter (bass), Herbie Hancock (piano), Freddie Hubbard (trumpet, flugelhorn), Grachan Moncur III (trombone), Alan Shorter (flugelhorn), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

[
  "produit" => App\Entity\Produit {#2261
    -id: 2344
    -nom: "Live At The Detroit Jazz Festival"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl double LP !\r\n
      - Remastered by Bernie Grundman !\r\n
      - Tip-on jacket !\r\n
      - Early '60s improv jazz and blues titles on Candid return to print !\r\n
      \r\n
      On Sept. 3, 2017, attendees of the Detroit Jazz Festival witnessed a very special, and unique, one-time event. A set by a multi-generational jazz super group. A masterful quartet comprised of Wayne Shorter, Terri Lyne Carrington, esperanza spalding, and Leo Genovese.\r\n
      \r\n
      At last, on Sept 9, 2022, the rest of us will get to enjoy this magnificent performance.\r\n
      \r\n
      The musicians had at the most, an outline of how the music that evening might evolve. In a testament to the level of trust and respect between these great artists, they left the rest open for on-the-spot spontaneity. Terri Lyne Carrington remembers, "We rehearsed some themes earlier that day, but the preparation was really from our lives and profound experiences with each other". In other words, four lifetimes of music made these performances possible. The artificial boundaries between composition and improvisation, ensemble and solos were erased. The quartet operated as its own entity, creating music that not only delighted and intrigued the audience but the musicians themselves.\r\n
      \r\n
      Whether it is the Shorter/Spalding composition "Endangered Species" (which explores several moods and is filled with free-form explorations), Milton Nascimento's thoughtful ballad "Encontros e Despedidas", Geri Allen's "Drummers Song", or Shorter's haunting "Midnight In Carlotta's Hair", the quartet's interpretations are consistently unpredictable and memorable. But one could use those descriptions to sum up the great Wayne Shorter's entire career.\r\n
      \r\n
      Shorter has worked with vocalists on occasion throughout the years, most notably Milton Nascimento (on 1974's Native Dancer), Joni Mitchell and Lionel Loueke. But his interplay with esperanza spalding's voice here on several of these selections is on a different level altogether. spalding's passionate long tones, most notably on the saxophonist's "Someplace Called ‘Where'," echoes Shorter's style, and her singing on some of the other pieces gives the group the sound of a two-horn quintet.\r\n
      \r\n
      Wayne Shorter, who many consider to be jazz's greatest living composer in addition to being a distinctive and innovative stylist on both tenor and soprano, had three longtime associations that found him making history by contributing inventive solos and innovative compositions to a trio of musical institutions : Art Blakey's Jazz Messengers (1959-63), the Miles Davis Quintet (1964-70), and Weather Report (1971-86), co-founding the latter with Joe Zawinul. Add to that his classic string of recordings for the Blue Note label, and Shorter could have at any time simply rested on his accomplishments and coasted. But that would not have satisfied his explorative spirit.\r\n
      \r\n
      Terri Lyne Carrington began playing drums when she was 7, performed with pioneering jazz flugel hornist Clark Terry at 10, and was awarded a scholarship to the Berklee College Of Music at age 11. Her early list of credits beginning in the 1980s point out not only her productivity but her versatility, and include associations with the likes of Lester Bowie, Stan Getz, Woody Shaw, David Sanborn, Cassandra Wilson, Dianne Reeves, and Herbie Hancock in addition to being the house drummer for The Arsenio Hall Show. Carrington has led a wide assortment of projects during the past 30 years including the Grammy award-winning album The Mosaic Project, Money Jungle : Provocative In Blue, and her 2019 set with Social Science titled Waiting Game. She first recorded with Wayne Shorter on 1987's Joy Ryder, and is on the esperanza spalding albums Chamber Music Society and Radio Music Society, along with Leo Genovese on piano. Carrington currently serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice.\r\n
      \r\n
      "I've played with Wayne Shorter since I was 21 years old and he is my musical and spiritual mentor. I've also played much over the last decade with my sister, esperanza spalding, as well as Leo Genovese, both incredibly talented musicians. I am beyond thrilled that this special concert at the Detroit Jazz Festival in 2017 was captured and is now being shared with listeners around the world", Carrington says.\r\n
      \r\n
      esperanza spalding began playing the violin as a child and by age 5 was performing with the Chamber Music Society of Oregon. After switching to bass, she sang in a local rock group, studied at Portland State University and the Berklee College Of Music, and released her first album Junjo, in 2006. Her breakthrough came with her sensational second album, 2008's Esperanza, and in 2011, she won the coveted Grammy Award for Best New Artist. Since then, she has played with Joe Lovano, McCoy Tyner, Fred Hersch, ACS (a collaboration with Terri Lyne Carrington and Geri Allen), and has since led such albums as Chamber Music Society, Radio Music Society, Emily's D+Evolution, Exposure, 12 Little Spells (Grammy win for Best Jazz Vocal album), and Songwrights Apothecary Lab (Grammy win for Best Jazz Vocal Album).\r\n
      \r\n
      spalding's music, like that of Carrington and Shorter, has never fit into a simple category. Of her night playing with Shorter, Carrington and Genovese, spalding says "that night in Detroit, when we felt ourselves lift off musically, I learned a different definition of flying, of building while flying, and of ‘we'."\r\n
      \r\n
      Leo Genovese was born in Argentina, first played piano when he was five, and studied at the University of Rosario and the Berklee College Of Music. He made his recording debut in 2003 and has led such albums as Haiku II, Unlocked, Seeds, Rituals and Sin Tiempo. Genovese has also recorded with a large assortment of artists including Jason Palmer, Andre Matos, Francisco Mela, Michael Feinberg, Sara Serpa, Dave Zinno, Dan Blake and Leni Stern. He began touring and recording with esperanza spalding in 2005, an association that continues up to the present time. "Wayne, Terri Lyne and esperanza are musical superheroes in all places and in all times. To be able to share sound, to learn from them and to feel them as friends is a blessing".\r\n
      \r\n
      In recent years, Shorter has "retired" from performing, but he is far from inactive. He worked with spalding (who wrote the libretto) on his opera Iphigenia, which received impressive reviews after performances on both the East and West Coasts during 2021-22. He sums up the Detroit concert in his own special way: "With the mixture of people male and female, varying ethnicities and backgrounds sometimes we did things that sound larger than the four of us, with more of an orchestral approach...If there are things going on in the recording that can be heard by people to the extent that it can turn some thoughts around about life and culture...people who hear it may recognize that we are all different and the same".\r\n
      \r\n
      This performance is dedicated to the memory of pianist and composer Geri Allen, who was originally to be a part of the group, but passed away the previous June.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter (tenor & soprano Saxophone), Leo Genovese (piano, keyboards), Esperanza Spalding (bass, vocals), Terri Lyne Carrington (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
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    -extraitYoutube: null
    -referenceProduit: "Candid 0301"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => "2. Drummers Song"
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      [
        "nom" => "Side D : "
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      [
        "nom" => "1. Midnight in Carlotta's Hair "
        "ordre" => 8
      ]
      [
        "nom" => "2. The Stuff That Dreams Are Made (A Conversation) [bonus track]"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
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    -slug: "vinyles-live-at-the-detroit-jazz-festival-candid-0301"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3764
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2697 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2261
    -id: 2344
    -nom: "Live At The Detroit Jazz Festival"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl double LP !\r\n
      - Remastered by Bernie Grundman !\r\n
      - Tip-on jacket !\r\n
      - Early '60s improv jazz and blues titles on Candid return to print !\r\n
      \r\n
      On Sept. 3, 2017, attendees of the Detroit Jazz Festival witnessed a very special, and unique, one-time event. A set by a multi-generational jazz super group. A masterful quartet comprised of Wayne Shorter, Terri Lyne Carrington, esperanza spalding, and Leo Genovese.\r\n
      \r\n
      At last, on Sept 9, 2022, the rest of us will get to enjoy this magnificent performance.\r\n
      \r\n
      The musicians had at the most, an outline of how the music that evening might evolve. In a testament to the level of trust and respect between these great artists, they left the rest open for on-the-spot spontaneity. Terri Lyne Carrington remembers, "We rehearsed some themes earlier that day, but the preparation was really from our lives and profound experiences with each other". In other words, four lifetimes of music made these performances possible. The artificial boundaries between composition and improvisation, ensemble and solos were erased. The quartet operated as its own entity, creating music that not only delighted and intrigued the audience but the musicians themselves.\r\n
      \r\n
      Whether it is the Shorter/Spalding composition "Endangered Species" (which explores several moods and is filled with free-form explorations), Milton Nascimento's thoughtful ballad "Encontros e Despedidas", Geri Allen's "Drummers Song", or Shorter's haunting "Midnight In Carlotta's Hair", the quartet's interpretations are consistently unpredictable and memorable. But one could use those descriptions to sum up the great Wayne Shorter's entire career.\r\n
      \r\n
      Shorter has worked with vocalists on occasion throughout the years, most notably Milton Nascimento (on 1974's Native Dancer), Joni Mitchell and Lionel Loueke. But his interplay with esperanza spalding's voice here on several of these selections is on a different level altogether. spalding's passionate long tones, most notably on the saxophonist's "Someplace Called ‘Where'," echoes Shorter's style, and her singing on some of the other pieces gives the group the sound of a two-horn quintet.\r\n
      \r\n
      Wayne Shorter, who many consider to be jazz's greatest living composer in addition to being a distinctive and innovative stylist on both tenor and soprano, had three longtime associations that found him making history by contributing inventive solos and innovative compositions to a trio of musical institutions : Art Blakey's Jazz Messengers (1959-63), the Miles Davis Quintet (1964-70), and Weather Report (1971-86), co-founding the latter with Joe Zawinul. Add to that his classic string of recordings for the Blue Note label, and Shorter could have at any time simply rested on his accomplishments and coasted. But that would not have satisfied his explorative spirit.\r\n
      \r\n
      Terri Lyne Carrington began playing drums when she was 7, performed with pioneering jazz flugel hornist Clark Terry at 10, and was awarded a scholarship to the Berklee College Of Music at age 11. Her early list of credits beginning in the 1980s point out not only her productivity but her versatility, and include associations with the likes of Lester Bowie, Stan Getz, Woody Shaw, David Sanborn, Cassandra Wilson, Dianne Reeves, and Herbie Hancock in addition to being the house drummer for The Arsenio Hall Show. Carrington has led a wide assortment of projects during the past 30 years including the Grammy award-winning album The Mosaic Project, Money Jungle : Provocative In Blue, and her 2019 set with Social Science titled Waiting Game. She first recorded with Wayne Shorter on 1987's Joy Ryder, and is on the esperanza spalding albums Chamber Music Society and Radio Music Society, along with Leo Genovese on piano. Carrington currently serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice.\r\n
      \r\n
      "I've played with Wayne Shorter since I was 21 years old and he is my musical and spiritual mentor. I've also played much over the last decade with my sister, esperanza spalding, as well as Leo Genovese, both incredibly talented musicians. I am beyond thrilled that this special concert at the Detroit Jazz Festival in 2017 was captured and is now being shared with listeners around the world", Carrington says.\r\n
      \r\n
      esperanza spalding began playing the violin as a child and by age 5 was performing with the Chamber Music Society of Oregon. After switching to bass, she sang in a local rock group, studied at Portland State University and the Berklee College Of Music, and released her first album Junjo, in 2006. Her breakthrough came with her sensational second album, 2008's Esperanza, and in 2011, she won the coveted Grammy Award for Best New Artist. Since then, she has played with Joe Lovano, McCoy Tyner, Fred Hersch, ACS (a collaboration with Terri Lyne Carrington and Geri Allen), and has since led such albums as Chamber Music Society, Radio Music Society, Emily's D+Evolution, Exposure, 12 Little Spells (Grammy win for Best Jazz Vocal album), and Songwrights Apothecary Lab (Grammy win for Best Jazz Vocal Album).\r\n
      \r\n
      spalding's music, like that of Carrington and Shorter, has never fit into a simple category. Of her night playing with Shorter, Carrington and Genovese, spalding says "that night in Detroit, when we felt ourselves lift off musically, I learned a different definition of flying, of building while flying, and of ‘we'."\r\n
      \r\n
      Leo Genovese was born in Argentina, first played piano when he was five, and studied at the University of Rosario and the Berklee College Of Music. He made his recording debut in 2003 and has led such albums as Haiku II, Unlocked, Seeds, Rituals and Sin Tiempo. Genovese has also recorded with a large assortment of artists including Jason Palmer, Andre Matos, Francisco Mela, Michael Feinberg, Sara Serpa, Dave Zinno, Dan Blake and Leni Stern. He began touring and recording with esperanza spalding in 2005, an association that continues up to the present time. "Wayne, Terri Lyne and esperanza are musical superheroes in all places and in all times. To be able to share sound, to learn from them and to feel them as friends is a blessing".\r\n
      \r\n
      In recent years, Shorter has "retired" from performing, but he is far from inactive. He worked with spalding (who wrote the libretto) on his opera Iphigenia, which received impressive reviews after performances on both the East and West Coasts during 2021-22. He sums up the Detroit concert in his own special way: "With the mixture of people male and female, varying ethnicities and backgrounds sometimes we did things that sound larger than the four of us, with more of an orchestral approach...If there are things going on in the recording that can be heard by people to the extent that it can turn some thoughts around about life and culture...people who hear it may recognize that we are all different and the same".\r\n
      \r\n
      This performance is dedicated to the memory of pianist and composer Geri Allen, who was originally to be a part of the group, but passed away the previous June.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Wayne Shorter (tenor & soprano Saxophone), Leo Genovese (piano, keyboards), Esperanza Spalding (bass, vocals), Terri Lyne Carrington (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
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        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2200 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2269 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-detroit-jazz-festival-candid-0301"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3960
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2465 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3961 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4009 …}
  +isValidated: false
  +validatedFields: []
}