Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2631
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2708
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2711 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
  -formView: Symfony\Component\Form\FormView {#2747 …}
  -form: Symfony\Component\Form\Form {#2897 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2328
    -nom: "Burnin' - (60th Anniversary Remastered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lee Hooker (guitar, vocals), Andrew "Mike" Terry (baritone saxophone), Hank Cosby (tenor saxophone), Joe Hunter (piano), Larry Veeder (guitar),\r\n
      James Jamerson (bass), Benny Benjamin (drums).\r\n
      \r\n
      - 60th Anniversary Edition 180 gram Vinyl LP !\r\n
      \r\n
      - Featuring the Original Stereo Mix of the Album !\r\n
      \r\n
      - Newly Remastered from Original Analog Tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed at Memphis Records Pressing !\r\n
      \r\n
      Celebrating the 60th anniversary of John Lee Hooker's electrifying blues classic, Burnin', this 180 gram reissue offers newly remastered audio from the original analog tapes. Featuring a stereo mix of the album, as it was first released in 1962, the set includes the King of the Boogie's signature hit, "Boom Boom", and features members of the legendary Funk Brothers (Motown Records' celebrated house band). A tip-on jacket, which replicates Vee-Jay Records' original designs, rounds out the package.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Andrew "Mike" Terry (baritone saxophone), Hank Cosby (tenor saxophone), Joe Hunter (piano), Larry Veeder (guitar), James Jamerson (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n_IjkPvrAHo"
    -referenceProduit: "Concord Craft Recordings 0544"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Boom Boom "
      ]
      [
        "ordre" => 2
        "nom" => "2. Process "
      ]
      [
        "ordre" => 3
        "nom" => "3. Lost A Good Girl "
      ]
      [
        "ordre" => 4
        "nom" => "4. A New Leaf "
      ]
      [
        "ordre" => 5
        "nom" => "5. Blues Before Sunrise "
      ]
      [
        "ordre" => 6
        "nom" => "6. Let’s Make It"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Got A Letter "
      ]
      [
        "ordre" => 9
        "nom" => "2. Thelma "
      ]
      [
        "ordre" => 10
        "nom" => "3. Drug Store Woman "
      ]
      [
        "ordre" => 11
        "nom" => "4. Keep Your Hands To Yourself "
      ]
      [
        "ordre" => 12
        "nom" => "5. What Do You Say"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1669390590 {#1929
      date: 2022-11-25 15:36:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769792850 {#1922
      date: 2026-01-30 17:07:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-burnin-60th-anniversary-remastered-edition-concord-craft-recordings-0544"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3168
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2328
    -nom: "Burnin' - (60th Anniversary Remastered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lee Hooker (guitar, vocals), Andrew "Mike" Terry (baritone saxophone), Hank Cosby (tenor saxophone), Joe Hunter (piano), Larry Veeder (guitar),\r\n
      James Jamerson (bass), Benny Benjamin (drums).\r\n
      \r\n
      - 60th Anniversary Edition 180 gram Vinyl LP !\r\n
      \r\n
      - Featuring the Original Stereo Mix of the Album !\r\n
      \r\n
      - Newly Remastered from Original Analog Tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed at Memphis Records Pressing !\r\n
      \r\n
      Celebrating the 60th anniversary of John Lee Hooker's electrifying blues classic, Burnin', this 180 gram reissue offers newly remastered audio from the original analog tapes. Featuring a stereo mix of the album, as it was first released in 1962, the set includes the King of the Boogie's signature hit, "Boom Boom", and features members of the legendary Funk Brothers (Motown Records' celebrated house band). A tip-on jacket, which replicates Vee-Jay Records' original designs, rounds out the package.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Andrew "Mike" Terry (baritone saxophone), Hank Cosby (tenor saxophone), Joe Hunter (piano), Larry Veeder (guitar), James Jamerson (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n_IjkPvrAHo"
    -referenceProduit: "Concord Craft Recordings 0544"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Boom Boom "
      ]
      [
        "ordre" => 2
        "nom" => "2. Process "
      ]
      [
        "ordre" => 3
        "nom" => "3. Lost A Good Girl "
      ]
      [
        "ordre" => 4
        "nom" => "4. A New Leaf "
      ]
      [
        "ordre" => 5
        "nom" => "5. Blues Before Sunrise "
      ]
      [
        "ordre" => 6
        "nom" => "6. Let’s Make It"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Got A Letter "
      ]
      [
        "ordre" => 9
        "nom" => "2. Thelma "
      ]
      [
        "ordre" => 10
        "nom" => "3. Drug Store Woman "
      ]
      [
        "ordre" => 11
        "nom" => "4. Keep Your Hands To Yourself "
      ]
      [
        "ordre" => 12
        "nom" => "5. What Do You Say"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1669390590 {#1929
      date: 2022-11-25 15:36:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769792850 {#1922
      date: 2026-01-30 17:07:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-burnin-60th-anniversary-remastered-edition-concord-craft-recordings-0544"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2428
    -nom: "The Healer"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker's The Healer from Analogue Productions !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      The Healer is a critically acclaimed album by the legendary blues musician John Lee Hooker. Released in 1989, it stands as a testament to Hooker's profound influence on the genre and his ability to evolve his sound while staying true to his roots. The album showcases his distinctive guitar style, gritty vocals, and masterful storytelling, creating an immersive and emotionally charged musical experience.\r\n
      \r\n
      The Healer features an impressive array of guest artists, each bringing their unique talents to the table. Renowned musicians such as Carlos Santana, Bonnie Raitt, Robert Cray, Canned Heat, and Los Lobos join forces with Hooker, creating a rich tapestry of blues, rock, and soul.\r\n
      \r\n
      On the title track Hooker's deep, resonant voice combined with Santana's searing guitar work creates an unforgettable blues anthem that speaks to the power of music as a healing force. The lyrics are introspective, introspective, and poignant, reflecting on the struggles of life and the solace found in the blues.\r\n
      \r\n
      Throughout the album, Hooker explores a range of themes, from love and loss to societal issues and personal introspection. Tracks like "I'm in the Mood" and "Baby Lee" exude a raw sensuality, showcasing Hooker's ability to infuse his music with passion and desire. Meanwhile, songs like "Cry Baby" and "The Healing Game" delve into deeper emotional territory, capturing the pain and resilience of the human spirit.\r\n
      \r\n
      Hooker was 73 years of age when The Healer came out and earned his first of many future Grammy accolades, winning Best Traditional Blues Recording for "I'm In The Mood". This edition features lacquers cut by Bernie Grundman, and pressing on 180 gram vinyl at Quality Record Pressings, for superior sound.\r\n
      \r\n
      With its exceptional musicianship, thought-provoking lyrics, and powerful collaborations, The Healer remains a standout album in John Lee Hooker's discography.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (vocals, guitar),?Carlos Santana & The Santana Band (guitar, tymbales, congas, drums), Bonnie Raitt (vocal, slide guitar), Robert Cray (guitar), George Thorogood (guitar), Charlie Musselwhite, (harmonica)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=lE4P8r8FENY"
    -referenceProduit: "Analogue Productions AAPB 148-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Healer "
      ]
      [
        "ordre" => 2
        "nom" => "2. I'm In The Mood "
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Baby Lee "
      ]
      [
        "ordre" => 5
        "nom" => "2. Cuttin' Out "
      ]
      [
        "ordre" => 6
        "nom" => "5. Think Twice Before You Go "
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Sally Mae "
      ]
      [
        "ordre" => 9
        "nom" => "2. That's Alright "
      ]
      [
        "ordre" => 10
        "nom" => "3. Rockin' Chair "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. My Dream "
      ]
      [
        "ordre" => 13
        "nom" => "2. No Substitute"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1684565347 {#2095
      date: 2023-05-20 06:49:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769792656 {#2096
      date: 2026-01-30 17:04:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-healer-analogue-productions-aapb-148-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3284
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2428
    -nom: "The Healer"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker's The Healer from Analogue Productions !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      The Healer is a critically acclaimed album by the legendary blues musician John Lee Hooker. Released in 1989, it stands as a testament to Hooker's profound influence on the genre and his ability to evolve his sound while staying true to his roots. The album showcases his distinctive guitar style, gritty vocals, and masterful storytelling, creating an immersive and emotionally charged musical experience.\r\n
      \r\n
      The Healer features an impressive array of guest artists, each bringing their unique talents to the table. Renowned musicians such as Carlos Santana, Bonnie Raitt, Robert Cray, Canned Heat, and Los Lobos join forces with Hooker, creating a rich tapestry of blues, rock, and soul.\r\n
      \r\n
      On the title track Hooker's deep, resonant voice combined with Santana's searing guitar work creates an unforgettable blues anthem that speaks to the power of music as a healing force. The lyrics are introspective, introspective, and poignant, reflecting on the struggles of life and the solace found in the blues.\r\n
      \r\n
      Throughout the album, Hooker explores a range of themes, from love and loss to societal issues and personal introspection. Tracks like "I'm in the Mood" and "Baby Lee" exude a raw sensuality, showcasing Hooker's ability to infuse his music with passion and desire. Meanwhile, songs like "Cry Baby" and "The Healing Game" delve into deeper emotional territory, capturing the pain and resilience of the human spirit.\r\n
      \r\n
      Hooker was 73 years of age when The Healer came out and earned his first of many future Grammy accolades, winning Best Traditional Blues Recording for "I'm In The Mood". This edition features lacquers cut by Bernie Grundman, and pressing on 180 gram vinyl at Quality Record Pressings, for superior sound.\r\n
      \r\n
      With its exceptional musicianship, thought-provoking lyrics, and powerful collaborations, The Healer remains a standout album in John Lee Hooker's discography.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (vocals, guitar),?Carlos Santana & The Santana Band (guitar, tymbales, congas, drums), Bonnie Raitt (vocal, slide guitar), Robert Cray (guitar), George Thorogood (guitar), Charlie Musselwhite, (harmonica)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=lE4P8r8FENY"
    -referenceProduit: "Analogue Productions AAPB 148-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Healer "
      ]
      [
        "ordre" => 2
        "nom" => "2. I'm In The Mood "
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Baby Lee "
      ]
      [
        "ordre" => 5
        "nom" => "2. Cuttin' Out "
      ]
      [
        "ordre" => 6
        "nom" => "5. Think Twice Before You Go "
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Sally Mae "
      ]
      [
        "ordre" => 9
        "nom" => "2. That's Alright "
      ]
      [
        "ordre" => 10
        "nom" => "3. Rockin' Chair "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. My Dream "
      ]
      [
        "ordre" => 13
        "nom" => "2. No Substitute"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1684565347 {#2095
      date: 2023-05-20 06:49:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769792656 {#2096
      date: 2026-01-30 17:04:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-healer-analogue-productions-aapb-148-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "produit" => App\Entity\Produit {#2114
    -id: 2627
    -nom: "It Serve You Right To Suffer"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Lee Hooker's style of guitar playing has been imitated but never matched. The iconic bluesman's 1966 album It Serve You Right to Suffer for Impulse! was unusual because it teamed him with a jazz ensemble rather than a typical blues band. This setup was part of Impulse!'s broader effort to explore and expand the boundaries between jazz, blues, and other genres.\r\n
      \r\n
      The collaboration was partly driven by the growing interest in the blues among jazz audiences in the 1960s. Hooker's raw, emotional music resonated with the improvisational spirit of jazz. Impulse! wanted to showcase his talents in a new light by pairing him with a sophisticated jazz rhythm section guitarist Barry Galbraith, bassist Milt Hinton, and drummer Panama Francis. These musicians had deep jazz credentials but were flexible enough to adapt to Hooker's deeply personal and rhythmically unique style.\r\n
      \r\n
      The producer was Bob Thiele, head of the foundational jazz label Impulse! Records. The idea was to keep the tracklist down to just eight songs and let each one inhabit a mood, unencumbered by commercial demands for a single.\r\n
      \r\n
      The album combined Hooker's earthy, hypnotic blues sound with the polished backing of the jazz combo. Hooker's deep, gravelly voice and his raw, syncopated guitar riffs stood at the forefront, while the jazz players added a smoother, more textured groove underneath. The result was a unique fusion: it retained the grit and authenticity of Hooker's Delta blues roots but added a subtle, swinging sophistication.\r\n
      \r\n
      It Serve You Right to Suffer stands out in Hooker's discography because it formed a bridge between blues and jazz. It introduced Hooker's music to a broader audience and showcased his adaptability as an artist. For blues fans, it highlighted the universality of Hooker's sound; for jazz fans, it was a chance to experience blues in a more refined context.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Milt Hinton (bass), Joseph Barry Galbraith (guitar), William Wells (trombone), David "Panama" Francis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -modifierLe: DateTime @1769792512 {#2112
      date: 2026-01-30 17:01:52.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3332
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2114
    -id: 2627
    -nom: "It Serve You Right To Suffer"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Lee Hooker's style of guitar playing has been imitated but never matched. The iconic bluesman's 1966 album It Serve You Right to Suffer for Impulse! was unusual because it teamed him with a jazz ensemble rather than a typical blues band. This setup was part of Impulse!'s broader effort to explore and expand the boundaries between jazz, blues, and other genres.\r\n
      \r\n
      The collaboration was partly driven by the growing interest in the blues among jazz audiences in the 1960s. Hooker's raw, emotional music resonated with the improvisational spirit of jazz. Impulse! wanted to showcase his talents in a new light by pairing him with a sophisticated jazz rhythm section guitarist Barry Galbraith, bassist Milt Hinton, and drummer Panama Francis. These musicians had deep jazz credentials but were flexible enough to adapt to Hooker's deeply personal and rhythmically unique style.\r\n
      \r\n
      The producer was Bob Thiele, head of the foundational jazz label Impulse! Records. The idea was to keep the tracklist down to just eight songs and let each one inhabit a mood, unencumbered by commercial demands for a single.\r\n
      \r\n
      The album combined Hooker's earthy, hypnotic blues sound with the polished backing of the jazz combo. Hooker's deep, gravelly voice and his raw, syncopated guitar riffs stood at the forefront, while the jazz players added a smoother, more textured groove underneath. The result was a unique fusion: it retained the grit and authenticity of Hooker's Delta blues roots but added a subtle, swinging sophistication.\r\n
      \r\n
      It Serve You Right to Suffer stands out in Hooker's discography because it formed a bridge between blues and jazz. It introduced Hooker's music to a broader audience and showcased his adaptability as an artist. For blues fans, it highlighted the universality of Hooker's sound; for jazz fans, it was a chance to experience blues in a more refined context.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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      date: 2026-01-30 17:01:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
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[
  "produit" => App\Entity\Produit {#2130
    -id: 600
    -nom: "Johnny Hodges With Billy Strayhorn (2 LP) 45 RPM"
    -informationComplementaire: "Awaiting instructions from Analogue Productions on availability"
    -description: """
      Musicians :\r\n
      Johnny Hodges (alto saxophone), Cat Anderson, Shorty Baker, Bill Berry, Howard McGhee, Ed Mullens (trumpet), Aaron Bell (bass), Lawrence Brown, Quentin Jackson (trombone), Harry Carney (bass clarinet, baritone saxophone, bass saxophone), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Russell Procope (clarinet, alto saxophone), Chuck Conors (bass trombone), Jimmy Jones (piano), Sam Woodyard (drums), Billy Strayhorn (arranger, conductor, performer).\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Recorded during the last decade of his long tenure with the Duke Ellington Orchestra, this album finds the great alto saxophonist Johnny Hodges' musical gifts not only intact but stronger than ever. Featuring the Ellington band with Jimmy Jones on piano and Billy Strayhorn as bandleader and arranger it is a fascinating program of Ellington remakes, including tome of the orchestra's most familiar numbers, all of which have been given subtle new orchestrations by Strayhorn and melodious new interpretations by Hodges.\r\n
      \r\n
      Recorded in 1961.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Johnny Hodges (alto saxophone), Cat Anderson, Shorty Baker, Bill Berry, Howard McGhee, Ed Mullens (trumpet), Aaron Bell (bass), Lawrence Brown, Quentin Jackson (trombone), Harry Carney (bass clarinet, baritone saxophone, bass saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lR3M35ycfqY"
    -referenceProduit: "Analogue Productions AVRJ 8452-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Don't Get Around Much Anymore"
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        "ordre" => 5
        "nom" => "1. Your Love Has Faded"
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        "ordre" => 6
        "nom" => "2. I'm Just a Lucky So and So"
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      [
        "ordre" => 8
        "nom" => "1. Jeep's Blues"
      ]
      [
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        "nom" => "2. Day Dream"
      ]
      [
        "ordre" => 10
        "nom" => "3. Juice a Plenty"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Azure"
      ]
      [
        "ordre" => 13
        "nom" => "2. Tailor Made"
      ]
      [
        "ordre" => 14
        "nom" => "3. Stardust"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1502 …}
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    }
    -modifierLe: DateTime @1769789493 {#2128
      date: 2026-01-30 16:11:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3378
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2130
    -id: 600
    -nom: "Johnny Hodges With Billy Strayhorn (2 LP) 45 RPM"
    -informationComplementaire: "Awaiting instructions from Analogue Productions on availability"
    -description: """
      Musicians :\r\n
      Johnny Hodges (alto saxophone), Cat Anderson, Shorty Baker, Bill Berry, Howard McGhee, Ed Mullens (trumpet), Aaron Bell (bass), Lawrence Brown, Quentin Jackson (trombone), Harry Carney (bass clarinet, baritone saxophone, bass saxophone), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Russell Procope (clarinet, alto saxophone), Chuck Conors (bass trombone), Jimmy Jones (piano), Sam Woodyard (drums), Billy Strayhorn (arranger, conductor, performer).\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Recorded during the last decade of his long tenure with the Duke Ellington Orchestra, this album finds the great alto saxophonist Johnny Hodges' musical gifts not only intact but stronger than ever. Featuring the Ellington band with Jimmy Jones on piano and Billy Strayhorn as bandleader and arranger it is a fascinating program of Ellington remakes, including tome of the orchestra's most familiar numbers, all of which have been given subtle new orchestrations by Strayhorn and melodious new interpretations by Hodges.\r\n
      \r\n
      Recorded in 1961.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -titreMorceau: [
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        "nom" => "2. I'm Just a Lucky So and So"
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        "nom" => "Side C : "
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        "nom" => "1. Jeep's Blues"
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        "ordre" => 10
        "nom" => "3. Juice a Plenty"
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Azure"
      ]
      [
        "ordre" => 13
        "nom" => "2. Tailor Made"
      ]
      [
        "ordre" => 14
        "nom" => "3. Stardust"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
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      date: 2026-01-30 16:11:33.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2146
    -id: 644
    -nom: "Blues A Plenty (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Mastered by George Marino at Sterling Sound\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.\r\n
      \r\n
      Originally released in 1958.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Johnny Hodges (alto saxophone), Ben Webster (tenor saxophone), Vic Dickenson (trombone), Roy Eldridge (trumpet), Jimmy Woode (bass), Billy Strayhom (piano), Sam Woodyard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ux_yFSeYHFg"
    -referenceProduit: "Analogue Productions AAPP 6123-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. I Didn't Know About You"
      ]
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        "ordre" => 2
        "nom" => "2. Cool Your Motor"
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        "ordre" => 3
        "nom" => "3. Gone With the Wind"
      ]
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        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Honey Hill"
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        "ordre" => 6
        "nom" => "2. Blues-A-Plenty"
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        "ordre" => 7
        "nom" => "3. Don't Take Your Love From Me"
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        "nom" => "1. Saturday Afternoon Blues"
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        "ordre" => 12
        "nom" => "1. Reeling and Rocking"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1502 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3431
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    -id: 644
    -nom: "Blues A Plenty (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Mastered by George Marino at Sterling Sound\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011\r\n
      \r\n
      One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington's orchestra from 1928 up to Hodges' death in 1970. The self-taught player made many solo forays during his long career - one of his '50s outfits included a young John Coltrane - but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.\r\n
      \r\n
      Originally released in 1958.
      """
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    -musicienOrchestre: "Johnny Hodges (alto saxophone), Ben Webster (tenor saxophone), Vic Dickenson (trombone), Roy Eldridge (trumpet), Jimmy Woode (bass), Billy Strayhom (piano), Sam Woodyard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "1. Reeling and Rocking"
      ]
    ]
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[
  "produit" => App\Entity\Produit {#2159
    -id: 1647
    -nom: "Introducing Johnny Griffin"
    -informationComplementaire: null
    -description: """
      In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180 gram vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. \r\n
      \r\n
      Tenor saxophonist Johnny Griffin blew out of Chicago and made his debut album for Blue Note Records in 1956 steering a nimble quartet with pianist Wynton Kelly, bassist Curly Russell, and drummer Max Roach through a fantastic set of originals and standards. From the blistering opener "Mil Dew" to the loping "Chicago Calling" and bluesy "Nice and Easy", Griffin's staggering technical ability and buoyant swing is readily apparent at every twist and turn.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Johnny Griffin (tenor saxophone), Wynton Kelly (piano), Curly Russell (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=OTWb2-nEHFg"
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App\Twig\Components\GestionPanierFavoriComponents {#3477
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
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    -nom: "Introducing Johnny Griffin"
    -informationComplementaire: null
    -description: """
      In honor of Blue Note Records' 80th Anniversary, the legendary Jazz label is launching the Blue Note 80 Vinyl Reissue Series. Distinct from the Tone Poet Audiophile Vinyl Reissue Series, this 2nd series curated by Don Was and Cem Kurosman features mid-priced 180 gram vinyl releases in standard packaging with albums spanning the many eras of the label's history presented by themes: Blue Note Debuts, Blue Grooves, Great Reid Miles Covers, Blue Note Live, and Blue Note Drummer Leaders. \r\n
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      Tenor saxophonist Johnny Griffin blew out of Chicago and made his debut album for Blue Note Records in 1956 steering a nimble quartet with pianist Wynton Kelly, bassist Curly Russell, and drummer Max Roach through a fantastic set of originals and standards. From the blistering opener "Mil Dew" to the loping "Chicago Calling" and bluesy "Nice and Easy", Griffin's staggering technical ability and buoyant swing is readily apparent at every twist and turn.
      """
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    -musicienOrchestre: "Johnny Griffin (tenor saxophone), Wynton Kelly (piano), Curly Russell (bass), Max Roach (drums)"
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[
  "produit" => App\Entity\Produit {#2178
    -id: 2366
    -nom: "Little Johnny C"
    -informationComplementaire: null
    -description: """
      Trumpeter Johnny Coles was performing with the Gil Evans Orchestra at Birdland in 1959 when he unknowingly made a fan who would open an important door for him a few years later. That fan was pianist Duke Pearson, who was enthralled by the trumpeter's solo spotlight that night, and after hearing him again the next year as a featured soloist in James Moody's band, Pearson and Coles formed their own musical relationship and began performing together frequently. Alfred Lion came to hear Pearson at one such gig a couple of years later and loved what he heard, in particular a tune of Pearson's called "Little Johnny C".\r\n
      \r\n
      Lion gave Pearson the greenlight to assemble a Blue Note recording date with Coles as the leader, and so Pearson selected a program including five of his own original compositions that showcased Coles' unique abilities such as the hard-charging "Heavy Legs", the lilting waltz "My Secret Passion", and the tender ballad "So Sweet My Little Girl". The dynamic sextet Pearson put together for the date included himself on piano, Joe Henderson on tenor saxophone, Leo Wright on alto saxophone and flute, Bob Cranshaw on bass, and splitting drum duties were Walter Perkins (Side 1) and Pete La Roca (Side 2). Little Johnny C, recorded in 1963, would be the only album Coles would cut for Blue Note, but it remains a little-known treasure of the catalog.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Johnny Coles (trumpet), Joe Henderson (tenor saxophone), Duke Pearson (piano), Leo Wright (alto saxophone,  flute), Bob Cranshaw (bass), Pete La Roca, Walter Perkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=rVnVBi5Bhuk&list=RDrVnVBi5Bhuk&start_radio=1"
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App\Twig\Components\GestionPanierFavoriComponents {#3528
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  +produit: App\Entity\Produit {#2178
    -id: 2366
    -nom: "Little Johnny C"
    -informationComplementaire: null
    -description: """
      Trumpeter Johnny Coles was performing with the Gil Evans Orchestra at Birdland in 1959 when he unknowingly made a fan who would open an important door for him a few years later. That fan was pianist Duke Pearson, who was enthralled by the trumpeter's solo spotlight that night, and after hearing him again the next year as a featured soloist in James Moody's band, Pearson and Coles formed their own musical relationship and began performing together frequently. Alfred Lion came to hear Pearson at one such gig a couple of years later and loved what he heard, in particular a tune of Pearson's called "Little Johnny C".\r\n
      \r\n
      Lion gave Pearson the greenlight to assemble a Blue Note recording date with Coles as the leader, and so Pearson selected a program including five of his own original compositions that showcased Coles' unique abilities such as the hard-charging "Heavy Legs", the lilting waltz "My Secret Passion", and the tender ballad "So Sweet My Little Girl". The dynamic sextet Pearson put together for the date included himself on piano, Joe Henderson on tenor saxophone, Leo Wright on alto saxophone and flute, Bob Cranshaw on bass, and splitting drum duties were Walter Perkins (Side 1) and Pete La Roca (Side 2). Little Johnny C, recorded in 1963, would be the only album Coles would cut for Blue Note, but it remains a little-known treasure of the catalog.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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[
  "produit" => App\Entity\Produit {#2199
    -id: 2467
    -nom: "John Prine"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - John Prine Self-titled 1971 debut by the American country / folk master singer-songwriter !\r\n
      - 180 gram 45 RPM double LP release from Analogue Productions !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.\r\n
      \r\n
      Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs.\r\n
      \r\n
      "I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out", Osmon said. "But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics".\r\n
      \r\n
      Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar.\r\n
      \r\n
      Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set.\r\n
      \r\n
      Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent", Osmon recalled. "And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman".\r\n
      \r\n
      Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew.\r\n
      \r\n
      "They know that record labels hire them to make hits, and if they don't deliver on that, they fail", Osmon said. "They knew correctly that Prine's stuff was really about the lyrics. So eventually, they all kind of dove into the songs and paid close attention to the lyrics, trying to highlight the words as much as they could".\r\n
      \r\n
      The album became an instant hit with songs such as "Illegal Smile", "Hello In There", "Sam Stone", "Your Flag Decal Won't Get You Into Heaven Anymore", and of course, the classic "Angel From Montgomery".\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Prine (acoustic guitar, vocals), Steve Goodman (acoustic guitar),  Mike Leach (bass), Reggie Young (lead guitar), Bobby Emmons (organ),  Leo LeBlanc (pedal steel guitar), Bobby Wood (piano), John Christopher (rhythm guitar), Gene Chrisman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=7lHkugF0nyI"
    -referenceProduit: "Analogue Productions AAPA 004-45"
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App\Twig\Components\GestionPanierFavoriComponents {#3579
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    -id: 2467
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    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - John Prine Self-titled 1971 debut by the American country / folk master singer-songwriter !\r\n
      - 180 gram 45 RPM double LP release from Analogue Productions !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.\r\n
      \r\n
      Music journalist Erin Osmon, who traced the history leading up the album, spoke with Wisconsin Public Radio about the brilliance of Prine's songwriting and how he could write such memorable songs.\r\n
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      "I think he did it because he kept it simple. When we think about great Midwestern songwriters, of course Bob Dylan comes to mind. But you know, many people compared Prine and Bob Dylan when Prine's self-titled album came out", Osmon said. "But with Prine, there was such a sense of simplicity and modesty. Prine never wanted to alienate the listener. On the contrary, he wanted to invite as many people as possible. That's why he wrote such simple yet profound statements through his lyrics".\r\n
      \r\n
      Prine's musical experience began when his older brother Dave introduced him to the Old Town School of Folk Music in Chicago. Prine met Ray Tate, the lead guitar teacher at OTS. Tate described Prine as a focused, dedicated student who wanted to learn fingerpicking and fingerstyle guitar.\r\n
      \r\n
      Later Tate, and other instructors at OTS founded a club called the 5th Peg right across the street from the Old Town School, which is the first place Prine appeared on stage. One night a young arts critic from the Chicago Sun-Times, by the name of Roger Ebert, happened into the 5th Peg and caught Prine's set.\r\n
      \r\n
      Music wasn't Ebert's beat. But after Ebert saw Prine's set, he felt moved enough to share the news of a new local talent", Osmon recalled. "And from there, all of Chicago took notice because Roger was a respected critic by then. He was a Chicago personality, and that made Chicagoans take note. After Roger's review, folks started trickling in. They wanted to be at the feet of the singing mailman".\r\n
      \r\n
      Through some chance encounters, with singer-songwriter Kris Kristofferson and others, Prine wound up signed to Atlantic Records. Prine recorded his debut album at American Sound Studios in Memphis; the band for the recording was a studio session group called the Memphis Boys, the Memphis equivalent of the Los Angeles session band, the Wrecking Crew.\r\n
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      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
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[
  "produit" => App\Entity\Produit {#2215
    -id: 2881
    -nom: "Music for Abandoned Heights"
    -informationComplementaire: null
    -description: """
      - John McLaughlin "Music for Abandoned Heights" 33 RPM HQ 180 gram Vinyl LP !\r\n
      - Recorded & Mixed by Grammy® Award Winner George Murphy at Eastcote Studios, London !\r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering ! \r\n
      - Deluxe Booklet with Studio Photography & New Notes by John McLaughlin and Music Journalist Walter Kolosky !\r\n
      - Pressed on Highest-Quality Vinyl at Record Technology, Inc. for Quieter Surfaces, Extended Frequency Response & Incredible Musical Detail !\r\n
      \r\n
      John McLaughlin has one of the richest artistic legacies in modern music, not only due to his unmatched technique but also his boundless curiosity. From early masterpieces Extrapolation and Love Devotion Surrender (with Carlos Santana), to the genre-bending invention of Mahavishnu Orchestra and the blistering acoustic explorations with Al Di Meola and Paco de Lucia, John has always sought the new and transcendent. His work reaches out for a profound spiritual connection. Now, he has brought his singular vision to the world of film music with his score Music for Abandoned Heights.\r\n
      \r\n
      Compositionally, McLaughlin poured his imagination into the film's script to craft a rich blend of hot fusion and pensive ballads. He describes his writing process: "In my mind I would interact with the different personalities and situations and wait for my imagination to come up with themes, atmospheres and emotional 'colors' that echoed the drama and action". The resulting musical explorations give the album a muscular, turbulent beauty reminiscent of McLaughlin's electric fusion classics Inner World and To the One.\r\n
      \r\n
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      \r\n
      Impex Records is delighted to bring you the newest incarnation of John McLaughlin's storied career, as he continues his quest for the sublime.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John McLaughlin\t(guitar, guitar synthesizer, programming), Julian Siegel\t(tenor & soprano saxophone), Misha Mullov-Abbado (acoustic bass), Etienne Mbappé (electric bass), Gary Husband (drums, keyboards)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
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    -extraitYoutube: null
    -referenceProduit: "Impex Records IMP 6065"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2217 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3630
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 2881
    -nom: "Music for Abandoned Heights"
    -informationComplementaire: null
    -description: """
      - John McLaughlin "Music for Abandoned Heights" 33 RPM HQ 180 gram Vinyl LP !\r\n
      - Recorded & Mixed by Grammy® Award Winner George Murphy at Eastcote Studios, London !\r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering ! \r\n
      - Deluxe Booklet with Studio Photography & New Notes by John McLaughlin and Music Journalist Walter Kolosky !\r\n
      - Pressed on Highest-Quality Vinyl at Record Technology, Inc. for Quieter Surfaces, Extended Frequency Response & Incredible Musical Detail !\r\n
      \r\n
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      \r\n
      Compositionally, McLaughlin poured his imagination into the film's script to craft a rich blend of hot fusion and pensive ballads. He describes his writing process: "In my mind I would interact with the different personalities and situations and wait for my imagination to come up with themes, atmospheres and emotional 'colors' that echoed the drama and action". The resulting musical explorations give the album a muscular, turbulent beauty reminiscent of McLaughlin's electric fusion classics Inner World and To the One.\r\n
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    -prixVente: "60.00"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
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[
  "produit" => App\Entity\Produit {#2240
    -id: 1952
    -nom: "Afternoon In Paris"
    -informationComplementaire: null
    -description: """
      It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles.\r\n
      \r\n
      With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from “Willow Weep for Me”, “All The Things You Are”, and “I Cover the Waterfront” to Milt Jackson’s “Bags’ Groove” and Lewis’ title song. The big-toned Wilen was only 19 when "Afternoon in Paris" was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France !
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lewis (piano), Sacha Distel (guitar), Barney Wilen (tenor saxophone), Percy Heath, Pierre Michelot (bass), Connie Kay, Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -slug: "vinyles-afternoon-in-paris-sam-records-sr-121"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3681
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
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    -id: 1952
    -nom: "Afternoon In Paris"
    -informationComplementaire: null
    -description: """
      It was in Paris that John Lewis co-led this 1956 date with Sacha Distel, a French guitarist who never became well known in the U.S. but commanded a lot of respect in French jazz circles. The same can be said about the other French players employed on Afternoon in Paris neither tenor saxophonist Barney Wilen nor bassist Pierre Michelot were huge names in the U.S., although both were well known in European jazz circles.\r\n
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      With Lewis on piano, Distel on guitar, Wilen on tenor, Michelot or Percy Heath on bass, and Kenny Clarke or Connie Kay on drums, the part-American, part-French group of improvisers provides an above-average bop album that ranges from “Willow Weep for Me”, “All The Things You Are”, and “I Cover the Waterfront” to Milt Jackson’s “Bags’ Groove” and Lewis’ title song. The big-toned Wilen was only 19 when "Afternoon in Paris" was recorded, but as his lyrical yet hard-swinging solos demonstrate, he matured quickly as a sax man. A mythic LP and one of the best recorded in France !
      """
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    -musicienOrchestre: "John Lewis (piano), Sacha Distel (guitar), Barney Wilen (tenor saxophone), Percy Heath, Pierre Michelot (bass), Connie Kay, Kenny Clarke (drums)"
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  }
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}

[
  "produit" => App\Entity\Produit {#2259
    -id: 1061
    -nom: "The Wonderful World Of Jazz"
    -informationComplementaire: null
    -description: """
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London.\r\n
      \r\n
      There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body and Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lewis (piano), Eric Dolphy (alto saxophone), James Rivers (baritone saxophone), Benny Golson, Paul Gonsalves (tenor saxophone), George Duvivier (bass), Jim Hall (guitar), Herb Pomeroy (trumpet), Gunther Schuller (French horn), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=a_dhDVXXnnc"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3732
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2259
    -id: 1061
    -nom: "The Wonderful World Of Jazz"
    -informationComplementaire: null
    -description: """
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London.\r\n
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      There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body and Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lewis (piano), Eric Dolphy (alto saxophone), James Rivers (baritone saxophone), Benny Golson, Paul Gonsalves (tenor saxophone), George Duvivier (bass), Jim Hall (guitar), Herb Pomeroy (trumpet), Gunther Schuller (French horn), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=a_dhDVXXnnc"
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[
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    -id: 331
    -nom: "Grand Encounter - 2° East 3° West"
    -informationComplementaire: null
    -description: """
      Also reissued as 2 Degrees East, 3 Degrees West and occasionally listed under tenor saxophonist Bill Perkins' name, this classic session is the ultimate in cool jazz. Perkins' mellow tone matches quite well with the quiet but inwardly passionate playing of pianist John Lewis, guitarist Jim Hall, bassist Percy Heath, and drummer Chico Hamilton.\r\n
      \r\n
      Lewis is featured with the rhythm section on "I Can't Get Started", Hall is added for "Skylark", and the full group plays three standards plus Lewis' memorable (and atmospheric) "2 Degrees East, 3 Degrees West". - Scott Yanow / AMG
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lewis (piano), Percy Heath (bass), Bill Perkins (tenor saxophone), Jim Hall (guitar), Chico Hamilton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=6Rvs4GnciEg"
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    -titreMorceau: [
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        "nom" => "3. Almost Like Being In Love"
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App\Twig\Components\GestionPanierFavoriComponents {#3785
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
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  +produit: App\Entity\Produit {#2278
    -id: 331
    -nom: "Grand Encounter - 2° East 3° West"
    -informationComplementaire: null
    -description: """
      Also reissued as 2 Degrees East, 3 Degrees West and occasionally listed under tenor saxophonist Bill Perkins' name, this classic session is the ultimate in cool jazz. Perkins' mellow tone matches quite well with the quiet but inwardly passionate playing of pianist John Lewis, guitarist Jim Hall, bassist Percy Heath, and drummer Chico Hamilton.\r\n
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      """
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    -musicienOrchestre: "John Lewis (piano), Percy Heath (bass), Bill Perkins (tenor saxophone), Jim Hall (guitar), Chico Hamilton (drums)"
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  }
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3981
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3982 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4030 …}
  +isValidated: false
  +validatedFields: []
}