Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2580
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2657
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2660 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
  -formView: Symfony\Component\Form\FormView {#2696 …}
  -form: Symfony\Component\Form\Form {#2846 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 1918
    -nom: "Roots & Herbs"
    -informationComplementaire: ""
    -description: """
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\n
      \n
      Plated and pressed at RTI !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\n
      \n
      One Art Blakey's greatest albums with the Jazz Messengers, Roots & Herbs, is little known. In 1961, the group featured Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano) and Jymie Merrit (bass). Recorded in Rudy Van Gelder's New Jersey studio, it's a brilliant set of six Shorter compositions, such as the playful "Ping Pong" and the clever "United". It's among Blakey's finest. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons, Walter Davis Jr. (piano), Jymie Merritt (bass) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qSPUOZArqOM"
    -referenceProduit: "Blue Note Tone Poet Series 96401"
    -titreMorceau: [
      [
        "nom" => "1. Ping Pong "
        "ordre" => 1
      ]
      [
        "nom" => "1. United "
        "ordre" => 5
      ]
      [
        "nom" => "2. Look at the Birdie \t"
        "ordre" => 6
      ]
      [
        "nom" => "2. Roots and Herbs "
        "ordre" => 2
      ]
      [
        "nom" => "3. Master Mind\t"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Back Sliders"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1600152643 {#1875
      date: 2020-09-15 06:50:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944868 {#1868
      date: 2022-08-08 07:47:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-roots-herbs-blue-note-tone-poet-series-96401"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3121
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 1918
    -nom: "Roots & Herbs"
    -informationComplementaire: ""
    -description: """
      Mastered by Kevin Gray at Cohearent Audio from the original master tape !\n
      \n
      Plated and pressed at RTI !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\n
      \n
      One Art Blakey's greatest albums with the Jazz Messengers, Roots & Herbs, is little known. In 1961, the group featured Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons (piano) and Jymie Merrit (bass). Recorded in Rudy Van Gelder's New Jersey studio, it's a brilliant set of six Shorter compositions, such as the playful "Ping Pong" and the clever "United". It's among Blakey's finest. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Wayne Shorter (tenor saxophone), Bobby Timmons, Walter Davis Jr. (piano), Jymie Merritt (bass) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qSPUOZArqOM"
    -referenceProduit: "Blue Note Tone Poet Series 96401"
    -titreMorceau: [
      [
        "nom" => "1. Ping Pong "
        "ordre" => 1
      ]
      [
        "nom" => "1. United "
        "ordre" => 5
      ]
      [
        "nom" => "2. Look at the Birdie \t"
        "ordre" => 6
      ]
      [
        "nom" => "2. Roots and Herbs "
        "ordre" => 2
      ]
      [
        "nom" => "3. Master Mind\t"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Back Sliders"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1600152643 {#1875
      date: 2020-09-15 06:50:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944868 {#1868
      date: 2022-08-08 07:47:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-roots-herbs-blue-note-tone-poet-series-96401"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2048
    -id: 1632
    -nom: "Mr. Shing-A-Ling"
    -informationComplementaire: ""
    -description: """
      All-Analog 180 graù Vinyl LP of Lou Donaldson's Mr. Shing-A-Ling Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley\n
      \n
      Funky funky Lou Donaldson and one of the first albums to feature the tight drum work of Idris Muhammadbehind Lou's horn so early, in fact, that Muhammad's listed here on the label as Leo Morris, which was his original name! The group also features Blue Mitchell on trumpet, Jimmy Ponder on guitar, and Lonnie Smith on organ - and they all wail together in a sound that bridges the gap between Lou's earlier Blue Note soul jazz, and the later funky mode of his jazz funk years ! Tracks include "The Humpback", "Peepin'", "The Kid" and the fantastic cover of "Ode to Billie Joe" that's as much a sample cut as "Pot Belly" !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. The label brought Joe Harley (from Music Matters), aka the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the deluxe gatefold jacket graphics and printing quality to superior mastering (all analog direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version. \n
      \n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Blue Mitchell (trumpet), Lonnie Smith (organ), Jimmy "Fats" Ponder (guitar), Leo Morris aka Idris Muhammad (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wap9qpGC2no"
    -referenceProduit: "Blue Note Tone Poet 67701"
    -titreMorceau: [
      [
        "nom" => "1. Ode To Billie Joe"
        "ordre" => 1
      ]
      [
        "nom" => "1. Peepin'"
        "ordre" => 5
      ]
      [
        "nom" => "2. The humpback"
        "ordre" => 2
      ]
      [
        "nom" => "2. The Kid"
        "ordre" => 6
      ]
      [
        "nom" => "3. The Shadow of Your Smile (Love Theme From "The Sandpiper")"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1555397775 {#2041
      date: 2019-04-16 06:56:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944764 {#2042
      date: 2022-08-08 07:46:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mr-shing-a-ling-blue-note-tone-poet-67701"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3235
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2048
    -id: 1632
    -nom: "Mr. Shing-A-Ling"
    -informationComplementaire: ""
    -description: """
      All-Analog 180 graù Vinyl LP of Lou Donaldson's Mr. Shing-A-Ling Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI : Reference-Caliber Blue Note Reissue Helmed by Music Matters' Joe Harley\n
      \n
      Funky funky Lou Donaldson and one of the first albums to feature the tight drum work of Idris Muhammadbehind Lou's horn so early, in fact, that Muhammad's listed here on the label as Leo Morris, which was his original name! The group also features Blue Mitchell on trumpet, Jimmy Ponder on guitar, and Lonnie Smith on organ - and they all wail together in a sound that bridges the gap between Lou's earlier Blue Note soul jazz, and the later funky mode of his jazz funk years ! Tracks include "The Humpback", "Peepin'", "The Kid" and the fantastic cover of "Ode to Billie Joe" that's as much a sample cut as "Pot Belly" !\n
      \n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. The label brought Joe Harley (from Music Matters), aka the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels. Extreme attention to detail has been paid to getting these right in every conceivable way, from the deluxe gatefold jacket graphics and printing quality to superior mastering (all analog direct from the master tapes) by Kevin Gray to superb 180 gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version. \n
      \n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Blue Mitchell (trumpet), Lonnie Smith (organ), Jimmy "Fats" Ponder (guitar), Leo Morris aka Idris Muhammad (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wap9qpGC2no"
    -referenceProduit: "Blue Note Tone Poet 67701"
    -titreMorceau: [
      [
        "nom" => "1. Ode To Billie Joe"
        "ordre" => 1
      ]
      [
        "nom" => "1. Peepin'"
        "ordre" => 5
      ]
      [
        "nom" => "2. The humpback"
        "ordre" => 2
      ]
      [
        "nom" => "2. The Kid"
        "ordre" => 6
      ]
      [
        "nom" => "3. The Shadow of Your Smile (Love Theme From "The Sandpiper")"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2059 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2052 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2054 …}
    -enregistreLe: DateTime @1555397775 {#2041
      date: 2019-04-16 06:56:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1659944764 {#2042
      date: 2022-08-08 07:46:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mr-shing-a-ling-blue-note-tone-poet-67701"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2064
    -id: 2252
    -nom: "+ ELEVEN"
    -informationComplementaire: ""
    -description: """
      Musician :\r\n
      Art Pepper, Bud Shank, Charlie Kennedy, Herb Geller (alto saxophone), Med Flory (baritone saxophone), Bill Perkins, Richie Kamuca (tenor saxophone), Joe Mondragon (bass), Russ Freeman (piano), Dick Nash (trombone), Al Porcino, Jack Sheldon, Pete Candoli (trumpet), Bob Enevoldsen (valve trombone, tenor saxophone), Vince De Rosa (French Horn), Mel Lewis (drums).\r\n
      \r\n
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Kicking off the series is Art Pepper's + Eleven : Modern Jazz Classics. Throughout the 1950s, '60s and '70s, Lester Koenig's artist-friendly Los Angeles-based audiophile jazz label documented career-defining performances by some of modern jazz's most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Harold Land and Benny Golson. No musician is more closely identified with Contemporary than Pepper, whose cool tone and simmering lyricism made him one of the very few mid-century alto saxophonists to forge a path independent of bebop patriarch Charlie Parker's pervasive influence.\r\n
      \r\n
      Produced by Koenig and recorded in 1959, Art Pepper +Eleven: Modern Jazz Classics is one of the saxophonist's masterpieces. Featuring brilliant arrangements by Marty Paich, the album elaborates on the lush but lithe sound introduced by the epochal Birth of the Cool sessions, which Miles Davis started to record almost exactly a decade earlier (like Birth, + Eleven kick offs with Denzil Best's "Move"). Surrounded by the cream of the LA scene, including fellow saxophone masters Herb Geller, Bill Perkins and Med Flory, Pepper brings all his scorching lyricism to a program of modern jazz standards by Horace Silver, Thelonious Monk, Gerry Mulligan and Sonny Rollins.\r\n
      \r\n
       
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Art Pepper, Bud Shank, Charlie Kennedy, Herb Geller (alto saxophone), Med Flory (baritone saxophone), Bill Perkins, Richie Kamuca (tenor saxophone), Joe Mondragon (bass), Russ Freeman (piano), Dick Nash (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=avJDbmqfH3Y"
    -referenceProduit: "Acoustic Sounds Series 0383"
    -titreMorceau: [
      [
        "nom" => "1. Bernie's Tune"
        "ordre" => 8
      ]
      [
        "nom" => "1. Move"
        "ordre" => 1
      ]
      [
        "nom" => "2. Groovin' High"
        "ordre" => 2
      ]
      [
        "nom" => "2. Walkin' Shoes"
        "ordre" => 9
      ]
      [
        "nom" => "3. Anthropology"
        "ordre" => 10
      ]
      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3286
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2064
    -id: 2252
    -nom: "+ ELEVEN"
    -informationComplementaire: ""
    -description: """
      Musician :\r\n
      Art Pepper, Bud Shank, Charlie Kennedy, Herb Geller (alto saxophone), Med Flory (baritone saxophone), Bill Perkins, Richie Kamuca (tenor saxophone), Joe Mondragon (bass), Russ Freeman (piano), Dick Nash (trombone), Al Porcino, Jack Sheldon, Pete Candoli (trumpet), Bob Enevoldsen (valve trombone, tenor saxophone), Vince De Rosa (French Horn), Mel Lewis (drums).\r\n
      \r\n
      - Contemporary Records Acoustic Sounds Series !\r\n
      \r\n
      - Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      \r\n
      - Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !\r\n
      \r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      \r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      Kicking off the series is Art Pepper's + Eleven : Modern Jazz Classics. Throughout the 1950s, '60s and '70s, Lester Koenig's artist-friendly Los Angeles-based audiophile jazz label documented career-defining performances by some of modern jazz's most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Harold Land and Benny Golson. No musician is more closely identified with Contemporary than Pepper, whose cool tone and simmering lyricism made him one of the very few mid-century alto saxophonists to forge a path independent of bebop patriarch Charlie Parker's pervasive influence.\r\n
      \r\n
      Produced by Koenig and recorded in 1959, Art Pepper +Eleven: Modern Jazz Classics is one of the saxophonist's masterpieces. Featuring brilliant arrangements by Marty Paich, the album elaborates on the lush but lithe sound introduced by the epochal Birth of the Cool sessions, which Miles Davis started to record almost exactly a decade earlier (like Birth, + Eleven kick offs with Denzil Best's "Move"). Surrounded by the cream of the LA scene, including fellow saxophone masters Herb Geller, Bill Perkins and Med Flory, Pepper brings all his scorching lyricism to a program of modern jazz standards by Horace Silver, Thelonious Monk, Gerry Mulligan and Sonny Rollins.\r\n
      \r\n
       
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[
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    -id: 2239
    -nom: "Live In Tokyo"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Remastering by Ray Staff at Air Mastering !\r\n
      \r\n
      "This Superb 1974 releaseslive album, recorded on Music Inc's first Japanese tour, begins in the most Tollveresque way possible- with a powerful, declamatory trumpet blast on the opening `Drought', and from then on, the tempo never lets up. Live In Tokyo is exceptionally powerful acoustic hard bop, easily the equal of the electric and fusion experiments of the time -and proof positive that Tolliver, who astutely (and acutely) combined the best of both traditional swing and jazz throughout the 1970, remains one of the music's great-and most underrated". - Kevin Whitlock\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
      Live in Tokyo 1973 is certainly a project that has been afforded its due reverence over the years but once again, an exceptional performance from Charles Tolliver and Music Inc benefits from an unrivalled presentation at the hands of Pure Pleasure.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Charles Tolliver (trumpet, flugelhorn), Stanley Cowell (piano), Clint Houston (bass), Clifford Barbaro (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3337
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    -id: 2239
    -nom: "Live In Tokyo"
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    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Remastering by Ray Staff at Air Mastering !\r\n
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      "This Superb 1974 releaseslive album, recorded on Music Inc's first Japanese tour, begins in the most Tollveresque way possible- with a powerful, declamatory trumpet blast on the opening `Drought', and from then on, the tempo never lets up. Live In Tokyo is exceptionally powerful acoustic hard bop, easily the equal of the electric and fusion experiments of the time -and proof positive that Tolliver, who astutely (and acutely) combined the best of both traditional swing and jazz throughout the 1970, remains one of the music's great-and most underrated". - Kevin Whitlock\r\n
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      \r\n
      Recorded Dec. 7, 1973, the fifth album by trumpeter Charles Tolliver and his quartet of musicians comprising Music Inc performed a 50 minute set in Tokyo's Yubinchokin Hall. The performance was initially released through Strata-East the following year and would even be revisited a further time by Mosaic Records in 2005 as part of a three-disc box set all of this a true testament to the masters of the craft gracing the stage on this night.Despite the slew of releases with Music Inc, Tolliver boasts an incredible resume that has seen him perform alongside luminaries including Horace Silver, Andrew Hill, Roy Ayers, Gary Bartz among others. Born in Jacksonville, Florida, and raised in New York from the age of 10 years old, Tolliver's inspired contributions to jazz couldn't be celebrated enough from his innumerable successes as a musician in his own right to his achievements as co-founder of Strata along with Stanley Cowell. Despite neither having any formal or business training, Tolliver and Cowell's pioneering efforts positioned them as beacons for being an independent, black-owned success story.\r\n
      \r\n
      With the Music Inc quartet comprised of bassist Clint Houston, drummer Clifford Barbaro and Stanley Cowell on piano, Tolliver and company present a set of five compositions including tracks from the pen of the trumpeter himself (‘Drought' and ‘Stretch') as well as a heralded rendition of ‘Round Midnight' initially composed by Thelonious Monk. Kicking the project off with the exquisite slow build of "Drought" which starts with Tolliver's trumpet holding court on centre stage while the glorious crescendo builds around him. "Stretch" eschews in another high-energy number before making way to the sublime lament of "Truth".\r\n
      \r\n
      Live in Tokyo 1973 is certainly a project that has been afforded its due reverence over the years but once again, an exceptional performance from Charles Tolliver and Music Inc benefits from an unrivalled presentation at the hands of Pure Pleasure.
      """
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[
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    -nom: "8 - Kindred Spirits (Live From The Lobero)  (2 LPs + DVD + Book)"
    -informationComplementaire: ""
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    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -referenceProduit: "Blue Note Records "
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App\Twig\Components\GestionPanierFavoriComponents {#3388
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    -id: 2235
    -nom: "8 - Kindred Spirits (Live From The Lobero)  (2 LPs + DVD + Book)"
    -informationComplementaire: ""
    -description: "The legendary saxophonist, composer, and jazz mystic Charles Lloyd celebrated his 80th birthday on March 15, 2018, at his hometown venue, Santa Barbara's Lobero Theatre, with an unprecedented grouping of musical friends including guitarist Julian Lage, pianist Gerald Clayton, bassist Reuben Rogers, and drummer Eric Harland, with special guests organist Booker T. Jones and bassist Don Was joining the ensemble midway. His 2020 album 8 : Kindred Spirits (Live From the Lobero) documents both the sights and sounds of that extraordinary date. The concert's first half is available here as a vinyl 2 LP set with accompanying DVD and book."
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    -musicienOrchestre: "Charles Lloyd (saxophone), Julian Lage (guitar), Gerald Clayton (piano), Reuben Rogers (bass), Eric Harland (drums)."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=867kC3wubZg"
    -referenceProduit: "Blue Note Records "
    -titreMorceau: [
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      [
        "nom" => "3. La Llorona "
        "ordre" => 5
      ]
      [
        "nom" => "4. Part 5, Ruminations"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
    -label: Proxies\__CG__\App\Entity\Label {#2107 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …}
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    -modifierLe: DateTime @1655568446 {#2100
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
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    -slug: "vinyles-8-kindred-spirits-live-from-the-lobero-2-lps-dvd-book-blue-note-records"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2123
    -id: 2216
    -nom: "Blues Walk "
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      - 180 gram Vinyl LP !\r\n
      \r\n
      - Mastered By Kevin Gray From Original Analog Tapes !\r\n
      \r\n
      - Pressed At Optimal !\r\n
      \r\n
      Lou Donaldson had already been at the helm of seven Blue Note sessions by the time he made his undisputed masterpiece Blues Walk in 1958. The alto saxophonist quickly became a fixture on the Blue Note scene after he first played on a Milt Jackson date in 1952 with sideman appearance on sessions led by Thelonious Monk, Art Blakey, and Jimmy Smith, as well as a co-led date with Clifford Brown. On Blues Walk, Donaldson reconvened the lineup from his 1957 album Swing and Soul with Herman Foster on piano, Peck Morrison on bass, Dave Bailey on drums, and Ray Barretto on congas. The excellent six-song set yielded one of his most memorable themes with the cool struttin' title track, a laid-back minor blues that opens the album with a standout performance by the leader. Donaldson keeps it bluesy on his tune "Play Ray", showcases his bop chops on uptempo numbers like Denzil Best's "Move" and his own "Callin' All Cats", and delivers stunning renditions of the standards "Autumn Nocturne" and "The Masquerade Is Over".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Herman Foster (piano), Peck Morrison (bass), Ray Barretto (congas), Dave Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5l6WiUKKMjY"
    -referenceProduit: "Blue Note Records 1593"
    -titreMorceau: [
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        "nom" => "1. Blue Walk "
        "ordre" => 1
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      [
        "nom" => "1. Play Ray "
        "ordre" => 5
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      [
        "nom" => "2. Autumn Nocturne "
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        "nom" => "2. Move "
        "ordre" => 2
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      [
        "nom" => "3. Callin' All Cats"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Masquerade Is Over"
        "ordre" => 3
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      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: Proxies\__CG__\App\Entity\Label {#2107 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
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    }
    -modifierLe: DateTime @1655447282 {#2118
      date: 2022-06-17 06:28:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-blues-walk-blue-note-records-1593"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3441
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2123
    -id: 2216
    -nom: "Blues Walk "
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      - 180 gram Vinyl LP !\r\n
      \r\n
      - Mastered By Kevin Gray From Original Analog Tapes !\r\n
      \r\n
      - Pressed At Optimal !\r\n
      \r\n
      Lou Donaldson had already been at the helm of seven Blue Note sessions by the time he made his undisputed masterpiece Blues Walk in 1958. The alto saxophonist quickly became a fixture on the Blue Note scene after he first played on a Milt Jackson date in 1952 with sideman appearance on sessions led by Thelonious Monk, Art Blakey, and Jimmy Smith, as well as a co-led date with Clifford Brown. On Blues Walk, Donaldson reconvened the lineup from his 1957 album Swing and Soul with Herman Foster on piano, Peck Morrison on bass, Dave Bailey on drums, and Ray Barretto on congas. The excellent six-song set yielded one of his most memorable themes with the cool struttin' title track, a laid-back minor blues that opens the album with a standout performance by the leader. Donaldson keeps it bluesy on his tune "Play Ray", showcases his bop chops on uptempo numbers like Denzil Best's "Move" and his own "Callin' All Cats", and delivers stunning renditions of the standards "Autumn Nocturne" and "The Masquerade Is Over".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Herman Foster (piano), Peck Morrison (bass), Ray Barretto (congas), Dave Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=5l6WiUKKMjY"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2050 …}
    -label: Proxies\__CG__\App\Entity\Label {#2107 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
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    }
    -modifierLe: DateTime @1655447282 {#2118
      date: 2022-06-17 06:28:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-walk-blue-note-records-1593"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2136
    -id: 758
    -nom: "At Storyville"
    -informationComplementaire: ""
    -description: """
      Billie Holiday At Storyville on 180 gram LP from ORG Music.\r\n
      \r\n
      Rich, relaxed, intimate : Holiday delves into deep vocal timbre on rare collection recorded at Boston Club during performances from 1951 and 1953.\r\n
      \r\n
      Mastered at Bernie Grundman Studios by Chris Bellman and pressed at Pallas.\r\n
      \r\n
      EQ notes and curation performed by iconic engineer Steve Hoffman; LPs EQ'd and set up by Bernie Grundman.\r\n
      \r\n
      Conceived, designed, and manufactured for collectors and enthusiasts: Vinyl jacket features exclusive art.\r\n
      \r\n
      If the world could hear every single recording ever made by one vocalist, picking Billie Holiday to make such a fantasy come true would be a stellar choice. For evidence, consider the extremely sought-after At Storyville, a collection assembled from the iconic singer's 1951 and 1953 performances at the Boston nightclub. Holiday sinks into each song with unfettered emotion, her relaxed approach drawing out myriad shades and expressiveness, her command of tempo and feeling simply extraordinary. She's backed on several songs by Stan Getz, yet her seductive delivery and intimate, deep timbre needn't any help. This is one for the ages.\r\n
      \r\n
      Originally released by the U.K. label Black Lion, an imprint that specialized in resurrecting rare gems from U.S. jazz and blues legends, At Storyville stands as a characteristic example of Holiday's bold live presence and a can't-miss opportunity for collectors and enthusiasts to get closer to the woman and her music. Orchestrated by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.\r\n
      \r\n
      Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180 gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. \r\n
      \r\n
      Sure, the title may not be as widely known as some of Holiday’s other works, but this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.\r\n
       \r\n
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Billie Holiday (vocals), Jimmy Woode, John Fields (bass), Stan Getz (tenor saxophone), Buster Harding, Carl Drinkard (piano), Marquis Foster, Peter Littman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "ORGM 1058"
    -titreMorceau: [
      [
        "nom" => "1. He's Funny That Way"
        "ordre" => 10
      ]
      [
        "nom" => "1. Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "2. Billie's Blues"
        "ordre" => 11
      ]
      [
        "nom" => "2. I Cover the Waterfront"
        "ordre" => 2
      ]
      [
        "nom" => "3. Miss Brown to You"
        "ordre" => 12
      ]
      [
        "nom" => "3. Too Marvelous for Words"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Loves You, Porgy"
        "ordre" => 4
      ]
      [
        "nom" => "4. Lover, Come Back to Me"
        "ordre" => 13
      ]
      [
        "nom" => "5. Ain't Nobody's Business If I Do"
        "ordre" => 14
      ]
      [
        "nom" => "5. Them There Eyes"
        "ordre" => 5
      ]
      [
        "nom" => "6. Willow, Weep for Me"
        "ordre" => 6
      ]
      [
        "nom" => "6. You're Driving Me Crazy"
        "ordre" => 15
      ]
      [
        "nom" => "7. I Only Have Eyes for You"
        "ordre" => 7
      ]
      [
        "nom" => "8. You Go to My Head"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2150 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2143 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2145 …}
    -enregistreLe: DateTime @1425797320 {#2133
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    }
    -modifierLe: DateTime @1655128910 {#2134
      date: 2022-06-13 14:01:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2147 …}
    -disponible: null
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    -slug: "vinyles-at-storyville-orgm-1058"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3487
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2136
    -id: 758
    -nom: "At Storyville"
    -informationComplementaire: ""
    -description: """
      Billie Holiday At Storyville on 180 gram LP from ORG Music.\r\n
      \r\n
      Rich, relaxed, intimate : Holiday delves into deep vocal timbre on rare collection recorded at Boston Club during performances from 1951 and 1953.\r\n
      \r\n
      Mastered at Bernie Grundman Studios by Chris Bellman and pressed at Pallas.\r\n
      \r\n
      EQ notes and curation performed by iconic engineer Steve Hoffman; LPs EQ'd and set up by Bernie Grundman.\r\n
      \r\n
      Conceived, designed, and manufactured for collectors and enthusiasts: Vinyl jacket features exclusive art.\r\n
      \r\n
      If the world could hear every single recording ever made by one vocalist, picking Billie Holiday to make such a fantasy come true would be a stellar choice. For evidence, consider the extremely sought-after At Storyville, a collection assembled from the iconic singer's 1951 and 1953 performances at the Boston nightclub. Holiday sinks into each song with unfettered emotion, her relaxed approach drawing out myriad shades and expressiveness, her command of tempo and feeling simply extraordinary. She's backed on several songs by Stan Getz, yet her seductive delivery and intimate, deep timbre needn't any help. This is one for the ages.\r\n
      \r\n
      Originally released by the U.K. label Black Lion, an imprint that specialized in resurrecting rare gems from U.S. jazz and blues legends, At Storyville stands as a characteristic example of Holiday's bold live presence and a can't-miss opportunity for collectors and enthusiasts to get closer to the woman and her music. Orchestrated by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.\r\n
      \r\n
      Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180 gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. \r\n
      \r\n
      Sure, the title may not be as widely known as some of Holiday’s other works, but this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.\r\n
       \r\n
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Billie Holiday (vocals), Jimmy Woode, John Fields (bass), Stan Getz (tenor saxophone), Buster Harding, Carl Drinkard (piano), Marquis Foster, Peter Littman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "ORGM 1058"
    -titreMorceau: [
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        "nom" => "1. He's Funny That Way"
        "ordre" => 10
      ]
      [
        "nom" => "1. Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "2. Billie's Blues"
        "ordre" => 11
      ]
      [
        "nom" => "2. I Cover the Waterfront"
        "ordre" => 2
      ]
      [
        "nom" => "3. Miss Brown to You"
        "ordre" => 12
      ]
      [
        "nom" => "3. Too Marvelous for Words"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Loves You, Porgy"
        "ordre" => 4
      ]
      [
        "nom" => "4. Lover, Come Back to Me"
        "ordre" => 13
      ]
      [
        "nom" => "5. Ain't Nobody's Business If I Do"
        "ordre" => 14
      ]
      [
        "nom" => "5. Them There Eyes"
        "ordre" => 5
      ]
      [
        "nom" => "6. Willow, Weep for Me"
        "ordre" => 6
      ]
      [
        "nom" => "6. You're Driving Me Crazy"
        "ordre" => 15
      ]
      [
        "nom" => "7. I Only Have Eyes for You"
        "ordre" => 7
      ]
      [
        "nom" => "8. You Go to My Head"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2150 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2143 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1655128910 {#2134
      date: 2022-06-13 14:01:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2147 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-storyville-orgm-1058"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2155
    -id: 2222
    -nom: "Moon Rappin'"
    -informationComplementaire: ""
    -description: """
      Brother Jack McDuff was already a well-established and prolific organist who led his own soul jazz bands throughout the 1960s when he came to Blue Note Records in 1969. Following his label debut Down Home Style, McDuff made one of the most creatively ambitious albums of his career with Moon Rappin', which was released in 1970.\r\n
      \r\n
      The album featured five funky, spaced-out McDuff originals including hard-grooving numbers like "Flat Backin'" and "Loose Foot", as well innovative tracks such as "Moon Rappin'" and "Oblighetto", which would later be permanently ingrained into hip hop history when it was sampled by A Tribe Called Quest as the foundation of two of their all-time classic tracks : "Scenario" and "Check the Rhime".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Brother Jack McDuff (organ), Bill Phillips (tenor saxophone, flute), Richard Davis (electric bass), Jerry Byrd (guitar), Joe Dukes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gZ980F1V0Tw"
    -referenceProduit: "Blue Note Records 84334"
    -titreMorceau: [
      [
        "nom" => " 1. Flat Backin "
        "ordre" => 1
      ]
      [
        "nom" => "1. Moon Rappin' "
        "ordre" => 4
      ]
      [
        "nom" => "2. Made In Sweden "
        "ordre" => 5
      ]
      [
        "nom" => "2. Oblighetto"
        "ordre" => 2
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        "nom" => "3. Loose Foot"
        "ordre" => 6
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      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
    -label: Proxies\__CG__\App\Entity\Label {#2107 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
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    -modifierLe: DateTime @1654602770 {#2153
      date: 2022-06-07 11:52:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3538
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2155
    -id: 2222
    -nom: "Moon Rappin'"
    -informationComplementaire: ""
    -description: """
      Brother Jack McDuff was already a well-established and prolific organist who led his own soul jazz bands throughout the 1960s when he came to Blue Note Records in 1969. Following his label debut Down Home Style, McDuff made one of the most creatively ambitious albums of his career with Moon Rappin', which was released in 1970.\r\n
      \r\n
      The album featured five funky, spaced-out McDuff originals including hard-grooving numbers like "Flat Backin'" and "Loose Foot", as well innovative tracks such as "Moon Rappin'" and "Oblighetto", which would later be permanently ingrained into hip hop history when it was sampled by A Tribe Called Quest as the foundation of two of their all-time classic tracks : "Scenario" and "Check the Rhime".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Brother Jack McDuff (organ), Bill Phillips (tenor saxophone, flute), Richard Davis (electric bass), Jerry Byrd (guitar), Joe Dukes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
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    }
    -modifierLe: DateTime @1654602770 {#2153
      date: 2022-06-07 11:52:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-moon-rappin-blue-note-records-84334"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2171
    -id: 2201
    -nom: "Eternity"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba),  Hubert Laws (flute), Charlie Haden (bass), Armando Peraza (congas), Ben Riley (drums)…\r\n
      \r\n
      When the brilliant saxophonist John Coltrane died in 1967, the core values of jazz music had long drawn him into the spiritual world "A Love Supreme", "Ascension", "Meditations" etc... His widow and final pianist followed in his footsteps. Alice Coltrane (1937–2007) sought after »cosmic sounds, higher dimensions, astral levels she had an important influence on the spiritualised, esoteric music scene of the 1970s. Her first album was only released after John Coltrane’s death, but "Eternity" was already her tenth. (In the same year she founded a Hindu Vedantic Center in California.) The album draws its power from highly contrasted sound worlds. The size of the ensemble ranges from an unaccompanied harp solo "Wisdom Eye" to a large orchestra with a big band of up to 25 plus a 12-man string section. Alice Coltrane’s main instrument is the electric Wurlitzer organ, whose rasping sound conjures up John Coltrane’s saxophone (especially in the opening number "Spiritual Eternal"). Mostly she improvises modally, sinuously, or with meditative ecstasy whether in the style of Latin rock "Los Caballos" or quite without a firm tempo "Morning Worship" with a tamboura accompaniment. Support comes from such renowned musicians as Charlie Haden (bass), Jerome Richardson (saxophone and flute), Hubert Laws (flute) and Ernie Watts (cor anglais). In the number "Om Supreme" Coltrane switches to a gently swinging Fender Rhodes electric piano, which is joined by a six-voice vocal group. A surprising finale to the album is an orchestral adaptation of an excerpt from Stravinsky’s "Le Sacre du printemps". Here the moments of dissonance and free jazz are far from meditative contemplation.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : August and October 1975 at The Burbank Studios, Burbank, CA, and Westlake Audio, Los Angeles, CA, by Baker Bigsby\r\n
      Production : Ed Michael
      """
    -prixVente: "35.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Zc98zCrCN8E"
    -referenceProduit: "Warner BS 2916"
    -titreMorceau: [
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        "nom" => "1. Om Supreme "
        "ordre" => 5
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      [
        "nom" => "1. Spiritual Eternal "
        "ordre" => 1
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      [
        "nom" => "2. Morning Worship "
        "ordre" => 6
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        "nom" => "2. Wisdom Eye "
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        "nom" => "3. Los Caballos"
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      [
        "nom" => "3. Spring Rounds From Rite Of Spring"
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      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2173 …}
    -label: Proxies\__CG__\App\Entity\Label {#2176 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
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    }
    -modifierLe: DateTime @1653981553 {#2169
      date: 2022-05-31 07:19:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
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    -slug: "vinyles-eternity-warner-bs-2916"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3589
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2171
    -id: 2201
    -nom: "Eternity"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba),  Hubert Laws (flute), Charlie Haden (bass), Armando Peraza (congas), Ben Riley (drums)…\r\n
      \r\n
      When the brilliant saxophonist John Coltrane died in 1967, the core values of jazz music had long drawn him into the spiritual world "A Love Supreme", "Ascension", "Meditations" etc... His widow and final pianist followed in his footsteps. Alice Coltrane (1937–2007) sought after »cosmic sounds, higher dimensions, astral levels she had an important influence on the spiritualised, esoteric music scene of the 1970s. Her first album was only released after John Coltrane’s death, but "Eternity" was already her tenth. (In the same year she founded a Hindu Vedantic Center in California.) The album draws its power from highly contrasted sound worlds. The size of the ensemble ranges from an unaccompanied harp solo "Wisdom Eye" to a large orchestra with a big band of up to 25 plus a 12-man string section. Alice Coltrane’s main instrument is the electric Wurlitzer organ, whose rasping sound conjures up John Coltrane’s saxophone (especially in the opening number "Spiritual Eternal"). Mostly she improvises modally, sinuously, or with meditative ecstasy whether in the style of Latin rock "Los Caballos" or quite without a firm tempo "Morning Worship" with a tamboura accompaniment. Support comes from such renowned musicians as Charlie Haden (bass), Jerome Richardson (saxophone and flute), Hubert Laws (flute) and Ernie Watts (cor anglais). In the number "Om Supreme" Coltrane switches to a gently swinging Fender Rhodes electric piano, which is joined by a six-voice vocal group. A surprising finale to the album is an orchestral adaptation of an excerpt from Stravinsky’s "Le Sacre du printemps". Here the moments of dissonance and free jazz are far from meditative contemplation.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : August and October 1975 at The Burbank Studios, Burbank, CA, and Westlake Audio, Los Angeles, CA, by Baker Bigsby\r\n
      Production : Ed Michael
      """
    -prixVente: "35.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Zc98zCrCN8E"
    -referenceProduit: "Warner BS 2916"
    -titreMorceau: [
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      [
        "nom" => "3. Spring Rounds From Rite Of Spring"
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2173 …}
    -label: Proxies\__CG__\App\Entity\Label {#2176 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
    -enregistreLe: DateTime @1646755631 {#2168
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    -modifierLe: DateTime @1653981553 {#2169
      date: 2022-05-31 07:19:13.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2427 …}
}

[
  "produit" => App\Entity\Produit {#2190
    -id: 881
    -nom: "A Whisper Of Love"
    -informationComplementaire: ""
    -description: """
      Returning to her early Three Blind Mice period form, Ayako Hosokawa delivered one of her most popular albums ever in 1993 with A Whisper of Love. Working with a fine ensemble of American jazz players (along with pianist Shota Osabe on two tracks), her delivery had developed a quiet confidence: relaxed and playful. Available for the first time ever on 180 gram vinyl LP, this great set of classic torch songs gives Ms. Hosokawa a matchless showcase for her melifluous tone and buttery delivery. We have tightened up the running order for a more focused listening experience, including all the best tracks from the original CD.\r\n
      \r\n
      Cut by Kevin Gray at Cohearent Audio, you can once again enjoy one of TBM's most popular singers in your listening room with the assurance of quality Impex is heralded for. Quiet surfaces allow the crystal clear tone to shine every time you play the LP, again and again.\r\n
      \r\n
      We created a new design for the back of the jacket, including new design elements and photos from the Three Blind Mice archive. The iconic front cover was left intact. Come experience anew this great TBM classic in its vital new form.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Ayak Hosokawa (vocals), Tee Carson, Shota Osabe (piano), John Hettel (bass), Ray Loeckle (reeds), Jimmie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b7gimGQUP9M"
    -referenceProduit: "IMP 6023"
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        "ordre" => 0
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        "ordre" => 5
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2192 …}
    -label: Proxies\__CG__\App\Entity\Label {#2195 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …}
    -disponible: null
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    -slug: "vinyles-a-whisper-of-love-imp-6023"
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App\Twig\Components\GestionPanierFavoriComponents {#3640
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2659 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2190
    -id: 881
    -nom: "A Whisper Of Love"
    -informationComplementaire: ""
    -description: """
      Returning to her early Three Blind Mice period form, Ayako Hosokawa delivered one of her most popular albums ever in 1993 with A Whisper of Love. Working with a fine ensemble of American jazz players (along with pianist Shota Osabe on two tracks), her delivery had developed a quiet confidence: relaxed and playful. Available for the first time ever on 180 gram vinyl LP, this great set of classic torch songs gives Ms. Hosokawa a matchless showcase for her melifluous tone and buttery delivery. We have tightened up the running order for a more focused listening experience, including all the best tracks from the original CD.\r\n
      \r\n
      Cut by Kevin Gray at Cohearent Audio, you can once again enjoy one of TBM's most popular singers in your listening room with the assurance of quality Impex is heralded for. Quiet surfaces allow the crystal clear tone to shine every time you play the LP, again and again.\r\n
      \r\n
      We created a new design for the back of the jacket, including new design elements and photos from the Three Blind Mice archive. The iconic front cover was left intact. Come experience anew this great TBM classic in its vital new form.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Ayak Hosokawa (vocals), Tee Carson, Shota Osabe (piano), John Hettel (bass), Ray Loeckle (reeds), Jimmie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=b7gimGQUP9M"
    -referenceProduit: "IMP 6023"
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    -description: """
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    -informationComplementaire: ""
    -description: """
      One of the inventors of the modern bebop style of drumming, Blakey is known as a powerful musician and a vital groover; his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz.\n
      \n
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      \n
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      \n
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      \n
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    -nom: "Drum Suite"
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