Components
4
Twig Components
15
Render Count
9
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.18ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 3.27ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.44ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.26ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 3.27 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2625 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.44 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2702 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2705 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} -formView: Symfony\Component\Form\FormView {#2741 …} -form: Symfony\Component\Form\Form {#2891 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.75 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1874 -id: 1079 -nom: "Center Stage" -informationComplementaire: "" -description: """ 200 gram pressin.\n \n Plated and pressed at Quality Record Pressings.\n \n Lowell Graham conducts the National Symphonic Winds\n \n Recorded to 2 track, half-inch 30 inch-per-second tape via modified Studer tape deck.\n \n Selections from the stage, screen and Olympic Fanfare.\n \n New from Wilson Audiophile Recordings, Center Stage, featuring Lowell Graham conducting the National Symphonic Winds.\n \n These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Va. The history of the hall parallels somewhat New York's Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session.\n \n Lowell Graham, a graduate of the University of Northern Colorado, was also the first to be awarded the Doctor of Musical Arts degree in orchestral conducting from the Catholic University of America. He has led orchestras and bands in performances throughout the world, and he's the current conductor and commander of the United States Air Force Tactical Air Command Band.\n \n Recorded with minimal miking (Sennheiser), directly to 2-track half-inch, 30 ips tape using arguably the finest 2-track analog recorder in the world - the Wilson Ultramaster - a highly-modified Studer tape deck with custom-designed electronics designed by John Curl. To accomplish this difficult, time pressure recording, the recording engineering skills of the renowned Bruce Leek were employed.\n \n The extreme dynamic range of the music remains intact as well as the soundstage and timbre of the ensemble remaining completely natural. There is no added enhancement to the concert hall's natural reverberation. When raising the volume, be careful as these real world dynamics can be harmful to playback equipment if care is not taken.\n \n The musical repertoire was chosen to be user friendly, vivid, colorful and impactful. Selections from Tony-winning stage classics "Barnum", "West Side Story" and "Oklahoma" are joined by compositions from John Williams, including "Olympic Fanfare" composed for the 1984 Olympic Games. Selections from the Walt Disney favorite "Mary Poppins" include "Spoonful of Sugar", "Chim Chim Cheree" and more. These significant recordings hold a distinctive place in the audio and musical world. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "National Symphonic Winds conducted by Lowell Graham" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=YEZ1IObRiSY" -referenceProduit: "AAPC 8824" -titreMorceau: [ [ "nom" => "1. Barnum (excerpts) (arr. B. Lowden for wind ensemble)" "ordre" => 5 ] [ "nom" => "1. Olympic Fanfare, Bugler’s Dream" "ordre" => 1 ] [ "nom" => "2. Mary Poppins (excerpts) (arr. I. Kostal and A. Reed for wind ensemble)" "ordre" => 6 ] [ "nom" => "2. The Cowboys (arr. J. Curnow for wind ensemble)" "ordre" => 2 ] [ "nom" => "3. Oklahoma! (excerpts) (arr. W. Barker for wind ensemble)" "ordre" => 3 ] [ "nom" => "3. West Side Story (excerpts) (arr. W.J. Duthoit for wind band)" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1491 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1480056999 {#1929 : 2016-11-25 06:56:39.0 UTC (+00:00) } -modifierLe: DateTime @1639582385 {#1922 : 2021-12-15 15:33:05.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-center-stage-aapc-8824" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3162 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#1874 -id: 1079 -nom: "Center Stage" -informationComplementaire: "" -description: """ 200 gram pressin.\n \n Plated and pressed at Quality Record Pressings.\n \n Lowell Graham conducts the National Symphonic Winds\n \n Recorded to 2 track, half-inch 30 inch-per-second tape via modified Studer tape deck.\n \n Selections from the stage, screen and Olympic Fanfare.\n \n New from Wilson Audiophile Recordings, Center Stage, featuring Lowell Graham conducting the National Symphonic Winds.\n \n These recordings were made in a historic concert hall on the campus of Hampton University in Hampton Roads, Va. The history of the hall parallels somewhat New York's Carnegie Hall. The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The result was a superb mix of seasoned and assured professionals for this single, five-hour recording session.\n \n Lowell Graham, a graduate of the University of Northern Colorado, was also the first to be awarded the Doctor of Musical Arts degree in orchestral conducting from the Catholic University of America. He has led orchestras and bands in performances throughout the world, and he's the current conductor and commander of the United States Air Force Tactical Air Command Band.\n \n Recorded with minimal miking (Sennheiser), directly to 2-track half-inch, 30 ips tape using arguably the finest 2-track analog recorder in the world - the Wilson Ultramaster - a highly-modified Studer tape deck with custom-designed electronics designed by John Curl. To accomplish this difficult, time pressure recording, the recording engineering skills of the renowned Bruce Leek were employed.\n \n The extreme dynamic range of the music remains intact as well as the soundstage and timbre of the ensemble remaining completely natural. There is no added enhancement to the concert hall's natural reverberation. When raising the volume, be careful as these real world dynamics can be harmful to playback equipment if care is not taken.\n \n The musical repertoire was chosen to be user friendly, vivid, colorful and impactful. Selections from Tony-winning stage classics "Barnum", "West Side Story" and "Oklahoma" are joined by compositions from John Williams, including "Olympic Fanfare" composed for the 1984 Olympic Games. Selections from the Walt Disney favorite "Mary Poppins" include "Spoonful of Sugar", "Chim Chim Cheree" and more. These significant recordings hold a distinctive place in the audio and musical world. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "National Symphonic Winds conducted by Lowell Graham" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=YEZ1IObRiSY" -referenceProduit: "AAPC 8824" -titreMorceau: [ [ "nom" => "1. Barnum (excerpts) (arr. B. Lowden for wind ensemble)" "ordre" => 5 ] [ "nom" => "1. Olympic Fanfare, Bugler’s Dream" "ordre" => 1 ] [ "nom" => "2. Mary Poppins (excerpts) (arr. I. Kostal and A. Reed for wind ensemble)" "ordre" => 6 ] [ "nom" => "2. The Cowboys (arr. J. Curnow for wind ensemble)" "ordre" => 2 ] [ "nom" => "3. Oklahoma! (excerpts) (arr. W. Barker for wind ensemble)" "ordre" => 3 ] [ "nom" => "3. West Side Story (excerpts) (arr. W.J. Duthoit for wind band)" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1491 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1480056999 {#1929 : 2016-11-25 06:56:39.0 UTC (+00:00) } -modifierLe: DateTime @1639582385 {#1922 : 2021-12-15 15:33:05.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-center-stage-aapc-8824" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2098 -id: 1083 -nom: "Carney" -informationComplementaire: "" -description: """ Analogue Productions - 200 Gram Virgin Vinyl - AAA 100% Analogue.\n \n Mastered by Kevin Gray at Cohearent Audio - Pressed at QRP.\n \n With his trademark top hat, hair well past his shoulders, a long, lush beard, an Oklahoma drawl and his fingers splashing two-fisted barrelhouse piano chords, future Rock and Roll Hall of Fame inductee Leon Russell cut a flamboyant figure in the early 1970s. He recorded his first hit single "Tight Rope" with the release of his third, and most successful album Carney, in 1972, which peaked at No. 2 on the Billboard Hot 200.\n \n Two years earlier Russell had already played on hundreds of songs as one of the top studio musicians in Los Angeles. The Oklahoma-born pianist, guitarist, songwriter and bandleader led Joe Cocker's band Mad Dogs & Englishmen, appeared at George Harrison's 1971 Concert for Bangladesh in New York City, and composed numerous hits of his own. He was in Phil Spector's Wall of Sound Orchestra, and played sessions for Frank Sinatra, Sam Cooke, Aretha Franklin, the Ventures and the Monkees, among many others.\n \n But it was the top-rated Carney, reissued here on an audibly exquisite 200 gram LP from Analogue Productions, that put Russell into the league of extraordinary musicians. Soulful roots-rock yields to dizzying psychedelia on this, Russell's most famous album. His all-time biggest hit, "Tight Rope", leads to "Out in the Woods", "Cajun Love Song", "This Masquerade", and more! No link in the reissue chain was sacrificed, making this outstanding reissue a true audiophile masterpiece. Kevin Gray at Cohearent Audio remastered the album from the original master tapes; plating and pressing took place at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly, as benefits a stellar reissue, we packaged our version in a heavyweight old-style tip-on jacket from Stoughton Printing.\n \n Russell wrote scores of hits for others, among them "Superstar", (written with Bonnie Bramlett) for the Carpenters, "Delta Lady" for Joe Cocker and "This Masquerade", for George Benson. His own version of "This Masquerade" is featured on Carney. More than 100 acts recorded "A Song for You", which Russell said he wrote in 10 minutes. Ray Charles' recording of the song in 1993 received a Grammy Award.\n \n Sadly, Russell's life as a musical muse and performer ended with his death at 74 on Nov. 13, 2016, at his home in Nashville. He will be forever remembered for making a broad, sophisticated palette of American music sound down-home and natural.\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Leon Russell (guitar, bass guitar, piano, vocals), Don Preston (guitar, vocals), Joey Cooper (guitar), Carl Radle (bass guitar), John Gallie (organ Hammond), Chuck Blackwell, Jim Keltner (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=h9od58P1uXs" -referenceProduit: "AAPP 0110" -titreMorceau: [ [ "nom" => "1. Carney" "ordre" => 8 ] [ "nom" => "1. Tight Rope" "ordre" => 1 ] [ "nom" => "2. Acid Annapolis" "ordre" => 9 ] [ "nom" => "2. Out in the Woods" "ordre" => 2 ] [ "nom" => "3. If the Shoe Fits" "ordre" => 10 ] [ "nom" => "3. Me and Baby Jane" "ordre" => 3 ] [ "nom" => "4. Manhattan Island Serenade" "ordre" => 4 ] [ "nom" => "4. My Cricket" "ordre" => 11 ] [ "nom" => "5. Cajun Love Song" "ordre" => 5 ] [ "nom" => "5. This Masquerade" "ordre" => 12 ] [ "nom" => "6. Magic Mirror" "ordre" => 13 ] [ "nom" => "6. Roller Derby" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1505 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …} -enregistreLe: DateTime @1480318030 {#2095 : 2016-11-28 07:27:10.0 UTC (+00:00) } -modifierLe: DateTime @1639582371 {#2096 : 2021-12-15 15:32:51.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-carney-aapp-0110" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3276 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2098 -id: 1083 -nom: "Carney" -informationComplementaire: "" -description: """ Analogue Productions - 200 Gram Virgin Vinyl - AAA 100% Analogue.\n \n Mastered by Kevin Gray at Cohearent Audio - Pressed at QRP.\n \n With his trademark top hat, hair well past his shoulders, a long, lush beard, an Oklahoma drawl and his fingers splashing two-fisted barrelhouse piano chords, future Rock and Roll Hall of Fame inductee Leon Russell cut a flamboyant figure in the early 1970s. He recorded his first hit single "Tight Rope" with the release of his third, and most successful album Carney, in 1972, which peaked at No. 2 on the Billboard Hot 200.\n \n Two years earlier Russell had already played on hundreds of songs as one of the top studio musicians in Los Angeles. The Oklahoma-born pianist, guitarist, songwriter and bandleader led Joe Cocker's band Mad Dogs & Englishmen, appeared at George Harrison's 1971 Concert for Bangladesh in New York City, and composed numerous hits of his own. He was in Phil Spector's Wall of Sound Orchestra, and played sessions for Frank Sinatra, Sam Cooke, Aretha Franklin, the Ventures and the Monkees, among many others.\n \n But it was the top-rated Carney, reissued here on an audibly exquisite 200 gram LP from Analogue Productions, that put Russell into the league of extraordinary musicians. Soulful roots-rock yields to dizzying psychedelia on this, Russell's most famous album. His all-time biggest hit, "Tight Rope", leads to "Out in the Woods", "Cajun Love Song", "This Masquerade", and more! No link in the reissue chain was sacrificed, making this outstanding reissue a true audiophile masterpiece. Kevin Gray at Cohearent Audio remastered the album from the original master tapes; plating and pressing took place at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly, as benefits a stellar reissue, we packaged our version in a heavyweight old-style tip-on jacket from Stoughton Printing.\n \n Russell wrote scores of hits for others, among them "Superstar", (written with Bonnie Bramlett) for the Carpenters, "Delta Lady" for Joe Cocker and "This Masquerade", for George Benson. His own version of "This Masquerade" is featured on Carney. More than 100 acts recorded "A Song for You", which Russell said he wrote in 10 minutes. Ray Charles' recording of the song in 1993 received a Grammy Award.\n \n Sadly, Russell's life as a musical muse and performer ended with his death at 74 on Nov. 13, 2016, at his home in Nashville. He will be forever remembered for making a broad, sophisticated palette of American music sound down-home and natural.\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Leon Russell (guitar, bass guitar, piano, vocals), Don Preston (guitar, vocals), Joey Cooper (guitar), Carl Radle (bass guitar), John Gallie (organ Hammond), Chuck Blackwell, Jim Keltner (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=h9od58P1uXs" -referenceProduit: "AAPP 0110" -titreMorceau: [ [ "nom" => "1. Carney" "ordre" => 8 ] [ "nom" => "1. Tight Rope" "ordre" => 1 ] [ "nom" => "2. Acid Annapolis" "ordre" => 9 ] [ "nom" => "2. Out in the Woods" "ordre" => 2 ] [ "nom" => "3. If the Shoe Fits" "ordre" => 10 ] [ "nom" => "3. Me and Baby Jane" "ordre" => 3 ] [ "nom" => "4. Manhattan Island Serenade" "ordre" => 4 ] [ "nom" => "4. My Cricket" "ordre" => 11 ] [ "nom" => "5. Cajun Love Song" "ordre" => 5 ] [ "nom" => "5. This Masquerade" "ordre" => 12 ] [ "nom" => "6. Magic Mirror" "ordre" => 13 ] [ "nom" => "6. Roller Derby" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1505 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …} -enregistreLe: DateTime @1480318030 {#2095 : 2016-11-28 07:27:10.0 UTC (+00:00) } -modifierLe: DateTime @1639582371 {#2096 : 2021-12-15 15:32:51.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-carney-aapp-0110" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.33 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2114 -id: 622 -nom: "Bruch : Scottish Fantasy / Vieuxtemps : Concerto N° 5" -informationComplementaire: "" -description: """ RCA Living Stereo 200 Gram Vinyl !\n \n Remastered and Cut at 33 1/3 rpm by Ryan Smith at Sterling Sound !\n \n Cut from the Original 2-Track Session Tapes ! \n \n Pressed at Quality Record Pressings & Plated by Gary Salstrom ! \n \n RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\n \n Stunning performances of Heifetz showpieces with Sir Malcolm Sargent and the New Symphony Orchestra of London. Recorded in May 1962 by Kenneth Wilkinson and the Decca Recording team at Walthamstow Hall. This is a must have for all audiophiles! The original 2 track session tapes were used in mastering for this LP in the Analogue Productions reissue series.\n \n "...I'd have to say that the usual stumbling blocks have been sidestepped. Great care has been taken to do the right things, starting with the way the decision to remaster these RCAs was made". - Jonathan Valin, The Absolute Sound.com, June 11, 2013 \n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Sir Malcolm Sargent leads the New Symphony Orchestra Of London, Jascha Heifetz (violin)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "AAPC 2603" -titreMorceau: [ [ "nom" => "1. Henri Vieuxtemps : Concerto N° 5 in A minor, Op. 37" "ordre" => 3 ] [ "nom" => "1. Max Bruch : Scottish Fantasy, Op. 46" "ordre" => 1 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1491 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2118 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …} -enregistreLe: DateTime @1368857218 {#2111 : 2013-05-18 06:06:58.0 UTC (+00:00) } -modifierLe: DateTime @1639582347 {#2112 : 2021-12-15 15:32:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2122 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bruch-scottish-fantasy-vieuxtemps-concerto-n-5-aapc-2603" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3327 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2114 -id: 622 -nom: "Bruch : Scottish Fantasy / Vieuxtemps : Concerto N° 5" -informationComplementaire: "" -description: """ RCA Living Stereo 200 Gram Vinyl !\n \n Remastered and Cut at 33 1/3 rpm by Ryan Smith at Sterling Sound !\n \n Cut from the Original 2-Track Session Tapes ! \n \n Pressed at Quality Record Pressings & Plated by Gary Salstrom ! \n \n RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\n \n Stunning performances of Heifetz showpieces with Sir Malcolm Sargent and the New Symphony Orchestra of London. Recorded in May 1962 by Kenneth Wilkinson and the Decca Recording team at Walthamstow Hall. This is a must have for all audiophiles! The original 2 track session tapes were used in mastering for this LP in the Analogue Productions reissue series.\n \n "...I'd have to say that the usual stumbling blocks have been sidestepped. Great care has been taken to do the right things, starting with the way the decision to remaster these RCAs was made". - Jonathan Valin, The Absolute Sound.com, June 11, 2013 \n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Sir Malcolm Sargent leads the New Symphony Orchestra Of London, Jascha Heifetz (violin)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "AAPC 2603" -titreMorceau: [ [ "nom" => "1. Henri Vieuxtemps : Concerto N° 5 in A minor, Op. 37" "ordre" => 3 ] [ "nom" => "1. Max Bruch : Scottish Fantasy, Op. 46" "ordre" => 1 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1491 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2118 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …} -enregistreLe: DateTime @1368857218 {#2111 : 2013-05-18 06:06:58.0 UTC (+00:00) } -modifierLe: DateTime @1639582347 {#2112 : 2021-12-15 15:32:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2122 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bruch-scottish-fantasy-vieuxtemps-concerto-n-5-aapc-2603" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2130 -id: 1527 -nom: "Bill Evans At The Montreux Jazz Festival " -informationComplementaire: "" -description: """ As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n \n By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You".\n \n As the liner notes by Gene Lees reveal, Evans' performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\n \n At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\n \n Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Fpj7sb5VxeI" -referenceProduit: "AAPJ 8762" -titreMorceau: [ [ "nom" => "1. I Love You Porgy" "ordre" => 6 ] [ "nom" => "1. One For Helen" "ordre" => 1 ] [ "nom" => "2. A Sleeping Bee" "ordre" => 2 ] [ "nom" => "2. The Touch Of Your Lips" "ordre" => 7 ] [ "nom" => "3. Embraceable You" "ordre" => 8 ] [ "nom" => "3. Mother Of Earl" "ordre" => 3 ] [ "nom" => "4. Nardis" "ordre" => 4 ] [ "nom" => "4. Someday My Prince Will Come" "ordre" => 9 ] [ "nom" => "5. Walkin' Up" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2141 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2134 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2136 …} -enregistreLe: DateTime @1547976241 {#2127 : 2019-01-20 09:24:01.0 UTC (+00:00) } -modifierLe: DateTime @1639582263 {#2128 : 2021-12-15 15:31:03.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2138 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bill-evans-at-the-montreux-jazz-festival-aapj-8762" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3378 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2130 -id: 1527 -nom: "Bill Evans At The Montreux Jazz Festival " -informationComplementaire: "" -description: """ As others have noted, this album occupies a unique place in the Bill Evans discography. It's the only album to document drummer Jack DeJohnette's too-short stay in the trio. The trio's performance on this album won them the 1969 Grammy for Best Jazz Instrumental Album, Individual or Group.\n \n By the time this set was recorded, live in Montreux on June 15, 1968, Eddie Gomez and Evans had been playing together for two years. Gomez provided a different brand of virtuosity to that offered by Scott LaFaro in Evans's classic trio of five years earlier but he was clearly the best bass player Evans had worked with since LaFaro's tragic death. The groove between the two was deep and comfortable, so comfortable that in this set, Evans did something he hadn't done before, at least on a recording: he showcased Gomez for an entire piece, the almost seven minute long "Embraceable You".\n \n As the liner notes by Gene Lees reveal, Evans' performance at the renowned jazz festival in the nightclub of the Montreux Casino, one of the most fashionable resorts in Switzerland, was one of his best. He and Gomez played with more exuberance, more happiness and more drive. Evans' brooding, introspective musical side has been represented well on records before; the bright side has been too-little heard, but it's here in this album.\n \n At the end of each number the audience exploded in applause so stormy and extended that it had to be heavily edited for the album.\n \n Enjoy this sparkling Bill Evans piano performance, made sweeter by the expert mastering by Bernie Grundman from the original analog tape. For this edition only the best vinyl pressing would do a 200 gram super-silent luxurious-sounding platter from Quality Record Pressings, makers of the world's finest-sounding LPs. First-rate and top-notch, this album will make a superb addition to your record collection.\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Bill Evans (piano), Eddie Gomez (bass), Jack DeJohnette (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Fpj7sb5VxeI" -referenceProduit: "AAPJ 8762" -titreMorceau: [ [ "nom" => "1. I Love You Porgy" "ordre" => 6 ] [ "nom" => "1. One For Helen" "ordre" => 1 ] [ "nom" => "2. A Sleeping Bee" "ordre" => 2 ] [ "nom" => "2. The Touch Of Your Lips" "ordre" => 7 ] [ "nom" => "3. Embraceable You" "ordre" => 8 ] [ "nom" => "3. Mother Of Earl" "ordre" => 3 ] [ "nom" => "4. Nardis" "ordre" => 4 ] [ "nom" => "4. Someday My Prince Will Come" "ordre" => 9 ] [ "nom" => "5. Walkin' Up" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2141 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2134 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2136 …} -enregistreLe: DateTime @1547976241 {#2127 : 2019-01-20 09:24:01.0 UTC (+00:00) } -modifierLe: DateTime @1639582263 {#2128 : 2021-12-15 15:31:03.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2138 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bill-evans-at-the-montreux-jazz-festival-aapj-8762" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2146 -id: 488 -nom: "Bend Like Steel" -informationComplementaire: "" -description: """ "...this set, though delicate as gossamer, is heart-ripped-open raw. Closely mic'd to perfection, the anguished interpretation of Simon and Garfunkel's normally jolly 'Cecilia' will turn your head around". Hi-Fi News Album Of The Month - Ken Kessler, Hi-Fi News\n \n Best known for "Killing Me Softly", written during her Troubadour days in Los Angeles when she saw Don McLean in concert, Lori Lieberman has now recorded 14 LPs and CDs for Capitol Records, Pope Music and Drive On Records. She has gleaned the respect of an industry and a devoted base of fans worldwide. \n \n Bend Like Steel is Lieberman's most personal record to date, and she stated, "The more I said, the more I felt I had to say". The songs were arranged by Lieberman and feature her on guitar and piano with guest artists that include guitarist Lyle Workman (Sting, Beck) and mastered by Gavin Lurssen (Alison Kraus/Robert Plant). \n \n "Bend Like Steel is some of the best work you've done. It's tied in my estimation with Home Of Whispers, and you known in what high esteem I hold that CD. Beautiful, beautiful work. And your voice has never sounded better". - Rich Warren, WFMT Midnight Special, Chicago\n \n Lieberman's early music history formed in California in the seventies on the Sunset Strip and the West Coast club scene circuit that included singer-songwriters such as Joni Mitchell, Jackson Browne and the Eagles. As one of Capitol Records' premier artists, she worked with some of the leading studio musicians a young Larry Carlton, members of the L.A. Express, Sneaky Pete and pianist Joe Sample. She toured the U.S. and Europe with Randy Newman, Billy Joel, Leonard Cohen, John Sebastian and Rick Nelson, to name a few. \n \n Lieberman was nominated for the Golden Note Award for excellence with A Thousand Dreamson Pope Music, and two CDs followed - Home Of Whispers and Gone Is The Girl, which featured her stunning songs, warm vocals and rich orchestrations.\n \n "I have conducted many A+B comparisons over the years as one of the founders of the late Cello Music and Film with Mark Levinson, and now as a professional recording engineer I spend a great deal of time comparing tracks, mixes and fine tuning mastered material. Recently we decided to release two collections of Lori Lieberman's on vinyl and ordered Test Pressings from another source. When you told me about QRP I was very interested and excited to have our material pressed at your remarkable facility. But I had no idea what a dramatic difference could be made by just the pressing technique. Both sets of lacquers were prepared by Kevin Gray so all conditions were equal. The depth of the stage, clarity and detail of our mixes, and in particular the air surrounding Lori's voice, representative of what I hear in our studio was remarkable. This was not subtle. The material lives as pressed by QRP. You would have thought I changed phono cartridges, turntables or phono preamp. Congratulations. Your pressing plant is the finest anywhere and we will continue to only press Lori's albums exclusively with QRP. I can't wait till we have the opportunity to do a Direct To Disc and press those at QRP". - Joseph Cali, Recording Engineer of Lori Lieberman's Bend Like Steel and Gun Metal Sky\n \n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Lori Lieberman (acoustic guitar, piano, vocals),? Stefanie Fife (cello),? Eugene Ruffolo (acoustic guitar, background vocals), ?Monty Byrom (vocals), Trey Henry (acoustic bass),? Brian Kilgore (percussion), ?Lyle Workman (electric guitars)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=X4AqLFzPgy8" -referenceProduit: "AAPP 10" -titreMorceau: [ [ "nom" => "1. For More" "ordre" => 7 ] [ "nom" => "1. If Not Now" "ordre" => 1 ] [ "nom" => "2. Mr. And Mrs. Make-Believe" "ordre" => 2 ] [ "nom" => "2. My Sister's Boyfriend" "ordre" => 8 ] [ "nom" => "3. Cup Of Girl" "ordre" => 3 ] [ "nom" => "3. Steady Heart" "ordre" => 9 ] [ "nom" => "4. Bend Like Steel" "ordre" => 4 ] [ "nom" => "4. These Things" "ordre" => 10 ] [ "nom" => "5. Cecilia" "ordre" => 5 ] [ "nom" => "5. Netherlands" "ordre" => 11 ] [ "nom" => "6. There's A Harbor" "ordre" => 12 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1514 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …} -enregistreLe: DateTime @1325708059 {#2143 : 2012-01-04 20:14:19.0 UTC (+00:00) } -modifierLe: DateTime @1639582249 {#2144 : 2021-12-15 15:30:49.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bend-like-steel-aapp-10" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3429 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2146 -id: 488 -nom: "Bend Like Steel" -informationComplementaire: "" -description: """ "...this set, though delicate as gossamer, is heart-ripped-open raw. Closely mic'd to perfection, the anguished interpretation of Simon and Garfunkel's normally jolly 'Cecilia' will turn your head around". Hi-Fi News Album Of The Month - Ken Kessler, Hi-Fi News\n \n Best known for "Killing Me Softly", written during her Troubadour days in Los Angeles when she saw Don McLean in concert, Lori Lieberman has now recorded 14 LPs and CDs for Capitol Records, Pope Music and Drive On Records. She has gleaned the respect of an industry and a devoted base of fans worldwide. \n \n Bend Like Steel is Lieberman's most personal record to date, and she stated, "The more I said, the more I felt I had to say". The songs were arranged by Lieberman and feature her on guitar and piano with guest artists that include guitarist Lyle Workman (Sting, Beck) and mastered by Gavin Lurssen (Alison Kraus/Robert Plant). \n \n "Bend Like Steel is some of the best work you've done. It's tied in my estimation with Home Of Whispers, and you known in what high esteem I hold that CD. Beautiful, beautiful work. And your voice has never sounded better". - Rich Warren, WFMT Midnight Special, Chicago\n \n Lieberman's early music history formed in California in the seventies on the Sunset Strip and the West Coast club scene circuit that included singer-songwriters such as Joni Mitchell, Jackson Browne and the Eagles. As one of Capitol Records' premier artists, she worked with some of the leading studio musicians a young Larry Carlton, members of the L.A. Express, Sneaky Pete and pianist Joe Sample. She toured the U.S. and Europe with Randy Newman, Billy Joel, Leonard Cohen, John Sebastian and Rick Nelson, to name a few. \n \n Lieberman was nominated for the Golden Note Award for excellence with A Thousand Dreamson Pope Music, and two CDs followed - Home Of Whispers and Gone Is The Girl, which featured her stunning songs, warm vocals and rich orchestrations.\n \n "I have conducted many A+B comparisons over the years as one of the founders of the late Cello Music and Film with Mark Levinson, and now as a professional recording engineer I spend a great deal of time comparing tracks, mixes and fine tuning mastered material. Recently we decided to release two collections of Lori Lieberman's on vinyl and ordered Test Pressings from another source. When you told me about QRP I was very interested and excited to have our material pressed at your remarkable facility. But I had no idea what a dramatic difference could be made by just the pressing technique. Both sets of lacquers were prepared by Kevin Gray so all conditions were equal. The depth of the stage, clarity and detail of our mixes, and in particular the air surrounding Lori's voice, representative of what I hear in our studio was remarkable. This was not subtle. The material lives as pressed by QRP. You would have thought I changed phono cartridges, turntables or phono preamp. Congratulations. Your pressing plant is the finest anywhere and we will continue to only press Lori's albums exclusively with QRP. I can't wait till we have the opportunity to do a Direct To Disc and press those at QRP". - Joseph Cali, Recording Engineer of Lori Lieberman's Bend Like Steel and Gun Metal Sky\n \n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Lori Lieberman (acoustic guitar, piano, vocals),? Stefanie Fife (cello),? Eugene Ruffolo (acoustic guitar, background vocals), ?Monty Byrom (vocals), Trey Henry (acoustic bass),? Brian Kilgore (percussion), ?Lyle Workman (electric guitars)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=X4AqLFzPgy8" -referenceProduit: "AAPP 10" -titreMorceau: [ [ "nom" => "1. For More" "ordre" => 7 ] [ "nom" => "1. If Not Now" "ordre" => 1 ] [ "nom" => "2. Mr. And Mrs. Make-Believe" "ordre" => 2 ] [ "nom" => "2. My Sister's Boyfriend" "ordre" => 8 ] [ "nom" => "3. Cup Of Girl" "ordre" => 3 ] [ "nom" => "3. Steady Heart" "ordre" => 9 ] [ "nom" => "4. Bend Like Steel" "ordre" => 4 ] [ "nom" => "4. These Things" "ordre" => 10 ] [ "nom" => "5. Cecilia" "ordre" => 5 ] [ "nom" => "5. Netherlands" "ordre" => 11 ] [ "nom" => "6. There's A Harbor" "ordre" => 12 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1514 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …} -enregistreLe: DateTime @1325708059 {#2143 : 2012-01-04 20:14:19.0 UTC (+00:00) } -modifierLe: DateTime @1639582249 {#2144 : 2021-12-15 15:30:49.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-bend-like-steel-aapp-10" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2162 -id: 1841 -nom: "At The Pershing - But Not For Me" -informationComplementaire: "" -description: """ 200 gram vinyl mono LP !\n \n Mastered at Sterling Sound from the original tapes !\n \n Plated and pressed at Quality Record Pressings !\n \n Stoughton Printing old-style tip-on jacket !\n \n Best-selling, highly-recommended jazz album, ranked N° 21 on Jazzwise's list of 100 Jazz Albums That Shook The World !\n \n "Jamal's ideas about integrated and disciplined trio interplay had already deeply influenced jazz's inner circle of musicians while his piano-guitar-bass trio was around throughout the early 1950s. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics. The highlight may have been ‘Poinciana', but every track is an object lesson in how to draw the best from a tune. That it was no flash in the pan is shown by the music's drawing power and continuing fascination today, as well as its ability to influence every new generation of pianists". - "The 100 Jazz Albums That Shook The World" - Jazzwise.\n \n This is one of the best-selling jazz records ever. But among audiophiles, it may not be as well known as some of the other genre classics.\n \n Jazz pianist, composer, bandleader, Grammy-nominee, and Kennedy Center legend Ahmad Jamal has for five decades been one of the most successful small-group leaders in jazz and one of the genre's all-time great pianists. His artisty, talent and creative abilities have thrilled audiences and been broadly proclaimed by musician and music lover alike. At The Pershing : But Not For Me is Jamal's dazzling fountain of creative splendor in full flow.\n \n In 1956 Jamal's new trio (with Israel Crosby on bass and Vernell Fournier on drums) began a residency at Chicago's Pershing Hotel, and two years later the group recorded At The Pershing : But Not For Me, which spent 108 weeks among the Top Ten best selling albums. Recorded on Jan. 16, 1958 at the Pershing Lounge in the hotel, each set played that night was recorded for a total of 43 tracks, eight of which were selected by Jamal for the album.\n \n AllMusic rates the album 4 stars, calling it a turning point in Jamal's career. The album became one of the best-selling records in the history of the Chess Records label. Chess Records is synonymous with the Chicago electric blues scene of the 1950s, when iconic names such as Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry came to prominence, helping to establish Leonard and Phil Chess' Windy City indie label as one of America's leading proponents of R&B music. But it's often forgotten that a jazz pianist called Ahmad Jamal played a major role in filling up the label's coffers and widening its audience.\n \n Jamal, from Pittsburgh, was a child prodigy who started playing piano at age 3 and, as a teen, caught the ear of jazz great Art Tatum. Then, after moving to Chicago, in 1948, he was eventually discovered by visionary record producer John Hammond, the patrician entrepreneur who had brought Billie Holiday to prominence and later helped to bring Aretha Franklin and Bob Dylan to the attention of the wider world. Hammond gave Jamal his first shot at recording in 1951, but it was seven years later, when the pianist was signed to Chess Records, that his career truly skyrocketed.\n \n At The Pershing : But Not For Me topped America's jazz charts for months and established a 107-week residence in Billboard's album charts.\n \n "That album sold over one million copies and is still selling", Jamal says. He attributes its success to the power of music. "It's contagious. Music belongs to the world. So something that is of value, whether it's Ravel's Boléro or, specifically, At The Pershing, the world listens. And if it's good, you're going to get one or two listeners... and I got a few more than two" !\n \n The Analogue Productions reissue LP you hold has matchless listenability, employing steps calculated to extract the highest-quality transfer and playback from the original master tape. Mastering took place at Sterling Sound, while plating and 200 gram pressing is by our own Quality Record Pressings, where the best-sounding LPs with dead-quiet surfaces are produced. A Stoughton Printing old-style tip-on jacket completes the package.\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …} -musicienOrchestre: "Ahmad Jamal (piano), Israel Crosby (bass), Vernell Fournier (drums)" -sonMusic: App\Enum\SonMusicEnum {#1166 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=d7Sktqhz6GI" -referenceProduit: "Analogue Productions AAPJ 0128" -titreMorceau: [ [ "nom" => "1. But Not For Me " "ordre" => 1 ] [ "nom" => "1. Poinciana " "ordre" => 7 ] [ "nom" => "2. Surrey With The Fringe On Top " "ordre" => 2 ] [ "nom" => "2. Wood'yn You " "ordre" => 8 ] [ "nom" => "3. Moonlight In Vermont " "ordre" => 3 ] [ "nom" => "3. What's New" "ordre" => 9 ] [ "nom" => "4. Music, Music, Music " "ordre" => 4 ] [ "nom" => "5. No Greater Love" "ordre" => 5 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2173 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2166 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2168 …} -enregistreLe: DateTime @1586247526 {#2159 : 2020-04-07 08:18:46.0 UTC (+00:00) } -modifierLe: DateTime @1639582203 {#2160 : 2021-12-15 15:30:03.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-at-the-pershing-but-not-for-me-analogue-productions-aapj-0128" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3480 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2162 -id: 1841 -nom: "At The Pershing - But Not For Me" -informationComplementaire: "" -description: """ 200 gram vinyl mono LP !\n \n Mastered at Sterling Sound from the original tapes !\n \n Plated and pressed at Quality Record Pressings !\n \n Stoughton Printing old-style tip-on jacket !\n \n Best-selling, highly-recommended jazz album, ranked N° 21 on Jazzwise's list of 100 Jazz Albums That Shook The World !\n \n "Jamal's ideas about integrated and disciplined trio interplay had already deeply influenced jazz's inner circle of musicians while his piano-guitar-bass trio was around throughout the early 1950s. However, things went supernova-ish when this incredible unit made and released this jazz best-seller in 1958. Nobody remained untouched by his light-but-tight approach, his winningly imaginative arrangements and his incredible attention to dynamics. The highlight may have been ‘Poinciana', but every track is an object lesson in how to draw the best from a tune. That it was no flash in the pan is shown by the music's drawing power and continuing fascination today, as well as its ability to influence every new generation of pianists". - "The 100 Jazz Albums That Shook The World" - Jazzwise.\n \n This is one of the best-selling jazz records ever. But among audiophiles, it may not be as well known as some of the other genre classics.\n \n Jazz pianist, composer, bandleader, Grammy-nominee, and Kennedy Center legend Ahmad Jamal has for five decades been one of the most successful small-group leaders in jazz and one of the genre's all-time great pianists. His artisty, talent and creative abilities have thrilled audiences and been broadly proclaimed by musician and music lover alike. At The Pershing : But Not For Me is Jamal's dazzling fountain of creative splendor in full flow.\n \n In 1956 Jamal's new trio (with Israel Crosby on bass and Vernell Fournier on drums) began a residency at Chicago's Pershing Hotel, and two years later the group recorded At The Pershing : But Not For Me, which spent 108 weeks among the Top Ten best selling albums. Recorded on Jan. 16, 1958 at the Pershing Lounge in the hotel, each set played that night was recorded for a total of 43 tracks, eight of which were selected by Jamal for the album.\n \n AllMusic rates the album 4 stars, calling it a turning point in Jamal's career. The album became one of the best-selling records in the history of the Chess Records label. Chess Records is synonymous with the Chicago electric blues scene of the 1950s, when iconic names such as Muddy Waters, Howlin' Wolf, Bo Diddley and Chuck Berry came to prominence, helping to establish Leonard and Phil Chess' Windy City indie label as one of America's leading proponents of R&B music. But it's often forgotten that a jazz pianist called Ahmad Jamal played a major role in filling up the label's coffers and widening its audience.\n \n Jamal, from Pittsburgh, was a child prodigy who started playing piano at age 3 and, as a teen, caught the ear of jazz great Art Tatum. Then, after moving to Chicago, in 1948, he was eventually discovered by visionary record producer John Hammond, the patrician entrepreneur who had brought Billie Holiday to prominence and later helped to bring Aretha Franklin and Bob Dylan to the attention of the wider world. Hammond gave Jamal his first shot at recording in 1951, but it was seven years later, when the pianist was signed to Chess Records, that his career truly skyrocketed.\n \n At The Pershing : But Not For Me topped America's jazz charts for months and established a 107-week residence in Billboard's album charts.\n \n "That album sold over one million copies and is still selling", Jamal says. He attributes its success to the power of music. "It's contagious. Music belongs to the world. So something that is of value, whether it's Ravel's Boléro or, specifically, At The Pershing, the world listens. And if it's good, you're going to get one or two listeners... and I got a few more than two" !\n \n The Analogue Productions reissue LP you hold has matchless listenability, employing steps calculated to extract the highest-quality transfer and playback from the original master tape. Mastering took place at Sterling Sound, while plating and 200 gram pressing is by our own Quality Record Pressings, where the best-sounding LPs with dead-quiet surfaces are produced. A Stoughton Printing old-style tip-on jacket completes the package.\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …} -musicienOrchestre: "Ahmad Jamal (piano), Israel Crosby (bass), Vernell Fournier (drums)" -sonMusic: App\Enum\SonMusicEnum {#1166 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=d7Sktqhz6GI" -referenceProduit: "Analogue Productions AAPJ 0128" -titreMorceau: [ [ "nom" => "1. But Not For Me " "ordre" => 1 ] [ "nom" => "1. Poinciana " "ordre" => 7 ] [ "nom" => "2. Surrey With The Fringe On Top " "ordre" => 2 ] [ "nom" => "2. Wood'yn You " "ordre" => 8 ] [ "nom" => "3. Moonlight In Vermont " "ordre" => 3 ] [ "nom" => "3. What's New" "ordre" => 9 ] [ "nom" => "4. Music, Music, Music " "ordre" => 4 ] [ "nom" => "5. No Greater Love" "ordre" => 5 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …} -label: Proxies\__CG__\App\Entity\Label {#1964 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2173 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2166 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2168 …} -enregistreLe: DateTime @1586247526 {#2159 : 2020-04-07 08:18:46.0 UTC (+00:00) } -modifierLe: DateTime @1639582203 {#2160 : 2021-12-15 15:30:03.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-at-the-pershing-but-not-for-me-analogue-productions-aapj-0128" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2178 -id: 2101 -nom: "Music From The Source" -informationComplementaire: "" -description: """ 180 gram vinyl !\r\n \r\n Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n \r\n Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee's band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings Music From the Source (1978) and Compassion (1979).\r\n \r\n "Few groups today sound as fresh, generate as high an emotional charge, or leave as lasting an impression as McBee's sextet", Chris Albertson wrote upon the release of these recordings. "It is as if each member were a unique piece of a puzzle, carefully placed to complete precisely the breath taking picture intended. The music is adventurous enough to satisfy any aural daredevil who has not completely lost his or her sense of beauty, yet all the basic jazz values have been preserved with due reverence". """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Cecil McBee (bass), Chico Freeman (tenor saxophone, flute), Joe Gordon (trumpet, flugelhorn), Dennis Moorman (piano), Don Moye (conga), Steve McCall (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=ZHQgVlSdm0c" -referenceProduit: "Pure Pleasure Records 3019" -titreMorceau: [ [ "nom" => "1. Agnez " "ordre" => 1 ] [ "nom" => "1. God Spirit " "ordre" => 3 ] [ "nom" => "2. First Song In The Day" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2180 …} -label: Proxies\__CG__\App\Entity\Label {#2183 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …} -enregistreLe: DateTime @1628666175 {#2175 : 2021-08-11 07:16:15.0 UTC (+00:00) } -modifierLe: DateTime @1639119480 {#2176 : 2021-12-10 06:58:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-music-from-the-source-pure-pleasure-records-3019" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3531 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2178 -id: 2101 -nom: "Music From The Source" -informationComplementaire: "" -description: """ 180 gram vinyl !\r\n \r\n Remastering by Cicely Baston at Alchemy / Air Mastering !\r\n \r\n Recording with a sextet at the New York jazz club Sweet Basil in August 1977, McBee's band included Chico Freeman on reeds, Dennis Moorman on piano, Joe Gardner on trumpet, Steve McCall on drums, and Famoudou Don Moye on percussion. Two complete albums of music were released by Enja Records from this engagement, the ground breaking recordings Music From the Source (1978) and Compassion (1979).\r\n \r\n "Few groups today sound as fresh, generate as high an emotional charge, or leave as lasting an impression as McBee's sextet", Chris Albertson wrote upon the release of these recordings. "It is as if each member were a unique piece of a puzzle, carefully placed to complete precisely the breath taking picture intended. The music is adventurous enough to satisfy any aural daredevil who has not completely lost his or her sense of beauty, yet all the basic jazz values have been preserved with due reverence". """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Cecil McBee (bass), Chico Freeman (tenor saxophone, flute), Joe Gordon (trumpet, flugelhorn), Dennis Moorman (piano), Don Moye (conga), Steve McCall (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=ZHQgVlSdm0c" -referenceProduit: "Pure Pleasure Records 3019" -titreMorceau: [ [ "nom" => "1. Agnez " "ordre" => 1 ] [ "nom" => "1. God Spirit " "ordre" => 3 ] [ "nom" => "2. First Song In The Day" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2180 …} -label: Proxies\__CG__\App\Entity\Label {#2183 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …} -enregistreLe: DateTime @1628666175 {#2175 : 2021-08-11 07:16:15.0 UTC (+00:00) } -modifierLe: DateTime @1639119480 {#2176 : 2021-12-10 06:58:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-music-from-the-source-pure-pleasure-records-3019" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2197 -id: 2161 -nom: "Cosmic Forest : The Spiritual Sounds of MPS" -informationComplementaire: "" -description: """ There are still little-known gems to discover within the MPS catalogue. For instance, Cosmic Forest curated by Nicola Conte.\r\n \r\n Cosmic Forest is a compilation that highlights some of the most compelling "spiritual jazz" recordings from 1965 to 1975. Conte, a world-renowned Italian musician and producer, as well as a passionate DJ and record collector, is a connoisseur of European jazz with an astounding ability to dig a little deeper when it comes to arranging such a compilation.\r\n \r\n In this case, he concentrated on the spiritual highpoints of the MPS catalogue, highlighting both well-known and obscure musical treasures, while connecting disparate pieces through a personal common thread. The choice of individual titles and the flowing character of their arrangement lend the album a quality of timelessness, while showcasing the breadth of the entire "cosmic jazz collection" within the MPS archives.\r\n """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=FxrXKSk6Yi4" -referenceProduit: "MPS Records 2269" -titreMorceau: [ [ "nom" => "1. El Babaku - El Babaku \t" "ordre" => 13 ] [ "nom" => "1. Motihar Trio/Schweizer Trio/Schoof/Wilen - Yaad \t" "ordre" => 5 ] [ "nom" => "1. Smoke - Shelda \t" "ordre" => 9 ] [ "nom" => "1. The Third Wave - Maiden Voyage \t" "ordre" => 1 ] [ "nom" => "2. George Gruntz - Djerbi \t" "ordre" => 6 ] [ "nom" => "2. Hannibal and The Sunrise Orchestra - Revelation \t" "ordre" => 14 ] [ "nom" => "2. Michael Naura Quartet - Soledad De Murcia \t" "ordre" => 10 ] [ "nom" => "2. Nathan Davis - Evolution \t" "ordre" => 2 ] [ "nom" => "3. Dexter Gordon & Slide Hampton - A Day In Vienna \t" "ordre" => 3 ] [ "nom" => "3. The Albert Mangelsdorff Quartet - Never Let It End \t" "ordre" => 7 ] [ "nom" => "3. The MPS Rhythm Combination & Brass - Timbales Calientes \t" "ordre" => 11 ] [ "nom" => "3. Tony Scott and The Indonesian Allstars - Burungkaka Tua \t" "ordre" => 15 ] [ "nom" => "4. Dave Pike Set - Raga Jeeva Swara " "ordre" => 16 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …} -label: Proxies\__CG__\App\Entity\Label {#2202 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2211 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2204 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2206 …} -enregistreLe: DateTime @1637743526 {#2194 : 2021-11-24 08:45:26.0 UTC (+00:00) } -modifierLe: DateTime @1637743772 {#2195 : 2021-11-24 08:49:32.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2208 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-cosmic-forest-the-spiritual-sounds-of-mps-mps-records-2269" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3582 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2197 -id: 2161 -nom: "Cosmic Forest : The Spiritual Sounds of MPS" -informationComplementaire: "" -description: """ There are still little-known gems to discover within the MPS catalogue. For instance, Cosmic Forest curated by Nicola Conte.\r\n \r\n Cosmic Forest is a compilation that highlights some of the most compelling "spiritual jazz" recordings from 1965 to 1975. Conte, a world-renowned Italian musician and producer, as well as a passionate DJ and record collector, is a connoisseur of European jazz with an astounding ability to dig a little deeper when it comes to arranging such a compilation.\r\n \r\n In this case, he concentrated on the spiritual highpoints of the MPS catalogue, highlighting both well-known and obscure musical treasures, while connecting disparate pieces through a personal common thread. The choice of individual titles and the flowing character of their arrangement lend the album a quality of timelessness, while showcasing the breadth of the entire "cosmic jazz collection" within the MPS archives.\r\n """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=FxrXKSk6Yi4" -referenceProduit: "MPS Records 2269" -titreMorceau: [ [ "nom" => "1. El Babaku - El Babaku \t" "ordre" => 13 ] [ "nom" => "1. Motihar Trio/Schweizer Trio/Schoof/Wilen - Yaad \t" "ordre" => 5 ] [ "nom" => "1. Smoke - Shelda \t" "ordre" => 9 ] [ "nom" => "1. The Third Wave - Maiden Voyage \t" "ordre" => 1 ] [ "nom" => "2. George Gruntz - Djerbi \t" "ordre" => 6 ] [ "nom" => "2. Hannibal and The Sunrise Orchestra - Revelation \t" "ordre" => 14 ] [ "nom" => "2. Michael Naura Quartet - Soledad De Murcia \t" "ordre" => 10 ] [ "nom" => "2. Nathan Davis - Evolution \t" "ordre" => 2 ] [ "nom" => "3. Dexter Gordon & Slide Hampton - A Day In Vienna \t" "ordre" => 3 ] [ "nom" => "3. The Albert Mangelsdorff Quartet - Never Let It End \t" "ordre" => 7 ] [ "nom" => "3. The MPS Rhythm Combination & Brass - Timbales Calientes \t" "ordre" => 11 ] [ "nom" => "3. Tony Scott and The Indonesian Allstars - Burungkaka Tua \t" "ordre" => 15 ] [ "nom" => "4. Dave Pike Set - Raga Jeeva Swara " "ordre" => 16 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …} -label: Proxies\__CG__\App\Entity\Label {#2202 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2211 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2204 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2206 …} -enregistreLe: DateTime @1637743526 {#2194 : 2021-11-24 08:45:26.0 UTC (+00:00) } -modifierLe: DateTime @1637743772 {#2195 : 2021-11-24 08:49:32.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2208 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-cosmic-forest-the-spiritual-sounds-of-mps-mps-records-2269" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2216 -id: 1899 -nom: "Ballads" -informationComplementaire: "" -description: """ info@headfi.com.hk\r\n \r\n Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n \r\n John Coltrane's immortal Impulse ! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. A.B. Spellman, former administrator for the National Endowment for the Arts, once described Ballads as "some of the most sensitive, heartfelt music that any lover ever sang on a horn". Put simply, most guys don't play the saxophone like John Coltrane.\r\n \r\n The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New", "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads.\r\n \r\n While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n \r\n Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n \r\n "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record \r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=C5xxovnlKxo" -referenceProduit: "Impulse (Acoustic Sounds Series) AIMP 7801" -titreMorceau: [ [ "nom" => "1. Say It (Over and over Again)" "ordre" => 1 ] [ "nom" => "2. You Don't Know What Love Is" "ordre" => 2 ] [ "nom" => "3. Too Young to Go Steady" "ordre" => 3 ] [ "nom" => "4. All or Nothing at All" "ordre" => 4 ] [ "nom" => "5. I Wish I Knew" "ordre" => 6 ] [ "nom" => "6. What's New ?" "ordre" => 7 ] [ "nom" => "7. It's Easy to Remember" "ordre" => 8 ] [ "nom" => "8. Nancy (With the Laughing Face)" "ordre" => 9 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2218 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2230 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2223 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2225 …} -enregistreLe: DateTime @1596718652 {#2213 : 2020-08-06 12:57:32.0 UTC (+00:00) } -modifierLe: DateTime @1637741347 {#2214 : 2021-11-24 08:09:07.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2227 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ballads-impulse-acoustic-sounds-series-aimp-7801" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3633 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2216 -id: 1899 -nom: "Ballads" -informationComplementaire: "" -description: """ info@headfi.com.hk\r\n \r\n Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n \r\n John Coltrane's immortal Impulse ! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. A.B. Spellman, former administrator for the National Endowment for the Arts, once described Ballads as "some of the most sensitive, heartfelt music that any lover ever sang on a horn". Put simply, most guys don't play the saxophone like John Coltrane.\r\n \r\n The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New", "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads.\r\n \r\n While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n \r\n Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n \r\n "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record \r\n \r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=C5xxovnlKxo" -referenceProduit: "Impulse (Acoustic Sounds Series) AIMP 7801" -titreMorceau: [ [ "nom" => "1. Say It (Over and over Again)" "ordre" => 1 ] [ "nom" => "2. You Don't Know What Love Is" "ordre" => 2 ] [ "nom" => "3. Too Young to Go Steady" "ordre" => 3 ] [ "nom" => "4. All or Nothing at All" "ordre" => 4 ] [ "nom" => "5. I Wish I Knew" "ordre" => 6 ] [ "nom" => "6. What's New ?" "ordre" => 7 ] [ "nom" => "7. It's Easy to Remember" "ordre" => 8 ] [ "nom" => "8. Nancy (With the Laughing Face)" "ordre" => 9 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2218 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2230 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2223 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2225 …} -enregistreLe: DateTime @1596718652 {#2213 : 2020-08-06 12:57:32.0 UTC (+00:00) } -modifierLe: DateTime @1637741347 {#2214 : 2021-11-24 08:09:07.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2227 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ballads-impulse-acoustic-sounds-series-aimp-7801" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2237 -id: 2027 -nom: "Trio '64" -informationComplementaire: "" -description: """ Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n There's scarcely a more towering figure in modern jazz save Miles and Coltrane than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\r\n \r\n It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\r\n \r\n The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\r\n \r\n Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n \r\n The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Bill Evans (piano), Gary Peacock (bass), Paul Motian (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=uVmy3Hvqfq0" -referenceProduit: "Acoustic Sounds Series 12301" -titreMorceau: [ [ "nom" => "1. I'll See You Again " "ordre" => 6 ] [ "nom" => "1. Little Lulu " "ordre" => 1 ] [ "nom" => "2. A Sleeping Bee " "ordre" => 2 ] [ "nom" => "2. For Heaven's Sake " "ordre" => 7 ] [ "nom" => "3. Always " "ordre" => 3 ] [ "nom" => "3. Dancing In The Dark " "ordre" => 8 ] [ "nom" => "4. Everything Happens To Me" "ordre" => 9 ] [ "nom" => "4. Santa Claus Is Coming To Town" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2245 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2238 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2240 …} -enregistreLe: DateTime @1620896690 {#2233 : 2021-05-13 09:04:50.0 UTC (+00:00) } -modifierLe: DateTime @1637741280 {#2232 : 2021-11-24 08:08:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2242 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-trio-64-acoustic-sounds-series-12301" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3686 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2237 -id: 2027 -nom: "Trio '64" -informationComplementaire: "" -description: """ Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n There's scarcely a more towering figure in modern jazz save Miles and Coltrane than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\r\n \r\n It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\r\n \r\n The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\r\n \r\n Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n \r\n The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Bill Evans (piano), Gary Peacock (bass), Paul Motian (drums)" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=uVmy3Hvqfq0" -referenceProduit: "Acoustic Sounds Series 12301" -titreMorceau: [ [ "nom" => "1. I'll See You Again " "ordre" => 6 ] [ "nom" => "1. Little Lulu " "ordre" => 1 ] [ "nom" => "2. A Sleeping Bee " "ordre" => 2 ] [ "nom" => "2. For Heaven's Sake " "ordre" => 7 ] [ "nom" => "3. Always " "ordre" => 3 ] [ "nom" => "3. Dancing In The Dark " "ordre" => 8 ] [ "nom" => "4. Everything Happens To Me" "ordre" => 9 ] [ "nom" => "4. Santa Claus Is Coming To Town" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2245 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2238 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2240 …} -enregistreLe: DateTime @1620896690 {#2233 : 2021-05-13 09:04:50.0 UTC (+00:00) } -modifierLe: DateTime @1637741280 {#2232 : 2021-11-24 08:08:00.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2242 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-trio-64-acoustic-sounds-series-12301" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2252 -id: 2031 -nom: "The Black Saint And The Sinner Lady" -informationComplementaire: "" -description: """ Musicians : \r\n Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet), Don Butterfield (tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums).\r\n \r\n Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n On January 20, 1963, bassist and composer Charles Mingus recorded in just one session astonishingly a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk.\r\n \r\n Released on Impulse! Records in 1963, the album consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Of his adventurous and hauntingly eloquent work, among his other creations, Mingus said : "My music is evidence of my soul's will to live". The evidence of that life-force amounts to some of the most dramatic and powerful jazz composed in the 20th century.\r\n \r\n Mingus was born in Arizona on April 22, 1922 and raised in Los Angeles. He was taught double-bass by Red Callendar, and by the New York Philharmonic Orchestra's Herman Rheinshagen (classical music played as big a part in his compositional thinking as gospel songs and the blues). Mingus toured with New Orleans players Louis Armstrong and Kid Ory in the 40s, and later worked briefly with Lionel Hampton and Duke Ellington.\r\n \r\n If he had been an improvising instrumentalist alone, Mingus would have been a jazz legend simply for his bass playing. Yet bass-playing also gave Mingus an insight into the low sonorities and inner hamonies of jazz composition, and his melodic approach was profoundly influenced by the blues and gospel music of his childhood. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet)…" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=zFA0FYQo0Gg" -referenceProduit: "Acoustic Sounds Series 60201" -titreMorceau: [ [ "nom" => "1. Solo Dancer (Stop! And Listen, Sinner Jim Whitney !)" "ordre" => 1 ] [ "nom" => "1. Trio And Group Dancers (Stop ! Look ! And Sing Songs Of Revolutions !)" "ordre" => 5 ] [ "nom" => "2. Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces)" "ordre" => 2 ] [ "nom" => "2. Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front)" "ordre" => 6 ] [ "nom" => "3. Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell," "ordre" => 7 ] [ "nom" => "3. Group Dancers (Soul Fusion Freewoman And Oh This Freedom's Slave Cries)" "ordre" => 3 ] [ "nom" => "My Beloved, 'til It's Freedom Day)" "ordre" => 8 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2263 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2256 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2258 …} -enregistreLe: DateTime @1620921610 {#2248 : 2021-05-13 16:00:10.0 UTC (+00:00) } -modifierLe: DateTime @1637741015 {#2247 : 2021-11-24 08:03:35.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2260 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-black-saint-and-the-sinner-lady-acoustic-sounds-series-60201" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3732 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2252 -id: 2031 -nom: "The Black Saint And The Sinner Lady" -informationComplementaire: "" -description: """ Musicians : \r\n Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet), Don Butterfield (tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums).\r\n \r\n Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n On January 20, 1963, bassist and composer Charles Mingus recorded in just one session astonishingly a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk.\r\n \r\n Released on Impulse! Records in 1963, the album consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Of his adventurous and hauntingly eloquent work, among his other creations, Mingus said : "My music is evidence of my soul's will to live". The evidence of that life-force amounts to some of the most dramatic and powerful jazz composed in the 20th century.\r\n \r\n Mingus was born in Arizona on April 22, 1922 and raised in Los Angeles. He was taught double-bass by Red Callendar, and by the New York Philharmonic Orchestra's Herman Rheinshagen (classical music played as big a part in his compositional thinking as gospel songs and the blues). Mingus toured with New Orleans players Louis Armstrong and Kid Ory in the 40s, and later worked briefly with Lionel Hampton and Duke Ellington.\r\n \r\n If he had been an improvising instrumentalist alone, Mingus would have been a jazz legend simply for his bass playing. Yet bass-playing also gave Mingus an insight into the low sonorities and inner hamonies of jazz composition, and his melodic approach was profoundly influenced by the blues and gospel music of his childhood. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet)…" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=zFA0FYQo0Gg" -referenceProduit: "Acoustic Sounds Series 60201" -titreMorceau: [ [ "nom" => "1. Solo Dancer (Stop! And Listen, Sinner Jim Whitney !)" "ordre" => 1 ] [ "nom" => "1. Trio And Group Dancers (Stop ! Look ! And Sing Songs Of Revolutions !)" "ordre" => 5 ] [ "nom" => "2. Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces)" "ordre" => 2 ] [ "nom" => "2. Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front)" "ordre" => 6 ] [ "nom" => "3. Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell," "ordre" => 7 ] [ "nom" => "3. Group Dancers (Soul Fusion Freewoman And Oh This Freedom's Slave Cries)" "ordre" => 3 ] [ "nom" => "My Beloved, 'til It's Freedom Day)" "ordre" => 8 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2263 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2256 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2258 …} -enregistreLe: DateTime @1620921610 {#2248 : 2021-05-13 16:00:10.0 UTC (+00:00) } -modifierLe: DateTime @1637741015 {#2247 : 2021-11-24 08:03:35.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2260 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-black-saint-and-the-sinner-lady-acoustic-sounds-series-60201" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2270 -id: 2030 -nom: "Mingus Mingus Mingus Mingus Mingus" -informationComplementaire: "" -description: """ Musicians : \r\n Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Rolf Ericson, Richard Williams, Eddie Preston (trumpet), Quentin Jackson, Britt Woodman (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond, Walter Perkins (drums).\r\n \r\n Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n "The album features the two sides of Mingus' compositional genius: the beautiful balladry that I always feel has a bit of a film-noir feel to it, alongside those joyous upbeat numbers that are filled with an organized chaos that categorizes much of the bassist's best work. ... Throw in the fact that it also features Jaki Byard (who is just phenomenal on this recording and remains criminally underrated), Booker Ervin, Dannie Richmond and Eric Dolphy and you have some of Mingus' finest sidemen driving his compositions to the fantastical places they seemed preordained to go. ... Mingus, Mingus, Mingus, Mingus, Mingus is a record that has more than stood the test of time and is an everlasting testament to the talents of Mingus and the players who had the ability to follow his musical vision". — The Jazz Record\r\n \r\n Mingus, Mingus, Mingus, Mingus, Mingus was Charles Mingus' last major studio recording of the 1960s (the solo Mingus Plays Piano would also be released the same year in 1964) and it's a real treasure in the great jazz bassist's discography\r\n \r\n Two of the tracks ("Celia" and "I X Love") were recorded at the sessions for The Black Saint And The Sinner Lady, while the rest were laid down eight months later with a group that included Booker Ervin, Eric Dolphy and Jaki Byard (Byard also played on the two earlier tracks). Both sessions featured groups of 11 players, all of whom were in top form in performing Mingus' notoriously complex compositions, writes jazzrecord.com.\r\n \r\n All but two tracks on Mingus, Mingus, Mingus, Mingus, Mingus were re-interpretations of songs from the bassist's earlier catalog, only "Celia" rates as a new original number, and "Mood Indigo" is a cover of the famous tune by Mingus's hero Duke Ellington. If you happen to have lost your Mingus decoder ring, the remaining tracks correlate to their past counterparts as such :\r\n \r\n "II B.S." = "Haitian Fight Song"\r\n "I X Love" = "Nouroog"\r\n "Better Get Hit In Yo' Soul" = "Better Git It In Yo' Soul"\r\n "Theme For Lester Young" = "Goodbye Pork Pie Hat"\r\n "Hora Decubitus" = "E's Flat Ah's Flat Too"\r\n \r\n For Mingus, Mingus, Mingus, Mingus, Mingus Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for the large ensemble of brass and saxophones. Recorded January 20 and September 20, 1963 in New York City.\r\n \r\n Track : A2 & A3 Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute), Charlie Mariano (alto saxophone), Rolf Ericson, Richard Williams (trumpet), Quentin Jackson (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums)\r\n \r\n Track : A2, A4, B1, B2, & B3\r\n Charles Mingus (bass), Dick Hafer (tenor (saxophone, flute, clarinet), Jerome Richardson (baritone & soprano saxophone, flute), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Eddie Preston, Richard Williams (trumpet), Britt Woodman (trombone), Don Butterfield (tuba), Jaki Byard (piano), Walter Perkins (drums) """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute)…" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=w0E1XTqUlCc" -referenceProduit: "Acoustic Sounds Series 60101" -titreMorceau: [ [ "nom" => "1. Better Get Hit In Yo' Soul" "ordre" => 6 ] [ "nom" => "1. II B.S." "ordre" => 1 ] [ "nom" => "2. I X Love" "ordre" => 2 ] [ "nom" => "2. Theme For Lester Young" "ordre" => 7 ] [ "nom" => "3. Celia" "ordre" => 3 ] [ "nom" => "3. Hora Decubitus" "ordre" => 8 ] [ "nom" => "4. Mood Indigo" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2278 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2271 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2273 …} -enregistreLe: DateTime @1620919637 {#2266 : 2021-05-13 15:27:17.0 UTC (+00:00) } -modifierLe: DateTime @1637740691 {#2265 : 2021-11-24 07:58:11.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2275 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-mingus-mingus-mingus-mingus-mingus-acoustic-sounds-series-60101" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3785 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2704 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …} +produit: App\Entity\Produit {#2270 -id: 2030 -nom: "Mingus Mingus Mingus Mingus Mingus" -informationComplementaire: "" -description: """ Musicians : \r\n Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Rolf Ericson, Richard Williams, Eddie Preston (trumpet), Quentin Jackson, Britt Woodman (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond, Walter Perkins (drums).\r\n \r\n Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n \r\n Monthly releases highlighting the world's most historic and best jazz records !\r\n \r\n Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n \r\n 180 gram LPs pressed at Quality Record Pressings !\r\n \r\n Stoughton Printing gatefold old-style tip-on jackets !\r\n \r\n Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n "The album features the two sides of Mingus' compositional genius: the beautiful balladry that I always feel has a bit of a film-noir feel to it, alongside those joyous upbeat numbers that are filled with an organized chaos that categorizes much of the bassist's best work. ... Throw in the fact that it also features Jaki Byard (who is just phenomenal on this recording and remains criminally underrated), Booker Ervin, Dannie Richmond and Eric Dolphy and you have some of Mingus' finest sidemen driving his compositions to the fantastical places they seemed preordained to go. ... Mingus, Mingus, Mingus, Mingus, Mingus is a record that has more than stood the test of time and is an everlasting testament to the talents of Mingus and the players who had the ability to follow his musical vision". — The Jazz Record\r\n \r\n Mingus, Mingus, Mingus, Mingus, Mingus was Charles Mingus' last major studio recording of the 1960s (the solo Mingus Plays Piano would also be released the same year in 1964) and it's a real treasure in the great jazz bassist's discography\r\n \r\n Two of the tracks ("Celia" and "I X Love") were recorded at the sessions for The Black Saint And The Sinner Lady, while the rest were laid down eight months later with a group that included Booker Ervin, Eric Dolphy and Jaki Byard (Byard also played on the two earlier tracks). Both sessions featured groups of 11 players, all of whom were in top form in performing Mingus' notoriously complex compositions, writes jazzrecord.com.\r\n \r\n All but two tracks on Mingus, Mingus, Mingus, Mingus, Mingus were re-interpretations of songs from the bassist's earlier catalog, only "Celia" rates as a new original number, and "Mood Indigo" is a cover of the famous tune by Mingus's hero Duke Ellington. If you happen to have lost your Mingus decoder ring, the remaining tracks correlate to their past counterparts as such :\r\n \r\n "II B.S." = "Haitian Fight Song"\r\n "I X Love" = "Nouroog"\r\n "Better Get Hit In Yo' Soul" = "Better Git It In Yo' Soul"\r\n "Theme For Lester Young" = "Goodbye Pork Pie Hat"\r\n "Hora Decubitus" = "E's Flat Ah's Flat Too"\r\n \r\n For Mingus, Mingus, Mingus, Mingus, Mingus Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for the large ensemble of brass and saxophones. Recorded January 20 and September 20, 1963 in New York City.\r\n \r\n Track : A2 & A3 Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute), Charlie Mariano (alto saxophone), Rolf Ericson, Richard Williams (trumpet), Quentin Jackson (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums)\r\n \r\n Track : A2, A4, B1, B2, & B3\r\n Charles Mingus (bass), Dick Hafer (tenor (saxophone, flute, clarinet), Jerome Richardson (baritone & soprano saxophone, flute), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Eddie Preston, Richard Williams (trumpet), Britt Woodman (trombone), Don Butterfield (tuba), Jaki Byard (piano), Walter Perkins (drums) """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …} -musicienOrchestre: "Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute)…" -sonMusic: App\Enum\SonMusicEnum {#1167 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …} -rpmMusic: App\Enum\RPMMusicEnum {#1173 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=w0E1XTqUlCc" -referenceProduit: "Acoustic Sounds Series 60101" -titreMorceau: [ [ "nom" => "1. Better Get Hit In Yo' Soul" "ordre" => 6 ] [ "nom" => "1. II B.S." "ordre" => 1 ] [ "nom" => "2. I X Love" "ordre" => 2 ] [ "nom" => "2. Theme For Lester Young" "ordre" => 7 ] [ "nom" => "3. Celia" "ordre" => 3 ] [ "nom" => "3. Hora Decubitus" "ordre" => 8 ] [ "nom" => "4. Mood Indigo" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 5 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2254 …} -label: Proxies\__CG__\App\Entity\Label {#2221 …} -style: App\Entity\Style {#1502 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2278 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2271 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2273 …} -enregistreLe: DateTime @1620919637 {#2266 : 2021-05-13 15:27:17.0 UTC (+00:00) } -modifierLe: DateTime @1637740691 {#2265 : 2021-11-24 07:58:11.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1099 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2275 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-mingus-mingus-mingus-mingus-mingus-acoustic-sounds-series-60101" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.26 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3981 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2472 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3982 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4030 …} +isValidated: false +validatedFields: [] } |
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