Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2632
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2709
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2712 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
  -formView: Symfony\Component\Form\FormView {#2748 …}
  -form: Symfony\Component\Form\Form {#2898 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2373
    -nom: "Debut In The Netherlands"
    -informationComplementaire: null
    -description: """
      - Dave Brubeck "Debut In The Netherlands 1958" 180 gram double LP !\r\n
      - Remastered from the original analog tapes !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Dave Brubeck Quartet Europe, here we come !\r\n
      \r\n
      With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on February 26 in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music.\r\n
      \r\n
      Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck's hotel door to congratulate him. Brubeck is said to have responded, "It should have been you." He dedicated one of his most famous pieces, "The Duke," included on this album, to his fellow pianist.\r\n
      \r\n
      That winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\r\n
      \r\n
      Picture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of "Two Part Contention". The piano came in, sounding out a counter-melody that revealed Brubeck's classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, "Someday, My Prince Will Come" introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, "These Foolish Things", by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving  if proof were needed  his consummate skills in harmonic phrasing.\r\n
      \r\n
      The saxophone then announced the theme of "One Moment Worth Years". Eugene, who liked to be called "the Senator", seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with "For All We Know"  to thunderous applause. It was now Joe's turn to take the limelight. When he played "Watusi Drums", the audience discovered an exceptional drummer who had started out as a virtuoso violinist: 15 years previously, he had been playing Mendelssohn's Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro's heights and switched to drums. The band went on to play "The Wright Groove", a short piece written by Eugene. The concert concluded with "The Duke", a tribute to Ellington, and then a superb rendition of "Take the A-Train", a 1940s classic and the hallmark piece of Ellington's orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album Time Out a year later.\r\n
      \r\n
      Sadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in this exceptional quartet's timeless art.\r\n
      \r\n
      The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nWWuvbOW-FI&list=RDnWWuvbOW-FI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4043"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Two Part Contention "
        "ordre" => 1
      ]
      [
        "nom" => "2. Someday My Prince Will Come "
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. These Foolish Things"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "1. One Moment Worth Years "
        "ordre" => 6
      ]
      [
        "nom" => "2. For All We Know "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Watusi Drums "
        "ordre" => 9
      ]
      [
        "nom" => "2. The Wright Groove "
        "ordre" => 10
      ]
      [
        "nom" => "3. The Duke "
        "ordre" => 11
      ]
      [
        "nom" => "4. Take the "A" Train (incomplete)"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1677917666 {#1929
      date: 2023-03-04 08:14:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975756 {#1922
      date: 2025-11-24 09:15:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debut-in-the-netherlands-the-lost-recordings-4043"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3169
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2373
    -nom: "Debut In The Netherlands"
    -informationComplementaire: null
    -description: """
      - Dave Brubeck "Debut In The Netherlands 1958" 180 gram double LP !\r\n
      - Remastered from the original analog tapes !\r\n
      - Limited to 2000 copies worldwide !\r\n
      - Pressed at Optimal in Germany !\r\n
      - Dave Brubeck Quartet Europe, here we come !\r\n
      \r\n
      With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on February 26 in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music.\r\n
      \r\n
      Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck's hotel door to congratulate him. Brubeck is said to have responded, "It should have been you." He dedicated one of his most famous pieces, "The Duke," included on this album, to his fellow pianist.\r\n
      \r\n
      That winter evening of 1958, the four American musicians, all in their late thirties, took the stage of the Concertgebouw.\r\n
      \r\n
      Picture the packed auditorium murmuring expectantly, and four musicians overcome with stage fright yet eager to perform. After some timid applause, Desmond kicked off with the melancholy, sophisticated theme of "Two Part Contention". The piano came in, sounding out a counter-melody that revealed Brubeck's classical training and knowledge of counterpoint, acquired when he studied under Milhaud and Schoenberg. He had an inventiveness that was not only melodic but also rhythmic, and he knew how to win over an audience. This was followed by a Disney piece, "Someday, My Prince Will Come" introduced by the piano, three years before the great Miles Davis brought out his eponymous album. They continued with a 1930s standard, "These Foolish Things", by Jack Strachey, a song that had helped make Ella Fitzgerald famous. Paul led the show in his flowing, ethereal style, with sporadic brassy, dissonant contrasts, proving  if proof were needed  his consummate skills in harmonic phrasing.\r\n
      \r\n
      The saxophone then announced the theme of "One Moment Worth Years". Eugene, who liked to be called "the Senator", seemed to lead the private dialogue with an unseen hand, dexterous and sensitive. In the same vein, they led on with "For All We Know"  to thunderous applause. It was now Joe's turn to take the limelight. When he played "Watusi Drums", the audience discovered an exceptional drummer who had started out as a virtuoso violinist: 15 years previously, he had been playing Mendelssohn's Concerto with the Boston Symphony Orchestra. After hearing Jascha Heifetz, he decided he could never reach the maestro's heights and switched to drums. The band went on to play "The Wright Groove", a short piece written by Eugene. The concert concluded with "The Duke", a tribute to Ellington, and then a superb rendition of "Take the A-Train", a 1940s classic and the hallmark piece of Ellington's orchestra, played here in a whirlwind of energy and innovative rhythms. With their rhythmic patterns, interspersed with one or two bursts of resounding laughter, the musicians displayed the creative spirit that was to result in the legendary album Time Out a year later.\r\n
      \r\n
      Sadly, the original tape comes to a halt before the end of this piece could be recorded. Nevertheless, we have chosen to retain the surviving part to bear witness to the groundbreaking creativity then bubbling under the surface in this exceptional quartet's timeless art.\r\n
      \r\n
      The concert inaugurated a triumphant career in Europe. It announced, loud and clear, the communicative enthusiasm that was the lasting hallmark of these four exceptional musicians.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nWWuvbOW-FI&list=RDnWWuvbOW-FI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4043"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Two Part Contention "
        "ordre" => 1
      ]
      [
        "nom" => "2. Someday My Prince Will Come "
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. These Foolish Things"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "1. One Moment Worth Years "
        "ordre" => 6
      ]
      [
        "nom" => "2. For All We Know "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Watusi Drums "
        "ordre" => 9
      ]
      [
        "nom" => "2. The Wright Groove "
        "ordre" => 10
      ]
      [
        "nom" => "3. The Duke "
        "ordre" => 11
      ]
      [
        "nom" => "4. Take the "A" Train (incomplete)"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1677917666 {#1929
      date: 2023-03-04 08:14:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975756 {#1922
      date: 2025-11-24 09:15:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-debut-in-the-netherlands-the-lost-recordings-4043"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 818
    -nom: "Time Out"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP !\r\n
      - Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram LP cut at 33 1/3 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      - Praise for the 180 gram 45 RPM version of Analogue Productions' Time Out reissue !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk," where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012.\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodit", "Pleasantville" and "Constantine".\r\n
      \r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.\r\n
      \r\n
      Like its 45 RPM sibling, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty ! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vKNZqM0d-xo"
    -referenceProduit: "Analogue Productions AAPJ 8192"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Blue Rondo A La Turk"
        "ordre" => 1
      ]
      [
        "nom" => "2. Strange Meadow Lark"
        "ordre" => 2
      ]
      [
        "nom" => "3. Take Five"
        "ordre" => 3
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "1. Three To Get Ready"
        "ordre" => 5
      ]
      [
        "nom" => "2. Kathy's Waltz"
        "ordre" => 6
      ]
      [
        "nom" => "3. Everybody's Jumpin'"
        "ordre" => 7
      ]
      [
        "nom" => "4. Pick Up Sticks"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#2100 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1443679862 {#2095
      date: 2015-10-01 06:11:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763975581 {#2096
      date: 2025-11-24 09:13:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-time-out-analogue-productions-aapj-8192"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3285
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 818
    -nom: "Time Out"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP !\r\n
      - Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram LP cut at 33 1/3 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      - Praise for the 180 gram 45 RPM version of Analogue Productions' Time Out reissue !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk," where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012.\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodit", "Pleasantville" and "Constantine".\r\n
      \r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.\r\n
      \r\n
      Like its 45 RPM sibling, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty ! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vKNZqM0d-xo"
    -referenceProduit: "Analogue Productions AAPJ 8192"
    -titreMorceau: [
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    ]
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[
  "produit" => App\Entity\Produit {#2114
    -id: 653
    -nom: "Time Out (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet !\r\n
      - First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk", where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite", "Pleasantville" and "Constantine".\r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five", the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.\r\n
      \r\n
      Why definitive ? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FqPC-BkylxA&list=PLMxkpnetcodMI06cGhDnJWIu86POfn-JJ"
    -referenceProduit: "Analogue Productions AAPJ 8192-45"
    -titreMorceau: [
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      ]
      [
        "nom" => "2. Kathy's Waltz"
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      ]
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      ]
      [
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      ]
      [
        "nom" => "2. Pick Up Sticks"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-time-out-2-lp-45-rpm-analogue-productions-aapj-8192-45"
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  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2114
    -id: 653
    -nom: "Time Out (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet !\r\n
      - First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing !\r\n
      - 180 gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings !\r\n
      \r\n
      "The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk", where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings". - Music = 5/5; Sound = 5/5 - Wayne Garcia, The Absolute Sound, January 2013.\r\n
      \r\n
      “I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI". - Sound = 4.5/5; Music = 5/5 - Marc Mickelson, The Audio Beat, August 2012\r\n
      \r\n
      Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite", "Pleasantville" and "Constantine".\r\n
      The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time so distinctive, it's a rare jazz track that became a pop hit.\r\n
      \r\n
      Including the monster hit "Take Five", the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180 gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.\r\n
      \r\n
      Why definitive ? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.\r\n
      \r\n
      The jacket is also special very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.\r\n
      \r\n
      The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals ? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.\r\n
      \r\n
      The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.\r\n
      \r\n
      Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five", at Brubeck's urging to try and write a song in quintuple (5/4) time. \r\n
      \r\n
      "I told Paul to put a melody over (drummer) Joe Morello's beat", Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.\r\n
      \r\n
      Time Out peaked at N° 2 on the Billboard pop albums chart and was certified platinum by the Recording Industry Association of America. "Take Five" became a mainstream hit, reaching N° 25 on the Billboard Hot 100, and N° 5 on Billboard's Easy Listening survey, the precursor to today's Adult Contemporary charts. The song was included in countless movies and television soundtracks and still receives significant radio play.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FqPC-BkylxA&list=PLMxkpnetcodMI06cGhDnJWIu86POfn-JJ"
    -referenceProduit: "Analogue Productions AAPJ 8192-45"
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      [
        "nom" => "1. Everybody's Jumpin'"
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      ]
      [
        "nom" => "2. Pick Up Sticks"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
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[
  "produit" => App\Entity\Produit {#2127
    -id: 1041
    -nom: "Time Further Out"
    -informationComplementaire: null
    -description: """
      Dave Brubeck and his quartet (Paul Desmond on alto-sax, Eugene Wright on bass and Joe Morello on drums) make a fine, even-more adventurous follow up to his legendary Time Outfeaturing his trademark easy-going swing arrangements in odd (9/4 !) time signatures and one amazing solo by Morello (the appropriately titled “Way More Drums”). Hits like “Unsquare Dance” and “It’s a Raggy Waltz” are augmented by “Charles Matthew Hallelujah”, “Maori Blues”, and the lovely “Blue Shadows In the Street”.\r\n
      \r\n
      IMPEX’s all-analog 180 gram pressing was mastered by George Marino at Sterling Sound in New York from the original master tapes. With RTI’s quiet surfaces and our strict attention to detail, this is a must-have for Brubeck fans (you are legion) and a great addition to any audiophile library.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=k1WFaQ70giw"
    -referenceProduit: "Impex Records IMP 6002"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. It’s a Raggy Waltz"
        "ordre" => 1
      ]
      [
        "nom" => "2. Bluette"
        "ordre" => 2
      ]
      [
        "nom" => "3. Charles Matthew Hallelujah"
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App\Twig\Components\GestionPanierFavoriComponents {#3381
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  +produit: App\Entity\Produit {#2127
    -id: 1041
    -nom: "Time Further Out"
    -informationComplementaire: null
    -description: """
      Dave Brubeck and his quartet (Paul Desmond on alto-sax, Eugene Wright on bass and Joe Morello on drums) make a fine, even-more adventurous follow up to his legendary Time Outfeaturing his trademark easy-going swing arrangements in odd (9/4 !) time signatures and one amazing solo by Morello (the appropriately titled “Way More Drums”). Hits like “Unsquare Dance” and “It’s a Raggy Waltz” are augmented by “Charles Matthew Hallelujah”, “Maori Blues”, and the lovely “Blue Shadows In the Street”.\r\n
      \r\n
      IMPEX’s all-analog 180 gram pressing was mastered by George Marino at Sterling Sound in New York from the original master tapes. With RTI’s quiet surfaces and our strict attention to detail, this is a must-have for Brubeck fans (you are legion) and a great addition to any audiophile library.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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[
  "produit" => App\Entity\Produit {#2143
    -id: 1319
    -nom: "Jazz At Oberlin"
    -informationComplementaire: null
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Original Jazz Classic Series Reissue of The Dave Brubeck Quartet Jazz At Oberlin on 180 gram LP. Cut from the Original Master Tapes (AAA) by Kevin Gray at Cohearent Audio and Pressed at RTI\r\n
      \r\n
      Recorded at Oberlin College, Ohio in 1953, the Dave Brubeck Quartet’s Jazz at Oberlin album is one of the earliest works in the cool jazz genre. As well as Dave Brubeck (piano) the album also features Paul Desmond (alto sax), Lloyd Davis (drums) and Ron Cotty (bass). This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180 gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a tip-on jacket.
      """
    -prixVente: "38.00"
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    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Ron Crotty (bass), Lloyd Davis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3429
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    -nom: "Jazz At Oberlin"
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    -description: """
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      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with OBI strip !\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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[
  "produit" => App\Entity\Produit {#2163
    -id: 1658
    -nom: "A Dave Brubeck Christmas"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP !\r\n
      - Lacquers cut at 45 RPM by Ryan K. Smith at Sterling Sound !\r\n
      - Brubeck originals plus holiday favorites !\r\n
      \r\n
      Released in 1996, A Dave Brubeck Christmas is a solo piano album by the renowned American jazz pianist and composer. Featuring Brubeck originals : "To Us Is Given" and "Run, Run, Run to Bethlehem", the album also includes versions of the holiday favorites "Santa Claus Is Coming to Town", "Winter Wonderland", "Away in a Manger", "Joy to the World", "The Christmas Song", "Jingle Bells" and more. This new (2 LP) edition is released on 180 gram vinyl with lacquers cut at 45 RPM by Ryan K. Smith at Sterling Sound.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=a7Y7fpEfmC4"
    -referenceProduit: "Concord Craft Recordings 0667"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. "Homecoming" Jingle Bells"
        "ordre" => 1
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        "nom" => "2. Santa Claus Is Coming to Town"
        "ordre" => 2
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      [
        "nom" => "3. Joy to the World"
        "ordre" => 3
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        "ordre" => 4
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        "nom" => "1. Away in a Manger"
        "ordre" => 5
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        "nom" => "2. Winter Wonderland"
        "ordre" => 6
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      [
        "nom" => "3. O Little Town of Bethlehem"
        "ordre" => 7
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        "nom" => "Side C : "
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      [
        "nom" => "1. What Child Is This ? (Greensleeves)"
        "ordre" => 9
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      [
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        "ordre" => 10
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App\Twig\Components\GestionPanierFavoriComponents {#3475
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    -id: 1658
    -nom: "A Dave Brubeck Christmas"
    -informationComplementaire: null
    -description: """
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      - Lacquers cut at 45 RPM by Ryan K. Smith at Sterling Sound !\r\n
      - Brubeck originals plus holiday favorites !\r\n
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  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2186
    -id: 1947
    -nom: "Lullabies"
    -informationComplementaire: null
    -description: "At 91 years old, Dave Brubeck recorded peerless takes on best-known children's songs, beloved standards, and originals as a gift to his grandchildren and as his last studio recording. His playing, ingenuity and integrity, all hallmarks of great Brubeck recordings, are abundantly apparent on this album."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fzLDcX-lG98"
    -referenceProduit: "Verve Records 13980"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Brahms Lullaby "
        "ordre" => 1
      ]
      [
        "nom" => "2. When It's Sleepy Time Down South "
        "ordre" => 2
      ]
      [
        "nom" => "3. Over The Rainbow "
        "ordre" => 3
      ]
      [
        "nom" => "4. Danny Boy "
        "ordre" => 4
      ]
      [
        "nom" => "5. Going To Sleep "
        "ordre" => 5
      ]
      [
        "nom" => "6. There's No Place Like Home "
        "ordre" => 6
      ]
      [
        "nom" => "7. Lullaby For Iola"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Koto Song "
        "ordre" => 9
      ]
      [
        "nom" => "2. All Through The Night "
        "ordre" => 10
      ]
      [
        "nom" => "3. Softly, William, Softly "
        "ordre" => 11
      ]
      [
        "nom" => "4. A Dream Is A Wish Your Heart Makes "
        "ordre" => 12
      ]
      [
        "nom" => "5. Briar Bush "
        "ordre" => 13
      ]
      [
        "nom" => "6. Sleep "
        "ordre" => 14
      ]
      [
        "nom" => "7. Summertime "
        "ordre" => 15
      ]
      [
        "nom" => "8. Brahms Lullaby [Reprise]"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …}
    -label: Proxies\__CG__\App\Entity\Label {#2188 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
    -enregistreLe: DateTime @1604648914 {#2179
      date: 2020-11-06 07:48:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763972320 {#2180
      date: 2025-11-24 08:18:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lullabies-verve-records-13980"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3528
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2186
    -id: 1947
    -nom: "Lullabies"
    -informationComplementaire: null
    -description: "At 91 years old, Dave Brubeck recorded peerless takes on best-known children's songs, beloved standards, and originals as a gift to his grandchildren and as his last studio recording. His playing, ingenuity and integrity, all hallmarks of great Brubeck recordings, are abundantly apparent on this album."
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dave Brubeck (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fzLDcX-lG98"
    -referenceProduit: "Verve Records 13980"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "1. Brahms Lullaby "
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        "nom" => "7. Lullaby For Iola"
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        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …}
    -label: Proxies\__CG__\App\Entity\Label {#2188 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
    -enregistreLe: DateTime @1604648914 {#2179
      date: 2020-11-06 07:48:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763972320 {#2180
      date: 2025-11-24 08:18:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lullabies-verve-records-13980"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2202
    -id: 2566
    -nom: "Rock 'n Soul Part 1"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant  (keyboards, saxophones, backing vocals), Tom "T-Bone" Wolk  (keyboards, guitars, bass guitar, backing vocals), G. E. Smith (lead guitars), Mickey Curry (drums), Robbie Kilgore (keyboards), Wells Christy, Clive Smith (synthesizers), Jimmy Bralower (drum programming).\r\n
      \r\n
      ALL OF HALL AND OATES' SIGNATURE SONGS : ROCK 'N SOUL PART 1 INCLUDES "SARA SMILE", "SHE'S GONE", "MANEATER", "PRIVATE EYES", AND MORE\r\n
      \r\n
      - "Say It Isn't So," "Adult Education," "Maneater," "One on One," "Wait for Me": 1/2" / 30 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Sara Smile," "Kiss on My List," "You Make My Dreams": 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe\r\n
      - "She's Gone": 1/2" / 30 IPS analog copy to DSD 64 to analog console to lathe\r\n
      - "Rich Girl": 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Private Eyes," "I Can't Go For That (No Can Do)": 1/2" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      Other compilations have longer track lists and go farther back into their career, but no Hall and Oates greatest-hits collection surpasses Rock 'n Soul Part 1. Originally released at the height of the duo's career in fall 1983, the 12 song set functions as a time machine back into an era when Daryl Hall and John Oates dominated the charts with songs that have long since become standards. While a majority of the anthology draws from the group's trio of mammoth RCA albums spanning 1980 through 1982, it also includes the pair's only three Top 10 smashes from the 1970s : "Sara Smile", "She's Gone", and the chart-topping "Rich Girl". One-stop shopping for the absolute best of Hall and Oates doesn't come any easier.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant  (keyboards, saxophones, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IfchioAP5Zo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-447"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => " 1. Say It Ain't So"
        "ordre" => 1
      ]
      [
        "nom" => "2. Sara Smile"
        "ordre" => 2
      ]
      [
        "nom" => "3. She's Gone"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rich Girl"
        "ordre" => 4
      ]
      [
        "nom" => "5. Kiss On My List"
        "ordre" => 5
      ]
      [
        "nom" => "6. You Make My Dreams"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "7. Private Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "8. Adult Education"
        "ordre" => 9
      ]
      [
        "nom" => "9. I Can't Go For That (No Can Do)"
        "ordre" => 10
      ]
      [
        "nom" => "10. Maneater"
        "ordre" => 11
      ]
      [
        "nom" => "11. One on One"
        "ordre" => 12
      ]
      [
        "nom" => "12. Wait for Me"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2216 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2209 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2211 …}
    -enregistreLe: DateTime @1728114871 {#2199
      date: 2024-10-05 07:54:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763925090 {#2200
      date: 2025-11-23 19:11:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2213 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rock-n-soul-part-1-mobile-fidelity-sound-lab-mfsl-1-447"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3574
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2202
    -id: 2566
    -nom: "Rock 'n Soul Part 1"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant  (keyboards, saxophones, backing vocals), Tom "T-Bone" Wolk  (keyboards, guitars, bass guitar, backing vocals), G. E. Smith (lead guitars), Mickey Curry (drums), Robbie Kilgore (keyboards), Wells Christy, Clive Smith (synthesizers), Jimmy Bralower (drum programming).\r\n
      \r\n
      ALL OF HALL AND OATES' SIGNATURE SONGS : ROCK 'N SOUL PART 1 INCLUDES "SARA SMILE", "SHE'S GONE", "MANEATER", "PRIVATE EYES", AND MORE\r\n
      \r\n
      - "Say It Isn't So," "Adult Education," "Maneater," "One on One," "Wait for Me": 1/2" / 30 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Sara Smile," "Kiss on My List," "You Make My Dreams": 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe\r\n
      - "She's Gone": 1/2" / 30 IPS analog copy to DSD 64 to analog console to lathe\r\n
      - "Rich Girl": 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Private Eyes," "I Can't Go For That (No Can Do)": 1/2" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      Other compilations have longer track lists and go farther back into their career, but no Hall and Oates greatest-hits collection surpasses Rock 'n Soul Part 1. Originally released at the height of the duo's career in fall 1983, the 12 song set functions as a time machine back into an era when Daryl Hall and John Oates dominated the charts with songs that have long since become standards. While a majority of the anthology draws from the group's trio of mammoth RCA albums spanning 1980 through 1982, it also includes the pair's only three Top 10 smashes from the 1970s : "Sara Smile", "She's Gone", and the chart-topping "Rich Girl". One-stop shopping for the absolute best of Hall and Oates doesn't come any easier.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant  (keyboards, saxophones, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IfchioAP5Zo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-447"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => " 1. Say It Ain't So"
        "ordre" => 1
      ]
      [
        "nom" => "2. Sara Smile"
        "ordre" => 2
      ]
      [
        "nom" => "3. She's Gone"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rich Girl"
        "ordre" => 4
      ]
      [
        "nom" => "5. Kiss On My List"
        "ordre" => 5
      ]
      [
        "nom" => "6. You Make My Dreams"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "7. Private Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "8. Adult Education"
        "ordre" => 9
      ]
      [
        "nom" => "9. I Can't Go For That (No Can Do)"
        "ordre" => 10
      ]
      [
        "nom" => "10. Maneater"
        "ordre" => 11
      ]
      [
        "nom" => "11. One on One"
        "ordre" => 12
      ]
      [
        "nom" => "12. Wait for Me"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2216 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2209 …}
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    }
    -modifierLe: DateTime @1763925090 {#2200
      date: 2025-11-23 19:11:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2213 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-rock-n-soul-part-1-mobile-fidelity-sound-lab-mfsl-1-447"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2221
    -id: 1720
    -nom: "She's So Unusual"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer), Rick DiFonzo, William "Rock Pygmy" Wittman (guitar), Rob Hyman (keyboards, synthesizers, Hooter melodica, backing vocals, arranger), Jules Shear, Ellie Greenwich, Krystal Davis, Maretha Stewart,  Diane Wilson (backing vocals), Rick Chertoff (percussion), Anton Fig (drums, percussion).\r\n
      \r\n
      She Bop : 1984 Commercial Blockbuster Combines Mainstream Hooks, Self-Assertive Confidence, and Whimsical Attitude !\r\n
      \r\n
      Forget, for a moment, about the gypsy clothes, raspberry-pink hair, costume jewelry, and hyperactive behavior. No female artist's debut better epitomized MTV's vivid heyday and the smart intersection of self-reliant female politics, savvy hooks, and vibrant imagery than Cyndi Lauper's She's So Unusual. Long before Lady Gaga, and before Madonna embraced any traits resembling punk, the New York native ushered in a new wave of commercial pop while flaunting an exuberant confidence that, overnight, influenced a generation to dye their hair and embrace life with newfound vibrancy. Girls, indeed, just wanted to have fun.\r\n
      \r\n
      Mastered on Mobile Fidelity's internationally acclaimed mastering system and pressed at RTI, this Silver Label LP rescues the music from long-standing harshness and disadvantageous brittleness. Back on vinyl for the first time in decades, the multi-platinum 1984 blockbuster sounds completely anew, possessing crisper beats, a fleshed-out midrange, no artificial ceilings, and a clear alleyway to Lauper's girlish voice. Finally, the sonics possess the wide spectrum of colors that flavor the songs.\r\n
      \r\n
      Helmed by the anthem "Girls Just Want to Have Fun", She's So Unusual transformed pop culture by way of Lauper's charismatic personality, whimsical attitude, lively performances, unique timbre, witty humor, and unabated passion. Throughout, she's a whirlwind of emotion and cyclone of spirit, tackling insouciant party tracks with the same verve she sings arresting ballads. And while for most it would be a deterrent, Lauper sculpts her chirpy, bop-friendly voice to her advantage, underscoring each song's combination of sentimentality and seditiousness.\r\n
      "With a voice that combined the cartoon soul of Little Eva and the wink-wink naughtiness of Betty Boop, Lauper may have backed away from the depth or urgency of the writers whose work she mainstreamed, but her transformation of their power into sheer pop was ultimately subversive giggling all the way, she incited legions of mall rats into orange-hair rebellion and a measure of self-assertion", wrote Paul Evans for The New Rolling Stone Album Guide, hinting at the record's normally unseen depth.\r\n
      \r\n
      Whether viewed as a subversive new-wave crossover statement or simply as a celebratory declaration of individualism (or, both), She's So Unusual is an 80s landmark and influential harbinger of the role women would play in both rock and pop.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PIb6AZdTr-A"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-027"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Money Changes Everything"
        "ordre" => 1
      ]
      [
        "nom" => "2. Girls Just Want to Have Fun"
        "ordre" => 2
      ]
      [
        "nom" => "3. When You Were Mine"
        "ordre" => 3
      ]
      [
        "nom" => "4. Time After Time"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. She Bop"
        "ordre" => 6
      ]
      [
        "nom" => "2. All Through The Night"
        "ordre" => 7
      ]
      [
        "nom" => "3. Witness"
        "ordre" => 8
      ]
      [
        "nom" => "4. I'll Kiss You"
        "ordre" => 9
      ]
      [
        "nom" => "5. He's So Unusual"
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        "nom" => "6. Yeah Yeah"
        "ordre" => 11
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
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    -modifierLe: DateTime @1763924856 {#2219
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3625
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2221
    -id: 1720
    -nom: "She's So Unusual"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer), Rick DiFonzo, William "Rock Pygmy" Wittman (guitar), Rob Hyman (keyboards, synthesizers, Hooter melodica, backing vocals, arranger), Jules Shear, Ellie Greenwich, Krystal Davis, Maretha Stewart,  Diane Wilson (backing vocals), Rick Chertoff (percussion), Anton Fig (drums, percussion).\r\n
      \r\n
      She Bop : 1984 Commercial Blockbuster Combines Mainstream Hooks, Self-Assertive Confidence, and Whimsical Attitude !\r\n
      \r\n
      Forget, for a moment, about the gypsy clothes, raspberry-pink hair, costume jewelry, and hyperactive behavior. No female artist's debut better epitomized MTV's vivid heyday and the smart intersection of self-reliant female politics, savvy hooks, and vibrant imagery than Cyndi Lauper's She's So Unusual. Long before Lady Gaga, and before Madonna embraced any traits resembling punk, the New York native ushered in a new wave of commercial pop while flaunting an exuberant confidence that, overnight, influenced a generation to dye their hair and embrace life with newfound vibrancy. Girls, indeed, just wanted to have fun.\r\n
      \r\n
      Mastered on Mobile Fidelity's internationally acclaimed mastering system and pressed at RTI, this Silver Label LP rescues the music from long-standing harshness and disadvantageous brittleness. Back on vinyl for the first time in decades, the multi-platinum 1984 blockbuster sounds completely anew, possessing crisper beats, a fleshed-out midrange, no artificial ceilings, and a clear alleyway to Lauper's girlish voice. Finally, the sonics possess the wide spectrum of colors that flavor the songs.\r\n
      \r\n
      Helmed by the anthem "Girls Just Want to Have Fun", She's So Unusual transformed pop culture by way of Lauper's charismatic personality, whimsical attitude, lively performances, unique timbre, witty humor, and unabated passion. Throughout, she's a whirlwind of emotion and cyclone of spirit, tackling insouciant party tracks with the same verve she sings arresting ballads. And while for most it would be a deterrent, Lauper sculpts her chirpy, bop-friendly voice to her advantage, underscoring each song's combination of sentimentality and seditiousness.\r\n
      "With a voice that combined the cartoon soul of Little Eva and the wink-wink naughtiness of Betty Boop, Lauper may have backed away from the depth or urgency of the writers whose work she mainstreamed, but her transformation of their power into sheer pop was ultimately subversive giggling all the way, she incited legions of mall rats into orange-hair rebellion and a measure of self-assertion", wrote Paul Evans for The New Rolling Stone Album Guide, hinting at the record's normally unseen depth.\r\n
      \r\n
      Whether viewed as a subversive new-wave crossover statement or simply as a celebratory declaration of individualism (or, both), She's So Unusual is an 80s landmark and influential harbinger of the role women would play in both rock and pop.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "3. Witness"
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        "nom" => "5. He's So Unusual"
        "ordre" => 10
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        "nom" => "6. Yeah Yeah"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
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    -modifierLe: DateTime @1763924856 {#2219
      date: 2025-11-23 19:07:36.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-she-s-so-unusual-mobile-fidelity-sound-lab-mofi-1-027"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2237
    -id: 1722
    -nom: "True Colors"
    -informationComplementaire: null
    -description: """
      - A Vocal Tour de Force - Cyndi Lauper's True Colors Features Big-Name Guests and Ambitious Arrangements, Includes "What's Going On" and "Change of Heart" !\r\n
      - Grammy-Nominated Double-Platinum Set Includes Internationally Recognized Title Track Plus Top 10 Singles "What's Going On" and "Change of Heart" !\r\n
      - Illuminating Sonics : Silver Label Series 33 RPM (1 LP) Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at Fidelity Record Pressing !\r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      Cyndi Lauper could've easily played up the independent wild-child pop persona she established on her breakthrough debut until the trend faded. Instead, on her superb sophomore effort, the charismatic artist opts for a more mature and creatively ambitious program, inviting big-name guests and pursuing deeper instrumental textures on a set that goes far beyond the well-known title track. True Colors is a vocal tour de force, an expressive statement on which Lauper showcases singing steeped in emotion, phrasing, and earnestness.\r\n
      \r\n
      An all-star cast aids Lauper in shaping what remains a colossally underrated record. Billy Joel (vocals), Adrian Belew (guitar), the Bangles (vocals), Aimee Mann (vocals), Nile Rodgers (guitar), and Rick Derringer (guitar) are among the guests. So is Pee Wee Herman, whose telephone operator role at the conclusion of "911" speaks to the fact that Lauper didn't abandon her whimsical nature even as she pressed forward. Cajun accents, soulful motifs "What's Going On", and joyous covers of traditional fare "Iko Iko" keep the album pleasantly varied and accessibly offbeat.\r\n
      \r\n
      Of course, Lauper also turns in, with "True Colors", what's arguably her career-defining moment, the chart-topping single radiating with gorgeous elegance and graceful phrasing that forced audiences to regard the performer in a different light. For her boldness, Lauper was rewarded with two Grammy nominations and a song that has since been covered by artists such as Phil Collins and appeared as the theme for the 1988 Olympic Games and 2003 Rugby World Cup.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Cyndi Lauper (vocals), Neil Jason (bass), Jeff Bova, Peter Wood (keyboards), John McCurry (guitar), Jimmy Bralower (drums), Billy Joel, the Bangles, Aimee Mann (vocals), Adrian Belew, Nile Rodgers, Rick Derringer (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LPn0KFlbqX8"
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    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Change of Heart"
        "ordre" => 1
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        "nom" => "4. 911"
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      [
        "nom" => "5. One Track Mind"
        "ordre" => 11
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
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      date: 2025-11-23 19:05:14.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3678
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2237
    -id: 1722
    -nom: "True Colors"
    -informationComplementaire: null
    -description: """
      - A Vocal Tour de Force - Cyndi Lauper's True Colors Features Big-Name Guests and Ambitious Arrangements, Includes "What's Going On" and "Change of Heart" !\r\n
      - Grammy-Nominated Double-Platinum Set Includes Internationally Recognized Title Track Plus Top 10 Singles "What's Going On" and "Change of Heart" !\r\n
      - Illuminating Sonics : Silver Label Series 33 RPM (1 LP) Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at Fidelity Record Pressing !\r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      Cyndi Lauper could've easily played up the independent wild-child pop persona she established on her breakthrough debut until the trend faded. Instead, on her superb sophomore effort, the charismatic artist opts for a more mature and creatively ambitious program, inviting big-name guests and pursuing deeper instrumental textures on a set that goes far beyond the well-known title track. True Colors is a vocal tour de force, an expressive statement on which Lauper showcases singing steeped in emotion, phrasing, and earnestness.\r\n
      \r\n
      An all-star cast aids Lauper in shaping what remains a colossally underrated record. Billy Joel (vocals), Adrian Belew (guitar), the Bangles (vocals), Aimee Mann (vocals), Nile Rodgers (guitar), and Rick Derringer (guitar) are among the guests. So is Pee Wee Herman, whose telephone operator role at the conclusion of "911" speaks to the fact that Lauper didn't abandon her whimsical nature even as she pressed forward. Cajun accents, soulful motifs "What's Going On", and joyous covers of traditional fare "Iko Iko" keep the album pleasantly varied and accessibly offbeat.\r\n
      \r\n
      Of course, Lauper also turns in, with "True Colors", what's arguably her career-defining moment, the chart-topping single radiating with gorgeous elegance and graceful phrasing that forced audiences to regard the performer in a different light. For her boldness, Lauper was rewarded with two Grammy nominations and a song that has since been covered by artists such as Phil Collins and appeared as the theme for the 1988 Olympic Games and 2003 Rugby World Cup.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Cyndi Lauper (vocals), Neil Jason (bass), Jeff Bova, Peter Wood (keyboards), John McCurry (guitar), Jimmy Bralower (drums), Billy Joel, the Bangles, Aimee Mann (vocals), Adrian Belew, Nile Rodgers, Rick Derringer (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "ordre" => 11
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
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    -modifierLe: DateTime @1763924714 {#2235
      date: 2025-11-23 19:05:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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}

[
  "produit" => App\Entity\Produit {#2250
    -id: 1680
    -nom: "You Get More Bounce With Curtis Counce !"
    -informationComplementaire: null
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      "This is a great, great album. I loved it and this pressing is perfect the labels are original, the jacket is tip-on, the engineer is great. I don't know how they're doing it this is a great deal though $29.95 for a record of this quality is a steal and I can highly recommend ‘You Get More Bounce With Curtis Counts'". - Scott Wilson, The Pressing Matters, for YouTube. View his review here.\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to continue the Contemporary Records Acoustic Sounds series for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      American bassist Curtis Counce recorded the memorably-titled You Get More Bounce with Curtis Counce! in 1956 and 1957 for its release on the Contemporary label. The program features the underrated by talented Curtis Counce Quintet of 1956-1957, a group consisting of bassist/leader Counce, trumpeter Jack Sheldon, tenor saxophonist Harold Land, pianist Carl Perkins, and drummer Frank Butler. Counce contributed two originals but otherwise the band sticks to jazz standards, with some of the best moments being on "Too Close for Comfort", "Mean to Me", and Charlie Parker's "Big Foot". 4 Stars, AllMusic.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others  honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting: "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est", adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch", elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four! as "pristine". Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist".
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Curtis Counce (bass), Harold Land (tenor saxophone), Carl Perkins (piano), Jack Sheldon (trumpet), Frank Butler (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uYZr2E27WBs"
    -referenceProduit: "Acoustic Sounds Series 0389"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Complete"
        "ordre" => 1
      ]
      [
        "nom" => "2. How Deep Is the Ocean"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Close For Comfort"
        "ordre" => 3
      ]
      [
        "nom" => "4. Mean To Me"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Stranger In Paradise"
        "ordre" => 6
      ]
      [
        "nom" => "2. Counceltation"
        "ordre" => 7
      ]
      [
        "nom" => "3. Big Foot"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2252 …}
    -label: Proxies\__CG__\App\Entity\Label {#2255 …}
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    -enregistreLe: DateTime @1558357312 {#2247
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      date: 2025-11-23 18:58:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2261 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-you-get-more-bounce-with-curtis-counce-acoustic-sounds-series-0389"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3724
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2250
    -id: 1680
    -nom: "You Get More Bounce With Curtis Counce !"
    -informationComplementaire: null
    -description: """
      - Contemporary Records Acoustic Sounds Series continues in 2023 !\r\n
      - Seven key albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Andre Previn, Leroy Vinnegar, Ornette Coleman, Curtis Counce, Art Farmer and Phineas Newborn Jr. !\r\n
      - Featuring all-analog mastering by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Stoughton Printing old-style tip-on jackets !\r\n
      - Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !\r\n
      \r\n
      "This is a great, great album. I loved it and this pressing is perfect the labels are original, the jacket is tip-on, the engineer is great. I don't know how they're doing it this is a great deal though $29.95 for a record of this quality is a steal and I can highly recommend ‘You Get More Bounce With Curtis Counts'". - Scott Wilson, The Pressing Matters, for YouTube. View his review here.\r\n
      \r\n
      Craft Recordings and Acoustic Sounds are proud to continue the Contemporary Records Acoustic Sounds series for 2023 with seven album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.\r\n
      \r\n
      The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.\r\n
      \r\n
      American bassist Curtis Counce recorded the memorably-titled You Get More Bounce with Curtis Counce! in 1956 and 1957 for its release on the Contemporary label. The program features the underrated by talented Curtis Counce Quintet of 1956-1957, a group consisting of bassist/leader Counce, trumpeter Jack Sheldon, tenor saxophonist Harold Land, pianist Carl Perkins, and drummer Frank Butler. Counce contributed two originals but otherwise the band sticks to jazz standards, with some of the best moments being on "Too Close for Comfort", "Mean to Me", and Charlie Parker's "Big Foot". 4 Stars, AllMusic.\r\n
      \r\n
      Founded in 1951 by film producer, screenwriter and record collector Lester Koenig (1917-1977), Contemporary Records became the epicenter of the West Coast jazz scene, while its cutting-edge approach to sound and design attracted some of the era's most exciting artists. The Contemporary Records Acoustic Sounds series which launched in the spring of 2022 with titles by Art Pepper, Barney Kessel and Benny Carter, among others  honors the label's rich legacy through meticulous reissues that highlight the label's influential classics, as well as its must-hear rarities.\r\n
      \r\n
      Since its initial rollout, the series has earned accolades from a slew of outlets, including JazzTimes, which spoke to the impact of the label, reflecting: "Artists, producers, and engineers alike have held Contemporary aloft... as a label dedicated to presenting jazz at its absolute purest, richest, and live-est", adding that the new reissues "are living, breathing proof of that label's hotly cutting clarity". Audiophile Review, meanwhile, marveled at the stereo pressing of Art Pepper + Eleven : Modern Jazz Classics, which it called "top-notch", elaborating that it sounds "richer and more inviting... deliver[ing] a bit more cinemascopic ‘view' of the group". Praising Hampton Hawes' Four! as "pristine". Audiophile Audition added, "Kudos to Craft Recordings for re-introducing a brilliant pianist".
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Curtis Counce (bass), Harold Land (tenor saxophone), Carl Perkins (piano), Jack Sheldon (trumpet), Frank Butler (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uYZr2E27WBs"
    -referenceProduit: "Acoustic Sounds Series 0389"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Complete"
        "ordre" => 1
      ]
      [
        "nom" => "2. How Deep Is the Ocean"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Close For Comfort"
        "ordre" => 3
      ]
      [
        "nom" => "4. Mean To Me"
        "ordre" => 4
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
      [
        "nom" => "1. Stranger In Paradise"
        "ordre" => 6
      ]
      [
        "nom" => "2. Counceltation"
        "ordre" => 7
      ]
      [
        "nom" => "3. Big Foot"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2252 …}
    -label: Proxies\__CG__\App\Entity\Label {#2255 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2264 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2257 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2259 …}
    -enregistreLe: DateTime @1558357312 {#2247
      date: 2019-05-20 13:01:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763924338 {#2248
      date: 2025-11-23 18:58:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2261 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-you-get-more-bounce-with-curtis-counce-acoustic-sounds-series-0389"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

[
  "produit" => App\Entity\Produit {#2273
    -id: 2012
    -nom: "Katanga !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone), Tony Bazley, Doug Sides (drums).\r\n
      \r\n
      Who are these guys ? That's the usual reaction of anyone fortunate enough to have come across this remarkable (and remarkably rare) session from 1963. The last of six albums saxophonist Curtis Amy recorded for Pacific Jazz in the early-1960s, Katanga! transcends not only the rest but plenty of other recorded jazz from that period as well. Trumpeter Dupree Bolton's brilliant playing here is simply breathtaking in one of his very few recorded appearances during a career plagued with personal problems. Bolton and Amy are joined by guitarist Ray Crawford, pianist Jack Wilson, bassist Victor Gaskin, and drummer Doug Sides on this gem of an album.\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 Gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wLxxeBRqqKw"
    -referenceProduit: "Blue Note Tone Poet Series 87701"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Katanga \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Lonely Woman \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. Native Land "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Amyable "
        "ordre" => 5
      ]
      [
        "nom" => "2. You Don't Know What Love Is "
        "ordre" => 6
      ]
      [
        "nom" => "3. A Shade Of Brown"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2275 …}
    -label: Proxies\__CG__\App\Entity\Label {#2278 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2287 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2280 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2282 …}
    -enregistreLe: DateTime @1618730467 {#2266
      date: 2021-04-18 07:21:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763923474 {#2267
      date: 2025-11-23 18:44:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2284 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-katanga-blue-note-tone-poet-series-87701"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3775
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2711 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2273
    -id: 2012
    -nom: "Katanga !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone), Tony Bazley, Doug Sides (drums).\r\n
      \r\n
      Who are these guys ? That's the usual reaction of anyone fortunate enough to have come across this remarkable (and remarkably rare) session from 1963. The last of six albums saxophonist Curtis Amy recorded for Pacific Jazz in the early-1960s, Katanga! transcends not only the rest but plenty of other recorded jazz from that period as well. Trumpeter Dupree Bolton's brilliant playing here is simply breathtaking in one of his very few recorded appearances during a career plagued with personal problems. Bolton and Amy are joined by guitarist Ray Crawford, pianist Jack Wilson, bassist Victor Gaskin, and drummer Doug Sides on this gem of an album.\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 Gram audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note / Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.\r\n
      \r\n
      Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180 gram audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Curtis Amy (soprano & tenor saxophone), Dupree Bolton, Marcus Belgrave (trumpet), Victor Gaskin, George Morrow (bass), Roy Brewster (trombone), John Houston, Jack Wilson (piano), Ray Crawford (guitar), Roy Ayers (vibraphone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wLxxeBRqqKw"
    -referenceProduit: "Blue Note Tone Poet Series 87701"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Katanga \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Lonely Woman \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. Native Land "
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Amyable "
        "ordre" => 5
      ]
      [
        "nom" => "2. You Don't Know What Love Is "
        "ordre" => 6
      ]
      [
        "nom" => "3. A Shade Of Brown"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2275 …}
    -label: Proxies\__CG__\App\Entity\Label {#2278 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2287 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2280 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2282 …}
    -enregistreLe: DateTime @1618730467 {#2266
      date: 2021-04-18 07:21:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763923474 {#2267
      date: 2025-11-23 18:44:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2284 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-katanga-blue-note-tone-poet-series-87701"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3976
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2479 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3977 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4025 …}
  +isValidated: false
  +validatedFields: []
}