Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2532
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2609
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2612 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
  -formView: Symfony\Component\Form\FormView {#2648 …}
  -form: Symfony\Component\Form\Form {#2798 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 2483
    -nom: "Rock & Roll"
    -informationComplementaire: "Limited to 2000 numbered copies !"
    -description: """
      Musicians : \r\n
      Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone), Dick Cary (alto horn), Bobby Hackett, Taft Jordan, Ed "Tiger" Lewis (trumpet), Will Bradley, Richard Harris (trombone), Peanuts Hucko (clarinet, tenor saxophone), Arnett Cobb, Willis Jackson, Sam Taylor (tenor saxophone), George Duvivier, Jack Lesberg, Benny Moten, Lloyd Trotman (bass), The Delta Rhythm Boys, The Rhythmakers (backing vocals), Sidney Catlett, Connie Kay, Joe Marshall, Noruddin Zafer (drums).\r\n
      \r\n
      - 180-gram mono LP !\r\n
      - 1/4" / 15 IPS to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI !\r\n
      - Limited to 2000 numbered copies !\r\n
      - Reissued in partnership with Atlantic Records' 75th Anniversary !\r\n
      \r\n
      Rock & Roll, indeed. Ruth Brown's sizzling full-length debut also known by its eponymous title symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records' 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.\r\n
      \r\n
      Mastered on Mobile Fidelity Sound Lab's renowned mastering system in California, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 2000 numbered copies, Mobile Fidelity's 180 gram mono LP of Rock & Roll plays with an immediacy, vibrancy, and fullness that showcase the reach, power, and emotionalism of Brown's voice. The sound of her support musicians brassy horns, swinging rhythm combos, echoing backing vocalists, rollicking pianists, jaunty guitarists is made clear and vivid, helping the upbeat fare to jump, juke, and jive with newfound energy and exuberance. In a related manner, Brown's slower, more understated material crackles with an intimacy and passion that let you know you're in the presence of a woman who has lived what she sings. The longtime Rock and Roll Hall of Fame member deserves nothing less.\r\n
      \r\n
      In an era dominated by big-throated vocalists, few if any came grander than Brown. The singer, whose repeat million-selling ‘50s success with Atlantic Records led many to call the then-indie label "The House That Ruth Built," charted two dozen R&B hits in the span of a decade for the fledgling imprint. Rightly coined "Miss Rhythm", the extroverted Brown put Atlantic on the national map, became the best-selling female musician of the ‘50s, and established a precedent that would ultimately lead to Grammy and Tony Awards. Her early works have lost none of their fire or flair.\r\n
      \r\n
      Akin to many full-length LPs of its era, Rock & Roll doubles as a collection. Its 14 tracks comprise some of the more famous sides Brown recorded for Atlantic, beginning in 1949 with the all-time-great rendition of the ballad "So Long", and continuing through 1956. After the song caught the public's ear, the Virginia native briefly became known for her smoldering style with lovelorn material and torch songs, approaching them (see "Oh What a Dream," "Old Man River") with a combination of pained sadness and hardened resilience that had no contemporary equal. Encouraged to pursue the style by Atlantic Records co-founder Ahmt Ertegun, her R&B-driven material soon made her a constant chart presence.\r\n
      \r\n
      Demonstrating what fellow legend Bonnie Raitt deemed "sex with class and dignity", Brown merges blues and jazz, swing and gospel in electrifying fashion. She dares you not to move, dance, and get on your feet. A majority of Rock & Roll explodes with uptempo runs and jaunty readings of hot-blooded R&B numbers. Sweaty and sultry, bawdy and bold, Brown eclipses the anthemic blare of the saxophones and joyful clatter of the 88s, singing with a slight catch in her voice and hurricane-gale force that threatens to blow the roof off whatever room her voice occupies.\r\n
      \r\n
      Evidence abounds. Listen to her prod the band and encourage the band members to blow a fuse on a sizzling "Hello Little Boy", complete with cries and wails; stretch her phrasing to the heavens on the swaying "Wild Wild Young Men", laden with romp-and-stomp beats; plead and persuade on the snaking "5-10-15 Hours", which flips the script on the age's notions of dominance; use her raspy tones, high notes, and breath control to mesmerizing effect on the smash "Mama He Treats Your Daughter Mean", recorded with a group led by Ray Charles; survey the scene and take charge on the steaming "As Long as I'm Moving"; and tap a classy albeit flirtatious vein on "Lucky Lips", which dented the pop charts as her first crossover hit.\r\n
      \r\n
      Throughout Rock & Roll, Brown knows the lyrical connotations and spirited architecture of the songs inside-out. Her assertive voice never harsh, strident, or false is the epitome of the passionate desires and sonic strains that turned into nascent rock 'n' roll. Brown played a pivotal role in helping the style develop, the record a timeless reminder of a lasting legacy that will never be forgotten.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jxn_T-Ix-M8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Lucky Lips"
      ]
      [
        "ordre" => 2
        "nom" => "2. As Long As I'm Moving"
      ]
      [
        "ordre" => 3
        "nom" => "3. Wild Wild Young Men"
      ]
      [
        "ordre" => 4
        "nom" => "4. Daddy Daddy"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mambo Baby"
      ]
      [
        "ordre" => 6
        "nom" => "6. Teardrops From My Eyes"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hello Little Bo"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Mama Treats Your Daughter Mean"
      ]
      [
        "ordre" => 10
        "nom" => "2.  5-10-15 Hours"
      ]
      [
        "ordre" => 11
        "nom" => "3. It's Love Baby"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sentimental Journey"
      ]
      [
        "ordre" => 13
        "nom" => "5. Old Man River"
      ]
      [
        "ordre" => 14
        "nom" => "6. So Long"
      ]
      [
        "ordre" => 15
        "nom" => "7. Oh What A Dream"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1703435102 {#1896
      date: 2023-12-24 16:25:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765213370 {#1889
      date: 2025-12-08 17:02:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rock-roll-mobile-fidelity-sound-lab-mfsl-1-548"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3073
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 2483
    -nom: "Rock & Roll"
    -informationComplementaire: "Limited to 2000 numbered copies !"
    -description: """
      Musicians : \r\n
      Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone), Dick Cary (alto horn), Bobby Hackett, Taft Jordan, Ed "Tiger" Lewis (trumpet), Will Bradley, Richard Harris (trombone), Peanuts Hucko (clarinet, tenor saxophone), Arnett Cobb, Willis Jackson, Sam Taylor (tenor saxophone), George Duvivier, Jack Lesberg, Benny Moten, Lloyd Trotman (bass), The Delta Rhythm Boys, The Rhythmakers (backing vocals), Sidney Catlett, Connie Kay, Joe Marshall, Noruddin Zafer (drums).\r\n
      \r\n
      - 180-gram mono LP !\r\n
      - 1/4" / 15 IPS to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI !\r\n
      - Limited to 2000 numbered copies !\r\n
      - Reissued in partnership with Atlantic Records' 75th Anniversary !\r\n
      \r\n
      Rock & Roll, indeed. Ruth Brown's sizzling full-length debut also known by its eponymous title symbolizes what was exciting, fresh, invigorating, and raw about the burgeoning style in its halcyon days. Originally released in 1957, and reissued here in audiophile quality for the first time in partnership with Atlantic Records' 75th anniversary, the set remains a testament to one of the most pioneering and talented vocalists to ever command a stage.\r\n
      \r\n
      Mastered on Mobile Fidelity Sound Lab's renowned mastering system in California, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 2000 numbered copies, Mobile Fidelity's 180 gram mono LP of Rock & Roll plays with an immediacy, vibrancy, and fullness that showcase the reach, power, and emotionalism of Brown's voice. The sound of her support musicians brassy horns, swinging rhythm combos, echoing backing vocalists, rollicking pianists, jaunty guitarists is made clear and vivid, helping the upbeat fare to jump, juke, and jive with newfound energy and exuberance. In a related manner, Brown's slower, more understated material crackles with an intimacy and passion that let you know you're in the presence of a woman who has lived what she sings. The longtime Rock and Roll Hall of Fame member deserves nothing less.\r\n
      \r\n
      In an era dominated by big-throated vocalists, few if any came grander than Brown. The singer, whose repeat million-selling ‘50s success with Atlantic Records led many to call the then-indie label "The House That Ruth Built," charted two dozen R&B hits in the span of a decade for the fledgling imprint. Rightly coined "Miss Rhythm", the extroverted Brown put Atlantic on the national map, became the best-selling female musician of the ‘50s, and established a precedent that would ultimately lead to Grammy and Tony Awards. Her early works have lost none of their fire or flair.\r\n
      \r\n
      Akin to many full-length LPs of its era, Rock & Roll doubles as a collection. Its 14 tracks comprise some of the more famous sides Brown recorded for Atlantic, beginning in 1949 with the all-time-great rendition of the ballad "So Long", and continuing through 1956. After the song caught the public's ear, the Virginia native briefly became known for her smoldering style with lovelorn material and torch songs, approaching them (see "Oh What a Dream," "Old Man River") with a combination of pained sadness and hardened resilience that had no contemporary equal. Encouraged to pursue the style by Atlantic Records co-founder Ahmt Ertegun, her R&B-driven material soon made her a constant chart presence.\r\n
      \r\n
      Demonstrating what fellow legend Bonnie Raitt deemed "sex with class and dignity", Brown merges blues and jazz, swing and gospel in electrifying fashion. She dares you not to move, dance, and get on your feet. A majority of Rock & Roll explodes with uptempo runs and jaunty readings of hot-blooded R&B numbers. Sweaty and sultry, bawdy and bold, Brown eclipses the anthemic blare of the saxophones and joyful clatter of the 88s, singing with a slight catch in her voice and hurricane-gale force that threatens to blow the roof off whatever room her voice occupies.\r\n
      \r\n
      Evidence abounds. Listen to her prod the band and encourage the band members to blow a fuse on a sizzling "Hello Little Boy", complete with cries and wails; stretch her phrasing to the heavens on the swaying "Wild Wild Young Men", laden with romp-and-stomp beats; plead and persuade on the snaking "5-10-15 Hours", which flips the script on the age's notions of dominance; use her raspy tones, high notes, and breath control to mesmerizing effect on the smash "Mama He Treats Your Daughter Mean", recorded with a group led by Ray Charles; survey the scene and take charge on the steaming "As Long as I'm Moving"; and tap a classy albeit flirtatious vein on "Lucky Lips", which dented the pop charts as her first crossover hit.\r\n
      \r\n
      Throughout Rock & Roll, Brown knows the lyrical connotations and spirited architecture of the songs inside-out. Her assertive voice never harsh, strident, or false is the epitome of the passionate desires and sonic strains that turned into nascent rock 'n' roll. Brown played a pivotal role in helping the style develop, the record a timeless reminder of a lasting legacy that will never be forgotten.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Ruth Brown (vocals), Rector Bailey, Mickey Baker, John Collins, Eddie Condon (guitar), Joe Bushkin, Ernie Hayes, John Lewis, Bu Pleasant, Harry Van Walls (piano), Ernie Caceres, Haywood Henry, Sylvester Thomas, Paul Williams (baritone saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jxn_T-Ix-M8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Lucky Lips"
      ]
      [
        "ordre" => 2
        "nom" => "2. As Long As I'm Moving"
      ]
      [
        "ordre" => 3
        "nom" => "3. Wild Wild Young Men"
      ]
      [
        "ordre" => 4
        "nom" => "4. Daddy Daddy"
      ]
      [
        "ordre" => 5
        "nom" => "5. Mambo Baby"
      ]
      [
        "ordre" => 6
        "nom" => "6. Teardrops From My Eyes"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hello Little Bo"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Mama Treats Your Daughter Mean"
      ]
      [
        "ordre" => 10
        "nom" => "2.  5-10-15 Hours"
      ]
      [
        "ordre" => 11
        "nom" => "3. It's Love Baby"
      ]
      [
        "ordre" => 12
        "nom" => "4. Sentimental Journey"
      ]
      [
        "ordre" => 13
        "nom" => "5. Old Man River"
      ]
      [
        "ordre" => 14
        "nom" => "6. So Long"
      ]
      [
        "ordre" => 15
        "nom" => "7. Oh What A Dream"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1703435102 {#1896
      date: 2023-12-24 16:25:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765213370 {#1889
      date: 2025-12-08 17:02:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rock-roll-mobile-fidelity-sound-lab-mfsl-1-548"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_BuGhfzw5as"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-510"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Calling Elvis"
      ]
      [
        "ordre" => 1
        "nom" => "2. On Every Street"
      ]
      [
        "ordre" => 2
        "nom" => "3. When It Comes to You"
      ]
      [
        "ordre" => 3
        "nom" => "4. Fade to Black"
      ]
      [
        "ordre" => 4
        "nom" => "5. The Bug"
      ]
      [
        "ordre" => 5
        "nom" => "6. You and Your Friend"
      ]
      [
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    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
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      \r\n
      The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -preCommande: false
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    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
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      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2064
    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
      \r\n
      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
      \r\n
      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
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        "nom" => "3. Brothers in Arms"
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App\Twig\Components\GestionPanierFavoriComponents {#3288
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  +produit: App\Entity\Produit {#2064
    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
      \r\n
      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
      \r\n
      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Alan Clark, Guy Fletcher (keyboards), Omar Hakim, Terry Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2077
    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
      \r\n
      Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.\r\n
      \r\n
      The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue", on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27 chorus solo that left everyone in awe and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.\r\n
      \r\n
      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
      And now, the 1956 classic can be experienced in a fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's renowned mastering system and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Cyyud_-h-8w"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-035"
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        "ordre" => 3
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        "ordre" => 5
        "nom" => "1. Jeep’s Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Diminuendo and Crescendo In Blue"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
    -label: App\Entity\Label {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3334
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
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  +produit: App\Entity\Produit {#2077
    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
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      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2079 …}
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[
  "produit" => App\Entity\Produit {#2093
    -id: 1242
    -nom: "Making Movies"
    -informationComplementaire: null
    -description: """
      - CO-PRODUCED BY JIMMY IOVINE, THEMATIC ALBUM SOARS WITH PERSONAL SONGWRITING AND EPIC ARRANGEMENTS !\r\n
      - RECORD ONE : 1/4" / 30 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      - RECORD TWO : 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements.  \r\n
      \r\n
      Cinematic Landscapes and Intricate Passages Sound Sublime : Mobile Fidelity 45 RPM (2 LP) Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics.\r\n
      \r\n
      Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic : Includes "Romeo and Juliet", "Tunnel of Love", "Solid Rock".\r\n
      \r\n
      Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45 RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\r\n
      \r\n
      You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano new additions to Dire Straits' palette intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD 130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\r\n
      \r\n
      Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\r\n
      \r\n
      The album's power isn't lost on Iovine, who later told Rolling Stone : "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that".\r\n
      \r\n
      Indeed, the first five tracks "Tunnel of Love", "Romeo and Juliet", "Skateaway", "Expresso Love", "Hand in Hand" comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Roy Bittan (keyboards), Pick Withers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=64Ozpbxgzds"
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    -titreMorceau: [
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        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3387
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2093
    -id: 1242
    -nom: "Making Movies"
    -informationComplementaire: null
    -description: """
      - CO-PRODUCED BY JIMMY IOVINE, THEMATIC ALBUM SOARS WITH PERSONAL SONGWRITING AND EPIC ARRANGEMENTS !\r\n
      - RECORD ONE : 1/4" / 30 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      - RECORD TWO : 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements.  \r\n
      \r\n
      Cinematic Landscapes and Intricate Passages Sound Sublime : Mobile Fidelity 45 RPM (2 LP) Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics.\r\n
      \r\n
      Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic : Includes "Romeo and Juliet", "Tunnel of Love", "Solid Rock".\r\n
      \r\n
      Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45 RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\r\n
      \r\n
      You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano new additions to Dire Straits' palette intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD 130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\r\n
      \r\n
      Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\r\n
      \r\n
      The album's power isn't lost on Iovine, who later told Rolling Stone : "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that".\r\n
      \r\n
      Indeed, the first five tracks "Tunnel of Love", "Romeo and Juliet", "Skateaway", "Expresso Love", "Hand in Hand" comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Roy Bittan (keyboards), Pick Withers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=64Ozpbxgzds"
    -referenceProduit: "MFSL 2-468"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
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  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
}

[
  "produit" => App\Entity\Produit {#2106
    -id: 1085
    -nom: "Dire Straits - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Dire Straits Dire Straits on Numbered Limited Edition 180 gram 45 RPM 2 LP from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture. \r\n
      \r\n
      Breakout Dire Straits Album Includes "Sultans of Swing" and "Down to the Waterline" : Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness.\r\n
      \r\n
      Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous analog pressing.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.\r\n
      \r\n
      Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45 RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\r\n
      \r\n
      Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\r\n
      \r\n
      Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline", "Wild West End", and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing", pays homage to struggling bar bands.\r\n
      \r\n
      Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry ? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w130cOePxo0"
    -referenceProduit: "MFSL 2-466"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Down To the Waterline"
        "ordre" => 1
      ]
      [
        "nom" => "2. Water of Love"
        "ordre" => 2
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      [
        "nom" => "Side B : "
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      [
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        "ordre" => 4
      ]
      [
        "nom" => "2. Six Blade Knife"
        "ordre" => 5
      ]
      [
        "nom" => "3. Southbound Again"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Sultans of Swing"
        "ordre" => 8
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      [
        "nom" => "2. In the Gallery"
        "ordre" => 9
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      [
        "nom" => "Side D :"
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      [
        "nom" => "1. Wild West End"
        "ordre" => 11
      ]
      [
        "nom" => "2. Lions"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …}
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    }
    -modifierLe: DateTime @1764439558 {#2104
      date: 2025-11-29 18:05:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
    -disponible: null
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    -slug: "vinyles-dire-straits-2-lp-45-rpm-mfsl-2-466"
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App\Twig\Components\GestionPanierFavoriComponents {#3435
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2106
    -id: 1085
    -nom: "Dire Straits - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Dire Straits Dire Straits on Numbered Limited Edition 180 gram 45 RPM 2 LP from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture. \r\n
      \r\n
      Breakout Dire Straits Album Includes "Sultans of Swing" and "Down to the Waterline" : Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness.\r\n
      \r\n
      Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous analog pressing.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.\r\n
      \r\n
      Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45 RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\r\n
      \r\n
      Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\r\n
      \r\n
      Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline", "Wild West End", and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing", pays homage to struggling bar bands.\r\n
      \r\n
      Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry ? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w130cOePxo0"
    -referenceProduit: "MFSL 2-466"
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      ]
      [
        "nom" => "2. Lions"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …}
    -enregistreLe: DateTime @1480662954 {#2103
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    }
    -modifierLe: DateTime @1764439558 {#2104
      date: 2025-11-29 18:05:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
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[
  "produit" => App\Entity\Produit {#2119
    -id: 1086
    -nom: "Love Over Gold - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      Dire Straits Stretch Out With Extended, Ambitious Arrangements and Moody Atmospherics : Love Over Gold Mesmerizes With Tension, Contrast, Interplay, and Craftsmanship \r\n
      \r\n
      Mobile Fidelity 45 RPM 2 LP Set of Love Over Gold Touts Unsurpassed Spaciousness, Imaging, and Transparency : Mastered from the Original Tapes, Music Emerges With New Details and Tones  \r\n
      \r\n
      Love Over Gold Includes the Epic "Telegraph Road" and Aching "Private Investigations" : Heartfelt Narrative Songs Steeped in Patience, Drama, Sadness, and Romance\r\n
      \r\n
      1/2" / 30 IPS analog master - Plangent Processed - to DXD to analog console to lathe\r\n
      \r\n
      Love Over Gold is all about contrast, tension, and crafty composition. Dire Straits' fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on Love Over Gold sprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman his first appearance in what would be a long string of collaborations with Mark Knopfler ensures stunning sonic properties that now come to life like never before.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Love Over Gold teems with superb balances, front-to-back soundstages, and crystalline purity. The dead-quiet surfaces and extra-wide grooves bring forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments – marimbas, acoustic and electric guitars, vibes, synthesizers further enhance the ambitiousness of the 1982 album.\r\n
      \r\n
      On this audiophile pressing, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six- and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This LP will be in your rotation for months.\r\n
      \r\n
      It doesn't take long to realize Love Over Gold is like no other Dire Straits album and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14 and-a-half minutes, the opening "Telegraph Road" is a guitar hero's dream and exhilarating showcase for Lindes' give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers.\r\n
      \r\n
      Taking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping "Telegraph Road" and barren "Private Investigations", which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what Rolling Stone beautifully deemed "wracking schizophrenia between the heart and the heartless, the loving and the pain".\r\n
      \r\n
      Called Dire Straits' prog-rock statement, Love Over Gold is a classic that defies labeling and avoids aging. \r\n
      \r\n
      "Listening to these classic albums in an entirely new way is an experience that I won't forget too soon. Having heard these songs in various different formats over the years including hi-res digital I have to say that on my system at least, nothing comes close to vinyl done this way". – David Price, Stereonet, Applause Award
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), Hal Lindes (guitar), John Illsley (bass), Alan Clark (keyboards), Pick Withers (drums), Mike Mainieri (vibes, marimba), Ed Walsh (synthesizer programming)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7gej3hLOLDU"
    -referenceProduit: "MFSL 2-469"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. Telegraph Road"
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      [
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      [
        "nom" => "1. Industrial Disease"
        "ordre" => 5
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        "nom" => "Side D : "
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      [
        "nom" => "1. It Never Rains"
        "ordre" => 8
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
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    -style: App\Entity\Style {#1472 …}
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    }
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2124 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-love-over-gold-2-lp-45-rpm-mfsl-2-469"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3483
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2119
    -id: 1086
    -nom: "Love Over Gold - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      Dire Straits Stretch Out With Extended, Ambitious Arrangements and Moody Atmospherics : Love Over Gold Mesmerizes With Tension, Contrast, Interplay, and Craftsmanship \r\n
      \r\n
      Mobile Fidelity 45 RPM 2 LP Set of Love Over Gold Touts Unsurpassed Spaciousness, Imaging, and Transparency : Mastered from the Original Tapes, Music Emerges With New Details and Tones  \r\n
      \r\n
      Love Over Gold Includes the Epic "Telegraph Road" and Aching "Private Investigations" : Heartfelt Narrative Songs Steeped in Patience, Drama, Sadness, and Romance\r\n
      \r\n
      1/2" / 30 IPS analog master - Plangent Processed - to DXD to analog console to lathe\r\n
      \r\n
      Love Over Gold is all about contrast, tension, and crafty composition. Dire Straits' fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on Love Over Gold sprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman his first appearance in what would be a long string of collaborations with Mark Knopfler ensures stunning sonic properties that now come to life like never before.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Love Over Gold teems with superb balances, front-to-back soundstages, and crystalline purity. The dead-quiet surfaces and extra-wide grooves bring forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments – marimbas, acoustic and electric guitars, vibes, synthesizers further enhance the ambitiousness of the 1982 album.\r\n
      \r\n
      On this audiophile pressing, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six- and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This LP will be in your rotation for months.\r\n
      \r\n
      It doesn't take long to realize Love Over Gold is like no other Dire Straits album and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14 and-a-half minutes, the opening "Telegraph Road" is a guitar hero's dream and exhilarating showcase for Lindes' give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers.\r\n
      \r\n
      Taking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping "Telegraph Road" and barren "Private Investigations", which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what Rolling Stone beautifully deemed "wracking schizophrenia between the heart and the heartless, the loving and the pain".\r\n
      \r\n
      Called Dire Straits' prog-rock statement, Love Over Gold is a classic that defies labeling and avoids aging. \r\n
      \r\n
      "Listening to these classic albums in an entirely new way is an experience that I won't forget too soon. Having heard these songs in various different formats over the years including hi-res digital I have to say that on my system at least, nothing comes close to vinyl done this way". – David Price, Stereonet, Applause Award
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), Hal Lindes (guitar), John Illsley (bass), Alan Clark (keyboards), Pick Withers (drums), Mike Mainieri (vibes, marimba), Ed Walsh (synthesizer programming)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7gej3hLOLDU"
    -referenceProduit: "MFSL 2-469"
    -titreMorceau: [
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      [
        "nom" => "1. Private Investigations"
        "ordre" => 3
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      [
        "nom" => "1. Industrial Disease"
        "ordre" => 5
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      [
        "nom" => "Side D : "
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      ]
      [
        "nom" => "1. It Never Rains"
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2127 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2120 …}
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    -modifierLe: DateTime @1764439534 {#2117
      date: 2025-11-29 18:05:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2124 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-love-over-gold-2-lp-45-rpm-mfsl-2-469"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
}

[
  "produit" => App\Entity\Produit {#2132
    -id: 2566
    -nom: "Rock 'n Soul Part 1"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant  (keyboards, saxophones, backing vocals), Tom "T-Bone" Wolk  (keyboards, guitars, bass guitar, backing vocals), G. E. Smith (lead guitars), Mickey Curry (drums), Robbie Kilgore (keyboards), Wells Christy, Clive Smith (synthesizers), Jimmy Bralower (drum programming).\r\n
      \r\n
      ALL OF HALL AND OATES' SIGNATURE SONGS : ROCK 'N SOUL PART 1 INCLUDES "SARA SMILE", "SHE'S GONE", "MANEATER", "PRIVATE EYES", AND MORE\r\n
      \r\n
      - "Say It Isn't So," "Adult Education," "Maneater," "One on One," "Wait for Me": 1/2" / 30 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Sara Smile," "Kiss on My List," "You Make My Dreams": 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe\r\n
      - "She's Gone": 1/2" / 30 IPS analog copy to DSD 64 to analog console to lathe\r\n
      - "Rich Girl": 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Private Eyes," "I Can't Go For That (No Can Do)": 1/2" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      Other compilations have longer track lists and go farther back into their career, but no Hall and Oates greatest-hits collection surpasses Rock 'n Soul Part 1. Originally released at the height of the duo's career in fall 1983, the 12 song set functions as a time machine back into an era when Daryl Hall and John Oates dominated the charts with songs that have long since become standards. While a majority of the anthology draws from the group's trio of mammoth RCA albums spanning 1980 through 1982, it also includes the pair's only three Top 10 smashes from the 1970s : "Sara Smile", "She's Gone", and the chart-topping "Rich Girl". One-stop shopping for the absolute best of Hall and Oates doesn't come any easier.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant  (keyboards, saxophones, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IfchioAP5Zo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-447"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => " 1. Say It Ain't So"
        "ordre" => 1
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        "nom" => "2. Sara Smile"
        "ordre" => 2
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3529
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2132
    -id: 2566
    -nom: "Rock 'n Soul Part 1"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Daryl Hall (keyboards, synthesizers, guitars, vibraphone, vocals), John Oates (keyboards, synthesizers, guitars, vocals), Charlie DeChant  (keyboards, saxophones, backing vocals), Tom "T-Bone" Wolk  (keyboards, guitars, bass guitar, backing vocals), G. E. Smith (lead guitars), Mickey Curry (drums), Robbie Kilgore (keyboards), Wells Christy, Clive Smith (synthesizers), Jimmy Bralower (drum programming).\r\n
      \r\n
      ALL OF HALL AND OATES' SIGNATURE SONGS : ROCK 'N SOUL PART 1 INCLUDES "SARA SMILE", "SHE'S GONE", "MANEATER", "PRIVATE EYES", AND MORE\r\n
      \r\n
      - "Say It Isn't So," "Adult Education," "Maneater," "One on One," "Wait for Me": 1/2" / 30 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Sara Smile," "Kiss on My List," "You Make My Dreams": 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe\r\n
      - "She's Gone": 1/2" / 30 IPS analog copy to DSD 64 to analog console to lathe\r\n
      - "Rich Girl": 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      - "Private Eyes," "I Can't Go For That (No Can Do)": 1/2" / 15 IPS analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      Other compilations have longer track lists and go farther back into their career, but no Hall and Oates greatest-hits collection surpasses Rock 'n Soul Part 1. Originally released at the height of the duo's career in fall 1983, the 12 song set functions as a time machine back into an era when Daryl Hall and John Oates dominated the charts with songs that have long since become standards. While a majority of the anthology draws from the group's trio of mammoth RCA albums spanning 1980 through 1982, it also includes the pair's only three Top 10 smashes from the 1970s : "Sara Smile", "She's Gone", and the chart-topping "Rich Girl". One-stop shopping for the absolute best of Hall and Oates doesn't come any easier.
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    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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      [
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2134 …}
    -label: App\Entity\Label {#1063 …}
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    -modifierLe: DateTime @1763925090 {#2130
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
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[
  "produit" => App\Entity\Produit {#2148
    -id: 1720
    -nom: "She's So Unusual"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer), Rick DiFonzo, William "Rock Pygmy" Wittman (guitar), Rob Hyman (keyboards, synthesizers, Hooter melodica, backing vocals, arranger), Jules Shear, Ellie Greenwich, Krystal Davis, Maretha Stewart,  Diane Wilson (backing vocals), Rick Chertoff (percussion), Anton Fig (drums, percussion).\r\n
      \r\n
      She Bop : 1984 Commercial Blockbuster Combines Mainstream Hooks, Self-Assertive Confidence, and Whimsical Attitude !\r\n
      \r\n
      Forget, for a moment, about the gypsy clothes, raspberry-pink hair, costume jewelry, and hyperactive behavior. No female artist's debut better epitomized MTV's vivid heyday and the smart intersection of self-reliant female politics, savvy hooks, and vibrant imagery than Cyndi Lauper's She's So Unusual. Long before Lady Gaga, and before Madonna embraced any traits resembling punk, the New York native ushered in a new wave of commercial pop while flaunting an exuberant confidence that, overnight, influenced a generation to dye their hair and embrace life with newfound vibrancy. Girls, indeed, just wanted to have fun.\r\n
      \r\n
      Mastered on Mobile Fidelity's internationally acclaimed mastering system and pressed at RTI, this Silver Label LP rescues the music from long-standing harshness and disadvantageous brittleness. Back on vinyl for the first time in decades, the multi-platinum 1984 blockbuster sounds completely anew, possessing crisper beats, a fleshed-out midrange, no artificial ceilings, and a clear alleyway to Lauper's girlish voice. Finally, the sonics possess the wide spectrum of colors that flavor the songs.\r\n
      \r\n
      Helmed by the anthem "Girls Just Want to Have Fun", She's So Unusual transformed pop culture by way of Lauper's charismatic personality, whimsical attitude, lively performances, unique timbre, witty humor, and unabated passion. Throughout, she's a whirlwind of emotion and cyclone of spirit, tackling insouciant party tracks with the same verve she sings arresting ballads. And while for most it would be a deterrent, Lauper sculpts her chirpy, bop-friendly voice to her advantage, underscoring each song's combination of sentimentality and seditiousness.\r\n
      "With a voice that combined the cartoon soul of Little Eva and the wink-wink naughtiness of Betty Boop, Lauper may have backed away from the depth or urgency of the writers whose work she mainstreamed, but her transformation of their power into sheer pop was ultimately subversive giggling all the way, she incited legions of mall rats into orange-hair rebellion and a measure of self-assertion", wrote Paul Evans for The New Rolling Stone Album Guide, hinting at the record's normally unseen depth.\r\n
      \r\n
      Whether viewed as a subversive new-wave crossover statement or simply as a celebratory declaration of individualism (or, both), She's So Unusual is an 80s landmark and influential harbinger of the role women would play in both rock and pop.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -selectionAAD: false
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        "nom" => "6. Yeah Yeah"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
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    -modifierLe: DateTime @1763924856 {#2146
      date: 2025-11-23 19:07:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-she-s-so-unusual-mobile-fidelity-sound-lab-mofi-1-027"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3580
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2148
    -id: 1720
    -nom: "She's So Unusual"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Cyndi Lauper (lead & background vocals), Eric Bazilian (bass guitar, guitar, saxophone, backing vocals), Neil Jason (bass guitar, guitar), Richard Termini, Peter Wood (synthesizer), Rick DiFonzo, William "Rock Pygmy" Wittman (guitar), Rob Hyman (keyboards, synthesizers, Hooter melodica, backing vocals, arranger), Jules Shear, Ellie Greenwich, Krystal Davis, Maretha Stewart,  Diane Wilson (backing vocals), Rick Chertoff (percussion), Anton Fig (drums, percussion).\r\n
      \r\n
      She Bop : 1984 Commercial Blockbuster Combines Mainstream Hooks, Self-Assertive Confidence, and Whimsical Attitude !\r\n
      \r\n
      Forget, for a moment, about the gypsy clothes, raspberry-pink hair, costume jewelry, and hyperactive behavior. No female artist's debut better epitomized MTV's vivid heyday and the smart intersection of self-reliant female politics, savvy hooks, and vibrant imagery than Cyndi Lauper's She's So Unusual. Long before Lady Gaga, and before Madonna embraced any traits resembling punk, the New York native ushered in a new wave of commercial pop while flaunting an exuberant confidence that, overnight, influenced a generation to dye their hair and embrace life with newfound vibrancy. Girls, indeed, just wanted to have fun.\r\n
      \r\n
      Mastered on Mobile Fidelity's internationally acclaimed mastering system and pressed at RTI, this Silver Label LP rescues the music from long-standing harshness and disadvantageous brittleness. Back on vinyl for the first time in decades, the multi-platinum 1984 blockbuster sounds completely anew, possessing crisper beats, a fleshed-out midrange, no artificial ceilings, and a clear alleyway to Lauper's girlish voice. Finally, the sonics possess the wide spectrum of colors that flavor the songs.\r\n
      \r\n
      Helmed by the anthem "Girls Just Want to Have Fun", She's So Unusual transformed pop culture by way of Lauper's charismatic personality, whimsical attitude, lively performances, unique timbre, witty humor, and unabated passion. Throughout, she's a whirlwind of emotion and cyclone of spirit, tackling insouciant party tracks with the same verve she sings arresting ballads. And while for most it would be a deterrent, Lauper sculpts her chirpy, bop-friendly voice to her advantage, underscoring each song's combination of sentimentality and seditiousness.\r\n
      "With a voice that combined the cartoon soul of Little Eva and the wink-wink naughtiness of Betty Boop, Lauper may have backed away from the depth or urgency of the writers whose work she mainstreamed, but her transformation of their power into sheer pop was ultimately subversive giggling all the way, she incited legions of mall rats into orange-hair rebellion and a measure of self-assertion", wrote Paul Evans for The New Rolling Stone Album Guide, hinting at the record's normally unseen depth.\r\n
      \r\n
      Whether viewed as a subversive new-wave crossover statement or simply as a celebratory declaration of individualism (or, both), She's So Unusual is an 80s landmark and influential harbinger of the role women would play in both rock and pop.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: App\Entity\Label {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …}
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    }
    -modifierLe: DateTime @1763924856 {#2146
      date: 2025-11-23 19:07:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-she-s-so-unusual-mobile-fidelity-sound-lab-mofi-1-027"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
}

[
  "produit" => App\Entity\Produit {#2164
    -id: 1722
    -nom: "True Colors"
    -informationComplementaire: null
    -description: """
      - A Vocal Tour de Force - Cyndi Lauper's True Colors Features Big-Name Guests and Ambitious Arrangements, Includes "What's Going On" and "Change of Heart" !\r\n
      - Grammy-Nominated Double-Platinum Set Includes Internationally Recognized Title Track Plus Top 10 Singles "What's Going On" and "Change of Heart" !\r\n
      - Illuminating Sonics : Silver Label Series 33 RPM (1 LP) Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at Fidelity Record Pressing !\r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      Cyndi Lauper could've easily played up the independent wild-child pop persona she established on her breakthrough debut until the trend faded. Instead, on her superb sophomore effort, the charismatic artist opts for a more mature and creatively ambitious program, inviting big-name guests and pursuing deeper instrumental textures on a set that goes far beyond the well-known title track. True Colors is a vocal tour de force, an expressive statement on which Lauper showcases singing steeped in emotion, phrasing, and earnestness.\r\n
      \r\n
      An all-star cast aids Lauper in shaping what remains a colossally underrated record. Billy Joel (vocals), Adrian Belew (guitar), the Bangles (vocals), Aimee Mann (vocals), Nile Rodgers (guitar), and Rick Derringer (guitar) are among the guests. So is Pee Wee Herman, whose telephone operator role at the conclusion of "911" speaks to the fact that Lauper didn't abandon her whimsical nature even as she pressed forward. Cajun accents, soulful motifs "What's Going On", and joyous covers of traditional fare "Iko Iko" keep the album pleasantly varied and accessibly offbeat.\r\n
      \r\n
      Of course, Lauper also turns in, with "True Colors", what's arguably her career-defining moment, the chart-topping single radiating with gorgeous elegance and graceful phrasing that forced audiences to regard the performer in a different light. For her boldness, Lauper was rewarded with two Grammy nominations and a song that has since been covered by artists such as Phil Collins and appeared as the theme for the 1988 Olympic Games and 2003 Rugby World Cup.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Cyndi Lauper (vocals), Neil Jason (bass), Jeff Bova, Peter Wood (keyboards), John McCurry (guitar), Jimmy Bralower (drums), Billy Joel, the Bangles, Aimee Mann (vocals), Adrian Belew, Nile Rodgers, Rick Derringer (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=LPn0KFlbqX8"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-028"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Change of Heart"
        "ordre" => 1
      ]
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        "nom" => "1. What’s Going On"
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      [
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      [
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      [
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        "ordre" => 11
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: App\Entity\Label {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2167 …}
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    -modifierLe: DateTime @1763924714 {#2162
      date: 2025-11-23 19:05:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3633
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2164
    -id: 1722
    -nom: "True Colors"
    -informationComplementaire: null
    -description: """
      - A Vocal Tour de Force - Cyndi Lauper's True Colors Features Big-Name Guests and Ambitious Arrangements, Includes "What's Going On" and "Change of Heart" !\r\n
      - Grammy-Nominated Double-Platinum Set Includes Internationally Recognized Title Track Plus Top 10 Singles "What's Going On" and "Change of Heart" !\r\n
      - Illuminating Sonics : Silver Label Series 33 RPM (1 LP) Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at Fidelity Record Pressing !\r\n
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      Cyndi Lauper could've easily played up the independent wild-child pop persona she established on her breakthrough debut until the trend faded. Instead, on her superb sophomore effort, the charismatic artist opts for a more mature and creatively ambitious program, inviting big-name guests and pursuing deeper instrumental textures on a set that goes far beyond the well-known title track. True Colors is a vocal tour de force, an expressive statement on which Lauper showcases singing steeped in emotion, phrasing, and earnestness.\r\n
      \r\n
      An all-star cast aids Lauper in shaping what remains a colossally underrated record. Billy Joel (vocals), Adrian Belew (guitar), the Bangles (vocals), Aimee Mann (vocals), Nile Rodgers (guitar), and Rick Derringer (guitar) are among the guests. So is Pee Wee Herman, whose telephone operator role at the conclusion of "911" speaks to the fact that Lauper didn't abandon her whimsical nature even as she pressed forward. Cajun accents, soulful motifs "What's Going On", and joyous covers of traditional fare "Iko Iko" keep the album pleasantly varied and accessibly offbeat.\r\n
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      Of course, Lauper also turns in, with "True Colors", what's arguably her career-defining moment, the chart-topping single radiating with gorgeous elegance and graceful phrasing that forced audiences to regard the performer in a different light. For her boldness, Lauper was rewarded with two Grammy nominations and a song that has since been covered by artists such as Phil Collins and appeared as the theme for the 1988 Olympic Games and 2003 Rugby World Cup.
      """
    -prixVente: "60.00"
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: App\Entity\Label {#1063 …}
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      date: 2025-11-23 19:05:14.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …}
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    -slug: "vinyles-true-colors-mobile-fidelity-sound-lab-mofi-1-028"
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}

[
  "produit" => App\Entity\Produit {#2177
    -id: 506
    -nom: "Crosby, Stills & Nash - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES !\r\n
      \r\n
      The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.\r\n
      \r\n
      Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.\r\n
      \r\n
      The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.\r\n
      \r\n
      From the opening of the lead track, the multi-part "Suite : Judy Blue Eyes", written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.\r\n
      \r\n
      More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express", protesting "Long Time Gone", poignant "Helplessly Hoping", and poetic "Wooden Ships". No wonder the trio's chemistry as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "David Crosby (guitar, vocals), Stephen Stills (guitar, bass, keyboards, percussion, vocals), Graham Nash (rhythm & acoustic guitar, vocals), Dallas Taylor, Jim Gordon (drums), Cass Elliot (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OvGfQCsfzUo"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-021"
    -titreMorceau: [
      [
        "nom" => "1. Suite : Judy Blue Eyes"
        "ordre" => 0
      ]
      [
        "nom" => "2. Marrakesh Express"
        "ordre" => 1
      ]
      [
        "nom" => "3. Guinnevere"
        "ordre" => 2
      ]
      [
        "nom" => "4. You Don't Have To Cry"
        "ordre" => 3
      ]
      [
        "nom" => "5. Pre-Road Downs"
        "ordre" => 4
      ]
      [
        "nom" => "6. Wooden Ships"
        "ordre" => 5
      ]
      [
        "nom" => "7. Lady of the Island"
        "ordre" => 6
      ]
      [
        "nom" => "8. Helplessly Hoping"
        "ordre" => 7
      ]
      [
        "nom" => "9. Long Time Gone"
        "ordre" => 8
      ]
      [
        "nom" => "10. 49 Bye-Byes"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1332187643 {#2174
      date: 2012-03-19 20:07:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763923236 {#2175
      date: 2025-11-23 18:40:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crosby-stills-nash-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-021"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3679
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2611 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2177
    -id: 506
    -nom: "Crosby, Stills & Nash - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES !\r\n
      \r\n
      The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.\r\n
      \r\n
      Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.\r\n
      \r\n
      The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.\r\n
      \r\n
      From the opening of the lead track, the multi-part "Suite : Judy Blue Eyes", written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.\r\n
      \r\n
      More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express", protesting "Long Time Gone", poignant "Helplessly Hoping", and poetic "Wooden Ships". No wonder the trio's chemistry as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "David Crosby (guitar, vocals), Stephen Stills (guitar, bass, keyboards, percussion, vocals), Graham Nash (rhythm & acoustic guitar, vocals), Dallas Taylor, Jim Gordon (drums), Cass Elliot (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OvGfQCsfzUo"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-021"
    -titreMorceau: [
      [
        "nom" => "1. Suite : Judy Blue Eyes"
        "ordre" => 0
      ]
      [
        "nom" => "2. Marrakesh Express"
        "ordre" => 1
      ]
      [
        "nom" => "3. Guinnevere"
        "ordre" => 2
      ]
      [
        "nom" => "4. You Don't Have To Cry"
        "ordre" => 3
      ]
      [
        "nom" => "5. Pre-Road Downs"
        "ordre" => 4
      ]
      [
        "nom" => "6. Wooden Ships"
        "ordre" => 5
      ]
      [
        "nom" => "7. Lady of the Island"
        "ordre" => 6
      ]
      [
        "nom" => "8. Helplessly Hoping"
        "ordre" => 7
      ]
      [
        "nom" => "9. Long Time Gone"
        "ordre" => 8
      ]
      [
        "nom" => "10. 49 Bye-Byes"
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1332187643 {#2174
      date: 2012-03-19 20:07:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763923236 {#2175
      date: 2025-11-23 18:40:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-crosby-stills-nash-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-021"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3880
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2379 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3881 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3929 …}
  +isValidated: false
  +validatedFields: []
}