Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2367
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2214 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2444
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2447 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2214 …}
  -formView: Symfony\Component\Form\FormView {#2615 …}
  -form: Symfony\Component\Form\Form {#2699 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1602
    -id: 1254
    -nom: "Piano In The Background"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves, Jimmy Hamilton, Russell Procope (saxophone), Ray Nance, Willie Cook, Andres Meringuito, Eddy Mullins, Gerald Wison (trumpets), Lawrence Brown, Britt Woodman, "Booty" Wood, Juan Tizol (trombones), Aaron Bell (bass), Sam Woodyard (drums).\r\n
      \r\n
      "Piano in the Background" is the sister, albeit earlier, recording to "Piano in the Foreground" this time featuring Ellington with Orchestral accompaniment. The band is amazing as are the original three track master tapes used to cut directly to master lacquer on Bernie Grundman's all tube cutting system. Now on Classic's 200g Quiex Super Vinyl Profile this is a must have compendium to "Piano in the Foreground" also available from Classic Records.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves, Jimmy Hamilton, Russell Procope (saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SNXfPgqke6A&list=PLa2mOZh4Px91-5NUL6uBVqcuKUshqwjUt"
    -referenceProduit: "Classic Records CS 8346"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Happy Go Lucky"
      ]
      [
        "ordre" => 2
        "nom" => "2. What Am I Here For"
      ]
      [
        "ordre" => 3
        "nom" => "3. Kinda Dukish"
      ]
      [
        "ordre" => 4
        "nom" => "4. Rockin' In Rhythm"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. I'm Beginning To See The Light"
      ]
      [
        "ordre" => 7
        "nom" => "2. Midriff"
      ]
      [
        "ordre" => 8
        "nom" => "3. It Don't Mean A Thing"
      ]
      [
        "ordre" => 9
        "nom" => "4. Main Stem"
      ]
      [
        "ordre" => 10
        "nom" => "5. Take The "A" Train"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1698 …}
    -label: Proxies\__CG__\App\Entity\Label {#1721 …}
    -style: Proxies\__CG__\App\Entity\Style {#1741 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1751 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1772 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1812 …}
    -enregistreLe: DateTime @1510901217 {#1578
      date: 2017-11-17 06:46:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766749098 {#1603
      date: 2025-12-26 11:38:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1818 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-in-the-background-classic-records-cs-8346"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2902
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1602
    -id: 1254
    -nom: "Piano In The Background"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves, Jimmy Hamilton, Russell Procope (saxophone), Ray Nance, Willie Cook, Andres Meringuito, Eddy Mullins, Gerald Wison (trumpets), Lawrence Brown, Britt Woodman, "Booty" Wood, Juan Tizol (trombones), Aaron Bell (bass), Sam Woodyard (drums).\r\n
      \r\n
      "Piano in the Background" is the sister, albeit earlier, recording to "Piano in the Foreground" this time featuring Ellington with Orchestral accompaniment. The band is amazing as are the original three track master tapes used to cut directly to master lacquer on Bernie Grundman's all tube cutting system. Now on Classic's 200g Quiex Super Vinyl Profile this is a must have compendium to "Piano in the Foreground" also available from Classic Records.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges, Harry Carney, Paul Gonzalves, Jimmy Hamilton, Russell Procope (saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SNXfPgqke6A&list=PLa2mOZh4Px91-5NUL6uBVqcuKUshqwjUt"
    -referenceProduit: "Classic Records CS 8346"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Happy Go Lucky"
      ]
      [
        "ordre" => 2
        "nom" => "2. What Am I Here For"
      ]
      [
        "ordre" => 3
        "nom" => "3. Kinda Dukish"
      ]
      [
        "ordre" => 4
        "nom" => "4. Rockin' In Rhythm"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. I'm Beginning To See The Light"
      ]
      [
        "ordre" => 7
        "nom" => "2. Midriff"
      ]
      [
        "ordre" => 8
        "nom" => "3. It Don't Mean A Thing"
      ]
      [
        "ordre" => 9
        "nom" => "4. Main Stem"
      ]
      [
        "ordre" => 10
        "nom" => "5. Take The "A" Train"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1698 …}
    -label: Proxies\__CG__\App\Entity\Label {#1721 …}
    -style: Proxies\__CG__\App\Entity\Style {#1741 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1751 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1772 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1812 …}
    -enregistreLe: DateTime @1510901217 {#1578
      date: 2017-11-17 06:46:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766749098 {#1603
      date: 2025-12-26 11:38:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1818 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-in-the-background-classic-records-cs-8346"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2214 …}
}

[
  "produit" => App\Entity\Produit {#1833
    -id: 1034
    -nom: "Back To The Tracks"
    -informationComplementaire: "Last copy in stock ! - 45 Series Special One-Sided Pressing !"
    -description: "The music that comprises Back to the Tracks was recorded in September 1960, months after the sessions for True Blue, but it sat on the shelves until Mosaic reissued it as part of their Complete Blue Note Recordings box, even though it was penciled in for release. Like Minor Move, Tina Brooks first session that stayed unreleased for over 20 years, Back to the Tracks is an excellent hard bop set, and it's hard to understand why it wasn't released at the time. Brooks leads a fantastic band featuring alto saxophonist Jackie McLean, trumpeter Blue Mitchell, pianist Kenny Drew, bassist Paul Chambers and drummer Art Taylor through three originals and two standards. Each musician has opportunity to shine, but Brooks remains the center of attention. His style is remarkably fluid, capable of graceful, elegant turns on the ballads and clean, speedy improvisations on the up-tempo bop. Each of the five songs have breathtaking moments, confirming Brooks talents as a saxophonist, composer and leader. Listening to Back to the Tracks, it's impossible to figure out why the record wasn't released at the time, but it's a hard bop gem from the early '60s to cherish."
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Tina Brooks (tenor saxophone), Jackie McLean (alto saxophone), Kenny Drew (piano), Blue Mitchell (trumpet), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6NrVJ-0LJjM&list=RD6NrVJ-0LJjM&start_radio=1"
    -referenceProduit: "Classic Records ST 84052-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "Back To The Tracks"
      ]
      [
        "ordre" => 2
        "nom" => "Side B :"
      ]
      [
        "ordre" => 3
        "nom" => "Street Singer"
      ]
      [
        "ordre" => 4
        "nom" => "Side C : "
      ]
      [
        "ordre" => 5
        "nom" => "The Blues And I"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "For Heavens Sake"
      ]
      [
        "ordre" => 8
        "nom" => "The Ruby And The Pearl"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1838 …}
    -label: Proxies\__CG__\App\Entity\Label {#1721 …}
    -style: Proxies\__CG__\App\Entity\Style {#1741 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1840 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1842 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1844 …}
    -enregistreLe: DateTime @1472487604 {#1821
      date: 2016-08-29 16:20:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766744842 {#1824
      date: 2025-12-26 10:27:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1846 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-the-tracks-classic-records-st-84052-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3021
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1833
    -id: 1034
    -nom: "Back To The Tracks"
    -informationComplementaire: "Last copy in stock ! - 45 Series Special One-Sided Pressing !"
    -description: "The music that comprises Back to the Tracks was recorded in September 1960, months after the sessions for True Blue, but it sat on the shelves until Mosaic reissued it as part of their Complete Blue Note Recordings box, even though it was penciled in for release. Like Minor Move, Tina Brooks first session that stayed unreleased for over 20 years, Back to the Tracks is an excellent hard bop set, and it's hard to understand why it wasn't released at the time. Brooks leads a fantastic band featuring alto saxophonist Jackie McLean, trumpeter Blue Mitchell, pianist Kenny Drew, bassist Paul Chambers and drummer Art Taylor through three originals and two standards. Each musician has opportunity to shine, but Brooks remains the center of attention. His style is remarkably fluid, capable of graceful, elegant turns on the ballads and clean, speedy improvisations on the up-tempo bop. Each of the five songs have breathtaking moments, confirming Brooks talents as a saxophonist, composer and leader. Listening to Back to the Tracks, it's impossible to figure out why the record wasn't released at the time, but it's a hard bop gem from the early '60s to cherish."
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Tina Brooks (tenor saxophone), Jackie McLean (alto saxophone), Kenny Drew (piano), Blue Mitchell (trumpet), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6NrVJ-0LJjM&list=RD6NrVJ-0LJjM&start_radio=1"
    -referenceProduit: "Classic Records ST 84052-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "Back To The Tracks"
      ]
      [
        "ordre" => 2
        "nom" => "Side B :"
      ]
      [
        "ordre" => 3
        "nom" => "Street Singer"
      ]
      [
        "ordre" => 4
        "nom" => "Side C : "
      ]
      [
        "ordre" => 5
        "nom" => "The Blues And I"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "For Heavens Sake"
      ]
      [
        "ordre" => 8
        "nom" => "The Ruby And The Pearl"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1838 …}
    -label: Proxies\__CG__\App\Entity\Label {#1721 …}
    -style: Proxies\__CG__\App\Entity\Style {#1741 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1840 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1842 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1844 …}
    -enregistreLe: DateTime @1472487604 {#1821
      date: 2016-08-29 16:20:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1766744842 {#1824
      date: 2025-12-26 10:27:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1846 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-the-tracks-classic-records-st-84052-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2214 …}
}

[
  "produit" => App\Entity\Produit {#1851
    -id: 883
    -nom: "Warm Heart - Special Edition QUIEX SV-P II Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
      Warm Your Heart - A star studded effort on Neville's part, collaborating with Linda Ronstadt, Rita Coolidge, Dr. John, David Lindley among others. The album starts with a great version of Randy Newman's "Louisiana" and also includes "Feels Like Rain", "Ave Maria", "Please Stay", "Feels Like Rain", "Angola Bound" as well as the hit "Close Your Eyes" as a duet with Ronstadt. This longtime audiophile favorite was produced by Neville, Ronstadt and George Massenburg who also engineered and mixed the tracks. This is one of those records that gets to the end of a side too quickly; but what a delight when you turn it over to play the other side! Mastered from the original master tapes and cut on Classic's "ALL TUBE" stereo cutting system by Bernie "The Wizard"Grundman and pressed on Classic's 200 G Super Vinyl Profile* for maximum fidelity. \r\n
      \r\n
      Background on Clarity Vinyl Pressings.\r\n
      \r\n
      In 2008, Classic discovered that demagnetizing black vinyl records leads to better sound in playback. The engineers at Furutech in Japan, makers of a commercial record demag machine, explained that the carbon black that was added to PVC record pellets contained trace metal that became randomly magnetized and while spinning below an electro-mechanical transducer (phono cartridge) caused electrical distortion inside a cartridge during LP playback.  Hence, demagnetizing a black vinyl record dramatically reduces the electrical distortion and leads to more "Clarity" in playback.  Michael Hobson, founder of Classic Records reasoned that if the carbon black were removed then the result should be more Clarity in playback.  Working closely with the PVC manufacturer Kenan, Classic developed its own proprietary "Clarity Vinyl" devoid of the problems with trace magnetic particles contained in black vinyl formulas.  Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.  Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP’s.  Carbon Black contains trace metals that become magnetized and cause “electrical distortions” in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the “electrical distortions” and thus bring more “Clarity” to the playback process, providing a more realistic musical experience to the listener and LP enthusiast.A Clarity vinyl pressing on a flat profile die is the absolute ultimate pressing possible and even a step above the JVC UHQR black vinyl pressings.  Not to be missed - you can hear the difference !
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Aaron Neville (vocals), Linda Ronstadt, Rita Coolidge, Bob Seger (backing vocals), Ry Cooder (guitar), Dr. John (piano), Plas Johnson (tenor saxophone), Dean Parks (guitar), Jim Keltner (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Pv5KV_pwgLE"
    -referenceProduit: "Classic Records RTH 5354 Clarity Vinyl"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Louisiana 1927"
      ]
      [
        "ordre" => 2
        "nom" => "2. Everybody Plays The Fool"
      ]
      [
        "ordre" => 3
        "nom" => "3. It Feels Like Rain"
      ]
      [
        "ordre" => 4
        "nom" => "4. Somewhere, Somebody"
      ]
      [
        "ordre" => 5
        "nom" => "5. Don't Go Please Stay"
      ]
      [
        "ordre" => 6
        "nom" => "6. With You In Mind"
      ]
      [
        "ordre" => 7
        "nom" => "7. That's The Way She Loves"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Angola Bound"
      ]
      [
        "ordre" => 10
        "nom" => "2. Close Your Eyes"
      ]
      [
        "ordre" => 11
        "nom" => "3. La Vie Dansante"
      ]
      [
        "ordre" => 12
        "nom" => "4. Warm Your Heart"
      ]
      [
        "ordre" => 13
        "nom" => "5. I Bid You Goodnight"
      ]
      [
        "ordre" => 14
        "nom" => "6. Ave Maria"
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    -modifierLe: DateTime @1766826725 {#1849
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App\Twig\Components\GestionPanierFavoriComponents {#3079
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1851
    -id: 883
    -nom: "Warm Heart - Special Edition QUIEX SV-P II Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
      Warm Your Heart - A star studded effort on Neville's part, collaborating with Linda Ronstadt, Rita Coolidge, Dr. John, David Lindley among others. The album starts with a great version of Randy Newman's "Louisiana" and also includes "Feels Like Rain", "Ave Maria", "Please Stay", "Feels Like Rain", "Angola Bound" as well as the hit "Close Your Eyes" as a duet with Ronstadt. This longtime audiophile favorite was produced by Neville, Ronstadt and George Massenburg who also engineered and mixed the tracks. This is one of those records that gets to the end of a side too quickly; but what a delight when you turn it over to play the other side! Mastered from the original master tapes and cut on Classic's "ALL TUBE" stereo cutting system by Bernie "The Wizard"Grundman and pressed on Classic's 200 G Super Vinyl Profile* for maximum fidelity. \r\n
      \r\n
      Background on Clarity Vinyl Pressings.\r\n
      \r\n
      In 2008, Classic discovered that demagnetizing black vinyl records leads to better sound in playback. The engineers at Furutech in Japan, makers of a commercial record demag machine, explained that the carbon black that was added to PVC record pellets contained trace metal that became randomly magnetized and while spinning below an electro-mechanical transducer (phono cartridge) caused electrical distortion inside a cartridge during LP playback.  Hence, demagnetizing a black vinyl record dramatically reduces the electrical distortion and leads to more "Clarity" in playback.  Michael Hobson, founder of Classic Records reasoned that if the carbon black were removed then the result should be more Clarity in playback.  Working closely with the PVC manufacturer Kenan, Classic developed its own proprietary "Clarity Vinyl" devoid of the problems with trace magnetic particles contained in black vinyl formulas.  Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.  Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP’s.  Carbon Black contains trace metals that become magnetized and cause “electrical distortions” in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the “electrical distortions” and thus bring more “Clarity” to the playback process, providing a more realistic musical experience to the listener and LP enthusiast.A Clarity vinyl pressing on a flat profile die is the absolute ultimate pressing possible and even a step above the JVC UHQR black vinyl pressings.  Not to be missed - you can hear the difference !
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
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        "nom" => "5. I Bid You Goodnight"
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        "nom" => "6. Ave Maria"
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[
  "produit" => App\Entity\Produit {#1869
    -id: 833
    -nom: "Folk Singer – Special Edition Clarity Vinyl SV-P II 45 RPM"
    -informationComplementaire: "Last copy in stock ! ULTRA RARE - LIMITED EDITION BOX SET, NO PLAYED, FACTORY SEALED"
    -description: """
      Well here it is, wait no longer. The most talked about "true audiophile" blues recordings ever. Mastered from the original 1964 Chess analog master tapes by Bernie Grundman at Bernie Grundman Mastering in Hollywood on Classic's "All Tube" cutting system, this 200 gram Quiex Super Vinyl Profile pressing brings out elements of the intimate studio production as never before. Muddy's supporting cast includes Buddy Guy on guitar, with occasional visits by Chess veteran drummer Clifton James, Otis Spann's piano and Willie Dixon at the upright. This recording and the Classic pressing of same are revered as providing a "You are in the studio with the Hoochie Coochie Man himself" experience - not to be missed ! On a sad note, the original master tapes used by Classic Records and returned thereafter were damaged by a fire at Universal Music Group vaults 5 years ago and can never be used again making this definitive Classic Records reissue the last and best of this amazing session at Chess Studios in Chicago during the peak of Muddy's career.  Enough said !\r\n
      \r\n
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      """
    -prixVente: "1299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Buddy Guy (guitar), Willie Dixon (bass), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
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    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y_TJoSf6_z0"
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        "nom" => "1. My Home Is in the Delta"
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        "nom" => "1. My Captain"
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        "nom" => "3. You Gonna Need My Help"
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      ]
      [
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        "nom" => "2. Feel Like Going Home"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1871 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3137
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1869
    -id: 833
    -nom: "Folk Singer – Special Edition Clarity Vinyl SV-P II 45 RPM"
    -informationComplementaire: "Last copy in stock ! ULTRA RARE - LIMITED EDITION BOX SET, NO PLAYED, FACTORY SEALED"
    -description: """
      Well here it is, wait no longer. The most talked about "true audiophile" blues recordings ever. Mastered from the original 1964 Chess analog master tapes by Bernie Grundman at Bernie Grundman Mastering in Hollywood on Classic's "All Tube" cutting system, this 200 gram Quiex Super Vinyl Profile pressing brings out elements of the intimate studio production as never before. Muddy's supporting cast includes Buddy Guy on guitar, with occasional visits by Chess veteran drummer Clifton James, Otis Spann's piano and Willie Dixon at the upright. This recording and the Classic pressing of same are revered as providing a "You are in the studio with the Hoochie Coochie Man himself" experience - not to be missed ! On a sad note, the original master tapes used by Classic Records and returned thereafter were damaged by a fire at Universal Music Group vaults 5 years ago and can never be used again making this definitive Classic Records reissue the last and best of this amazing session at Chess Studios in Chicago during the peak of Muddy's career.  Enough said !\r\n
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      Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90 % percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.  Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP’s.  Carbon Black contains trace metals that become magnetized and cause “electrical distortions” in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the “electrical distortions” and thus bring more “Clarity” to the playback process, providing a more realistic musical experience to the listener and LP enthusiast.\r\n
      \r\n
      45 RPM records have long been recognized as providing a higher fidelity musical experience resulting purely from the cartridge being able to extract more of the nuance from the complex vertical and horizontal groove modulations in stereo LP’s. Further, Classic Records 45 RPM “single sided” pressings dramatically reduce the mechanical resonances created by the cartridge during playback by allowing these resonances to be more fully transmitted to and absorbed by the turntable platter.  Classic Records Clarity Vinyl 45 RPM pressings are designed and manufactured to provide the “LOWEST DISTORTION” in every aspect of LP playback resulting in putting the listener as close to the music as possible. With only a handful of  copies of this definitive reissue left, don't hesitate before the price on the secondary market skyrockets !
      """
    -prixVente: "1299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1595 …}
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[
  "produit" => App\Entity\Produit {#1887
    -id: 812
    -nom: "Time Out - Special Edition QUIEX SV-P  200 Gram Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
      These 200 g Clarity vinyl copies were never released and as such represent the ultimate in Classic Records collectibles. The price for these in future will likely skyrocket so don't hesitate on the rare Clarity vinyl pressing that brings the listener ever so closer to being at the sessions !\r\n
      \r\n
      Containing the monster hit "Take Five", Time Out firmly establishes the Dave Brubeck Quartet outside of the jazz world. This seminal recording is highlighted by the moody arrangements and saxophone work of Paul Desmond.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=vKNZqM0d-xo"
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    -titreMorceau: [
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      ]
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      [
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        "nom" => "3. Everybody's Jumpin'"
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        "nom" => "4. Pick Up Sticks"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1889 …}
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    -slug: "vinyles-time-out-special-edition-quiex-sv-p-200-gram-clarity-vinyl-classic-records-cs-8192-hq-clarity-sv-p-ii"
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App\Twig\Components\GestionPanierFavoriComponents {#3195
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1887
    -id: 812
    -nom: "Time Out - Special Edition QUIEX SV-P  200 Gram Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
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      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Eugene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
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[
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    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
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[
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    -description: """
      Why do this title in STEREO when the MONO is generally the way the Classic Blue Note Signature Series titles are released and given that we've made such a big deal about how Van Gelder intended his recordings to be listened to in Mono ? The answer is simply that the 2 track tape sounds great and like "Somethin' Else" and "Blue Train" deserves its own treatment in addition to the mono release. The transfer by Bernie Grundman was done on Classic's "All Tube" Stereo cutting system from the original 2 track master tape (the same tape used for the MONO release). \r\n
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3313
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    -id: 558
    -nom: "Midnight Blue"
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    -description: """
      Why do this title in STEREO when the MONO is generally the way the Classic Blue Note Signature Series titles are released and given that we've made such a big deal about how Van Gelder intended his recordings to be listened to in Mono ? The answer is simply that the 2 track tape sounds great and like "Somethin' Else" and "Blue Train" deserves its own treatment in addition to the mono release. The transfer by Bernie Grundman was done on Classic's "All Tube" Stereo cutting system from the original 2 track master tape (the same tape used for the MONO release). \r\n
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      """
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[
  "produit" => App\Entity\Produit {#1935
    -id: 522
    -nom: "Time Out - (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "UNIQUE EXEMPLAIRE - Le disque phare de Dave Brubeck, « Time Out », enregistré pour la première fois en 45 tours, avec les meilleures techniques d’enregistrements analogiques actuelles, développées par Classic Records et qui demeure la Rolls du vinyle."
    -description: "Le disque phare de Dave Brubeck, « Time Out » demeure parmi les albums les plus novateurs sur le plan du rythme dans l'histoire du jazz. Outre la recherche rythmique, il y a tout le talent de Paul Desmond au saxophone alto. Chacun des morceaux de ce disque est célèbre. On ne présente plus « Take Five », véritable chef d'œuvre, présent dans toutes les oreilles. Nougaro a popularisé « Three To Get Ready » (Le Jazz et la Java) et aussi « Blue Rondo à la Türk » (A bout de souffle), morceau qui mélange le jazz avec la forme classique et des rythmes folkloriques turcs. Cet album est un indispensable dans une discothèque minimale en jazz. Désormais, cet enregistrement merveilleux est pour la première fois disponible dans la collection CLASSIC CLARITY VINYL 45 RPM SERIES (Coffret collector de luxe), pressée sur notre Super Vinyl Profile II."
    -prixVente: "999.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Gene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=B4M9hUr8FV8"
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App\Twig\Components\GestionPanierFavoriComponents {#3375
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  +produit: App\Entity\Produit {#1935
    -id: 522
    -nom: "Time Out - (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "UNIQUE EXEMPLAIRE - Le disque phare de Dave Brubeck, « Time Out », enregistré pour la première fois en 45 tours, avec les meilleures techniques d’enregistrements analogiques actuelles, développées par Classic Records et qui demeure la Rolls du vinyle."
    -description: "Le disque phare de Dave Brubeck, « Time Out » demeure parmi les albums les plus novateurs sur le plan du rythme dans l'histoire du jazz. Outre la recherche rythmique, il y a tout le talent de Paul Desmond au saxophone alto. Chacun des morceaux de ce disque est célèbre. On ne présente plus « Take Five », véritable chef d'œuvre, présent dans toutes les oreilles. Nougaro a popularisé « Three To Get Ready » (Le Jazz et la Java) et aussi « Blue Rondo à la Türk » (A bout de souffle), morceau qui mélange le jazz avec la forme classique et des rythmes folkloriques turcs. Cet album est un indispensable dans une discothèque minimale en jazz. Désormais, cet enregistrement merveilleux est pour la première fois disponible dans la collection CLASSIC CLARITY VINYL 45 RPM SERIES (Coffret collector de luxe), pressée sur notre Super Vinyl Profile II."
    -prixVente: "999.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Dave Brubeck (piano), Paul Desmond (alto saxophone), Gene Wright (bass), Joe Morello (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=B4M9hUr8FV8"
    -referenceProduit: "Classic Records CS 8192-45 CLARITY VINYL"
    -titreMorceau: [
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      [
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        "nom" => "2. Kathy's Waltz"
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        "nom" => "Side D : "
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        "ordre" => 9
        "nom" => "1. Everybody's Jumpin'"
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        "ordre" => 10
        "nom" => "2. Pick Up Sticks"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1889 …}
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    -disponible: null
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    -slug: "vinyles-time-out-box-set-4-lp-clarity-vinyl-sv-p-ii-45-rpm-series-classic-records-cs-8192-45-clarity-vinyl"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2214 …}
}

[
  "produit" => App\Entity\Produit {#1947
    -id: 513
    -nom: "Not Too Late - Special Edition Clarity Vinyl QUIEX SV-P II"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl QUIEX SV-P II"
    -description: "« Not Too Late », présente enfin les vrais talents vocaux de Norah Jones, qui a été au-dessus de l’univers musical depuis ses débuts en 2003, avec son fabuleux album « Come Away With Me ». Ce merveilleux album a le mérite d’être disponible en version Clarity Vinyl et produit sur super vinyle audiophile de 200 grammes, seul procédé de chez Classic Records qui met en valeur les capacités phénoménales de cette jeune chanteuse. Ce troisième opus, comme ses deux prédécesseurs nous alertent du talent phénoménale de Norah Jones, et que cela n’est pas un hasard, mais tout simplement dut à ses capacités et à l’accomplissement d’un énorme travail."
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Norah Jones (vocals, piano), Lee Alexander (bass), Andrew Borger (drums), Adam Levy (guitars), Daru Oda (background vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
    -lpsMusic: 1
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        "nom" => "5. Little Room"
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        "nom" => "6. Rosie's Lullaby"
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        "nom" => "7. Not Too Late"
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    }
    -modifierLe: DateTime @1769353457 {#1945
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    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1960 …}
    -disponible: null
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    -slug: "vinyles-not-too-late-special-edition-clarity-vinyl-quiex-sv-p-ii-classic-records-0946368270-45-clarity-vinyl"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3428
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1947
    -id: 513
    -nom: "Not Too Late - Special Edition Clarity Vinyl QUIEX SV-P II"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl QUIEX SV-P II"
    -description: "« Not Too Late », présente enfin les vrais talents vocaux de Norah Jones, qui a été au-dessus de l’univers musical depuis ses débuts en 2003, avec son fabuleux album « Come Away With Me ». Ce merveilleux album a le mérite d’être disponible en version Clarity Vinyl et produit sur super vinyle audiophile de 200 grammes, seul procédé de chez Classic Records qui met en valeur les capacités phénoménales de cette jeune chanteuse. Ce troisième opus, comme ses deux prédécesseurs nous alertent du talent phénoménale de Norah Jones, et que cela n’est pas un hasard, mais tout simplement dut à ses capacités et à l’accomplissement d’un énorme travail."
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Norah Jones (vocals, piano), Lee Alexander (bass), Andrew Borger (drums), Adam Levy (guitars), Daru Oda (background vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=DWIcTpMMXxs"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
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[
  "produit" => App\Entity\Produit {#1965
    -id: 484
    -nom: "BLUES & JAZZ Festival 1972 (Box Set 8 LP) 45 RPM"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Ann Arbor Blues & Jazz Festival 1972 - The Complete Concert, Box Set 8 LP - 45 RPM\r\n
      \r\n
      Limited Edition Audiophile. All-Analogue Half Speed Mastered by Bernie Grundman from the original Master Tapes. Proprietary High Quality, Virgin Vinyl, 180 gram Pressing.\r\n
      \r\n
      Beautiful and highly collectable limited edition box set release from audiophile label, Classic Records. Eight one-sided vinyl records pressed on 180 Gram vinyl. All-Analogue Half Speed Mastering from the original Master Tapes at 45 RPM. Box contains eight (8) one-sided, 45 RPM discs plus the original gatefold sleeve inside.\r\n
      \r\n
      Review : Hands down, one of the greatest festival recordings ever. The dates : September 8-10, 1972. The place: Otis Spam Memorial Field, Anne Arbor, Michigan. The performers recorded : Muddy Waters,Howlin' Wolf with Hubert Sumlin, Otis Rush, Magic Sam, Freddie King, Luther Allison, Hound Dog Taylor, Koko Taylor with Willie Dixon, Bobby Blue, and Sun Ra & His Solar Myth. An incredible three days of powerful music for the 15000 plus in attendance that hopefully someday will be revisited with the full sets by each artist including those who also performed, but are not represented in this LP, like Miles Davis, Pharaoh Sanders, and Lightnin' Slim.\r\n
      \r\n
      Condition : Box Set unused and sealed.
      """
    -prixVente: "799.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1438 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=qy-ivQHf3O8"
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    -titreMorceau: [
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        "nom" => "6. (I'm A) Roadrunner/These Things Will Keep Me Loving You -"
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        "nom" => "Junior Walker & the All Stars"
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        "nom" => "7. Write Me A Few of Your Lines/Kokomo/Drop Down Mama - Bonnie Raitt"
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        "nom" => "8. Highway 49 - Howlin' Wolf"
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        "nom" => "10. Form Kinetic - CJQ"
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        "nom" => "11. Dedication to Otis Spann - John Sinclair, Muddy Waters, Lucille Spann"
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        "nom" => "18. Women Be Wise - Sippie Wallace with Bonnie Raitt"
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      [
        "ordre" => 19
        "nom" => "19. Life Is Splendid - Sun Ra & His Solar-Myth Arkestra "
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1967 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3484
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1965
    -id: 484
    -nom: "BLUES & JAZZ Festival 1972 (Box Set 8 LP) 45 RPM"
    -informationComplementaire: "Last copy in stock !"
    -description: """
      Ann Arbor Blues & Jazz Festival 1972 - The Complete Concert, Box Set 8 LP - 45 RPM\r\n
      \r\n
      Limited Edition Audiophile. All-Analogue Half Speed Mastered by Bernie Grundman from the original Master Tapes. Proprietary High Quality, Virgin Vinyl, 180 gram Pressing.\r\n
      \r\n
      Beautiful and highly collectable limited edition box set release from audiophile label, Classic Records. Eight one-sided vinyl records pressed on 180 Gram vinyl. All-Analogue Half Speed Mastering from the original Master Tapes at 45 RPM. Box contains eight (8) one-sided, 45 RPM discs plus the original gatefold sleeve inside.\r\n
      \r\n
      Review : Hands down, one of the greatest festival recordings ever. The dates : September 8-10, 1972. The place: Otis Spam Memorial Field, Anne Arbor, Michigan. The performers recorded : Muddy Waters,Howlin' Wolf with Hubert Sumlin, Otis Rush, Magic Sam, Freddie King, Luther Allison, Hound Dog Taylor, Koko Taylor with Willie Dixon, Bobby Blue, and Sun Ra & His Solar Myth. An incredible three days of powerful music for the 15000 plus in attendance that hopefully someday will be revisited with the full sets by each artist including those who also performed, but are not represented in this LP, like Miles Davis, Pharaoh Sanders, and Lightnin' Slim.\r\n
      \r\n
      Condition : Box Set unused and sealed.
      """
    -prixVente: "799.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
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        "nom" => "16. Dust My Broom - Johnny Shines"
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        "nom" => "17. Gambler's Blues - Otis Rush"
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        "nom" => "18. Women Be Wise - Sippie Wallace with Bonnie Raitt"
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        "ordre" => 19
        "nom" => "19. Life Is Splendid - Sun Ra & His Solar-Myth Arkestra "
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1967 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#1971 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1973 …}
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    -slug: "vinyles-blues-jazz-festival-1972-box-set-8-lp-45-rpm-classic-records-sd-2-502-45"
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[
  "produit" => App\Entity\Produit {#1980
    -id: 483
    -nom: "Aqualung"
    -informationComplementaire: "Last copy in stock !"
    -description: "AQUALUNG - 1971 saw the release of some of the greatest pop/rock albums of all time. Imagine: Pearl, Sticky Fingers, Who's Next, Tupelo Honey, Surf's Up, Fragile, Led Zeppelin IV, Muswell Hillbillies, Tapestry, What's Going On?, Madman Across the Water, and Tumbleweed Connection are just a few of the iconic tracks that were the hits of this exceptional year. Add to that the fourth album from Ian Anderson's progressive rock band, Aqualung, and you have a real gem, a masterpiece of arrangements and musicianship. Ian Anderson's flute playing brings beautiful melodies to the band's compositions. The particularly dynamic guitar riffs of tracks like "My God," "Hymn 43," "Locomotiv Breath," and "Wind Up" are especially memorable. This album was mastered and cut by Bernie Grundman from the original tapes provided by Ian Anderson, using Classic Records' ALL TUBE MONO cutting system. Aqualung... A monument, a legendary work forever etched in rock history, a record that achieves perfection in its purest form. It has everything! Melodic, audacious, lyrical. The band transcends itself and delivers an album that, even after 30 years, continues to surprise. An essential album!"
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Ian Anderson (chant, flûte traversière, guitare), Martin Barre (guitares), John Evan (orgue, piano, claviers, mellot), Jeffrey Hammond (basse), Clive Bunker (batterie, percussions), David Palmer (synthesizer, claviers, saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=6fEB6v5SsLI"
    -referenceProduit: "Classic Records ILPS 9145"
    -titreMorceau: [
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        "nom" => "3. Cheap Day Return"
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        "nom" => "1. My God"
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        "nom" => "2. Hymn 43"
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        "nom" => "5. Wind-Up"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1982 …}
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    -style: Proxies\__CG__\App\Entity\Style {#1985 …}
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      date: 2026-01-28 19:18:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
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    -disponible: null
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  +produit: App\Entity\Produit {#1980
    -id: 483
    -nom: "Aqualung"
    -informationComplementaire: "Last copy in stock !"
    -description: "AQUALUNG - 1971 saw the release of some of the greatest pop/rock albums of all time. Imagine: Pearl, Sticky Fingers, Who's Next, Tupelo Honey, Surf's Up, Fragile, Led Zeppelin IV, Muswell Hillbillies, Tapestry, What's Going On?, Madman Across the Water, and Tumbleweed Connection are just a few of the iconic tracks that were the hits of this exceptional year. Add to that the fourth album from Ian Anderson's progressive rock band, Aqualung, and you have a real gem, a masterpiece of arrangements and musicianship. Ian Anderson's flute playing brings beautiful melodies to the band's compositions. The particularly dynamic guitar riffs of tracks like "My God," "Hymn 43," "Locomotiv Breath," and "Wind Up" are especially memorable. This album was mastered and cut by Bernie Grundman from the original tapes provided by Ian Anderson, using Classic Records' ALL TUBE MONO cutting system. Aqualung... A monument, a legendary work forever etched in rock history, a record that achieves perfection in its purest form. It has everything! Melodic, audacious, lyrical. The band transcends itself and delivers an album that, even after 30 years, continues to surprise. An essential album!"
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Ian Anderson (chant, flûte traversière, guitare), Martin Barre (guitares), John Evan (orgue, piano, claviers, mellot), Jeffrey Hammond (basse), Clive Bunker (batterie, percussions), David Palmer (synthesizer, claviers, saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=6fEB6v5SsLI"
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        "nom" => "5. Wind-Up"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1982 …}
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    -modifierLe: DateTime @1769627913 {#1978
      date: 2026-01-28 19:18:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
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    -disponible: null
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    -slug: "vinyles-aqualung-classic-records-ilps-9145"
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[
  "produit" => App\Entity\Produit {#1998
    -id: 477
    -nom: "Amos Lee -  Special Edition Clarity Vinyl QUIEX SV-P II 200 Gram Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
      AMOS LEE "Amos Lee" - 200 G LP Quiex SVP CLARITY VINYL Classic Records Reissue. \r\n
      \r\n
      Amos Lee is one of those special singer songwriters that comes along very infrequently. On this, his first release he sings songs from the heart that we can all relate to and does so with a voice that we all wish we had. Amos opened for Norah Jones on her 2004 European tour and this record is produce by Norah Jones band member Lee Alexander. Mastered and cut from the original 1/2" analog masters by Bernie Grundman on Classic's "all tube" stereo cutting system and pressed on Classic's 200 G Super Vinyl Profile. Amos is definitely in the house and in the room !\r\n
      \r\n
      This record was pressed to Clarity Vinyl right before Classic Records was sold and was NEVER RELEASED to the public, making it super rare !\r\n
      \r\n
      Background on Clarity Vinyl Pressings.\r\n
       \r\n
      In 2008, Classic discovered that demagnetizing black vinyl records leads to better sound in playback.  The engineers at Furutech in Japan, makers of a commercial record demag machine, explained that the carbon black that was added to PVC record pellets contained trace metal that became randomly magnetized and while spinning below an electro-mechanical transducer (phono cartridge) caused electrical distortion inside a cartridge during LP playback.  Hence, demagnetizing a black vinyl record dramatically reduces the electrical distortion and leads to more "Clarity" in playback.  Michael Hobson, founder of Classic Records reasoned that if the carbon black were removed then the result should be more Clarity in playback.  Working closely with the PVC manufacturer Kenan, Classic developed its own proprietary "Clarity Vinyl" devoid of the problems with trace magnetic particles contained in black vinyl formulas.  Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.  Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP’s.  Carbon Black contains trace metals that become magnetized and cause “electrical distortions” in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the “electrical distortions” and thus bring more “Clarity” to the playback process, providing a more realistic musical experience to the listener and LP enthusiast.A Clarity vinyl pressing on a flat profile die is the absolute ultimate pressing possible and even a step above the JVC UHQR black vinyl pressings.  Not to be missed - you can hear the difference !\r\n
      \r\n
      Background on Classic 200 G Super Vinyl Profile.\r\n
       \r\n
      In 2003, Classic Records launched its now famous Signature Blue Note Mono reissue series. As part of that series Classic developed an "authentic" 200 gram LP profile that replicated that of an original Blue Note record from the 1950's.  Comparing a test pressing on the new profile versus the same title on the normal 180 gram pressing it was discovered that the 200 gram version sounded significantly better.  The 200 gram pressing sounded louder, with more definition and solidity of notes across all frequencies and there was more detail - particularly low level detail like room or hall sounds, pages being turned, musicians whispering and automobile sounds outside the studio all became easier to identify.  At first it was speculated inside Classic Records that the extra weight resulted in the better performance as no one could come up with a better answer given that the stampers were the same as well as the vinyl pellets used on both 180g and 200g pressings.  One day, Michael Hobson, the founder of Classic Records was discussing this unexplainable sonic discovery with the Legendary Mastering Engineer and Sheffield Records founder, Doug Sax when Doug, without hesitation stated "Ah Michael you've discovered the difference in a flat versus conventional profile".  Puzzled, Hobson asked for an explanation which Sax described as going all the way back to 1950's mono pressings and what happened when stereo records came out in the early 1960's.  Sax explained that in the 1950's when mono records had no vertical modulation (only lateral), pressing PolyVinylChloride PVC (plastic) records were more easily pressed on "Flat Profile" dies fitted to the pressing machines since the grooves on the mono stampers were all the same height (no vertical modulation).  The molten vinyl was able to flow evenly across the stampers and fill properly during the molding (pressing) of the record.  The problems started when stereo record cutting came into vogue producing stampers that had variable height grooves sticking up across the diameter of each stamper.  Using the older mono pressing dies resulted in tremendous problems getting the areas between grooves of different heights to fill properly - a groove that is in front of another taller one often got passed over by the flowing molten vinyl resulting in "non-fill" which was audible and thus a "defective" record.  Pressing plants don't like to press defective records and are always looking for high pressing yields or a s few rejects as possible.\r\n
      \r\n
      To solve the problem, the engineers developed a new pressing die profile which tapers from the center of the die, flattens in the middle of the diameter and then tapers again toward the outside of the die. The new profile was "concave" rather than flat.  When you put a flat stampers onto the concave dies the stampers distort and are no longer flat - the grooves are no longer perpendicular across the stamper and by association across a finished vinyl pressing.  This new die profile created "back pressure" on the flowing vinyl and solved the "non-fill" problem with stereo pressings and resulted in higher yields which was great for pressing plants and good for record companies who wanted good prices on pressings.  The problem was and still is that the new profile records don't sound as good as they could because they are not flat across their profile.  Using a micrometer across the diameter of a 1950's mono records reveals that the thickness is virtually the same across the record's diameter from center label to outer edge but not so for a newer stereo profile pressing which is convex across its diameter resulting from the concave profile dies / distorted stampers.  This is the dirty little secret that Classic had rediscovered was known to old school experts like Doug Sax who founded Sheffield Labs in the 1970's.  After the discovery, Classic Records never looked back and all of its releases and re-pressings after 2003 were on the new 200 gram Flat Profile dies that were specially made for Classic.  Some years later Classic discovered that the very same profile was used by JVC in Japan to produce the legendary UHQR pressings for Mobile Fidelity which are well known to sound better than the conventional Mobile Fidelity pressings of the same titles - it all makes sense now.  The long and the short of this is that Classic 200g Super Vinyl Profile (Flat Profile) pressings are as good as it gets for proper playback without groove distortion from non-flat pressings - Period.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals),  Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PstRDzZjnLk"
    -referenceProduit: "Classic Records BN 7243 Clarity Vinyl"
    -titreMorceau: [
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        "nom" => "1. Keep It Loose, Keep It Tight"
      ]
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        "ordre" => 2
        "nom" => "2. Seen It All Before"
      ]
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        "ordre" => 3
        "nom" => "3. Arms Of A Woman"
      ]
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        "nom" => "4. Give It Up"
      ]
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        "nom" => "5. Dreamin'"
      ]
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        "nom" => "Side B :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Soul Suckers"
      ]
      [
        "ordre" => 8
        "nom" => "2. Colors"
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      [
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        "nom" => "3. Bottom Of The Barrel"
      ]
      [
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        "nom" => "4. Black River"
      ]
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        "nom" => "5. Love In The Lies"
      ]
      [
        "ordre" => 12
        "nom" => "6. All My Friends"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2000 …}
    -label: Proxies\__CG__\App\Entity\Label {#1721 …}
    -style: Proxies\__CG__\App\Entity\Style {#1985 …}
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    }
    -modifierLe: DateTime @1766745078 {#1996
      date: 2025-12-26 10:31:18.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2008 …}
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    -slug: "vinyles-amos-lee-special-edition-clarity-vinyl-quiex-sv-p-ii-200-gram-clarity-vinyl-classic-records-bn-7243-clarity-vinyl"
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App\Twig\Components\GestionPanierFavoriComponents {#3600
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#1998
    -id: 477
    -nom: "Amos Lee -  Special Edition Clarity Vinyl QUIEX SV-P II 200 Gram Clarity Vinyl"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P II"
    -description: """
      AMOS LEE "Amos Lee" - 200 G LP Quiex SVP CLARITY VINYL Classic Records Reissue. \r\n
      \r\n
      Amos Lee is one of those special singer songwriters that comes along very infrequently. On this, his first release he sings songs from the heart that we can all relate to and does so with a voice that we all wish we had. Amos opened for Norah Jones on her 2004 European tour and this record is produce by Norah Jones band member Lee Alexander. Mastered and cut from the original 1/2" analog masters by Bernie Grundman on Classic's "all tube" stereo cutting system and pressed on Classic's 200 G Super Vinyl Profile. Amos is definitely in the house and in the room !\r\n
      \r\n
      This record was pressed to Clarity Vinyl right before Classic Records was sold and was NEVER RELEASED to the public, making it super rare !\r\n
      \r\n
      Background on Clarity Vinyl Pressings.\r\n
       \r\n
      In 2008, Classic discovered that demagnetizing black vinyl records leads to better sound in playback.  The engineers at Furutech in Japan, makers of a commercial record demag machine, explained that the carbon black that was added to PVC record pellets contained trace metal that became randomly magnetized and while spinning below an electro-mechanical transducer (phono cartridge) caused electrical distortion inside a cartridge during LP playback.  Hence, demagnetizing a black vinyl record dramatically reduces the electrical distortion and leads to more "Clarity" in playback.  Michael Hobson, founder of Classic Records reasoned that if the carbon black were removed then the result should be more Clarity in playback.  Working closely with the PVC manufacturer Kenan, Classic developed its own proprietary "Clarity Vinyl" devoid of the problems with trace magnetic particles contained in black vinyl formulas.  Clarity Vinyl represents the ultimate in vinyl formulations because it is comprised of over 90% percentage of the highest quality co-polymer available - a key component in vinyl pellets used for manufacturing vinyl records.  Further, Clarity Vinyl has no carbon black additive, common in vinyl formulas for LP’s.  Carbon Black contains trace metals that become magnetized and cause “electrical distortions” in cartridges during playback that smears the sound. By taking out the Carbon Black, Classic Records is able to dramatically reduce the “electrical distortions” and thus bring more “Clarity” to the playback process, providing a more realistic musical experience to the listener and LP enthusiast.A Clarity vinyl pressing on a flat profile die is the absolute ultimate pressing possible and even a step above the JVC UHQR black vinyl pressings.  Not to be missed - you can hear the difference !\r\n
      \r\n
      Background on Classic 200 G Super Vinyl Profile.\r\n
       \r\n
      In 2003, Classic Records launched its now famous Signature Blue Note Mono reissue series. As part of that series Classic developed an "authentic" 200 gram LP profile that replicated that of an original Blue Note record from the 1950's.  Comparing a test pressing on the new profile versus the same title on the normal 180 gram pressing it was discovered that the 200 gram version sounded significantly better.  The 200 gram pressing sounded louder, with more definition and solidity of notes across all frequencies and there was more detail - particularly low level detail like room or hall sounds, pages being turned, musicians whispering and automobile sounds outside the studio all became easier to identify.  At first it was speculated inside Classic Records that the extra weight resulted in the better performance as no one could come up with a better answer given that the stampers were the same as well as the vinyl pellets used on both 180g and 200g pressings.  One day, Michael Hobson, the founder of Classic Records was discussing this unexplainable sonic discovery with the Legendary Mastering Engineer and Sheffield Records founder, Doug Sax when Doug, without hesitation stated "Ah Michael you've discovered the difference in a flat versus conventional profile".  Puzzled, Hobson asked for an explanation which Sax described as going all the way back to 1950's mono pressings and what happened when stereo records came out in the early 1960's.  Sax explained that in the 1950's when mono records had no vertical modulation (only lateral), pressing PolyVinylChloride PVC (plastic) records were more easily pressed on "Flat Profile" dies fitted to the pressing machines since the grooves on the mono stampers were all the same height (no vertical modulation).  The molten vinyl was able to flow evenly across the stampers and fill properly during the molding (pressing) of the record.  The problems started when stereo record cutting came into vogue producing stampers that had variable height grooves sticking up across the diameter of each stamper.  Using the older mono pressing dies resulted in tremendous problems getting the areas between grooves of different heights to fill properly - a groove that is in front of another taller one often got passed over by the flowing molten vinyl resulting in "non-fill" which was audible and thus a "defective" record.  Pressing plants don't like to press defective records and are always looking for high pressing yields or a s few rejects as possible.\r\n
      \r\n
      To solve the problem, the engineers developed a new pressing die profile which tapers from the center of the die, flattens in the middle of the diameter and then tapers again toward the outside of the die. The new profile was "concave" rather than flat.  When you put a flat stampers onto the concave dies the stampers distort and are no longer flat - the grooves are no longer perpendicular across the stamper and by association across a finished vinyl pressing.  This new die profile created "back pressure" on the flowing vinyl and solved the "non-fill" problem with stereo pressings and resulted in higher yields which was great for pressing plants and good for record companies who wanted good prices on pressings.  The problem was and still is that the new profile records don't sound as good as they could because they are not flat across their profile.  Using a micrometer across the diameter of a 1950's mono records reveals that the thickness is virtually the same across the record's diameter from center label to outer edge but not so for a newer stereo profile pressing which is convex across its diameter resulting from the concave profile dies / distorted stampers.  This is the dirty little secret that Classic had rediscovered was known to old school experts like Doug Sax who founded Sheffield Labs in the 1970's.  After the discovery, Classic Records never looked back and all of its releases and re-pressings after 2003 were on the new 200 gram Flat Profile dies that were specially made for Classic.  Some years later Classic discovered that the very same profile was used by JVC in Japan to produce the legendary UHQR pressings for Mobile Fidelity which are well known to sound better than the conventional Mobile Fidelity pressings of the same titles - it all makes sense now.  The long and the short of this is that Classic 200g Super Vinyl Profile (Flat Profile) pressings are as good as it gets for proper playback without groove distortion from non-flat pressings - Period.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Amos Lee (guitar, vocals), Lee Alexander (pulp drum, bass), Fred Berman (drums, background vocals), Kevin Breit (acoustic guitar, mandolin) Adam Levy (electric guitar, background vocals), Norah Jones (piano, background vocals),  Devin Greenwood (Organ)..."
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
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    -lpsMusic: 1
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        "nom" => "2. Seen It All Before"
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        "nom" => "3. Arms Of A Woman"
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        "ordre" => 4
        "nom" => "4. Give It Up"
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        "ordre" => 5
        "nom" => "5. Dreamin'"
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        "ordre" => 7
        "nom" => "1. Soul Suckers"
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        "ordre" => 8
        "nom" => "2. Colors"
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        "nom" => "3. Bottom Of The Barrel"
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        "nom" => "4. Black River"
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        "ordre" => 11
        "nom" => "5. Love In The Lies"
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        "ordre" => 12
        "nom" => "6. All My Friends"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2000 …}
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[
  "produit" => App\Entity\Produit {#2013
    -id: 449
    -nom: "All In One Day (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P 45 RPM"
    -description: "An original Classic Records production. A fresh voice reminiscent of Rickie Lee Jones that grabbed attention in 1998 and the results on this 45 RPM box set will show you why. A unique singer and songwriter with a stream-of-consciousness way of storytelling that casts a spell from track to track. Recorded live-to-two-track analog at the ambient Lompoc Theater by Paul duGre (Leo Kotke, Dave Alvin, Los Lobos), Lorna's voice and guitar is back by Danny Frankel on percussion, Greg Liesz and pedal steel, electric guitar, mandolin and weisnborn, Dave Jackson on accordion and Dave Pilch playing bass. The photography is by legendary lens man William Claxton. Available for the first time as a 45 RPM deluxe box set on Classic Records Clarity SV-P II 200-gram. This is a four-disc set."
    -prixVente: "599.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Lorna Hunt (acoustic guitar, vocals), Greg Leisz (electric guitar, pedal steel, mandolin), David Piltch (acoustic bass), Danny Frankel (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
    -lpsMusic: 4
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        "nom" => "4. Trying Not To Blink"
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        "nom" => "2. She Rises"
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      [
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        "nom" => "3. Anyone Like You"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2015 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2026 …}
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3660
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#2013
    -id: 449
    -nom: "All In One Day (Box Set 4 LP Clarity Vinyl SV-P II 45 RPM Series)"
    -informationComplementaire: "Last copy in stock ! Classic Records Special Edition Clarity Vinyl SV-P 45 RPM"
    -description: "An original Classic Records production. A fresh voice reminiscent of Rickie Lee Jones that grabbed attention in 1998 and the results on this 45 RPM box set will show you why. A unique singer and songwriter with a stream-of-consciousness way of storytelling that casts a spell from track to track. Recorded live-to-two-track analog at the ambient Lompoc Theater by Paul duGre (Leo Kotke, Dave Alvin, Los Lobos), Lorna's voice and guitar is back by Danny Frankel on percussion, Greg Liesz and pedal steel, electric guitar, mandolin and weisnborn, Dave Jackson on accordion and Dave Pilch playing bass. The photography is by legendary lens man William Claxton. Available for the first time as a 45 RPM deluxe box set on Classic Records Clarity SV-P II 200-gram. This is a four-disc set."
    -prixVente: "599.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Lorna Hunt (acoustic guitar, vocals), Greg Leisz (electric guitar, pedal steel, mandolin), David Piltch (acoustic bass), Danny Frankel (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1609 …}
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        "nom" => "2. She Rises"
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        "nom" => "3. Anyone Like You"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2015 …}
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    -style: Proxies\__CG__\App\Entity\Style {#2018 …}
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    -modifierLe: DateTime @1765443685 {#2011
      date: 2025-12-11 09:01:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2026 …}
    -disponible: null
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    -slug: "vinyles-all-in-one-day-box-set-4-lp-clarity-vinyl-sv-p-ii-45-rpm-series-classic-records-rth-1015-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2214 …}
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[
  "produit" => App\Entity\Produit {#2031
    -id: 442
    -nom: "Live at Woodstock - Box Set 3 LP + Bonus 7'' Colored Vinyl"
    -informationComplementaire: "Last copy in stock ! Magnificent Box Set 35th Anniversary Jimi Hendrix "Live At Woodstock""
    -description: """
      This 35th Anniversary Collector’s Edition includes : \r\n
      \r\n
      • Hendrix’s legendary Woodstock performance on 3 LP’S.\r\n
      • 36 page deluxe 12" x 12"’ booklet packed with extra photos and interviews with Mitch Mitchell, Billy Cox, Eddie Kramer and others.\r\n
      • 7" colored vinyl single with ‘’Izabella’’ and Message To The Universe’’ recorded by Eddie Kramer the week after Woodstock with Hendrix’s Gypsy Sun & Rainbows band at New York’s Hit Factory.\r\n
      • Mastered by Bernie Grundman from original Master Tapes.\r\n
      • Reprication of Woodstock ticket\r\n
      \r\n
      It was 35 years ago when Jimi Hendrix took the stage to end what would become the most famous Rock event in history. Who knew it would be around 9 a.m. on Monday morning when Woodstock finally ended ? It was supposed to conclude Sunday night. What we do know is that Jimi came to headline the show and sure enough did so, even if it was at least 12 hours later than anticipated. For those who stayed to see the world’s greatest rock guitarist, it must have been a fitting end to three days of memorable performances by Crosby, Stills and Nash, Janis Joplin, Santana, The Grateful Dead, Creedence Clearwater Revival, The Who, Jefferson Airplane, The Band and a host of others. \r\n
      \r\n
      To commemorate that day and the spirit of what it has come to represent, Classic Records and Experience Hendrix have released the 35th anniversary Jimi Hendrix at Woodstock deluxe LP Boxed Set, which includes the entire Hendrix performance on three LPs, transferred from the original analog master tapes. Accompanying features include a 36 page booklet with rare photos, expanded essays and interviews with Eddie Kramer, Mitch Mitchell, Billy Cox and others present that day in the Summer of Love. Also included is a bonus colored vinyl 7" single with never-before-released versions of "Isabelle" and "Message to the Universe" recorded by Eddie Kramer at the Hit Factory the week after Woodstock with the same band. This definitive package will undoubtedly become a collectors item in years to come and is a must have for all serious Hendrix fans.\r\n
      \r\n
      To further add to the celebration of the 35th anniversary of Hendrix at Woodstock, Michael Hobson, President of Classic Records and TheMusic.com, recently conducted an interview with Eddie Kramer - the man behind the recording desk in a tractor-trailer at Woodstock. Here is how it was recorded all those years ago...
      """
    -prixVente: "599.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1588 …}
    -musicienOrchestre: "Jimi Hendrix (guitar, vocals), Billy Cox (bass, backing vocals), Larry Lee (rhythm guitar), Jerry Velez, Juma Sultan (percussion), Mitch Mitchell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1474 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1613 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1616 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jmVcRxFUhEQ"
    -referenceProduit: "Classic Records RTH 2014 Q"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. Introduction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Message to Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hear My Train A Comin'"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Spanish Castle Magic"
      ]
      [
        "ordre" => 6
        "nom" => "2. Red House"
      ]
      [
        "ordre" => 7
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Foxey Lady"
      ]
      [
        "ordre" => 10
        "nom" => "2. Jam Back at the House"
      ]
      [
        "ordre" => 11
        "nom" => "3. Izabella"
      ]
      [
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        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Fire"
      ]
      [
        "ordre" => 14
        "nom" => "2. Voodoo Child (Slight Return)"
      ]
      [
        "ordre" => 15
        "nom" => "Side E : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Star Spangled Banner"
      ]
      [
        "ordre" => 17
        "nom" => "2. Purple Haze"
      ]
      [
        "ordre" => 18
        "nom" => "3. Woodstock Improvisation"
      ]
      [
        "ordre" => 19
        "nom" => "Side F : "
      ]
      [
        "ordre" => 20
        "nom" => "1. Villanova Junction"
      ]
      [
        "ordre" => 21
        "nom" => "2. Hey Joe"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2033 …}
    -label: Proxies\__CG__\App\Entity\Label {#1721 …}
    -style: Proxies\__CG__\App\Entity\Style {#2018 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1604 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3722
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2446 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1314 …}
  +produit: App\Entity\Produit {#2031
    -id: 442
    -nom: "Live at Woodstock - Box Set 3 LP + Bonus 7'' Colored Vinyl"
    -informationComplementaire: "Last copy in stock ! Magnificent Box Set 35th Anniversary Jimi Hendrix "Live At Woodstock""
    -description: """
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      \r\n
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      • 36 page deluxe 12" x 12"’ booklet packed with extra photos and interviews with Mitch Mitchell, Billy Cox, Eddie Kramer and others.\r\n
      • 7" colored vinyl single with ‘’Izabella’’ and Message To The Universe’’ recorded by Eddie Kramer the week after Woodstock with Hendrix’s Gypsy Sun & Rainbows band at New York’s Hit Factory.\r\n
      • Mastered by Bernie Grundman from original Master Tapes.\r\n
      • Reprication of Woodstock ticket\r\n
      \r\n
      It was 35 years ago when Jimi Hendrix took the stage to end what would become the most famous Rock event in history. Who knew it would be around 9 a.m. on Monday morning when Woodstock finally ended ? It was supposed to conclude Sunday night. What we do know is that Jimi came to headline the show and sure enough did so, even if it was at least 12 hours later than anticipated. For those who stayed to see the world’s greatest rock guitarist, it must have been a fitting end to three days of memorable performances by Crosby, Stills and Nash, Janis Joplin, Santana, The Grateful Dead, Creedence Clearwater Revival, The Who, Jefferson Airplane, The Band and a host of others. \r\n
      \r\n
      To commemorate that day and the spirit of what it has come to represent, Classic Records and Experience Hendrix have released the 35th anniversary Jimi Hendrix at Woodstock deluxe LP Boxed Set, which includes the entire Hendrix performance on three LPs, transferred from the original analog master tapes. Accompanying features include a 36 page booklet with rare photos, expanded essays and interviews with Eddie Kramer, Mitch Mitchell, Billy Cox and others present that day in the Summer of Love. Also included is a bonus colored vinyl 7" single with never-before-released versions of "Isabelle" and "Message to the Universe" recorded by Eddie Kramer at the Hit Factory the week after Woodstock with the same band. This definitive package will undoubtedly become a collectors item in years to come and is a must have for all serious Hendrix fans.\r\n
      \r\n
      To further add to the celebration of the 35th anniversary of Hendrix at Woodstock, Michael Hobson, President of Classic Records and TheMusic.com, recently conducted an interview with Eddie Kramer - the man behind the recording desk in a tractor-trailer at Woodstock. Here is how it was recorded all those years ago...
      """
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        "nom" => "2. Hey Joe"
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}