Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2582
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2659
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2662 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
  -formView: Symfony\Component\Form\FormView {#2698 …}
  -form: Symfony\Component\Form\Form {#2848 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2137
    -nom: "Fancy Dancer"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Bobbi Humphrey (flute, vocals), Craig McMullen, John Rowin (guitar), Chuck Rainey (bass), Fonce Mizell (clavinet, synthesizer, trumpet, vocals), Mayuto Correa (congas), Dorothy Ashby (harp), Roger Glenn (marimba, vibraphone), Tyree Glenn, Jr. (tenor saxophone), Julian Priester (trombone), Oscar Brashear (trumpet), Skip Scarborough (piano, electric piano Fender Rhodes, clavinet), Jerry Peters (piano, electric piano Fender Rhodes, synthesizer), Larry Mizell (piano, synthesizer, electric piano Fender Rhodes, vocals), Augie Rey, Jesse Acuna, Katherine Lyra, Rosario Davila, Sónia Tavares (vocals), Harvey Mason (drums).\r\n
      \r\n
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      Bobbi Humphrey was one of the most prominent stars on the Blue Note roster of the 1970s. The flutist debuted on the label in 1971 with Flute In¸ the first in a run of six creative and highly enjoyable albums. On her breakout 1973 album Blacks and Blues, Humphrey hooked up with the forward-thinking producer Larry Mizell to create a jazz-funk classic that expanded her audience. It proved to be a winning combination, and the two joined forces again on Satin Doll the following year. \r\n
      \r\n
      Their third and final collaboration would be on the great 1975 album Fancy Dancer. Humphrey's alluring flute dances through vibrant and ingenious arrangements by Larry and Fonce Mizell that skillfully wove together a broad range of influences from across the spectrum of black music. The set featured standout tracks like the Latin grooves of "Uno Esta", the laid-back jam "You Make Me Feel So Good", and the album's expansive closer "Please Set Me At Ease", which the innovative hip hop beatmaker Madlib memorably remade on his 2003 Blue Note remix album Shades Of Blue.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bobbi Humphrey (flute, vocals), Craig McMullen, John Rowin (guitar), Chuck Rainey (bass), Fonce Mizell (clavinet, synthesizer, trumpet, vocals), Mayuto Correa (congas), Dorothy Ashby (harp), Roger Glenn (marimba, vibraphone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=iNF0bnQk_wk"
    -referenceProduit: "Blue Note Records 6803"
    -titreMorceau: [
      [
        "nom" => "1. Fancy Dancer "
        "ordre" => 5
      ]
      [
        "nom" => "1. Uno Esta "
        "ordre" => 1
      ]
      [
        "nom" => "2. Mestizo Eyes "
        "ordre" => 6
      ]
      [
        "nom" => "2. The Trip "
        "ordre" => 2
      ]
      [
        "nom" => "3. Sweeter Than Sugar "
        "ordre" => 7
      ]
      [
        "nom" => "3. You Make Me Feel So Good"
        "ordre" => 3
      ]
      [
        "nom" => "4. Please Set Me At Ease"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1633034882 {#1875
      date: 2021-09-30 20:48:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637307800 {#1868
      date: 2021-11-19 07:43:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fancy-dancer-blue-note-records-6803"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3123
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2137
    -nom: "Fancy Dancer"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Bobbi Humphrey (flute, vocals), Craig McMullen, John Rowin (guitar), Chuck Rainey (bass), Fonce Mizell (clavinet, synthesizer, trumpet, vocals), Mayuto Correa (congas), Dorothy Ashby (harp), Roger Glenn (marimba, vibraphone), Tyree Glenn, Jr. (tenor saxophone), Julian Priester (trombone), Oscar Brashear (trumpet), Skip Scarborough (piano, electric piano Fender Rhodes, clavinet), Jerry Peters (piano, electric piano Fender Rhodes, synthesizer), Larry Mizell (piano, synthesizer, electric piano Fender Rhodes, vocals), Augie Rey, Jesse Acuna, Katherine Lyra, Rosario Davila, Sónia Tavares (vocals), Harvey Mason (drums).\r\n
      \r\n
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records has announced the continuation of the Classic Vinyl Reissue Series which presents 180 gram vinyl LP reissues in standard packaging mastered by Kevin Gray and manufactured at Optimal. The pressings are all-analog whenever an analog source is available, with Gray mastering directly from the original master tapes. While the first 16 titles of the series focused on the best-known Blue Note classics from the 1950s and 60s, the new run of titles curated by Don Was and Cem Kurosman broadens its scope to span the many eras and styles of the legendary label's eight-decade history presented by themes: Bebop, Hard Bop, Soul Jazz, Post-Bop, Avant-Garde, The 70s, The Rebirth, and Hidden Gems.\r\n
      \r\n
      Bobbi Humphrey was one of the most prominent stars on the Blue Note roster of the 1970s. The flutist debuted on the label in 1971 with Flute In¸ the first in a run of six creative and highly enjoyable albums. On her breakout 1973 album Blacks and Blues, Humphrey hooked up with the forward-thinking producer Larry Mizell to create a jazz-funk classic that expanded her audience. It proved to be a winning combination, and the two joined forces again on Satin Doll the following year. \r\n
      \r\n
      Their third and final collaboration would be on the great 1975 album Fancy Dancer. Humphrey's alluring flute dances through vibrant and ingenious arrangements by Larry and Fonce Mizell that skillfully wove together a broad range of influences from across the spectrum of black music. The set featured standout tracks like the Latin grooves of "Uno Esta", the laid-back jam "You Make Me Feel So Good", and the album's expansive closer "Please Set Me At Ease", which the innovative hip hop beatmaker Madlib memorably remade on his 2003 Blue Note remix album Shades Of Blue.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Bobbi Humphrey (flute, vocals), Craig McMullen, John Rowin (guitar), Chuck Rainey (bass), Fonce Mizell (clavinet, synthesizer, trumpet, vocals), Mayuto Correa (congas), Dorothy Ashby (harp), Roger Glenn (marimba, vibraphone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=iNF0bnQk_wk"
    -referenceProduit: "Blue Note Records 6803"
    -titreMorceau: [
      [
        "nom" => "1. Fancy Dancer "
        "ordre" => 5
      ]
      [
        "nom" => "1. Uno Esta "
        "ordre" => 1
      ]
      [
        "nom" => "2. Mestizo Eyes "
        "ordre" => 6
      ]
      [
        "nom" => "2. The Trip "
        "ordre" => 2
      ]
      [
        "nom" => "3. Sweeter Than Sugar "
        "ordre" => 7
      ]
      [
        "nom" => "3. You Make Me Feel So Good"
        "ordre" => 3
      ]
      [
        "nom" => "4. Please Set Me At Ease"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1633034882 {#1875
      date: 2021-09-30 20:48:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637307800 {#1868
      date: 2021-11-19 07:43:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fancy-dancer-blue-note-records-6803"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2111
    -nom: "Four Seasons In Jazz Live At Bernie's "
    -informationComplementaire: ""
    -description: """
      Numbered edition limited to 3000 copies !\r\n
      \r\n
      100 % Analog recording, Direct to disc !\r\n
      \r\n
      Audiophile vinyl quality 180 gram, 2 LP 45 RPM !\r\n
      \r\n
      Mastered by Bernie Grundman !\r\n
      \r\n
      Pressed at RTI !\r\n
      \r\n
      16 page book with lyrics & essay !\r\n
      \r\n
      Serendipity plants the seed, careful planning and hard work bring an amazing collaboration to life. Four Seasons in Jazz : Live at Bernie's is the landmark live recording featuring jazz pianist and vocalist Anne Bisson and the finest musicians and engineers in Hollywood. A selection of popular jazz standards and original compositions by the evocative Canadian songstress was recorded direct-to-disc over two days by Bernie Grundman in Hollywood, California. Legendary engineer Michael C. Ross used a 100 % analog recording chain straight to Grundman's all-analog record cutting system to realistically capture every amazing moment.\r\n
      \r\n
      Four Seasons in Jazz : Live at Bernie's is only the third direct-to-disc recording ever created at Bernie Grundman Mastering. The Grand Master of Audio Mastering himself supervised the audio-to-disc transfer. This exquisite release is the inspiration of two music lovers and audiophile industry luminaries, Gary L. Koh of Genesis Advanced Technologies (USA) and Wuti Larnroongroj of Brilliance Music (Thailand).\r\n
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Anne Bisson (piano, vocals), Jean-Bertrand Carbou (acoustic bass), Pierre Tanguay (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gBa_ZDUDkf0"
    -referenceProduit: "Camilio Records 101-45"
    -titreMorceau: [
      [
        "nom" => "1. I Can See Clearly Now "
        "ordre" => 2
      ]
      [
        "nom" => "1. Midnight Sun "
        "ordre" => 13
      ]
      [
        "nom" => "1. September in Montreal "
        "ordre" => 8
      ]
      [
        "nom" => "1. Up Jumped Spring "
        "ordre" => 17
      ]
      [
        "nom" => "2. It Might As Well Be Spring "
        "ordre" => 18
      ]
      [
        "nom" => "2. September Song "
        "ordre" => 9
      ]
      [
        "nom" => "2. Summer Breeze "
        "ordre" => 3
      ]
      [
        "nom" => "2. Summer Wishes, Winter Dreams "
        "ordre" => 14
      ]
      [
        "nom" => "3. Maybe September"
        "ordre" => 10
      ]
      [
        "nom" => "3. Sinking Into the Future"
        "ordre" => 15
      ]
      [
        "nom" => "3. Spring Can Really Hang You Up the Most"
        "ordre" => 19
      ]
      [
        "nom" => "3. Summer Me, Winter Me "
        "ordre" => 4
      ]
      [
        "nom" => "4. The Summer We Crossed Europe In the Rain"
        "ordre" => 5
      ]
      [
        "nom" => "AUTUMN"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 11
      ]
      [
        "nom" => "SPRING"
        "ordre" => 16
      ]
      [
        "nom" => "SUMMER"
        "ordre" => 1
      ]
      [
        "nom" => "WINTER"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1629873606 {#2041
      date: 2021-08-25 06:40:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637059941 {#2042
      date: 2021-11-16 10:52:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-four-seasons-in-jazz-live-at-bernie-s-camilio-records-101-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3237
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2111
    -nom: "Four Seasons In Jazz Live At Bernie's "
    -informationComplementaire: ""
    -description: """
      Numbered edition limited to 3000 copies !\r\n
      \r\n
      100 % Analog recording, Direct to disc !\r\n
      \r\n
      Audiophile vinyl quality 180 gram, 2 LP 45 RPM !\r\n
      \r\n
      Mastered by Bernie Grundman !\r\n
      \r\n
      Pressed at RTI !\r\n
      \r\n
      16 page book with lyrics & essay !\r\n
      \r\n
      Serendipity plants the seed, careful planning and hard work bring an amazing collaboration to life. Four Seasons in Jazz : Live at Bernie's is the landmark live recording featuring jazz pianist and vocalist Anne Bisson and the finest musicians and engineers in Hollywood. A selection of popular jazz standards and original compositions by the evocative Canadian songstress was recorded direct-to-disc over two days by Bernie Grundman in Hollywood, California. Legendary engineer Michael C. Ross used a 100 % analog recording chain straight to Grundman's all-analog record cutting system to realistically capture every amazing moment.\r\n
      \r\n
      Four Seasons in Jazz : Live at Bernie's is only the third direct-to-disc recording ever created at Bernie Grundman Mastering. The Grand Master of Audio Mastering himself supervised the audio-to-disc transfer. This exquisite release is the inspiration of two music lovers and audiophile industry luminaries, Gary L. Koh of Genesis Advanced Technologies (USA) and Wuti Larnroongroj of Brilliance Music (Thailand).\r\n
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
    -musicienOrchestre: "Anne Bisson (piano, vocals), Jean-Bertrand Carbou (acoustic bass), Pierre Tanguay (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gBa_ZDUDkf0"
    -referenceProduit: "Camilio Records 101-45"
    -titreMorceau: [
      [
        "nom" => "1. I Can See Clearly Now "
        "ordre" => 2
      ]
      [
        "nom" => "1. Midnight Sun "
        "ordre" => 13
      ]
      [
        "nom" => "1. September in Montreal "
        "ordre" => 8
      ]
      [
        "nom" => "1. Up Jumped Spring "
        "ordre" => 17
      ]
      [
        "nom" => "2. It Might As Well Be Spring "
        "ordre" => 18
      ]
      [
        "nom" => "2. September Song "
        "ordre" => 9
      ]
      [
        "nom" => "2. Summer Breeze "
        "ordre" => 3
      ]
      [
        "nom" => "2. Summer Wishes, Winter Dreams "
        "ordre" => 14
      ]
      [
        "nom" => "3. Maybe September"
        "ordre" => 10
      ]
      [
        "nom" => "3. Sinking Into the Future"
        "ordre" => 15
      ]
      [
        "nom" => "3. Spring Can Really Hang You Up the Most"
        "ordre" => 19
      ]
      [
        "nom" => "3. Summer Me, Winter Me "
        "ordre" => 4
      ]
      [
        "nom" => "4. The Summer We Crossed Europe In the Rain"
        "ordre" => 5
      ]
      [
        "nom" => "AUTUMN"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 11
      ]
      [
        "nom" => "SPRING"
        "ordre" => 16
      ]
      [
        "nom" => "SUMMER"
        "ordre" => 1
      ]
      [
        "nom" => "WINTER"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1629873606 {#2041
      date: 2021-08-25 06:40:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637059941 {#2042
      date: 2021-11-16 10:52:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-four-seasons-in-jazz-live-at-bernie-s-camilio-records-101-45"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
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    -nom: "A Love Supreme - Live in Seattle"
    -informationComplementaire: ""
    -description: """
      Newly Discovered Late 1965 Live Recording of Trane's Magnum Opus A Love Supreme Produced by Engineer Kevin Reeves with Extensive Liner Notes by Music Historian Ashley Kahn !\r\n
      \r\n
      After nearly six decades, a private recording of a rare, nightclub performance by John Coltrane of his magnum opus, A Love Supreme, is available for the first time on vinyl 2 LP courtesy of Impulse Records ! Recorded in late 1965 on the culminating evening of a historic week-long run at The Penthouse in Seattle, A Love Supreme: Live In Seattle is a musical revelation of historic importance, capturing Coltrane as he began to expand his classic quartet adding Pharoah Sanders on second saxophone and Donald Garrett on second bass and catapulting him into the intense, spiritually focused final phase of his career.\r\n
      \r\n
      The significance of A Love Supreme : Live In Seattle is heightened by the fact that Coltrane seldom performed his four-part suite after originally recording it in the studio in 1964. Composed and created as a public declaration of his personal spiritual beliefs and universalist sentiment, it became a best-seller and received a Grammy nod the next year. For more than six decades, it seemed the only recorded public performance of A Love Supremetook place at a French festival at Juan-Les-Pins in July 1965 and was released almost twenty years ago. The tape reels containing this performance from October 1965 sat in the private collection of Seattle saxophonist and educator Joe Brazil, heard by a few fortunate musicians and friends and largely unknown until now.\r\n
      \r\n
      A Love Supreme : Live In Seattle is a fascinating and rare performance of the full suite, marked by a looser and more improvisational approach, and a overriding sense of communal participation – much like a Sunday church service; the lineup featured John Coltrane and Pharoah Sanders on saxophones, McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison and Donald (Rafael) Garrett on basses. Carlos Ward, then a young saxophonist just getting started on the scene, sat in as well.\r\n
      \r\n
      As music historian Ashley Kahn puts it in the liner notes, A Love Supreme : Live In Seattle "offers the first evidence of the master of spiritual expression performing his signature work in the close confines of a jazz club... on October 2, 1965, a Saturday, in Seattle, the necessary elements were in alignment : music, players, venue, a spirit of connection, a certain political charge. Coltrane chose to perform it, and significantly, the moment was recorded". Kahn's extensive liner notes tell the story not only through the words of the musicians themselves, but also through a number of witnesses whose lives were changed by Coltrane's visit to Seattle in 1965 (his sole visit to the city as a leader), including Brazil, Ward, and bassist David Friesen, who states : "I've always pursued the spiritual aspect of the music and I still do. I remember sitting with Coltrane during one break that week and... what touched me was the way he treated other people. He showed mercy and kindness to people from what I could see around me for the week that I was there".\r\n
      \r\n
      The music on A Love Supreme : Live In Seattle was recorded with a two-microphone set-up onstage, connected to an Ampex reel-to-reel machine, and the only copies of the tapes were well cared for, yielding a remarkably clear and distortion-free recording. "What's remarkable is that tapes from this era often suffer over the years from heat or moisture damage, or simply being stacked horizontally", writes engineer Kevin Reeves who produced this release. "However, these tapes are in excellent condition... and the results are among the best amateur recordings of John Coltrane we've had the pleasure to work on".\r\n
      The story of the A Love Supreme suite is the story of John Coltrane his musical journey, and his spiritual path. It has become one of the most celebrated and influential recordings to come out of the jazz canon, revered and studied by musicians far beyond the jazz realm. Rolling Stone magazine consistently lists it among the top albums of all time. "Of his many musical creations, Coltrane looked upon A Love Supreme in a very special light", Kahn notes in the liner notes to A Love Supreme : Live In Seattle : "He called A Love Supreme a ‘humble offering to the Divine; no other composition or recording was similarly offered nor did he append his signature to any other work. A Love Supreme was as much an individual testament as it was a public statement – a sermon of universalist belief". \r\n
      \r\n
      A Love Supreme : Live In Seattle now expands the story of both a great musician and a timeless piece of music !\r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1858 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=CmDbJ8TrQe8"
    -referenceProduit: "Impulse Records 9101"
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    -id: 2121
    -nom: "A Love Supreme - Live in Seattle"
    -informationComplementaire: ""
    -description: """
      Newly Discovered Late 1965 Live Recording of Trane's Magnum Opus A Love Supreme Produced by Engineer Kevin Reeves with Extensive Liner Notes by Music Historian Ashley Kahn !\r\n
      \r\n
      After nearly six decades, a private recording of a rare, nightclub performance by John Coltrane of his magnum opus, A Love Supreme, is available for the first time on vinyl 2 LP courtesy of Impulse Records ! Recorded in late 1965 on the culminating evening of a historic week-long run at The Penthouse in Seattle, A Love Supreme: Live In Seattle is a musical revelation of historic importance, capturing Coltrane as he began to expand his classic quartet adding Pharoah Sanders on second saxophone and Donald Garrett on second bass and catapulting him into the intense, spiritually focused final phase of his career.\r\n
      \r\n
      The significance of A Love Supreme : Live In Seattle is heightened by the fact that Coltrane seldom performed his four-part suite after originally recording it in the studio in 1964. Composed and created as a public declaration of his personal spiritual beliefs and universalist sentiment, it became a best-seller and received a Grammy nod the next year. For more than six decades, it seemed the only recorded public performance of A Love Supremetook place at a French festival at Juan-Les-Pins in July 1965 and was released almost twenty years ago. The tape reels containing this performance from October 1965 sat in the private collection of Seattle saxophonist and educator Joe Brazil, heard by a few fortunate musicians and friends and largely unknown until now.\r\n
      \r\n
      A Love Supreme : Live In Seattle is a fascinating and rare performance of the full suite, marked by a looser and more improvisational approach, and a overriding sense of communal participation – much like a Sunday church service; the lineup featured John Coltrane and Pharoah Sanders on saxophones, McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison and Donald (Rafael) Garrett on basses. Carlos Ward, then a young saxophonist just getting started on the scene, sat in as well.\r\n
      \r\n
      As music historian Ashley Kahn puts it in the liner notes, A Love Supreme : Live In Seattle "offers the first evidence of the master of spiritual expression performing his signature work in the close confines of a jazz club... on October 2, 1965, a Saturday, in Seattle, the necessary elements were in alignment : music, players, venue, a spirit of connection, a certain political charge. Coltrane chose to perform it, and significantly, the moment was recorded". Kahn's extensive liner notes tell the story not only through the words of the musicians themselves, but also through a number of witnesses whose lives were changed by Coltrane's visit to Seattle in 1965 (his sole visit to the city as a leader), including Brazil, Ward, and bassist David Friesen, who states : "I've always pursued the spiritual aspect of the music and I still do. I remember sitting with Coltrane during one break that week and... what touched me was the way he treated other people. He showed mercy and kindness to people from what I could see around me for the week that I was there".\r\n
      \r\n
      The music on A Love Supreme : Live In Seattle was recorded with a two-microphone set-up onstage, connected to an Ampex reel-to-reel machine, and the only copies of the tapes were well cared for, yielding a remarkably clear and distortion-free recording. "What's remarkable is that tapes from this era often suffer over the years from heat or moisture damage, or simply being stacked horizontally", writes engineer Kevin Reeves who produced this release. "However, these tapes are in excellent condition... and the results are among the best amateur recordings of John Coltrane we've had the pleasure to work on".\r\n
      The story of the A Love Supreme suite is the story of John Coltrane his musical journey, and his spiritual path. It has become one of the most celebrated and influential recordings to come out of the jazz canon, revered and studied by musicians far beyond the jazz realm. Rolling Stone magazine consistently lists it among the top albums of all time. "Of his many musical creations, Coltrane looked upon A Love Supreme in a very special light", Kahn notes in the liner notes to A Love Supreme : Live In Seattle : "He called A Love Supreme a ‘humble offering to the Divine; no other composition or recording was similarly offered nor did he append his signature to any other work. A Love Supreme was as much an individual testament as it was a public statement – a sermon of universalist belief". \r\n
      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2084
    -id: 2106
    -nom: "Total Eclipse"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
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      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
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      Production : Billy Cobham & Ken Scott\r\n
      """
    -prixVente: "32.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=sbkv3ZGIIj0"
    -referenceProduit: "Speakers Corner Records 8121"
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    -id: 2106
    -nom: "Total Eclipse"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
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[
  "produit" => App\Entity\Produit {#2103
    -id: 2066
    -nom: "Another Side of John Coltrane"
    -informationComplementaire: ""
    -description: """
      180 gram gatefold double LP !\r\n
      \r\n
      Includes two bonus tracks !\r\n
      \r\n
      A 2 LP collection of classic performances from John Coltrane as a sideman, featuring fellow jazz legends such as Miles Davis, Thelonious Monk, Sonny Rollins, Tadd Dameron, and Art Taylor. This insightful new compilation features liner notes from award-winning music historian Doug Ramsey; recipient of the Jazz Journalists Association's Lifetime Achievement Award. The 180 gram 2 LP set includes two extra tracks that are not available on the CD & Digital editions : "Nutty" and "Birks' Works".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qxq3viYU-c4"
    -referenceProduit: "Concord Craft Recordings 093"
    -titreMorceau: [
      [
        "nom" => "1. Sonny Rollins Quartet - Tenor Madness \t"
        "ordre" => 1
      ]
      [
        "nom" => "1. The Miles Davis Quintet - Airegin \t"
        "ordre" => 5
      ]
      [
        "nom" => "1. The Red Garland Quintet With John Coltrane - Billie's Bounce \t"
        "ordre" => 15
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        "nom" => "1. Thelonious Monk With John Coltrane - Epistrophy (Alternate Take) "
        "ordre" => 10
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      [
        "nom" => "2. Miles Davis - Someday My Prince Will Come "
        "ordre" => 16
      ]
      [
        "nom" => "2. Miles Davis And The Modern Jazz Giants - 'Round Midnight \t"
        "ordre" => 2
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      [
        "nom" => "2. Tadd Dameron With John Coltrane - Soultrane \t"
        "ordre" => 6
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      [
        "nom" => "2. Thelonious Monk With John Coltrane - Trinkle, Tinkle "
        "ordre" => 11
      ]
      [
        "nom" => "3. Art Taylor - C.T.A. \t"
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      [
        "nom" => "3. The Miles Davis Quintet - Oleo "
        "ordre" => 3
      ]
      [
        "nom" => "3. Thelonious Monk With John Coltrane - Nutty "
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      [
        "nom" => "4. Red Garland Quintet (featuring John Coltrane And Donald Byrd) - Birks' Works"
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        "nom" => "4. Thelonious Monk - Monk's Mood "
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      [
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        "ordre" => 14
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
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    }
    -modifierLe: DateTime @1631611193 {#2101
      date: 2021-09-14 09:19:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
    -disponible: null
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    -slug: "vinyles-another-side-of-john-coltrane-concord-craft-recordings-093"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3392
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  +produit: App\Entity\Produit {#2103
    -id: 2066
    -nom: "Another Side of John Coltrane"
    -informationComplementaire: ""
    -description: """
      180 gram gatefold double LP !\r\n
      \r\n
      Includes two bonus tracks !\r\n
      \r\n
      A 2 LP collection of classic performances from John Coltrane as a sideman, featuring fellow jazz legends such as Miles Davis, Thelonious Monk, Sonny Rollins, Tadd Dameron, and Art Taylor. This insightful new compilation features liner notes from award-winning music historian Doug Ramsey; recipient of the Jazz Journalists Association's Lifetime Achievement Award. The 180 gram 2 LP set includes two extra tracks that are not available on the CD & Digital editions : "Nutty" and "Birks' Works".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=qxq3viYU-c4"
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        "nom" => "2. Miles Davis And The Modern Jazz Giants - 'Round Midnight \t"
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        "nom" => "2. Tadd Dameron With John Coltrane - Soultrane \t"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
    -disponible: null
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    -slug: "vinyles-another-side-of-john-coltrane-concord-craft-recordings-093"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2119
    -id: 1074
    -nom: "Symbiosis"
    -informationComplementaire: ""
    -description: """
      Bill Evans was the leader of one of most influential trios in jazz history, an invaluable contributor to the model explorations on Miles Davis' Kind of Blue. Miles said it best : "Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall".\r\n
      \r\n
      Klaus Ogerman was one of the most prolific 20th century arranger-composers, at home in every style - rock, pop, jazz, classical. He worked with Sinatra, Jobim, and was a 2010 Emmy winner with Diane Krall. Symbiosis takes Ogerman's potent melding of contemporary classical and jazz with New York Philharmonic players, top jazz musicians, and the Bill Evans Trio. Classic Evans in an unusual setting.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill Evans (piano Stenway & Fender rodhes), Harvey Estrin, Jerry Dodgion, Phil Woods, Walt Levinsky (saxophone), Eddie Gomez (bass), Bernie Glow, Johnny Frosk, Marky Markowitz, Mel Davis (trumpet), Dave Carey, Doug Allen, George Devens (percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JwXESGNG3Mc"
    -referenceProduit: "MPS 211547"
    -titreMorceau: [
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        "nom" => "1. 1st Movement / Moderato, various temp (a, b, c)"
        "ordre" => 1
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      [
        "nom" => "Side B : "
        "ordre" => 2
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
    -label: Proxies\__CG__\App\Entity\Label {#2124 …}
    -style: App\Entity\Style {#1063 …}
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    }
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      date: 2021-09-04 06:35:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-symbiosis-mps-211547"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3438
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2119
    -id: 1074
    -nom: "Symbiosis"
    -informationComplementaire: ""
    -description: """
      Bill Evans was the leader of one of most influential trios in jazz history, an invaluable contributor to the model explorations on Miles Davis' Kind of Blue. Miles said it best : "Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall".\r\n
      \r\n
      Klaus Ogerman was one of the most prolific 20th century arranger-composers, at home in every style - rock, pop, jazz, classical. He worked with Sinatra, Jobim, and was a 2010 Emmy winner with Diane Krall. Symbiosis takes Ogerman's potent melding of contemporary classical and jazz with New York Philharmonic players, top jazz musicians, and the Bill Evans Trio. Classic Evans in an unusual setting.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bill Evans (piano Stenway & Fender rodhes), Harvey Estrin, Jerry Dodgion, Phil Woods, Walt Levinsky (saxophone), Eddie Gomez (bass), Bernie Glow, Johnny Frosk, Marky Markowitz, Mel Davis (trumpet), Dave Carey, Doug Allen, George Devens (percussion)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=JwXESGNG3Mc"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
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    -modifierLe: DateTime @1630737318 {#2117
      date: 2021-09-04 06:35:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
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    -slug: "vinyles-symbiosis-mps-211547"
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}

[
  "produit" => App\Entity\Produit {#2138
    -id: 1246
    -nom: "Midnight Mood"
    -informationComplementaire: ""
    -description: "When he died at the age of 83 in October 2015, the local papers were restrained in their obituaries. For many jazz fans and cognoscenti, singer Mark Murphy was vastly underrated; they are right, as his prolific six-decade-long artistic career attests: during that career Murphy exhibited an inventive stylistic range that covered blues to bebop on through to modern jazz. His 1967 MPS recording lands in the middle of his "European decade", and it is one of the most beautiful, striking documents of his skills. "Midnight Mood" is characterized by the sophisticated dialogue between voice and eight musicians from the Kenny Clarke-Francy Boland-Big band, but it begins a cappella : Murphy welcomes us with Duke Ellington’s "Jump For Joy" as he walks the vocal tightrope without a net, at the sametime offering us a taste of his unorthodox scat singing. With "I Don’t Want Nothin’" the ensemble offers us a swinging, bluesy, mischievous miniature, while Murphy's voice on "Why And How" shifts towards a noticeably darker tinge, surrounded by short penetrating solo interludes from the band. "Alone Together" reveals a masterpiece of phrasing over syncopated piano play; "You Fascinate Me So" emphasizes Murphy's romantic ardor. "Hopeless" unfolds with overwhelming intensity à la Sinatra, and "Sconsolato" is served with a casual Hispanic flair. With subtly nuanced tenderness on "My Ship" and "I Get Along ...", Murphy evokes a depths-of-night ambience in dialogue with the keys, while "Just Give Me Time" reflects a dark sensuality that swaggers between Swing and Bossa.\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Mark Murphy (vocals), Francy Boland (piano), Jimmy Woode (bass), Derek Humble (alto saxophone), Sahib Shihab (baritone saxophone), Ronnie Scott (tenor saxophone), Ake Persson (trombone), Jimmy Deuchar (trumpet), Sahib Shihab (flute), Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RtMW3KsWaGc"
    -referenceProduit: "MPS 4207"
    -titreMorceau: [
      [
        "nom" => "1. Hopeless"
        "ordre" => 7
      ]
      [
        "nom" => "1. Jump For Joy"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Don't Want Nothin'"
        "ordre" => 2
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        "nom" => "2. Sconsolato"
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        "nom" => "4. Just Give Me Time"
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3489
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2138
    -id: 1246
    -nom: "Midnight Mood"
    -informationComplementaire: ""
    -description: "When he died at the age of 83 in October 2015, the local papers were restrained in their obituaries. For many jazz fans and cognoscenti, singer Mark Murphy was vastly underrated; they are right, as his prolific six-decade-long artistic career attests: during that career Murphy exhibited an inventive stylistic range that covered blues to bebop on through to modern jazz. His 1967 MPS recording lands in the middle of his "European decade", and it is one of the most beautiful, striking documents of his skills. "Midnight Mood" is characterized by the sophisticated dialogue between voice and eight musicians from the Kenny Clarke-Francy Boland-Big band, but it begins a cappella : Murphy welcomes us with Duke Ellington’s "Jump For Joy" as he walks the vocal tightrope without a net, at the sametime offering us a taste of his unorthodox scat singing. With "I Don’t Want Nothin’" the ensemble offers us a swinging, bluesy, mischievous miniature, while Murphy's voice on "Why And How" shifts towards a noticeably darker tinge, surrounded by short penetrating solo interludes from the band. "Alone Together" reveals a masterpiece of phrasing over syncopated piano play; "You Fascinate Me So" emphasizes Murphy's romantic ardor. "Hopeless" unfolds with overwhelming intensity à la Sinatra, and "Sconsolato" is served with a casual Hispanic flair. With subtly nuanced tenderness on "My Ship" and "I Get Along ...", Murphy evokes a depths-of-night ambience in dialogue with the keys, while "Just Give Me Time" reflects a dark sensuality that swaggers between Swing and Bossa.\r\n"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Mark Murphy (vocals), Francy Boland (piano), Jimmy Woode (bass), Derek Humble (alto saxophone), Sahib Shihab (baritone saxophone), Ronnie Scott (tenor saxophone), Ake Persson (trombone), Jimmy Deuchar (trumpet), Sahib Shihab (flute), Kenny Clarke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "1. Hopeless"
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      [
        "nom" => "1. Jump For Joy"
        "ordre" => 1
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        "nom" => "2. I Don't Want Nothin'"
        "ordre" => 2
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        "nom" => "2. Sconsolato"
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        "nom" => "3. Why and How"
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        "nom" => "4. Alone Together"
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        "nom" => "4. Just Give Me Time"
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        "nom" => "5. I Get Along Without You Very Well"
        "ordre" => 11
      ]
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        "nom" => "5. You Fascinate Me So"
        "ordre" => 5
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        "nom" => "Side A : "
        "ordre" => 0
      ]
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        "nom" => "Side B : "
        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …}
    -label: Proxies\__CG__\App\Entity\Label {#2124 …}
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    -modifierLe: DateTime @1630045612 {#2136
      date: 2021-08-27 06:26:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2154
    -id: 1671
    -nom: "Abbey is Blue"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Abbey Lincoln (vocals), Stanley Turrentine (tenor saxophone), Kenny Dorham, Tommy Turrentine (trumpet), Julian Priester(trombone), Wynton Kelly, Phil Wright, Cedar Walton (piano), Les Spann (guitar), Sam Jones, Bobby Boswell (bass), Philly Joe Jones, Max Roach (drums).\r\n
      \r\n
      180 gram vinyl !\r\n
      \r\n
      Single sleeve tip-on jacket !\r\n
      \r\n
      Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln, featuring tracks recorded in 1959 for Riverside Records. A breakout performance for the jazz legend this album displays Lincoln perfectly poised between jazz for show and jazz with a purpose. The album features an all-star lineup that includes Kenny Dorham, Stanley Turrentine, Wynton Kelly, Sam Jones, Philly Joe Jones and Max Roach. 180 Gram LP. Single Tip-On Jacket.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Abbey Lincoln (vocals), Stanley Turrentine (tenor saxophone),  Kenny Dorham, Tommy Turrentine (trumpet), Julian Priester (trombone), Wynton Kelly, Phil Wright, Cedar Walton (piano),  Les Spann (guitar), Sam Jones, Bobby Boswell (bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=67jw5J60YoU"
    -referenceProduit: "Craft Recordings 0369"
    -titreMorceau: [
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        "nom" => "1. Afro-Blue"
        "ordre" => 1
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      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2105 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
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    }
    -modifierLe: DateTime @1628316720 {#2152
      date: 2021-08-07 06:12:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-abbey-is-blue-craft-recordings-0369"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3540
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2154
    -id: 1671
    -nom: "Abbey is Blue"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Abbey Lincoln (vocals), Stanley Turrentine (tenor saxophone), Kenny Dorham, Tommy Turrentine (trumpet), Julian Priester(trombone), Wynton Kelly, Phil Wright, Cedar Walton (piano), Les Spann (guitar), Sam Jones, Bobby Boswell (bass), Philly Joe Jones, Max Roach (drums).\r\n
      \r\n
      180 gram vinyl !\r\n
      \r\n
      Single sleeve tip-on jacket !\r\n
      \r\n
      Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln, featuring tracks recorded in 1959 for Riverside Records. A breakout performance for the jazz legend this album displays Lincoln perfectly poised between jazz for show and jazz with a purpose. The album features an all-star lineup that includes Kenny Dorham, Stanley Turrentine, Wynton Kelly, Sam Jones, Philly Joe Jones and Max Roach. 180 Gram LP. Single Tip-On Jacket.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Abbey Lincoln (vocals), Stanley Turrentine (tenor saxophone),  Kenny Dorham, Tommy Turrentine (trumpet), Julian Priester (trombone), Wynton Kelly, Phil Wright, Cedar Walton (piano),  Les Spann (guitar), Sam Jones, Bobby Boswell (bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=67jw5J60YoU"
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        "ordre" => 6
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2105 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
    -enregistreLe: DateTime @1557662453 {#2151
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    }
    -modifierLe: DateTime @1628316720 {#2152
      date: 2021-08-07 06:12:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-abbey-is-blue-craft-recordings-0369"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2170
    -id: 2062
    -nom: "Live At Slugs's Volume II"
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
      Owning both this disc and Live at Slugs', Volume 1 is essential for hardcore jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Tolliver's compositional work with the touching Coltrane tribute "Our Second Father". Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar fashion to Garrison and Jones did with Coltrane. The McBee original Wilpan's also highlights the strength of McBee's writing and is probably the pick of the tunes here. \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Charles Tolliver (trumpet), Stanley Cowell (piano), Cecil McBee (bass), Jimmy Hopps (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=haMdAiPZm0k"
    -referenceProduit: "Pure Pleasure Records SES 19720"
    -titreMorceau: [
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        "nom" => "1. Our Second Father (Dedicated To The Memory Of John Coltrane)"
        "ordre" => 4
      ]
      [
        "nom" => "1. Spanning \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. Wilpan’s "
        "ordre" => 2
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      [
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        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#2175 …}
    -style: App\Entity\Style {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2177 …}
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    -modifierLe: DateTime @1628240610 {#2168
      date: 2021-08-06 09:03:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
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    -slug: "vinyles-live-at-slugs-s-volume-ii-pure-pleasure-records-ses-19720"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3591
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2170
    -id: 2062
    -nom: "Live At Slugs's Volume II"
    -informationComplementaire: ""
    -description: """
      180 gram LP !\r\n
      \r\n
      Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London !\r\n
      \r\n
      Owning both this disc and Live at Slugs', Volume 1 is essential for hardcore jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Tolliver's compositional work with the touching Coltrane tribute "Our Second Father". Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar fashion to Garrison and Jones did with Coltrane. The McBee original Wilpan's also highlights the strength of McBee's writing and is probably the pick of the tunes here. \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Charles Tolliver (trumpet), Stanley Cowell (piano), Cecil McBee (bass), Jimmy Hopps (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=haMdAiPZm0k"
    -referenceProduit: "Pure Pleasure Records SES 19720"
    -titreMorceau: [
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        "nom" => "1. Our Second Father (Dedicated To The Memory Of John Coltrane)"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
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    }
    -modifierLe: DateTime @1628240610 {#2168
      date: 2021-08-06 09:03:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
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    -slug: "vinyles-live-at-slugs-s-volume-ii-pure-pleasure-records-ses-19720"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2189
    -id: 2085
    -nom: "Blue Stompin'"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Kippie Moketsi, Barney Rachabane (alto saxophone), Hal Singer, Duku Makasi (tenor saxophone), Enoch Mthaleni (guitar), Alain Jean Marie, Pat Matshikiza, Jabu Nkosi (piano), August 'Gus' Nemeth, Sipho Gumede (bass), Oliver Johnson, Gilbert Mathews (drums).\r\n
      \r\n
      Limited Edition !\r\n
      \r\n
      Remastered by Noah Mintz at Lacquer Channel Mastering ! \r\n
      \r\n
      Artwork & Text Restoration by Steve Lewin !\r\n
      \r\n
      Blue Stompin' is a collaborative album between Kippie Moketsi and Hal Singer that was organized and produced by Rashid Vally, owner of The Sun record label. The album prominently features both influential saxophonists as well as other iconic South African players Barney Rachabane and Pat Matshikiza. It was originally released by The Sun in 1977 and is being reissued by We Are Busy Bodies in partnership with the original label. The album has been remastered by Noah Mintz at Lacquer Channel.Artwork and text restoration by Steve Lewin.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Kippie Moketsi, Barney Rachabane (alto saxophone), Hal Singer, Duku Makasi (tenor saxophone), Enoch Mthaleni (guitar), Alain Jean Marie, Pat Matshikiza, Jabu Nkosi (piano), August 'Gus' Nemeth, Sipho Gumede (bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GtQm-OTWM8Y"
    -referenceProduit: "We Are Busy Bodies 991"
    -titreMorceau: [
      [
        "nom" => "1. Blue Stompin'"
        "ordre" => 1
      ]
      [
        "nom" => "1. Scrap Iron"
        "ordre" => 4
      ]
      [
        "nom" => "2. Hang On There"
        "ordre" => 2
      ]
      [
        "nom" => "2. Yes Baby"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
    -label: Proxies\__CG__\App\Entity\Label {#2194 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
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    }
    -modifierLe: DateTime @1627281692 {#2187
      date: 2021-07-26 06:41:32.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-blue-stompin-we-are-busy-bodies-991"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3642
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2189
    -id: 2085
    -nom: "Blue Stompin'"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Kippie Moketsi, Barney Rachabane (alto saxophone), Hal Singer, Duku Makasi (tenor saxophone), Enoch Mthaleni (guitar), Alain Jean Marie, Pat Matshikiza, Jabu Nkosi (piano), August 'Gus' Nemeth, Sipho Gumede (bass), Oliver Johnson, Gilbert Mathews (drums).\r\n
      \r\n
      Limited Edition !\r\n
      \r\n
      Remastered by Noah Mintz at Lacquer Channel Mastering ! \r\n
      \r\n
      Artwork & Text Restoration by Steve Lewin !\r\n
      \r\n
      Blue Stompin' is a collaborative album between Kippie Moketsi and Hal Singer that was organized and produced by Rashid Vally, owner of The Sun record label. The album prominently features both influential saxophonists as well as other iconic South African players Barney Rachabane and Pat Matshikiza. It was originally released by The Sun in 1977 and is being reissued by We Are Busy Bodies in partnership with the original label. The album has been remastered by Noah Mintz at Lacquer Channel.Artwork and text restoration by Steve Lewin.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Kippie Moketsi, Barney Rachabane (alto saxophone), Hal Singer, Duku Makasi (tenor saxophone), Enoch Mthaleni (guitar), Alain Jean Marie, Pat Matshikiza, Jabu Nkosi (piano), August 'Gus' Nemeth, Sipho Gumede (bass)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2191 …}
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[
  "produit" => App\Entity\Produit {#2208
    -id: 1943
    -nom: "The Real McCoy"
    -informationComplementaire: ""
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "McCoy Tyner (piano), Joe Henderson (tenor saxophone), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=73VczRfu9Kg"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
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    -slug: "vinyles-the-real-mccoy-blue-note-records-38845"
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App\Twig\Components\GestionPanierFavoriComponents {#3693
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    -id: 1943
    -nom: "The Real McCoy"
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    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
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      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog, kicking off in December 2020 with the release of two masterpieces pianist McCoy Tyner's The Real McCoyand trumpeter Lee Morgan's The Sidewinder. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "McCoy Tyner (piano), Joe Henderson (tenor saxophone), Ron Carter (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2210 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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}

[
  "produit" => App\Entity\Produit {#2224
    -id: 485
    -nom: "Ben Webster meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      "I just picked up your new AP pressing of Ben Webster Meets Oscar Peterson and it sounds amazing. QRP is doing it right !" - Matthew Block, Acoustic Sounds customer\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      "...this LP is from the stereo tapes. While I've always preferred the original in its mono version, that preference no longer stands. The stereo image is stunning, with good center fill, decent depth and no sense that instruments are stuck in the speaker locations in other words all of the attributes of the best mono recordings with the advantages of stereo spread. You'll use this record to show your doubting friends just how much better (vinyl) can sound than any digital format". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 87\r\n
       \r\n
      Ben Webster Meets Oscar Peterson brings together two of the greatest stylists American music has produced. Here, in a program of timeless songs, pianist Oscar Peterson is the perfect foil his effortless swing an excellent set-up for the unhurried scoops, slurs, and bent notes of tenor saxophone balladeer Ben Webster just the way he liked it.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Oscar Peterson (piano),? Ray Brown (bass), ?Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=4VZB44awF70"
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        "nom" => "2. How Deep Is the Ocean (How High Is the Sky)"
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        "nom" => "2. Sunday"
        "ordre" => 8
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        "nom" => "2. When Your Lover Has Gone"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2226 …}
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    -modifierLe: DateTime @1626675401 {#2222
      date: 2021-07-19 06:16:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2235 …}
    -disponible: null
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    -slug: "vinyles-ben-webster-meets-oscar-peterson-avrj-6114"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3744
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2224
    -id: 485
    -nom: "Ben Webster meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      "I just picked up your new AP pressing of Ben Webster Meets Oscar Peterson and it sounds amazing. QRP is doing it right !" - Matthew Block, Acoustic Sounds customer\r\n
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      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      "...this LP is from the stereo tapes. While I've always preferred the original in its mono version, that preference no longer stands. The stereo image is stunning, with good center fill, decent depth and no sense that instruments are stuck in the speaker locations in other words all of the attributes of the best mono recordings with the advantages of stereo spread. You'll use this record to show your doubting friends just how much better (vinyl) can sound than any digital format". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 87\r\n
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      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Ben Webster (tenor saxophone), Oscar Peterson (piano),? Ray Brown (bass), ?Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2226 …}
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    }
    -modifierLe: DateTime @1626675401 {#2222
      date: 2021-07-19 06:16:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2235 …}
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    -slug: "vinyles-ben-webster-meets-oscar-peterson-avrj-6114"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3945
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3946 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3994 …}
  +isValidated: false
  +validatedFields: []
}